Tag: Hotstar

  • AIDCF asks b’casters to create level playing field for OTT & cable TV

    AIDCF asks b’casters to create level playing field for OTT & cable TV

    MUMBAI: The All India Digital Cable Federation (AIDCF) is on a roll. The multi system operator (MSO) association, which first submitted its recommendations to the Information & Broadcasting (I&B) Ministry and then to the GST Committee, has now written to broadcasters with Over the Top (OTT) platforms.

     

    The Association has written a letter to Star India, Multi Screen Media and IndiaCast Media Distribution. In the letter, AIDCF has stressed on how the broadcaster is giving content free of cost to its OTT platforms, while charging MSOs for the same content.

     

    Giving an example of Star India’s OTT platform hotstar, a source close to the development tells Indiantelevision.com, “Star India, on one hand offers simulcast or immediate transmission of fresh popular content completely free of cost to its OTT subscribers on hotstar and on the flip-side, it charges the MSOs huge sum for the same set of content.”

     

    AIDCF’s letter to broadcasters, a copy of which is with this website, reads:

     

    1) The cable industry is contributing huge subscription revenue to 

    broadcasters for the same set of content and programme.

     

    2) It contributes to a large viewership for the channels the network has.

     

    3) Also helps the broadcaster in gaining higher TRPs, which in turn leads to a better ad rate for the portfolio of channels thus increasing the advertisement revenue.

     

    The letter points out that this scenario of offering simulcast/immediate transmission of fresh content completely free of cost to OTT subscribers is not favourable for the Cable TV industry and its relationship with broadcasters, considering the growth in the subscriber base for the broadcasters’ OTT application.

     

    According to AIDCF, this is a threat to the pay TV cable business model, which defeats the purpose of paying huge license fees to broadcasters. “Some of our subscribers have started complaining saying, ‘Why should we pay you for the content, which is available free of cost via say hotstar or Sony Liv,’” informs the source.

     

    Giving free of cost content to OTT platforms is affecting the average revenue per user (ARPU) of the cable TV industry, subsequently hampering the growth of business at large.

     

    AIDCF in its letter has asked broadcasters to create a level playing field amongst respective distribution platforms. “We have requested the broadcaster to make content available on their OTT platform a paid service with a subscription fees. Alternatively, the same content should also be made available free of cost to other distribution platform,” the source reaffirms.

  • Eros Now to launch three original shows; ties up with Anil Kapoor Film Company

    Eros Now to launch three original shows; ties up with Anil Kapoor Film Company

    MUMBAI: As India’s digital landscape is poised to undergo a renaissance, Eros International’s over-the-top (OTT) platform Eros Now is gearing up to  produce multiple in-house flagship original programmes. Additionally, the platform will also showcase premieres of recently released Bollywood films. 

     

    The Eros Now mobile app for Android and iOS platforms, which will be free for download as of now, has also tied up with Anil Kapoor Film Company to co-produce the Indian adaptation of a popular international sitcom, the name of which will be revealed at a later date.

     

    Eros’ OTT platform will roll out its original content strategy with three ad-free shows namely KhelThe Client and Ponniyin Selvan. These shows will have film-like production values targeted at young Indians, which is the largest demographic of the Indian population. 

     

    Khel is a wicked dark drama featuring an insider’s perspective on the twisted characters that populate the world of cricket and the Indian Premier League. It is directed by Karan Anshuman. On the other hand, Rohan Sippy will helm The Client, which is a thriller based show starring Bipasha Basu as the main character. Ponniyin Selvan is an epic period drama based on a popular Tamil historical novel by Kalki Krishnamurthy, which is an in-house production by Eros South. 

     

    Moreover, in a bid to create hype for internet users, Eros Now will also be premiering the latest Bollywood movie Tanu Weds Manu Returns on 19 July even prior to its television release. The other Bollywood movies that are scheduled to stream on the platform are Badlapur, NH10Shamitabhand Happy Ending amongst others.

     

    Eros Now COO Karan Bedi said, “Eros Now is a premier online application for Android and IOS users, which will feature different genre of movies, TV serials, music albums and releases, that too free of cost. Eros Now’s library has over 1.5 lakh movies, which will be showcased only for the online app users. The app will also feature TV shows of different channels like Colors, Sab, Sony and Pakistani TV channel Hum TV.

     

    While the Eros Now app will be free for now, the company will be building an in-app payment mechanism, wherein users will have to pay for some content that they want to watch exclusively in the near future. These may be movies sans ads or movies in HD quality. The price point will range from Rs 50 – 150, which might include daily, weekly or monthly chargers.

