Tag: ICC T20 World Cup

  • The satirical conceit of The Grade Cricketer is that Australian cricket is superior to all else: Sam and Ian

    The satirical conceit of The Grade Cricketer is that Australian cricket is superior to all else: Sam and Ian

    Mumbai: Podcasts have emerged as a popular medium for engaging content, and India is no exception to this trend. Amidst the thriving podcast culture, cricket fans are finding new and innovative ways to connect with their beloved sport. As the ongoing ICC T20 World Cup generates its usual buzz, one podcast, in particular, stands out for its unique blend of humour and cricket insights: The Grade Cricketer.

    Hosted by Sam Perry and Ian Higgins, The Grade Cricketer (TGC) podcast has carved a niche for itself in the cricketing world. The podcast offers an authentic and refreshing take on cricket, combining sharp wit with in-depth analysis. This distinctive style has struck a chord with cricket enthusiasts, especially in India, where an impressive 62 per cent of their listeners are based.

    TGC has hosted a range of cricketing legends and celebrities, including Sunil Gavaskar, Ricky Ponting, Brett Lee, Wasim Akram, Shubman Gill, Faf du Plessis, Glenn James Maxwell, Shane Watson, Harsha Bhogle, Gaurav Kapur, Tanmay Bhat, Danish Sait, Adam Zampa, Ravi Shastri, Glenn Maxwel, Delhi Capitals, Gujarat Titans and Brian Lara, among others.Though they never crossed paths on-field, Ian Higgins’ background in Law and Sam Perry’s in communications have helped them illuminate the rich, dark underbelly of cricket. With trademark irreverence, they chronicle as it really is, with all its complex social dynamics and masculine by-play. In a nutshell, they are fans who say it like it is and that’s what differentiates them from the rest of the publishers out there. Their fans love the original approach and their numbers validate their approach.

    TGC’s influence extends beyond traditional media. They command an audience of over 800,000+ on social media and have a highly engaged YouTube channel with over 289K subscribers. Their content has amassed over 36.2M video views and 81.7M+ impressions, demonstrating their strong engagement metrics. Notably, TGC’s average engagement rate of 3.46% per video on YouTube is significantly higher than the platform’s average of 0.40%.

    Indiantelevision.com caught up with Sam Perry and Ian Higgins, where both shared their story on the inception behind the podcasts, the memorable experience during the show and much more…

    Edited excerpts

    On the story behind the inception of The Grade Cricketer podcast

    Pez (Sam Perry) founded The Grade Cricketer, which began as a Twitter account in 2011. Soon after a few friends became involved in creating content, including Higgos (Ian Higgins). We expanded the character first through the medium of books, followed by a podcast. Since then, the podcast has become the centrepiece of the venture, but we’ve developed our work through video on YouTube, TV, and live shows.

    On striking the balance between entertaining and informing your audience

    It’s just a reflection of our personalities and our personal experience of playing cricket. While we love the game, it is naturally unforgiving, so humour is a very helpful lens through which to cope with the pain it inflicts. That said, the humour wouldn’t work if it wasn’t underpinned by hard-won insights. We both played the game for decades, chasing the dream of playing for Australia, accruing homespun knowledge about how it works and, importantly, how it feels.

    On Indian cricket fans resonating the most with

    We’ll never fully know, but I don’t think it differs too much from other audiences. There’s a lot of cricket narration focused on dry insights and statistics – which is great, by the way. But many cricket fans prefer humour with their cricket, which TGC caters for.  

    On sharing a memorable moment or episode from the podcast that had a significant impact on your audience

    The opportunity to interview Harsha Bhogle for an hour, in-person, was very special to us and resonated with our audience. Harsha has a deep understanding of not only contemporary Indian cricket, but also Indian history, society and culture. For two Australians looking to better connect with and understand the context of Indian cricket, we were truly grateful to receive his knowledge.

