Tag: IFFI

  • Film industry bodies FFI & FWICE to boycott IFFI

    Film industry bodies FFI & FWICE to boycott IFFI

    NEW DELHI: The Film Federation of India (FFI) and the Federation of Western India Cine Employees (FWICE) have jointly decided not to participate in the International Film Festival of India (IFFI) next month “as a mark of protest against the step-motherly treatment meted out” to the organisations.

     

    In fact, the FWICE has issued a missive to cine artistes to not participate in the festival being held from 20 to 30 November and organised by the Directorate of Film Festivals, which is a media wing of the Information and Broadcasting Ministry.

     

    A press note issued by FFI president J P Chowksey said, “The producers, however, will not be restrained from entering their films at the Festival as it is not our intent to hamper the functioning of the festival.”

     

    It added that this “non-cooperation is also to extend moral support to the writers and film makers who have returned their awards. Though some members insisted on totally boycotting the festival, we are only resorting to the Gandhian way of Asahyog Andolan.”

     

    FFI has been the Government’s “umbilical link to the Indian film industry. Ever since one can remember, it has been customary for the Government to consult FFI before taking any decisions that could have adverse repercussions on the existing relationship and the business of film making.”

     

    The released added that till the turn of the 21st century and, perhaps, a major portion of its first decade the Government regularly turned to the Federation in all matters concerning films including festivals and international cultural relations. Inadvertent oversights were quickly seen to and always remedied to mutual satisfaction.

     

    “Unfortunately what was once a strong bond gathering strength for over half a century or so is being severely tested, strained and threatened in the second decade of the 21st century. Today, FFI is either being ignored and sidelined. Without prejudice, it is our belief, that the top echelon in the Government is not fully conversant with the ground realities and is being misguided, or biased by information acquired by superficial research, information and from over-zealous, self-seeking individuals – at times from non film trade bodies,” the note said.

     

    Referring to the present year and “the current heartburn,” the FFI said it had no representation in the IFFI Steering Committee for the first time in history.

     

    This added to the callous, insulting behaviour meted out to the FFI president and vice president at IFFI 2014 has been a great source of embarrassment and shame, the note said. “As if this was not enough, the FFI president’s speech at the inaugural function was subjected to scrutiny. For over four decades FFI has been treated as a partner in IFFI/Filmostsav.”

     

    The Government used to set up various committees – technical, theatrical, function et al – which always included FFI delegates to guide and advise on various activities of the festival. The FFI is unaware of any such committees now, if they exist.

     

    “This smacks of Government’s total apathy towards FFI. A Ministry official took exceptional delight in harassing FFI’s representatives in connection with handing over the invites,” the note said.

     

    In a hurriedly called Film Industry Coordination Committee Meeting by the Festival Directorate on 27 October attended by FFI members, members of the FWICE – an important component of AIFEC, and the Indian Film and Television Directors Association (IFTDA), “ire and resentment was expressed on the Government’s callous attitude towards film industry members which also included cine employees.”

     

    In the last festival, a group of 200 cine employees were taken to attend the festival on invitation of the Festival Director in the Film Industry Coordination Committee Meeting. On landing in Goa, the group was not even given delegate passes to attend the festival. There was no reply to subsequent correspondence sent to the DFF by IFTDA.

     

    “A festival that is meant to celebrate film ignores the film makers: inadequate number of invitations for events; sometimes even none. Seating is in far flung corners of the auditorium; while choice seats are given to non-film, administrative and other staff not connected with film making. This has been a sore point for last few years,” the note added.

  • IFFI to highlight films from NE; FD commissions films from region: Julka

    IFFI to highlight films from NE; FD commissions films from region: Julka

    NEW DELHI: Information and Broadcasting secretary Bimal Julka has said that the forthcoming International Film Festival of India (IFFI) in November will have a special section on the North East to expose the feature and non-feature films made in Meghalaya. 

     

    In addition, the Films Division has implemented a special component under a Plan Scheme for production of short films from the North East. The Division has commissioned 54 films from the North East in the past five years. 

     

    Julka was speaking after inaugurating the third edition of the Indian Panorama Film Festival at U Soso Tham auditorium in Shillong last evening. The festival opened with the screening of the award winning Marathi film Dr. Prakash Baba Amte: the Real Hero, directed by Samruddhi Porey.

     

    A host of film personalities including director Anjan Dutt were present at the inaugural ceremony, which was also attended by Meghalaya chief minister Dr. Mukul Sangma and Meghalaya Information and Public Relations minister A.L. Hek. 

