Tag: IBC2016

  • Ang Lee awarded IBC2016 International Honour for Excellence

    Ang Lee awarded IBC2016 International Honour for Excellence

    LONDON: Sunday night at IBC saw the most exciting and engaging awards ceremony yet. From the presence of not one but two Oscar winners, to a special message from the International Space Station, this was an unforgettable occasion.

    The IBC2016 International Honour for Excellence, IBC’s highest accolade, went to the movie director Ang Lee. A brief retrospective looked at five of his most famous films, from 1995s — Sense and Sensibility to Life of Pi in 2012, before the audience was treated to the trailer from his latest movie, Billy Lynn’s Long Halftime Walk.

    “In the past few years, I have come strongly to believe that new technology will upgrade film-making in terms of story-telling,” Lee said. “In Billy Lynn’s Long Halftime Walk, the use of high frame rate and high dynamic range will provide, I hope, a unique opportunity to feel the realities of war and peace through the protagonist’s eyes.”

    “IBC has done so much to bring together new technology and old-fashioned creativity,” he added. “I am delighted to be part of this exciting dialogue, and I am honoured to receive this award.”

    It was one hundred years ago that the first meeting of the Society of Motion Picture Engineers was called, to drive forward standards in the emerging industry. With the addition of television in 1950, it became SMPTE, one of the partner bodies of IBC and still the guardian of the key standards which support our industry.

    Perhaps the most memorable acceptance speech of the evening came not from the stage but from the International Space Station. NASA received the IBC2016 Judges’ Prize for its long history in bringing the wonders of space exploration to our screens, despite huge technical considerations.

    Astronaut Kate Rubins greeted IBC from the International Space Station, saying “Living and working here 250 miles above our beautiful planet, we’re lucky enough to enjoy stunning views of the world below. We’re honoured to bring this fresh perspective in the images and video we collect.”

    Summing up the evening, Michael Crimp, CEO of IBC, said “Our awards programme is a vital part of IBC. It gives us the chance to recognise real leadership, but it is also the opportunity to reflect on the way that the whole industry contributes to the success through its constant innovation and co-operation. That sense of collaboration and creativity, in turn, is in the DNA of IBC.”

    IBC Innovation Awards

    The LiveIP Studio project took the award for content creation, with trophies presented both to the EBU and the host of the project, Flemish broadcaster VRT. The judges admired the way the project had taken a practical approach to using IP for live production, involving a large number of vendors and solving the interoperability issues.

    The other two finalists in this category were both from the world of sports. BT Sport received a highly commended certificate for its work in augmented reality as a means of engaging and informing sports fans. ESPN was also honoured, for Pylon Cam, putting four cameras inside a 3D printed corner post for American football.

    Two of the entries in content management were around reality television. Endemol Shine Germany took the trophy for its production management on Wild Island, which split the post between the location – two islands off the coast of central America – and the company’s base in Cologne.

    Highly commended was The 15 of Us, a year-long reality experiment made by Tencent in China, which generated 3,000 hours of content a day. VRT made a return to the stage, this time to honour its children’s channel Ketnet with its engaging app for children from two to 12.

    Also returning to the stage, this time to collect the trophy for content delivery, was BT Sport. It launched an Ultra HD channel last year, and the audience at the IBC Awards ceremony was treated to some stunning 4k sports footage on our state-of-the-art screen.

    BT Sport’s Ultra HD channel features the UEFA Champions’ League, and UEFA itself was a competitor for the award. Its highly commended entry focused on increasing engagement through add-on services and second screen apps. The other highly commended entry came from Swisscom, with its imaginative new look at content discovery across a large number of channels.

    IBC Best Conference Paper Award

    The IBC Best Conference Paper Award is presented to the authors of the paper which presents important new research in a clear and engaging way. This year it went to Erik Stare of Teracom in Stockholm, Dr Jordi Giménez of Universitat Politècnica de València in Spain and Dr Peter Klenner of Panasonic Europe, based in Frankfurt for their paper ‘WIB – a new system concept for digital terrestrial television’.

    Exhibition Stand Design Awards

    Each year IBC gives three awards for the most attractive, practical and effective exhibition stands. This year the award for the best use of shell scheme space went to Pliant Technologies. The judges said the design “takes the use of shell scheme to a new level with good use of space, excellent lighting and fantastic graphics, all presenting a chic but not cheap effect. A most attractive and inviting stand.”