    On the podcast changing your perspective on cricket and its community

    The central, satirical conceit of The Grade Cricketer is that Australian cricket is superior to all else, and we view the game accordingly. Fortunately, or otherwise, doing this show has given us an authentic appreciation of the extent of people’s love for the game, all around the world, and particularly in India.

    On your future plans for The Grade Cricketer podcast

    We’d just like to continue providing joy and entertainment for anyone who likes humour with their cricket. And who knows, maybe there’s a documentary out there comparing Australia’s main fields with India’s maidans.  

  • Disney Star India cracks down on illegal streaming website

    Disney Star India cracks down on illegal streaming website

    MUMBAI: There’s reason to celebrate at Disney Star India. The media behemoth’s anti-piracy cell – led by Major Ashok Yadav – has – with the help of the Ahmedabad police – managed to crack down on a clutch of betting websites which were illegally running ICC T20 World Cup cricket streams.

    “What’s alarming is the number of betting websites that have popped up this time during this World Cup and they are running live match video streams simultaneously. These guys at magicwin.games, magicwin.com were streaming the matches and encouraging youngsters to place bets,” said Yadav “We filed an FIR and asked help from the cybercrime cell in Ahmedabad and it has since been blocked from running the video streams. It’s to the police commissioner’s credit that it was brought down in 10 days and the pirate arrested.”

    The cybercrime cell led by Lavina Sinha along with ACP Hardik Mankadiya have named three accused Divyanshu Patel, Shubham Patel and Harsh Patel, According to both Sinha and Mankadiya, the match video feed was being provided to Divyanshu from a cable operator in Pakistan who goes by the name of Azhar, while Shubham – who is based in Canada – would bring in customers from overseas. The police have arrested Divyanshu, who is a website developer from Mehsana district in Gujarat, and another member of the ring Omkumar Goswami whose job was to open bank accounts in which the betting money was deposited. Laptops, routers, encoders, personal servers have all been recovered from Divyanshu’s premises. Additionally, an international lookout notice has been issued against Shubham Patel.

    “Servers were running in Winnipeg, Russia, Germany to keep this operation going,” said Mankadiya.

    For the police, the larger crime of illegal betting is something that they are further chasing.

    Investigations are currently ongoing around the fintech company that was involved in the UPI transactions for betting transfers while also looking into the media agency which had placed billboards throughout Ahmedabad promoting magicwin.

    “Celebrities like Vidyut Jamal were endorsing magicwin without really knowing what they were doing,” said Mankadiya.

    “We hope the new advertising regulations will help make these celebs more aware and be careful about what they are promoting,” said a media professional.

    Shall we say Amen to that!

  • Thums Up launches TOOFAN

    Thums Up launches TOOFAN

    Mumbai: Thums Up, India’s homegrown beverage brand from The Coca-Cola Company, is thrilled to launch Toofan: the Thums up branded exclusive chartered plane as part of its latest campaign, ’World Cup ka Toofani Tour’ to the ICC T20 World Cup. As the official beverage partner of the ICC T20 World Cup, Thums Up continues to redefine fan engagement, setting new benchmarks for fan experiences in the realm of sports.

    This year, Thums Up is taking cricket enthusiasts on a once-in-a-lifetime adventure to the West Indies on an exclusive Thums Up plane, promising an electrifying experience like never before. The campaign features India’s loved Cricket-duo: Yuvraj Singh and Virender Sehwag, encouraging consumers to scan a Thums up pack and get a chance to win a seat on Toofan. From 01st March to 30th April, consumers can stand a chance to win a trip to the ICC T20 World Cup in the West Indies by registering at https://tu-icc24.coke2home.com/. Available behind select Thums Up packs that earn miles, consumers can win a chance to enter a 2 month-long daily lucky draw, with one seat being given away every day.

    In pursuit of further building on its long-standing association with sporting events like the Olympics, Paralympics, and ICC Men’s Cricket World Cup, the tour represents the brand’s dedication to championing the spirit of cricket.

    Alongside the Toofani tour, Thums Up will engage fans cheering for Team India at home by giving away Indian jerseys every hour, plus other exciting prizes. The campaign will be featured prominently on all packs sized 500 ml and above, offering meticulously curated experiences beyond live cricket action.