     

    Julka said that the Ministry has been focusing on showcasing films from the North East to encourage production of films in the region. A North East Film Festival was also held in New Delhi recently.

     

    Appreciating film productions by young film makers from the North East, Julka said numerous short and non-feature films from the region have received National Awards.

     

    Julka informed that in 2014-2015, a week-long film-making workshop was also organized in Aizawl in Mizoram and another workshop is currently being conducted in Silchar in Assam. In this endeavour, the Films Division plans to conduct four such film making workshops every year in the North East, to familiarize film makers from these states with the latest technology in film making. 

     

    Eight feature films and three non-feature films will be screened over three days. The film festival is being organised by the Directorate of Film Festivals in collaboration with the state Government.

     

    Other feature films to be screened during the festival are Drishyam (Malayalam), December 1 (Kannada), Kuttram Kadithal (Tamil), Ankhon Dekhi (Hindi), Othello (Assamese), Ri (Khasi), Teenkahon (Bengali) and Ranjana Ami Ar Ashbona (Bengali). Non-feature films to be screened during the festival are Songs of the Blue Hills by Utpal Borpujari (Nagamese/English), A Dream Never Dies (Assamese) and Ek Hota Kau (Marathi). 

     

    Indian Panorama Film Festival is being held in Shillong for the last two years and this will be the third edition of the festival.

  • Indian films win top awards at South Asian film fest in New York

    Indian films win top awards at South Asian film fest in New York

    NEW DELHI: Kanu Behl’s Titli won the Grand Jury Prize for Best Feature at the South Asian International Film Festival in New York.

     

    Avinash Arun’s Killa was adjudged the second best film.

     

    The Best Director award was presented to first-time writer-director Afia Nathaniel for her film Dukhtar. The tense drama which is Pakistan’s official entry to the 2014 Academy Awards was also presented with the festival’s Audience Award.

     

    The film was screened at the International Film Festival of India in Goa.

     

    The jury awarded their Short Grand Jury Prize to Gitanjali Rao’s True Love Story, a stunning animated short about a 17-year-old orphan who uses his love of Bollywood cinema to help him woo the girl of his dreams.

     

    The Audience Award for Short Film was awarded to Veil by director Sreemoyee Bhattacharya.

     

     

  • Filmmaker from Bangladesh wins top award at Film Bazaar in Goa

    Filmmaker from Bangladesh wins top award at Film Bazaar in Goa

    NEW DELHI: Filmmaker Mostofa Sarwar Farooki of Bangladesh won the National Film Development Corporation’s Development Award for his project No Land’s Man on the concluding day of the NFDC Film Bazaar coinciding with the ongoing International Film Festival of India

     

    The cash award of Rs 10 Lakh ($6,000) was presented to him on the closing day of Film Bazaar in Panaji, Goa.

     

    The NFDC Development award, earlier known as the Incredible India award, is given to the best project of co-production market.

     

    Farooki, known for films like Television and Ant Story, was earlier selected for the Asian Project Market of Busan International Film Festival for his project No Land’s Man.

     

    Raam Reddy’s Thithi won the award in fiction category of Work-in-Progress lab. Khushboo Ranka and Vinay Shukla’s Proposition for a Revolution won the award in non-fiction category.

    Projects at rough cut stage are presented in the Work-in-Progress lab. The winners of this section are offered free Digital Intermediate service at Prasad Labs.

     

    Documentary films were introduced in the Work-in-Progress lab for the first time this year.

     

    Another addition to the Film Bazaar this year was Investor Pitch, an open pitching platform for films seeking gap financing. Shlok Sharma’s Haraamkhor was offered an interest free repayable loan of Rs 10 Lakh towards completion of the film by Vinod Chopra Films and Rajkumar Hirani. The project was pitched in the forum by producer Guneet Monga.

     

    Independent producer Manish Mundra also extended interest free repayable loans of Rs. 10 Lakh each to Rinku Kalsy’s For the Love of a Man and Arun Karthick’s ‘The Strange Case of Shiva (Sivapuranam)’.

  • “Indian cinema offers vision to young minds to learn and nurture talent”:  Arun Jaitley

    “Indian cinema offers vision to young minds to learn and nurture talent”: Arun Jaitley

    MUMBAI: Information and Broadcasting Minister Arun Jaitley has said that the Indian film industry has come of age in view of the diversity it offers with regards to the number of films produced in different languages and themes.

     

    “Cinema today acts as the alternate religion as it entertains, educates, gives a social perspective to issues, offers young growing minds the vision to learn and nurtures talent,” said Jaitley while delivering his address at the inaugural ceremony of the 45th edition of International Film Festival of India which began in Goa on 20 November.