    Highly commended in the category for smaller free design stands (up to 100 square metres) were Viaccess-Orca and Nokia, but the award went to Ooyala for its design which relied heavily on wood: even the apparently steel construction beams were actually made of wood. The judges felt the stand was “fun, with playful visuals, presented by a young-minded team.”

    Two exhibitors were also highly commended in the larger free design category: Skyworth and Vestel. The winner, though, was Cisco, for “an open and inviting stand, with plenty of space on two levels for multiple meetings. It’s stunning, and is a fresh approach.”

  • Ang Lee awarded IBC2016 International Honour for Excellence

    Ang Lee awarded IBC2016 International Honour for Excellence

    LONDON: Sunday night at IBC saw the most exciting and engaging awards ceremony yet. From the presence of not one but two Oscar winners, to a special message from the International Space Station, this was an unforgettable occasion.

    The IBC2016 International Honour for Excellence, IBC’s highest accolade, went to the movie director Ang Lee. A brief retrospective looked at five of his most famous films, from 1995s — Sense and Sensibility to Life of Pi in 2012, before the audience was treated to the trailer from his latest movie, Billy Lynn’s Long Halftime Walk.

    “In the past few years, I have come strongly to believe that new technology will upgrade film-making in terms of story-telling,” Lee said. “In Billy Lynn’s Long Halftime Walk, the use of high frame rate and high dynamic range will provide, I hope, a unique opportunity to feel the realities of war and peace through the protagonist’s eyes.”

    “IBC has done so much to bring together new technology and old-fashioned creativity,” he added. “I am delighted to be part of this exciting dialogue, and I am honoured to receive this award.”

    It was one hundred years ago that the first meeting of the Society of Motion Picture Engineers was called, to drive forward standards in the emerging industry. With the addition of television in 1950, it became SMPTE, one of the partner bodies of IBC and still the guardian of the key standards which support our industry.

    Perhaps the most memorable acceptance speech of the evening came not from the stage but from the International Space Station. NASA received the IBC2016 Judges’ Prize for its long history in bringing the wonders of space exploration to our screens, despite huge technical considerations.

    Astronaut Kate Rubins greeted IBC from the International Space Station, saying “Living and working here 250 miles above our beautiful planet, we’re lucky enough to enjoy stunning views of the world below. We’re honoured to bring this fresh perspective in the images and video we collect.”

    Summing up the evening, Michael Crimp, CEO of IBC, said “Our awards programme is a vital part of IBC. It gives us the chance to recognise real leadership, but it is also the opportunity to reflect on the way that the whole industry contributes to the success through its constant innovation and co-operation. That sense of collaboration and creativity, in turn, is in the DNA of IBC.”

    IBC Innovation Awards

    The LiveIP Studio project took the award for content creation, with trophies presented both to the EBU and the host of the project, Flemish broadcaster VRT. The judges admired the way the project had taken a practical approach to using IP for live production, involving a large number of vendors and solving the interoperability issues.

    The other two finalists in this category were both from the world of sports. BT Sport received a highly commended certificate for its work in augmented reality as a means of engaging and informing sports fans. ESPN was also honoured, for Pylon Cam, putting four cameras inside a 3D printed corner post for American football.

    Two of the entries in content management were around reality television. Endemol Shine Germany took the trophy for its production management on Wild Island, which split the post between the location – two islands off the coast of central America – and the company’s base in Cologne.

    Highly commended was The 15 of Us, a year-long reality experiment made by Tencent in China, which generated 3,000 hours of content a day. VRT made a return to the stage, this time to honour its children’s channel Ketnet with its engaging app for children from two to 12.

    Also returning to the stage, this time to collect the trophy for content delivery, was BT Sport. It launched an Ultra HD channel last year, and the audience at the IBC Awards ceremony was treated to some stunning 4k sports footage on our state-of-the-art screen.

    BT Sport’s Ultra HD channel features the UEFA Champions’ League, and UEFA itself was a competitor for the award. Its highly commended entry focused on increasing engagement through add-on services and second screen apps. The other highly commended entry came from Swisscom, with its imaginative new look at content discovery across a large number of channels.

    IBC Best Conference Paper Award

    The IBC Best Conference Paper Award is presented to the authors of the paper which presents important new research in a clear and engaging way. This year it went to Erik Stare of Teracom in Stockholm, Dr Jordi Giménez of Universitat Politècnica de València in Spain and Dr Peter Klenner of Panasonic Europe, based in Frankfurt for their paper ‘WIB – a new system concept for digital terrestrial television’.