    Talking about the campaign, Coca-Cola India and South-West Asia senior category director, sparkling flavours Tish Condeno said, “We are thrilled to unveil the ‘World Cup ka Toofani Tour’ campaign, to elevate fan experiences at the upcoming ICC T20 World Cup in West Indies. With the launch of the exclusive Thums Up branded plane, we’re furthering our endeavour to redefine sports excitement and engagement, crafting unparalleled memories for cricket lovers.”

    Commenting on the campaign Virender Sehwag said, “I am delighted to extend my partnership with Thums Up. With each passing year, Thums Up is setting a new benchmark in fan engagement, demonstrating its unwavering commitment to fueling the fervour of cricket enthusiasts. The ‘World Cup ka Toofani Tour’ offers fans an unparalleled experience to the West Indies, in a Thums Up Chartered plane, to immerse themselves in the excitement of the ICC T20 World Cup to West Indies.”

    Commenting on the campaign, Yuvraj Singh said, “I am thrilled to continue my association with Thums Up, the brand which has a longstanding commitment to sports. This year, the ‘World Cup ka Toofani Tour’, offers an electrifying experience for fans, with a chance to fly to the West Indies on an exclusive Thums Up Chartered plane. I’m excited to witness the excitement and energy, this journey will bring to cricket fans around the world, for the ICC T20 World Cup.”

    The campaign celebrates India’s passion for cricket, fostering connection, empowerment, and collective joy throughout the tournament. With a legacy of memorable, innovative campaigns like Thums Fan Pusle and Stump Cam, Thums Up is poised to elevate the ICC experience to new heights, ensuring an enduring impact on cricket enthusiasts worldwide.

  • TradeIndia encapsulates buzz around T20 World Cup

    TradeIndia encapsulates buzz around T20 World Cup

    Mumbai: TradeIndia has rolled out a new campaign encapsulating the nationwide buzz during the ongoing ICC Men’s T20 World Cup. The ad film for the campaign features TV sensation Shaleen Malhotra.

    To carry out this campaign, TradeIndia partnered with Dream Slate Pictures, who conceptualised and amplified the campaign on Instagram, Facebook, and LinkedIn.

    Cinematically blending the flavours of cricket with TradeIndia’s offerings, the campaign, “#SabMilegaYahinMilega,” highlights the bulk buying services it offers MSMEs.

    The idea behind “#SabMilegaYahinMilega” derives from TradeIndia’s key offerings. Just as every over in cricket needs the batsman to choose a different strategy, every business, big or small, has different needs.

    One such critical need is bulk buying, which requires a lot of legwork and finding the right supplier can take a great deal of research. TradeIndia makes the entire process easier and more seamless by giving users a quick way to gauge the trustworthiness of a particular supplier through transaction levels and response rates. The B2B e-commerce site features suppliers from across the world, giving businesses a platform to buy goods in bulk at wholesale prices.

    Elaborating on the campaign, TradeIndia CEO Sandip Chhettri said, “In India, cricket isn’t just a sport but a shared emotion that connects billions of fans across genders, generations, and cultures. In our country, where the Cricket World Cup is celebrated as a festival, this film provides an opportunity to connect with consumers, manifesting offerings in a language everyone understands. TradeIndia has always leveraged innovative ways to reach out to consumers and this campaign stands testimony to the memorable experiences they can have with the brand while enjoying the cricket craze.”

    Speaking from the creative perspective, Dream Slate Pictures executive director Kushaal Chawla stated, “Being part of the TradeIndia World Cup cricket campaign is an exciting experience as the company is one of the most reputed B2B marketplaces. With the World Cup underway, we believe our concept capitalising on the nationwide cricket mania will be a massive hit for the brand. Through this film, we want fans to be entirely engrossed from the outset, eventually associating their love for cricket with TradeIndia. That’s how the “Cricket Matlab India, Business Matlab TradeIndia” campaign emerged. This promo aims to foster robust trust and recall value between the brand and its cricket-loving users.”