     

    Elaborating further, Jaitley said cinema as a medium in the country has matured. “There is corporatisation of the industry, making it more professional and vibrant,” he said.

     

    The Minister reiterated the efforts being made by the Ministry of Information & Broadcasting to mainstream the National Film Heritage Mission as a policy initiative. “This will ensure the preservation of the record of Indian cinema digitally,” he added highlighting the importance of Goa being made the permanent venue of the International Film Festival of India in the context of its hospitality, growth, natural beauty and cultural diversity.

     

    Union Defence Minister Manohar Parrikar, who was also present on the occasion, said that all efforts would be made to host the next edition of IFFI at the permanent venue.

     

    Also speaking on the occasion, I&B secretary Bimal Julka said that IFFI aims to nurture, encourage and inspire Indian cinema and introduce it to the world outside as well as many audiences within the country.

     

    Each edition of IFFI facilitates new strategies thereby ensuring enriched, enhanced and enlarged viewing experience. The vision of IFFI was to provide a common platform to project the excellence of the film art. With China being the focus country, Julka said that a special package on contemporary Chinese cinema had been created at the festival.

     

    In his address, the Chief Guest for the function,  Amitabh Bachchan traced the evolution of Indian cinema through its various facets touching upon the iconic films in different periods and the dominant themes. Bachchan also highlighted the role and relevance of Indian cinema in the context of India’s diversity and plurality.

     

    Jaitley along with Bachchan conferred the Centenary Award for Indian Film Personality of the Year on Rajnikanth for his outstanding contribution to Indian Cinema. The prestigious award consists of cash prize of Rs 10,00000, certificate and the Silver Peacock Medal. The award was instituted last year to commemorate 100 years of Indian Cinema.

     

    The International Jury for the Festival was also introduced at the inaugural ceremony. Jaitley felicitated the Jury Members including the chairman SlawomirIdziak, noted film maker from Poland, eminent Chinese film director, Zhang Jianya, renowned Swiss film maker and head of International Locarno Film Festival Nadia Dresti, noted American film critic, Marie Brenner, and renowned Indian actress Seema Biswas.

     

    The inaugural function also witnessed the screening of ‘Swacch Bharat’ promotion film and the signature film of the festival. The Signature Film was directed by Shaji N Karun, one of the renowned film makers of India. The President directed by eminent Iranian film maker, Mohsen  Makhmalbaf was the opening film of the festival.

     

    The 11 day festival would screen 178 films from 79 countries across different categories which includes world cinema (61 films), master-strokes (11 films), festival kaleidoscope (20 films), soul of Asia (7 films), documentaries (6 films) and animated films (6 films). Besides, Indian panorama section would include 26 feature and 15 non-feature films. North-east being the focus region of the festival, IFFI 2014 would be showcasing seven films from North eastern part of India. Regional cinema would also be an integral part of the festival. Retrospective sections on Gulzar and Jahnu Baruah, special homage films on Richard Attenborough, Robin Williams, Zohra Sehgal, Suchitra Sen and special tribute to Farooq Sheikh would be other attractions this year. A special section of films that focus on dance, personality based retrospectives and master classes/workshops would also form a part of IFFI 2014.

     

    The open air screening of Indian films for the general public free of cost on first come first basis would be a new attraction in IFFI 2014. Besides the world premieres, IFFI 2014 offered a repertoire of activities, such as the film bazar, 3D film shows, dinners, master classes, panel discussions, stalls and open-air screenings for the delegates.

  • 26 features and 15 non-features make it to Indian Panorama 2014 for IFFI

    26 features and 15 non-features make it to Indian Panorama 2014 for IFFI

    NEW DELHI: A total of 26 features and 15 non-features have been selected for the Indian Panorama section of the 45th International Film Festival of India (IFFI) to be held in Goa next month.

    The jury for feature films headed by renowned cinematographer-turned-filmmaker AK Bir selected the features out of a total of 181 eligible entries while the non-feature jury was headed by emnent filmmaker Mike Pandey.
    Two features out of the chosen ones will be selected for the competition section of the Festival while one will be placed in a special section of SAARC films.

    The feature Elizabeth Ekadashi (Director: Paresh Mokashi) and the non-feature The Last Adieu (Director: Shabnam Sukhdev) have been chosen as the opening film by the feature film jury of Indian Panorama 2014.

    The feature section has seven films each in Malayalam and Marathi, five films in Bengali, two in Hindi, and one film each in Assamese, Kannada, Khasi, Odiya and Tamil.