    Exhibition Stand Design Awards

    Each year IBC gives three awards for the most attractive, practical and effective exhibition stands. This year the award for the best use of shell scheme space went to Pliant Technologies. The judges said the design “takes the use of shell scheme to a new level with good use of space, excellent lighting and fantastic graphics, all presenting a chic but not cheap effect. A most attractive and inviting stand.”

    Highly commended in the category for smaller free design stands (up to 100 square metres) were Viaccess-Orca and Nokia, but the award went to Ooyala for its design which relied heavily on wood: even the apparently steel construction beams were actually made of wood. The judges felt the stand was “fun, with playful visuals, presented by a young-minded team.”

    Two exhibitors were also highly commended in the larger free design category: Skyworth and Vestel. The winner, though, was Cisco, for “an open and inviting stand, with plenty of space on two levels for multiple meetings. It’s stunning, and is a fresh approach.”

  • Imagine Communications extends functionality of Selenio One unified transcoding platform to OTT

    Imagine Communications extends functionality of Selenio One unified transcoding platform to OTT

    MUMBAI: Imagine Communications, empowering the media and entertainment industry through transformative innovation, today introduced a high-density adaptive bitrate (ABR) transcoding product built on Selenio One™, the company’s software-defined linear transcoding platform. Selenio One is designed to deliver new levels of performance, flexibility and cost efficiency to broadcasters, network operators and video service providers (VSPs). The latest addition to the Selenio One family, which will be previewed at IBC2016, is purpose built to enable media companies to generate new revenue and maximise the efficiency of their networks by expanding the number of high video quality ABR and linear channels they can deliver over existing infrastructures.

    Today’s VSPs, including cable operators, telecommunications companies and satellite TV providers, are struggling to cost-effectively keep pace with requirements to deliver high-quality video to an increasing diversity of Internet-connected devices. By leveraging state-of-the-art standard computing resources powered by high-performance transcoding software from Imagine Communications, the newest product in the Selenio One family provides VSPs with the ability to expand the channel-carrying capacity of their video delivery networks on demand while enabling service providers to reduce costs by moving all compression operations to a common, software-based platform.

    “The high-density transcoding instantiation of Selenio One was designed to relieve a particularly acute pain point for today’s content distributors, who have been steadily increasing the cost and complexity of their networks to accommodate shifting video consumption patterns,” said Brick Eksten, Chief Product Officer, Imagine Communications. “Selenio One redefines the operational environment for transcoding, offering cloud-like control of mixed services with the ability to define and redefine those services on the fly. Combining centralised control with dynamic service provisioning allows the operator to be more fluid in operations while providing the ability to create new services on demand.”

    This new addition to the Selenio One platform supports HEVC/H.265 and AVC/H.264 encoding in both ABR and linear transcoding formats at extremely high densities, enabling VSPs and other media companies to realise significant space and power savings. The first release of the product is capable of supporting up to 180 HD ABR or 360 HD linear channels per 4-RU server, establishing new cost-per-channel benchmarks for high quality video transcoding. Source formats supported in the first release are MPEG-2 or H.264 and HEVC/H.265 or H.264 on the output.

    Well suited for high-density terrestrial, satellite and primary distribution transcoding with ABR transcoding for over-the-top (OTT) multiscreen applications, the latest product in the Selenio One family provides a single system for any VSP looking to launch more channels, move from MPEG-2 to H.264, add HEVC/H.265, or address a multiservice lineup with linear transcode and OTT/ABR delivery.

    Imagine Communications introduced the Selenio One platform earlier this year at the 2016 NAB Show. The initial product release focused on high video quality H.264/MPEG-2 transcoding using PCIe video acceleration with integrated software multiplexing and processing. Selenio One’s software-based architecture enables service providers to customise the functionality of the platform through the selection of video processing engines. This approach ensures consistency across all compression operations through a common architecture and control system.

    All products built on the Selenio One are powered by Zenium™, a next-generation software framework that also underpins several additional solutions from Imagine Communications. Zenium utilizes a Micro Services approach to implementation and deployment that enables cloud-native component technologies to be easily distributed across multiple platforms. Zenium-powered platforms, including Selenio One, are designed to seamlessly integrate new technology as it becomes available and adapt to multiple deployment scenarios, from appliance to datacenter to cloud.