  • Marketers hopeful about consumer spending in 2021, advertising to regain normalcy by 2023

    Marketers hopeful about consumer spending in 2021, advertising to regain normalcy by 2023

    MUMBAI: As the entire world went into sleep mode in 2020 due to the Covid2019 pandemic, the marketing sector faced a drastic setback. According to a recent FICCI-EY report, 2020 was a watershed year for advertising spends, as the industry slowed down by 29 per cent, the highest one-year drop ever witnessed in the history of Indian advertising expenditure. 

    Traditional media faces setback, digital media stays intact

    The Covid pandemic resulted in a drastic shift in the consumption pattern of customers, and being home-stuck with more time on their hands, many people started showing increased dependency on the internet before making any buying decisions. As a result, advertising in traditional media de-grew by 37 per cent in 2020. However, digital media remained flat, and was not badly affected by the new market trend. 

    Print media and radio, which were already on a downwards trajectory, continued to de-grow in 2020 as they lost some consumers due to reverse migration, cost-cutting, and changing habits. According to the FICCI-EY report, most of these lost consumers may eventually return as the market continues to grow, but some portion of the earlier consumer base will turn out to be a permanent loss. 

    Due to the decreased mobility of customers, OOH (out of home) and radio were also impacted. As people started maintaining strict social distancing measures, the experiential industry comprising events and cinemas too declined last year. 

    Marketers optimistic about 2021

    Even though the industry faced an unprecedented setback in 2021, marketers believe that advertising will grow by 27 per cent in 2021, and it will regain its earlier level by 2023. 88 percent of marketers believe that consumer spends will increase in 2021, while 12 per cent claim that it will stay the same. 

    As consumer spends are expected to increase in 2021, marketers believe that ad spends will also witness a rise this year. According to the report, 66 per cent of marketers expect that their ad spends would increase in 2021. However, 10 per cent of the marketers suggest that ad spends will reduce by over 10 per cent in 2021. 

    There are several factors that play their crucial role in determining the increased ad spends, and it includes key sporting events that include the Indian Premier League, Asia Cup, ICC T20 World Cup, and Olympics. Apart from these big-ticket events, several upcoming launches in the automobile sector, elections, growth of OTT, and mobile gaming could also contribute to rising ad spends in 2021. 

    In the meantime, the Covid crisis has accelerated direct-to-customers (d2c) initiatives in 2020. Most marketers enabled e-commerce channels during the lockdown, and even began to spend money to promote the same. Marketers during the lockdown period also experimented with online events, apps, communities, and martech. 74 per cent of the marketers expect to spend over 20 per cent of their spends on digital media, a sharp rise from 45 per cent of marketers last year. 

  • Countdown to ICC Men’s T20 World Cup 2021 begins

    Countdown to ICC Men’s T20 World Cup 2021 begins

    MUMBAI: Five years after hosting the marquee event, India is once again gearing up to stage the ICC Men's T20 World Cup. Deferred by a year due to the Covid2019 pandemic, the competition is now slated to be held in October-November 2021. With less than 12 months to go before the opener, the ICC and the BCCI came together in Dubai to launch a countdown and reveal the brand identity of the 16-team tournament.

    Inspired by the colours of India and the intense passion that fans have for the game, the brand identity is bright and full of energy and embodies the excitement that comes with the fast and fierce pace of world’s best T20 cricket. Functionally, the design has been carefully constructed to come to life across all channels especially for digital and motion graphics.

    ICC chief executive Manu Sawhney is optimistic that it will be possible for fans to attend. “With Diwali just two days away and with the countdown to the tournament in India underway, this is an opportune moment to unveil our brand identity that so wonderfully reflects the vibrant festival of lights.”

    He further added, “We are working very closely with the BCCI to deliver a stellar tournament bringing the world’s best players together to go head to head in the first global cricket event since the advent of the pandemic. Our focus will be on staging a safe and secure event that fans from across the world can enjoy.”