    The complete list of the films is:

    FEATURE FILMS

    NON-FEATURES:  

  • Goa to be permanent venue of International Film Festival of India

    Goa to be permanent venue of International Film Festival of India

    NEW DELHI: Although Goa has been the venue of the International Film Festival of India since 2004, there has been discussion year after year on whether it should continue to remain so, with a large section of the film industry particularly from eastern and north east India opposing this move.

     

    However, Information and Broadcasting Minister Prakash Javadekar has reiterated that Goa will be formally made the permanent venue for the festival.

     

    The Minister made this statement after the signing of the ritual annual Memorandum of Understanding between the Ministry and the state government at the State Secretariat in Panaji in the presence of Javadekar and Goa Chief Minister Manohar Parrikar. The MoU was signed by Ministry secretary Bimal Julka and Goa Chief Secretary B Vijayan.

     

    The 45th edition of the festival will be held from 20 to 30 November.

     

     “With the signing of the MoU, Goa will now be designing permanent facilities and world-class infrastructure for the festival at Goa, which has matured as a venue for IFFI,” declared Javadekar. This year will be the State’s 11th time hosting the IFFI.

     

    With its peculiar culture and hospitable atmosphere, Goa would soon catch up with renowned international film festivals like Cannes, Javadekar added.

     

    With a few days to go, Javadekar expressed confidence in the facelift planned for the festival, which is being organised by a steering committee comprising representatives of the Directorate of Film Festivals, the State and reputed film industry stakeholders.

  • 44th IFFI sees foreign films make the mark

    44th IFFI sees foreign films make the mark

    MUMBAI: NEW DELHI: Tiny island nation East Timor’s first ever feature film Beatriz’s War directed by Bety Reis and Luigi Acquisto won the prestigious Golden Peacock Award for the Best Film at the forty fourth International Film Festival of India (IFFI) which concluded in Panaji in Goa over the weekend.

     

    The award for the best film carried a Golden Peacock, a certificate and a cash prize of Rs 40 lakh. In her passionate acceptance speech at the closing ceremony held on the banks of River Mandovi, Reis said, “One of the world’s oldest and biggest film industries has reposed faith in the world’s newest and smallest film industry in East Timor. Since its independence in 1999, we have not just been fighting for the rights of women, the rights of children and the right to rule ourselves, but also our right to tell our stories.”  Beatriz’s War is a passionate story of one woman’s conviction to remain true to the man she loves.

     

    The film’s jury was unanimous in their decision selecting the film from East Timor, which succeeds in intricating intimate relationships between women and men during the hard years of continuous violence against East Timorians.

     

    The best director award was given to Kaushik Ganguly for his film Apur Panchali, his tribute to stalwart master craftsman Satyajit Ray. He received Rs 15 lakh, a certificate and a Silver Peacock.

     

    Thou Guils’t The Even, a Turkish film by Onur Unlu won the special jury award of a cash prize of Rs 15 lakh and silver peacock

     

    The best actor (male) award went to Alon Moni Aboutboul for his performance in the Israeli movie A Place in Heaven where his performance as a cruel and sensitive character was applauded. The best actor (female) award was presented to Boczarska Magdalena for her performance in the Polish film In Hiding. Both these awards carried a Silver Peacock, a certificate and a cash prize of Rs 10 lakh.

     

    The special centenary award of IFFI instituted in the 101st year of Indian cinema was handed to director Kamaleshwar Mukherjee of Bengali film Meghe Dhaka Tara by legendary actress Asha Parekh. The film is a tribute to Bengali off-beat cinema master Ritwik Kumar Ghatak. The centenary award carries a cash prize of Rs 10 lakh and a silver peacock.

     

    The chief guest Michelle Yeoh expressed delight at being part of the ceremony and among incredible moviemakers. “I congratulate you for the movies you’ve made, and the incredible stories you’ve told. It is truly my honour to be in this room”, she said, adding: “The world is a smaller place than ever. A movie made in India reaches London or a film made in Singapore or Goa travels worldwide.”

     

    On the occasion Union Information and Broadcasting Minister Manish Tewari said the 44th IFFI was a celebration of freedom of the human spirit, liberated from the mores of conventionalism. Talking about the initiatives taken over the past one year, he said, the single window mechanism that the Ministry has put in place will help streamline the whole business of producing films in India. He said the same mechanism has been extended to domestic film producers as well. Tewari said the government had also taken the initiative to replace the archaic Cinematograph Act 1952 with a completely new legislation, the draft of which is on the Ministry’s website for public consultation.

     

    Goa Chief Minister Manohar Parrikar said the host state has promised a bigger and better IFFI going forward. “IFFI saw a huge number of delegates this time. We will plan a grander IFFI going forward. IFFI is one of the most celebrated festivals,” Parrikar said at the concluding ceremony.