    The latest Selenio One product provides unprecedented flexibility, allowing commercial off-the-shelf (COTS) platforms to be optimised for software-only and GPU-accelerated encoding, as well as enhancing the specialised video processing and acceleration capabilities of modern processors with field-proven intellectual property from Imagine Communications.

    The first release of the high-density transcoding Selenio One includes the following features:
    • Support for up to 180 HD ABR and 360 HD linear channels per 4.3RU server
    • HEVC/H.265 and H.264 support
    • GPU-powered transcoding with Imagine’s enhanced video quality
    • Selenio One Media Manager system for redundancy and network management
    • Linux-based and distributed software architecture

    The latest release of the Selenio One platform is also a critical product within Imagine’s CloudXtream™ multiscreen solutions. The new product is tightly integrated with Telurio™ Packager to support a broad selection of packaging formats and DRM technologies. It also supports the insertion of ads and alternative content as part of the CloudXtream dynamic ad insertion solution.

    Selenio One has been shortlisted in the Playout & Delivery Systems category as a “Finalist for the IABM Design & Innovation Awards 2016.” Category winners will be announced on September 10th.

    For a demonstration of the Selenio One platform, please visit Imagine Communications at IBC2016 (Amtrium, Stand 4.A01). For more information about Imagine Communications, please visit www.imaginecommunications.com.

  • Imagine Communications extends functionality of Selenio One unified transcoding platform to OTT

    Imagine Communications extends functionality of Selenio One unified transcoding platform to OTT

    MUMBAI: Imagine Communications, empowering the media and entertainment industry through transformative innovation, today introduced a high-density adaptive bitrate (ABR) transcoding product built on Selenio One™, the company’s software-defined linear transcoding platform. Selenio One is designed to deliver new levels of performance, flexibility and cost efficiency to broadcasters, network operators and video service providers (VSPs). The latest addition to the Selenio One family, which will be previewed at IBC2016, is purpose built to enable media companies to generate new revenue and maximise the efficiency of their networks by expanding the number of high video quality ABR and linear channels they can deliver over existing infrastructures.

    Today’s VSPs, including cable operators, telecommunications companies and satellite TV providers, are struggling to cost-effectively keep pace with requirements to deliver high-quality video to an increasing diversity of Internet-connected devices. By leveraging state-of-the-art standard computing resources powered by high-performance transcoding software from Imagine Communications, the newest product in the Selenio One family provides VSPs with the ability to expand the channel-carrying capacity of their video delivery networks on demand while enabling service providers to reduce costs by moving all compression operations to a common, software-based platform.

    “The high-density transcoding instantiation of Selenio One was designed to relieve a particularly acute pain point for today’s content distributors, who have been steadily increasing the cost and complexity of their networks to accommodate shifting video consumption patterns,” said Brick Eksten, Chief Product Officer, Imagine Communications. “Selenio One redefines the operational environment for transcoding, offering cloud-like control of mixed services with the ability to define and redefine those services on the fly. Combining centralised control with dynamic service provisioning allows the operator to be more fluid in operations while providing the ability to create new services on demand.”

    This new addition to the Selenio One platform supports HEVC/H.265 and AVC/H.264 encoding in both ABR and linear transcoding formats at extremely high densities, enabling VSPs and other media companies to realise significant space and power savings. The first release of the product is capable of supporting up to 180 HD ABR or 360 HD linear channels per 4-RU server, establishing new cost-per-channel benchmarks for high quality video transcoding. Source formats supported in the first release are MPEG-2 or H.264 and HEVC/H.265 or H.264 on the output.

    Well suited for high-density terrestrial, satellite and primary distribution transcoding with ABR transcoding for over-the-top (OTT) multiscreen applications, the latest product in the Selenio One family provides a single system for any VSP looking to launch more channels, move from MPEG-2 to H.264, add HEVC/H.265, or address a multiservice lineup with linear transcode and OTT/ABR delivery.

    Imagine Communications introduced the Selenio One platform earlier this year at the 2016 NAB Show. The initial product release focused on high video quality H.264/MPEG-2 transcoding using PCIe video acceleration with integrated software multiplexing and processing. Selenio One’s software-based architecture enables service providers to customise the functionality of the platform through the selection of video processing engines. This approach ensures consistency across all compression operations through a common architecture and control system.