    With the BCCI having successfully concluded the IPL in Dubai in a bio-bubble, all eyes will now turn to how it manages to stage the World Cup. Even as the country registers 45,000+ cases on the regular, board president Sourav Ganguly and honorary secretary Jay Shah insisted that India would be in fighting fit shape to host, and said that the BCCI would ensure all necessary protocols are in place.

    “The BCCI will leave no stone unturned in ensuring that the health and safety of everyone concerned in this showpiece event is taken care of. While we are determined to provide a rich cricket-viewing experience, I would also like to assure the ICC and member boards that India is known for its warm hospitality and we will make you feel at home. In these times of pandemic when there are severe restrictions, the BCCI believes in the policy of innovating and adapting, and I am confident that we will overcome every challenge,” added Shah.

    Former India captain Sourav Ganguly, who has participated in numerous ICC events as a player, said he is now looking forward to calling the shots off the field as an administrator. “It is a matter of great honour for us to be hosting the ICC Men’s T20 World Cup. India has successfully staged several global events since the ICC Men’s Cricket World Cup in 1987 and I am sure cricketers from around the world would be excited at the prospect of playing in our cricket loving country.”

    The seventh edition of the Men’s T20 World Cup will be the first global cricket event since this year’s highly successful ICC Women’s T20 World Cup, which climaxed with a record 86,174 people attending the Australia-India final at the Melbourne Cricket Ground on International Women’s Day.

    The teams participating in the tournament scheduled for October-November next year are Afghanistan, Australia, Bangladesh, England, India, Ireland, Namibia, the Netherlands, New Zealand, Oman, Pakistan, Papua New Guinea, Scotland, South Africa, Sri Lanka and the West Indies.

  • Can cricket be now called both gentleman and gentlewoman’s game

    Can cricket be now called both gentleman and gentlewoman’s game

    MUMBAI: Cricket is termed as a religion in India and it’s said that the game unites Indians better than any religion can ever do. However, the game despite being dominated largely by the men, has lately seen growth and steady performance of the women’s cricket team that has turned the eyeballs of the audience as well as advertisers towards them.

    The growth story has become quite evident since the day Indian women’s team entered into the finals of the world cup against England organised by the International Cricket Council (ICC) in 2017. The Indian team failed to clinch the title but was hailed for the overall performance, post this there was no looking back for Indian women’s team as it won all the following matches.

    According to the Broadcast Audience Research Council (BARC), the 2017 world cup final match between India and England at Lords in London clocked over 19.5 million impressions on television. This was the most-watched women’s sporting event in India so far. Meanwhile, BARC’s 2018 data reported that the cricket alone drew 93 per cent of sports viewership among other sports in India.

    Moreover, the ICC claimed that over 180 million people around the world watched the women’s world cup and its official Twitter hashtag was the most ever used for a women’s sports final in 2017. Perhaps being optimistic about the overall growth of women’s cricket, ICC decided to organise the upcoming women’s T20 world cup as a standalone event rather than bundling it with men’s T20 world cup like earlier tournaments.

    The surge in audience TV impressions and social media engagements are evident that women’s cricket is proving its mettle and perhaps, the advertisers have started perceiving it as an asset that could be leveraged for brand promotion, be it through a campaign or official sponsorship. The brands such as CEAT, Uber, RedBull, and Vaseline among others have already been cashing on the women cricketers’ popularity.

    Despite being doubtful about the substantial growth of women’s cricket viewership, IPG Mediabrands’ Initiative chief executive officer Vaishali Verma said: “There is a lot of conversation happening around it and believe there would certainly be a growth in viewership of women cricket. This has been built up over the last couple of months and should definitely be better going forward.”

    Meanwhile, the international council with an aim to celebrate womanhood, has scheduled the final match of the T20 world cup on 8 March 2020 on International Women’s Day at Melbourne Stadium, which is likely to see a huge crowd with at least 200 dignitaries. The tournament that begins from 21 February will have knock-out matches with each team playing four matches along with one semi and final match each.