     

    Speaking on the occasion Ministry Joint Secretary (Films) Raghavendra Singh said, “This time we have had a concentrated dose of Indian and World Films. I hope the hangover of watching great films would last at least for a few days”.

     

    Singh said that media reports about the event had been flattering, which he said must have in turn made the jury’s job of picking a winner tougher.

     

    “This time we witnessed a 30 percent rise in the number of delegates that was 12000,” he said suggesting that the number of auditoriums at the venue had to increase.

     

    “The response from North East cinema was terrific and Japan sent a great contingent,” he said.

     

    Rohit Shetty, who was felicitated at the closing ceremony professed his love for Goa, which, he jokingly said, even rivaled his wife.

     

    “Eighteen or 19 years ago I had told my wife I love you. Now this goes out to Goa.  I love you Goa. When we were shooting for an action sequence for Singham in Goa, a man looked at me and suddenly stopped in the middle of the road and said, ‘where did you disappear for so many days?’ This shows how hospitable and friendly people of Goa are,” a visibly touched Shetty said.

     

    Justin Chadwick’s film Mandela: Long Walk to Freedom was the closing film of the festival. The film chronicles Nelson Mandela’s his life from his childhood in a rural village to his emergence as the first democratically elected President of South Africa.

     

    Earlier, Goa’s noted singer Remo Fernandes enthused the 2,000 strong audience with his performance ranging from his popular Hindi film numbers of Hamma Hamma to a rendition of one of his classical Indian compositions.

     

    With this, the 11-day extravaganza of films, master classes, discussions and press conferences on films came to an end.

     

    A total of 325 films from 76 countries, which included 15 Oscar nominees, were screened during the festival.

  • Thai Film industry looking for Indian movies to be produced in Thailand

    Thai Film industry looking for Indian movies to be produced in Thailand

    MUMBAI: In a media interaction at the 44th International Film Festival of India (IFFI) in Panjim, Goa today, the lead actor of the Thai film, Only God Forgives Vithaya Pansringarm said that Thailand has a great opportunity for production of Indian movies. He said that Thailand, being a film destination for Hollywood/international movies, production of Indian films is also possible there. He added that Indian movies are liked in his country and DVDs and films with Thai subtitles are also available in the Thai market.

     

    In the film Only God Forgives, Pansringarm played a retired police officer’s role who believes that he`s God and an Angel of Vengeance who also has a responsibility to protect his society from any bad karma or bad spirits. The film talks about a young lady’s struggle to avenge the murder of her brother on the demand of her mother, in Bangkok.

     

    Producer of Thai film Tang Wong, Soros Sukhum said that his film is part of independent cinema and Thailand film industry should make film based on modern concepts in place of superstitions. Soros Sukhum has also supported the idea of producing more films in Thailand. Tang Wong is about four Bangkok boys who had taken different wishes to perform a performance of a traditional Thai dance, if their wishes are fulfilled. The struggle to perform this dance is the main theme of the film.

  • Susan Sarandon inaugurates 44th edition of IFFI

    Susan Sarandon inaugurates 44th edition of IFFI

    MUMBAI:  The 44th edition of the International Film Festival of India (IFFI) got underway with Hollywood star Susan Sarandon lighting the ceremonial lamp on 20 November.

     

    The inauguration ceremony was attended by actors as well as officials which included the likes of Kamal Hasan, Waheeda Rahman, information and broadcasting secretary Bimal Jhulka, information and publicity (Goa government) minister Milind Naik, Goa chief minister Manohar Parrikar and union minister of state for information and broadcasting (ind. charge) Manish Tewari.
    Waheeda Rehman was honoured with the first Centanary Award at the event

     

    Speaking on the occasion, Jhukla said: “We are promoting India as a filming destination and to encourage foreign film makers to come to India we are setting up a single window clearance system”.

     

    The top official also said that over Rs 600 crore will be invested on the National Film Heritage Mission. Asia contributes to half of the world’s film production and half of it comes from India, he added.

     

    Asha Bhosle, who spoke on the occasion, said that she herself hailed from Goa and expressed her debt to the film industry. “I sang my first song when I was 10. I have been singing since then. The film line has given us so much,” the legendary singer said.

     

    Susan Sarandon, who won an Academy award for her role in the film ‘Dead Man Walking’, among several other Oscar award nominations, said that she was looking forward to spending her time in Goa appreciating films and the place.

     

    “India has produced so many films rich in history of cinema. I am looking forward to meeting artists and seeing film,” the actress said.