    All products built on the Selenio One are powered by Zenium™, a next-generation software framework that also underpins several additional solutions from Imagine Communications. Zenium utilizes a Micro Services approach to implementation and deployment that enables cloud-native component technologies to be easily distributed across multiple platforms. Zenium-powered platforms, including Selenio One, are designed to seamlessly integrate new technology as it becomes available and adapt to multiple deployment scenarios, from appliance to datacenter to cloud.

    The latest Selenio One product provides unprecedented flexibility, allowing commercial off-the-shelf (COTS) platforms to be optimised for software-only and GPU-accelerated encoding, as well as enhancing the specialised video processing and acceleration capabilities of modern processors with field-proven intellectual property from Imagine Communications.

    The first release of the high-density transcoding Selenio One includes the following features:
    • Support for up to 180 HD ABR and 360 HD linear channels per 4.3RU server
    • HEVC/H.265 and H.264 support
    • GPU-powered transcoding with Imagine’s enhanced video quality
    • Selenio One Media Manager system for redundancy and network management
    • Linux-based and distributed software architecture

    The latest release of the Selenio One platform is also a critical product within Imagine’s CloudXtream™ multiscreen solutions. The new product is tightly integrated with Telurio™ Packager to support a broad selection of packaging formats and DRM technologies. It also supports the insertion of ads and alternative content as part of the CloudXtream dynamic ad insertion solution.

    Selenio One has been shortlisted in the Playout & Delivery Systems category as a “Finalist for the IABM Design & Innovation Awards 2016.” Category winners will be announced on September 10th.

    For a demonstration of the Selenio One platform, please visit Imagine Communications at IBC2016 (Amtrium, Stand 4.A01). For more information about Imagine Communications, please visit www.imaginecommunications.com.

  • IBC Innovation Awards Shortlist Announced: IP, 4K and OTT Amongst Industry Trends Tackled by Entrants

    IBC Innovation Awards Shortlist Announced: IP, 4K and OTT Amongst Industry Trends Tackled by Entrants

    London, United Kingdom

    The shortlist for the IBC2016 Innovation Awards has been announced. The nine finalists are from six countries, as far apart as China and the USA. Each reflects the way that technological advances are boosting the creativity and efficiency of the content industry.

    That is what lies at the heart of the IBC Innovation Awards: the application of the latest technology in the real-world. This year this translates to making content more engaging for viewers, offering new functionality in delivery and discovery, and helping creators work more efficiently.

    “The IBC Innovation Awards are unique because we judge on the benefits each entry delivers to the end user,” said Michael Lumley, Chair of the judging panel. “Ultimately, the award is handed over on stage not to a company developing the newest widgets but to the broadcaster or media company which benefits from a real collaborative process to develop the best possible solution.

    “That gets tougher to judge each year,” Lumley added. “This year’s finalists represent the state of the art in some of the hottest topics, like online delivery and Ultra HD content.”

    There are three categories in the IBC Innovation Awards programme, for the best applications of technology in content creation, content management and content delivery. This year three projects have been shortlisted for each category, but the winners will not be announced until the IBC Awards Ceremony, at 18:30 on Sunday 11 September.

    Content Creation

    Two of the three finalists in content creation increase viewer engagement in sports television, although in very different ways. BT Sport wanted to add even more impact when it won the rights to cover European Champions League football, and added very sophisticated augmented reality elements to its studio coverage, including a signature shot flying over a map of Europe to the stadiums hosting each game. Working in a huge and largely black studio was a challenge for camera tracking company Ncam, who worked with Moov, RT Software and Timeline TV to create a solution.

    Point of view cameras for sports are not new, but Pylon Camera, developed by ESPN, takes it to a new level. Replacing corner posts in the high impact sport of American football, Pylon Cam has to have crush impact zones to avoid injuring players, while still delivering multiple views from each pylon. The pictures are not only sensational, they have helped referees judge critical touchdowns in key games. Technology partners include BSI and Gilman.

    The third finalist is the remarkable live IP studio built by the EBU and housed at VRT Sandbox in Brussels. Using open standards, it demonstrates interconnectivity between equipment from multiple vendors. More to the point, it shows that a real, working, uncompromised production studio can be built around IP workflows for live television. The long list of technology partners includes Axon, D&MS, Dwesam, EVS, Genelec, Grass Valley, Lawo, LSB, Nevion, Tektronix and Trilogy.