    The Initiative CEO further said, “Cricket has been established since ages and it’s unfair to compare men and women cricket as has become an established format, whereas the latter has been flourishing in the recent past. There’s definitely surge in audience viewership with respect to women cricket and it has become a niche category as compared to a few years ago.”

    With an aim to promote women’s cricket, BCCI has also increased the player’s fee as it revised the Grade A contract from Rs 15 lakh to Rs 50 lakh and Grade B from Rs 10 lakh to Rs 30 lakh. Meanwhile, Indian women cricketers such as Smriti Mandhana, Deepti Sharma, Harmanpreet Kaur, and Jemimah Rodrigues have also started to become prominent faces in global cricketing events.

    To support his fellow mates of the same industry, the Indian captain Virat Kohli had launched a campaign called #JerseyKnowsNoGender to gain more momentum towards women’s cricket. Kohli urged his fans to support the female team by wearing the Indian jersey ahead of the T20 world cup and also nominated the sportsperson from various spheres to take up the challenge in a video message shared on his official Twitter account.

    With the rising popularity of women cricketers, the brands have started roping the women cricketers as official brand ambassadors due to their exemplary performance in every match. For example, The Indian T20 format captain Harmanpreet Kaur has achieved a title of ‘highest score by a woman cricketer in the knockout stage of ODI world cup’, scoring 171 (not out) against Australia in 2017.

    Meanwhile, the opening batswoman Smriti Mandhana was named the ICC Women’s Cricketer of the Year 2018. The One Day International (ODI) captain Mithali Raj was the only cricketer to achieve the highest score in the T20 format before retiring, she even had surpassed Indian batsman Rohit Sharma in this feat.

    The women team’s T20 captain Harmanpreet Kaur has bagged a sponsorship deal with CEAT, a leading tyre company, along with Nike and ITC’s juice brand B-Natural. In this regard, ITC’s vice-president marketing services Shuvadip Banerjee said: “Harmanpreet embodies some of the values that challenger brand like B Natural, hence the choice and fit to make her an ambassador.”

    Batting for equality in cricket, Banerjee also said: “If KL Rahul, Rohit or Virat can deliver, so can Harmanpreet and many others from the women’s cricket team such as Mithali, Smriti and etc.”

    The Indian T20 captain is currently an ambassador of B Natural in the Punjab and Haryana markets. “Harman will gain attraction across the country especially because she’s representing Indian women’s cricket and giving a lot of importance of looking at this particular tournament this year. Probably, we may make her pan India ambassador of B Natural considering the popularity she gains in the upcoming event as it’s a game of finance,” ITC’s vice-president marketing services added.

    Meanwhile, Smriti Mandhana, the fastest run-scorer in all formats, has registered brands to her name such as Hero, Bata’s sportswear Power, Vaseline among others. Moreover, Mithali Raj is not only a skipper on the cricket pitch but also on a commercial pitch, when it comes to sponsorship, in terms of fee per endorsement. She promotes the US-based cab aggregator Uber and also Australian diamond brands called Rio Tinto’s.

    Dentsu Aegis Network chief executive officer Anand Badhkamkar said: “Brands' first priority is traction, they bankroll on any event or person considering the viewership and popularity of the person/event. However, with the increasing audience impression and women cricketers’ fame brands are ready to spend but seek a good return from the investment they have put in for the campaign and advertising their product.”

    He added, “The sudden change in the perception towards women, cricket has changed due to the power of women and the popularity of the game in India. ICC organising the women’s T20 world cup separate from the men’s tournament is itself becoming an important event and something to be proud of with women cricket.”

    While adding feathers onto the cap, Raj, Kaur and Mandhana has also made into the Forbes India Celebrity 100 List of 2019 as women cricketers; they were added into the list as a sub-category among sports personalities given their rising popularity and performances.