     

    Eros International Plc Group CEO and managing director Jyoti Deshpande said, “Eros Now app has over 19 million users across the country in its pre-launch phase and Eros has done their market survey in which there are 500 million internet users out of which 382 million people are active smart phone users, so as consumption patterns has change globally, Internet entertainment networks have begun to rapidly replace traditional, linear television. It’s our turn now. And I believe that Eros will have the first mover advantage in this space with the strength of its vast content library and dominant market share to further consolidate its leadership position as it reinvents itself from a film studio to a more consumer facing content and digital company in the next phase of growth.”

     

    It may be recalled that recently Asian OTT player HOOQ entered the Indian market and also has plans to introduce original content. On the other hand, Indian broadcasters like Star India, Zee Entertainment Enterprises and Sony Entertainment Television are also upping their digital strategy by putting their might behind their OTT platforms namely Hotstar, Ditto TV and Sony Liv respectively. With more and more players entering the digital fray, premium content and competitive price points will play a major role in acquiring subscribers as well as raking in the moolah.

  • Saavn raises $100 mn; to move into video

    Saavn raises $100 mn; to move into video

    MUMBAI: Move over hotstar.com. Competition is coming your way. Earlier, this year, the Neeraj Roy led music streamer Hungama.com raised around $100 million to expand its service into video delivery to its subscribers. Then Hooq.com announced its foray into the over the top (OTT) market. Now it’s the turn of New York headquartered Saavn to announce that it is going to move into delivering video content to its subscribers. The company late last night confirmed that it had managed to raise $100 million in a Series C round led by Tiger Global.

     

    Among investors who also took part in the round figure: existing investors Bertelsmann India Investments, Steadview Capital, Liberty Media, and Mousse Partners, and new ones such as Qulvest, hedge funds from Hong Kong and a number of strategic individuals. Avendus Capital in Mumbai and LionTree Advisors advised on the deal. The $100 million fund raise values Saavn.com which started in 2007 at $300-400 million.

     

    Saavn CEO Rishi Malhotra revealed that the service is adding a million monthly average users (MAU), with a total of around 14 million MAU currently and hopes to cross 20 million MAUs by end this year.

     

    The company is banking on the mobile users to take up its music and video streaming service in a bigger way.  Malhotra told techcrunch.com that almost 90 per cent of its subscribers are on mobile and have been averse to paying and hence Saavn has been focusing on an ad-supported model for its music streaming service so far.

     

    A part of the $100 million it raised will be used to scale up its music streaming service which has a catalogue of 2 million plus songs, mostly from Bollywood. It wants to expand its sales force.

     

    “The real purpose of this raise is to continue developing our product, acquiring a larger user base, and investing in the right components that make a healthy media company,” Malhotra told techcrunch.

     

    “We want to become an entertainment ecosystem for mobile,” he continued. “That means new audio products and also video, absolutely. The exciting thing about the [Indian] market that we can be part Spotify, part Pandora, and part Netflix.”

     

    The company has signed on Bollywood heart throb Ranbir Kapoor to promote Saavn in prime time commercials on mainline Hindi general entertainment channels in India.

     

  • Zee beefs up OTT strategy; launches original digital content

    Zee beefs up OTT strategy; launches original digital content

    MUMBAI: At a time when multiple companies are putting their might behind pumping up their over-the-top (OTT) offerings like Hotstar, ErosNow, Sony Liv and HOOQ amongst others, Zee Entertainment Enterprises Ltd (Zeel) is not one to sit back. Putting the money where their mouth is, Zee is upping the ante in by launching original digital content for its OTT and digital platforms.

     

    In order to offer content anywhere and at any time, Zeel has got its entire digital ecosystem – Zee Digital Convergence (ZDC) – and its content studio – Essel Vision Productions – to design and introduce an instrumental musical show -#LifeIsMusic.

     

    Starting 15 June, the seven-week series will be available on its OTT platform DittoTV and digital platform www.lifeismusic.in.

     

    Original content (both long and short) has emerged as a new form of storytelling in the digital space as millennials continue to alter their entertainment consumption habits. Banking on this very same learning, Zeel has now got into producing original content for its digital platform. #LifeIsMusic celebrates world music and highlights the true value of musicians who are experts in the instrumental genre.

     

    The multi-platform instrumental reality series will be available for audiences all over the globe and will showcase the value of instrumental music in a holistic manner – across a variety of popular and melodious music genres.