    Content Management

    Just as critical as creating excellent content is managing it to create compelling viewing. MoovIT Production Services was faced with the challenge of shooting the Endemol Shine Germany reality show Wild Island on two secluded islands off the coast of Central America, but hosting the post production in Cologne, Germany, to get the show to air. Working with EditShare, a remote workflow allowed the content to be secured in a hostile environment with an unpredictable power supply, and edited in Germany, saving 50% on standard time and resources.

    Ketnet, the children’s channel from VRT in Belgium, has been transformed into an interactive, curated online experience. The first app was aimed at two to five year olds, and concentrated on stimulating educational experiences rather than simply offering programmes and clips. The solution was developed by local company Small Town Heroes, and proved an immediate success, with young viewers spending 50% of their time playing.

    The third finalist takes us back to reality television, this time in China for Tencent Video’s production ‘The 15 of Us’. The difference is that Tencent is a video portal rather than a conventional channel, and wanted to make all 120 HD cameras and two 360˚ cameras available at all times – 3,000 hours of content a day for a full year. They worked with technology partner Grass Valley to manage the content for editing, packaging and approval.

    Content Delivery

    BT Sport has a second spot on the shortlist, this time for a delivery solution. In 2015 it launched BT Sport Ultra HD, and since then have produced a large number of sporting events in 4K, including football, rugby, MotoGP, squash and NBA basketball. The company worked with its outside broadcast partner Timeline Television to build Europe’s first Ultra HD 4K truck, including cameras from Sony and a SAM switcher.

    Swisscom is looking forward to a future where much television may be viewed on demand rather than on a linear schedule, and considered how it could help consumers discover the content they like. Working with ThinkAnalytics, it developed a new user experience which allows users to browse through all the content shown on more than 250 television channels, with personalised recommendations, and all working seamlessly over Switzerland’s four languages.

    For the final nominee the judges returned to sports once more, this time to UEFA, the European football governing body. Recognising that football fans want much more than just simple coverage of the game, UEFA worked with technology partners deltatre, EVS and the EBU to develop its Next Generation Services Project, delivering a host of additional content from data feeds to multiple angles and linked second screen experiences, allowing rights-holding broadcasters to build viewer engagement for the Champions League.

    Ceremony

    The winners of the IBC2016 Innovation Awards are a closely guarded secret until the awards ceremony, which takes place during IBC2016 at 18:30 on Sunday 11 September, in the Auditorium of the Amsterdam RAI.

    This lively and fast-paced show includes some audience surprises and highly entertaining offerings as well as the presentation of all of IBC’s awards, including the Judges’ Prize – also in the gift of the same panel of international editors and consultant who selected the Innovation Awards – and the IBC International Honour for Excellence.

    The ceremony is free to all IBC visitors and always proves a popular event.
     
    Judging Panel

    The IBC Innovation Awards are judged by an international panel:

    Michael Lumley (Chair)

    Carolyn Giardina (USA)

    David Crawford (UK)

    Dick Hobbs (UK)

    Fergal Ringrose (Ireland)

    Phil Sandberg (Australia)

    Vijaya Cherian (UAE)

  • IBC Innovation Awards Shortlist Announced: IP, 4K and OTT Amongst Industry Trends Tackled by Entrants

    IBC Innovation Awards Shortlist Announced: IP, 4K and OTT Amongst Industry Trends Tackled by Entrants

    London, United Kingdom

    The shortlist for the IBC2016 Innovation Awards has been announced. The nine finalists are from six countries, as far apart as China and the USA. Each reflects the way that technological advances are boosting the creativity and efficiency of the content industry.

    That is what lies at the heart of the IBC Innovation Awards: the application of the latest technology in the real-world. This year this translates to making content more engaging for viewers, offering new functionality in delivery and discovery, and helping creators work more efficiently.

    “The IBC Innovation Awards are unique because we judge on the benefits each entry delivers to the end user,” said Michael Lumley, Chair of the judging panel. “Ultimately, the award is handed over on stage not to a company developing the newest widgets but to the broadcaster or media company which benefits from a real collaborative process to develop the best possible solution.

    “That gets tougher to judge each year,” Lumley added. “This year’s finalists represent the state of the art in some of the hottest topics, like online delivery and Ultra HD content.”

    There are three categories in the IBC Innovation Awards programme, for the best applications of technology in content creation, content management and content delivery. This year three projects have been shortlisted for each category, but the winners will not be announced until the IBC Awards Ceremony, at 18:30 on Sunday 11 September.