    The current women cricket team, who has brought the women category to glory, is also being seen as a social media icon with an increased number of followers on their Facebook, Twitter and Instagram pages. And, the brands have also been trying to get the leverage this social media fame. In this regard, Smriti Mandhana, who has active 1.6 million followers on her Instagram page, has been roped as an influencer by brands. In 2019 alone, she promoted brands like DBS Bank, OnePlus, Greenply, Vivo, and CricBuzz on her Instagram page.

    Agreeing to the fact that momentum for women’s cricket has grown in recent years, Madison Media’s senior general manager Chirag Shah said: “This primarily has happened on the back of good performance of women’s cricket team and scheduling of the game. Similarly, Steller performance by players like Harmanpreet Kaur, Smriti Mandhana, Jemmia Rodrigues in the past season has further given a huge boost to the sport.”

    He added, “Currently most of the brands are associated with sport only for the broadcast part in terms of spot buys but I see there is a great opportunity for brands targeting females especially progressive women to leverage the popularity of women cricketer by associating with the game in a holistic way.”

    Is it the new high for women cricket or the good is yet to come? This would only be decided going forward with viewers’ traction and brand attraction towards the game. The question lies in how well both domestic and international cricket body is going to transform the so-called gentleman’s game into gentlewoman’s game. As the action speaks louder than words – this quote has worked quite well for the women’s cricket team as their performance has put them in a niche category.

  • Google celebrates India’s love for cricket; launches new ad campaign

    Google celebrates India’s love for cricket; launches new ad campaign

    MUMBAI With the excitement around the ongoing ICC T20 World Cup, Google unveiled its latest advertising campaign of two ad films highlighting a range of cricket ‘search’ features on its Google app. Conceptualized by Lowe Lintas Delhi, the new campaign helps communicate that cricket lovers can easily get answers to any questions about cricket ranging from score updates to schedules, from cricket gear to trivia through the Google App.

    The new search features include score updates to match schedules in English and Hindi and offer a virtual front row seat to all the games. The new search experience also includes news articles related to games, teams and players, as well as score boxes with in-depth game stats.

    Commenting on the new campaign, Google India head of marketing Sapna Chadh said, “Being away from the action can be frustrating, but from today you’ll never have to miss another moment with the launch of new cricket experiences on the Google app.”

    Sharing his views on the creative approach behind the campaign, Lowe Lintas chief creative officer Arun Iyer said, “Die-hard fans of cricket will stop at nothing to get the updates on scores or any information related to cricket. This element has been captured beautifully through the two films that goes on to show that no matter what, you cannot take cricket out of a fan, and it’s only through relevant and timely information that you can go one-up with them.”

    Adding to this, Lowe Lintas president Naveen Gaur added, “Cricket is the biggest passion of this country where every Indian is a bigger cricket lover than the next one. And as one of the leader brands creating a digital world, it’s only natural that Google becomes the most preferred platform for any cricket related queries”.

  • Google celebrates India’s love for cricket; launches new ad campaign

    Google celebrates India’s love for cricket; launches new ad campaign

    MUMBAI With the excitement around the ongoing ICC T20 World Cup, Google unveiled its latest advertising campaign of two ad films highlighting a range of cricket ‘search’ features on its Google app. Conceptualized by Lowe Lintas Delhi, the new campaign helps communicate that cricket lovers can easily get answers to any questions about cricket ranging from score updates to schedules, from cricket gear to trivia through the Google App.

    The new search features include score updates to match schedules in English and Hindi and offer a virtual front row seat to all the games. The new search experience also includes news articles related to games, teams and players, as well as score boxes with in-depth game stats.

    Commenting on the new campaign, Google India head of marketing Sapna Chadh said, “Being away from the action can be frustrating, but from today you’ll never have to miss another moment with the launch of new cricket experiences on the Google app.”

    Sharing his views on the creative approach behind the campaign, Lowe Lintas chief creative officer Arun Iyer said, “Die-hard fans of cricket will stop at nothing to get the updates on scores or any information related to cricket. This element has been captured beautifully through the two films that goes on to show that no matter what, you cannot take cricket out of a fan, and it’s only through relevant and timely information that you can go one-up with them.”