     

    #LifeIsMusic will feature regular upload of unplugged original music compositions every Monday and Friday for a duration of seven weeks. The show has three renowned maestros on its panel – Louiz Banks (the Godfather of Indian Jazz and Grammy Award nominee), Taufiq Qureshi (ace percussionist) and Purbayan Chaterjee (one of the leading young Sitar players of India) mentoring budding professional musicians. Each maestro will form a band of four musicians each of whom specialize in different instruments – like percussions, rhythm guitars, bass guitar, sitar, sarod, flute etc.

     

    The show will be promoted across all the major websites including zeetv.comzeenews.comindia.comdnaindia.combollywoodlife.comdittotv.com amongst others.

     

    Over the past few months, the video on demand (VoD) industry has been witnessing major activity as these platforms have become an extra content delivery arm for major entertainment business houses. While earlier the VoD platforms were used as a source for archival content, the new players are bending the rules. In order to gain eyeballs, the players are not only making original content, but also premiering movies and songs.

     

    Zee Digital Convergence CEO Debashish Ghosh said, “#LifeIsMusic is a clutter-breaking original concept with a goal to inspire passion, unleash creativity and realize dreams in a digital era of free downloads. We are confident that the series will soon become a favourite destination for all music lovers – especially when you want to experience quality music never heard before. This exclusive series aims to engage, educate and entertain the youth about the variety and possibilities that exist with instrumental music. It will reach out to around 50 million viewers, making it a truly global multi-screen phenomenon! The platform also seeks to encourage aspiring musicians to showcase their talent to global audiences – and demonstrate their skill and creativity transparently to global music talent scouts.”

     

    Essel Vision business head Akash Chawla added, “Zee has always set new benchmarks with innovative content across platforms and as its content studio, With today’s evolving online world, producing #LifeIsMusic series is in sync with our aim to design content that empowers talent to achieve their creative visions across all mediums.”    

  • HOOQ targets tier I Indian cities as early adopters; plans original series

    HOOQ targets tier I Indian cities as early adopters; plans original series

    MUMBAI: Come June and India will witness its first subscription based video-on-demand platform HOOQ.

     

    As was reported earlier by Indiantelevision.com, the platform will compete with over the top (OTT) players like Hotstar and Ditto TV amongst others. As a major differentiating factor, HOOQ will be providing content that has not been available before to Indian consumers and intends to target tier I cities in the country as early adopters. However, the app will be available to all smart phone users nationally. The service also offers content for all age groups.

     

    The OTT player is in the Indian market for the long haul. With a view to gather substantial number of users in the coming years, HOOQ is also looking at starting its own original series, a la Netflix, which had launched its exclusive made-for-web series House of Cards.

     

    In a conversation with this website about its readiness to improve the platform, HOOQ India head Krishnan Rajagopalan said, “We are constantly going to be evolving the product and the content based on user feedback. This is very much a company philosophy and it’s really up to the user to give us feedback. The better feedback you give, the better the product will be.”

     

    When queried whether the Indian audience is ready for a particular genre, which has more traction Rajagopalan said, “We are going to have different categories. The app will have all Indian languages and feeds and by the time we launch it will be more Indianised. It will be much more relevant, have genres that matter, top action, top rom-com; we will have it all.”

     

    Talking about the Indian market, Rajagopalan said that since India was a fascinating market, there are bound to be challenges. “This is a first product in its category. I don’t think there is anybody doing what we are doing, which is to offer premium content that is not there on ad supported platforms. So we are spending a lot of money, tens of millions on marketing, content and technology. A major challenge is that there will be a lot of consumer education required in the early days and we clearly need to have the right content. We need to have the right distribution partnerships to make it as convenient to the consumer as possible. Not necessarily a challenge, but there are steps that we need to take before we become ubiquitous.”

     

    While the company has not yet chalked out its marketing strategy, plans are to take ‘Go To Market’ (GTM) marketing route when the service’s commercial launch takes place in June.

     

    Speaking about Warner Bros’ association with HOOQ, Warner Bros general manager N Muthuram said, “Singtel will have a strategic presence in the Indian market with their partnership with Airtel. While we are licensed to HOOQ, we also have other local partners and we have been providing content to others as well. The deal with HOOQ is to have access to all of the content that is relevant to the consumer.”

     

    As reported earlier, the platform will have 10,000 movies and series from Hollywood, Bollywood and regional content for just Rs 199 a month. HOOQ is a joint venture with Singtel, Sony Pictures Television and Warner Bros. It will provide content from international as well as local players and has already partnered with 60 local partners.