    Content Creation

    Two of the three finalists in content creation increase viewer engagement in sports television, although in very different ways. BT Sport wanted to add even more impact when it won the rights to cover European Champions League football, and added very sophisticated augmented reality elements to its studio coverage, including a signature shot flying over a map of Europe to the stadiums hosting each game. Working in a huge and largely black studio was a challenge for camera tracking company Ncam, who worked with Moov, RT Software and Timeline TV to create a solution.

    Point of view cameras for sports are not new, but Pylon Camera, developed by ESPN, takes it to a new level. Replacing corner posts in the high impact sport of American football, Pylon Cam has to have crush impact zones to avoid injuring players, while still delivering multiple views from each pylon. The pictures are not only sensational, they have helped referees judge critical touchdowns in key games. Technology partners include BSI and Gilman.

    The third finalist is the remarkable live IP studio built by the EBU and housed at VRT Sandbox in Brussels. Using open standards, it demonstrates interconnectivity between equipment from multiple vendors. More to the point, it shows that a real, working, uncompromised production studio can be built around IP workflows for live television. The long list of technology partners includes Axon, D&MS, Dwesam, EVS, Genelec, Grass Valley, Lawo, LSB, Nevion, Tektronix and Trilogy.

    Content Management

    Just as critical as creating excellent content is managing it to create compelling viewing. MoovIT Production Services was faced with the challenge of shooting the Endemol Shine Germany reality show Wild Island on two secluded islands off the coast of Central America, but hosting the post production in Cologne, Germany, to get the show to air. Working with EditShare, a remote workflow allowed the content to be secured in a hostile environment with an unpredictable power supply, and edited in Germany, saving 50% on standard time and resources.

    Ketnet, the children’s channel from VRT in Belgium, has been transformed into an interactive, curated online experience. The first app was aimed at two to five year olds, and concentrated on stimulating educational experiences rather than simply offering programmes and clips. The solution was developed by local company Small Town Heroes, and proved an immediate success, with young viewers spending 50% of their time playing.

    The third finalist takes us back to reality television, this time in China for Tencent Video’s production ‘The 15 of Us’. The difference is that Tencent is a video portal rather than a conventional channel, and wanted to make all 120 HD cameras and two 360˚ cameras available at all times – 3,000 hours of content a day for a full year. They worked with technology partner Grass Valley to manage the content for editing, packaging and approval.

    Content Delivery

    BT Sport has a second spot on the shortlist, this time for a delivery solution. In 2015 it launched BT Sport Ultra HD, and since then have produced a large number of sporting events in 4K, including football, rugby, MotoGP, squash and NBA basketball. The company worked with its outside broadcast partner Timeline Television to build Europe’s first Ultra HD 4K truck, including cameras from Sony and a SAM switcher.

    Swisscom is looking forward to a future where much television may be viewed on demand rather than on a linear schedule, and considered how it could help consumers discover the content they like. Working with ThinkAnalytics, it developed a new user experience which allows users to browse through all the content shown on more than 250 television channels, with personalised recommendations, and all working seamlessly over Switzerland’s four languages.

    For the final nominee the judges returned to sports once more, this time to UEFA, the European football governing body. Recognising that football fans want much more than just simple coverage of the game, UEFA worked with technology partners deltatre, EVS and the EBU to develop its Next Generation Services Project, delivering a host of additional content from data feeds to multiple angles and linked second screen experiences, allowing rights-holding broadcasters to build viewer engagement for the Champions League.

    Ceremony

    The winners of the IBC2016 Innovation Awards are a closely guarded secret until the awards ceremony, which takes place during IBC2016 at 18:30 on Sunday 11 September, in the Auditorium of the Amsterdam RAI.

    This lively and fast-paced show includes some audience surprises and highly entertaining offerings as well as the presentation of all of IBC’s awards, including the Judges’ Prize – also in the gift of the same panel of international editors and consultant who selected the Innovation Awards – and the IBC International Honour for Excellence.

    The ceremony is free to all IBC visitors and always proves a popular event.
     
    Judging Panel

    The IBC Innovation Awards are judged by an international panel:

    Michael Lumley (Chair)

    Carolyn Giardina (USA)

    David Crawford (UK)

    Dick Hobbs (UK)

    Fergal Ringrose (Ireland)

    Phil Sandberg (Australia)

    Vijaya Cherian (UAE)