    Adding to this, Lowe Lintas president Naveen Gaur added, “Cricket is the biggest passion of this country where every Indian is a bigger cricket lover than the next one. And as one of the leader brands creating a digital world, it’s only natural that Google becomes the most preferred platform for any cricket related queries”.

  • Ek India Happywala is what Sony wants India to sing during IPL

    Ek India Happywala is what Sony wants India to sing during IPL

    MUMBAI: The ballroom in the five star hotel was packed with journalists, jostling for space. The lights were dimmed. Toddlers waddle in cutely with white blossoms in their hands. They  distribute a flower each to the scribes present there –  the fragrance of peace travels all across the ballroom.A tall Sikh gentleman is escorted onto the stage, the LED backdrop lights up. Inscribed on the LED wall were the words:  Ek India…Happywala.

    And as the lights gradually come on, they reveal  the turbaned gentleman. He is none other than Sony Pictures Networks (SPN )-  erstwhile known as Multi Screen Media (MSM) – CEO NP Singh. And what just happened was the unveiling of the 2016 campaign of India’s longest short format league – the Indian Premier League which annually captures the hearts and minds of cricket crazy India. 
    Sony Max and Sony Max2 senior executive vice president Neeraj Vyas follows Singh on the stage,  and without any hemming and hawing proudly announces:  “The biggest brand of the country cannot stay away from the mood of the country.

    And that exactly underlines the campaign’s central theme: unity, harmony and happiness are the three pillars on which the entire Ek India….Happywala (One happy India) is based. 
    The 60 second TVC reflects on the ongoing intolerance brouhaha  in the country and shows how cricket and IPL can help things turn around positively.
    The film starts with greyscale still images of a rickshaw driver getting a thrashing, a horrified inked man and two youth battling it out with a hockey stick each in their hands. 

    The images move to color showing a youth engaged  in vandalising a yellow taxi. A cricket ball lands at  his feet and then follow a group of young kids asking for the ball. He stops smashing up the cab  and joins the young ones in their game. 

    That’s the power of the IPL and that’s what exactly the campaign wants to communicate. 

    The strong message is complemented by Salim and Sulaiman’s touchy background score. 

    “Sonal Dabral and his DDB Mudra team created the campaign for us, they did it last year too. We have also kept the same creators when it comes to music and if you see there is not much of a difference from our last year’s campaign India Ka Tyohaar. IPL is a catalyst that unites the nation and thats what the campaign communicates” explains Vyas.

    The campaign has already rolled out digitally and soon will mark its presence on television. 

    TV will remain the most spent medium when it comes to marketing as per Vyas’ assessment. “50 per cent of the spends will go on TV whereas the remaining 50 per cent will be spent on radio, digital and print” he adds.

    The campaign will have dubbed versions for the regional markets with the outdoors in key HSM markets providing recall support.. 

    “HSM plays a vital role when it comes to the ratings and hence our key focus will be on that market. But the initiatives that we launch will cater to pan India audiences as IPL is popular in every nook and corner. Radio will see a lot of jingles while interactive campaign will orchestrate the digital media initiatives” asserts Vyas.

    The campaign push and strategy will depend on the ICC T20 World Cup and India’s performance in the tournament. 

    “The cricketing mood will be determined by team India’s performance. So we will have to wait, watch, asses and then strategise. We have our plans chalked out, we will be present on our networks as well as on other networks too,”  reveals  Vyas.

    “They have made great use of the generic situations, if you see the car that is broken is a yellow taxi and the man is wearing glasses.  It connects you to Bengal where there is an election. The inked man is still fresh in every mind and the music speaks about unity, happiness and equality. You cannot ignore the negatives if you want to portray a positive scenario and hence usage of this scenario is nothing controversial in my opinion. I think it’s a good anthem and the smaller videos complement it nicely,” says an executive creative director of a reputed creative agency.

    “Whatever is done by us will have repercussions on the young children and that is why we have young children all throughout the video. We will perish soon, what matters is the future of the nation, the igniting minds,” concludes Vyas.