  • OTT player HOOQ makes India debut; prices subscription at Rs 199

    OTT player HOOQ makes India debut; prices subscription at Rs 199

    MUMBAI: Competing with over the top (OTT) players such as Star India’s Hotstar, BoxTV and Big Flix, Asian video-streaming service Hooq has made its Indian debut.

     

    As reported by last month by Indiantelevision.com, the OTT video service from Singtel, Sony Pictures Television and Warner Bros. Television was looking at expanding in the Asian region by launching in countries like India, Philippines, Indonesia and Thailand.

     

    While Hooq will officially go live in India in June, beta access will be available to select users beginning 27 May.

     

    Hooq’s one-month subscription will cost Rs 199 and consumers will be able to pay using credit card, debit card, cash card, internet banking as well as PayTM.

     

    “We are very excited to bring to Indian consumers the ultimate ad-free video-on-demand service at an amazingly low price.  HOOQ will offer India the largest and best catalogue of Hollywood and Indian content of any service available today,” said Hooq CEO Peter Bithos.

     

    Hooq will offer over 15,000 international and local titles to consumers in the country including the likes of Harry Potter, Spider-Man, Iron Man, Pulp Fiction, Nikita, Shield, Friends, Lost, Grey’s Anatomy, Chennai Express, Vishwaroopam, and Andaz Apna Apna.

     

    For the local content, the company has partnered with movie studios like Yash raj Films, Sun TV, UTV Disney, Rajshri, Reliance, Shemaroo, and Sri Balaji AP International amongst others. At launch, Hooq plans to offer over 10,000 videos including Bollywood, Tollywood and Kollywood movies along with TV shows.

     

    Hooq users will be able to access their account on five devices at any given point of time and stream content on two devices simultaneously. The ad free Hooq also offers download support for offline viewing. Movies can be streamed for an unlimited amount of time anytime and anywhere.

     

    Hooq is accessible over the web at hooq.tv as well as via official Android and iOS applications.

  • IPL 8: Vodafone, Amazon dominate advertising blitz

    IPL 8: Vodafone, Amazon dominate advertising blitz

    MUMBAI: The ongoing season of the Indian Premier League (IPL) saw telecom operator Vodafone Cellular as the top advertised brand on the basis of secondages during the live coverage.

     

    As per Television Audience Measurement’s (TAM) analysis, Vodafone was closely followed by e-commerce giant Amazon.in, which is IPL’s presenting sponsor this season.

     

    Invading new territories PayTm.com was placed in the third position, while the Aamir Khan endorsed brand Snapdeal.com bagged the fourth berth.

     

    The fifth spot was occupied by the ad for Vimal Pan Masala featuring Ajay Devgn, signifying the brand’s 25 years celebration.

     

    Websites like Cardekho.com, Freecharge.in and Cartrade.com also featured in the list of top ten brands.

     

    On the other hand, the on screen presence was dominated by ACC Cement, which was closely followed by PayTM.com. Brands like Yes Bank, Intex Aqua Speed, Amazon.in and Vodafone Cellular Phone Service followed in chronological order.

     

    TAM’s analysis reflecting on ground presence of brands – Instadia, successfully managed to penetrate through the lenses and grab a slot in the television screen during the match. The category saw title sponsor Pepsi (the cola giant) in the pole position, followed by Pepsi IPL (the cricket tournament). Star India’s VOD platform Hotstar, which is also the official online streaming partner of IPL, is placed in the third spot. Yes Bank and Vodafone Cellular Phone Services followed at the fourth and fifth spot respectively. It must be noted that Hotstar is the sponsor of ‘Hotstar of the Match’ award, whereas Vodfone has ‘Fan of the Day’ and Yes Bank sponsors the ‘Maximum Sixer Award.

     

    Snapdeal brand ambassador Aamir Khan led the celebrity chart on the basis of ad volumes, followed by Ajay Devgn and Indian cricket team captain MS Dhoni.

     

    The list of new advertisers that were endorsing in the multi-million dollar tourney for the first time was led by PayTm.com. Intex Technologies and Vimal Pan Masala and Cardekho.com followed in descending order.

     

    IPL 8 viewership up 23 per cent cumulative reach up 2 per cent

     

    The eight edition of the IPL also received a boost in viewership. As compared to IPL 7, 23 per cent more fans tuned in to various channels of Multi Screen Media (MSM) to enjoy IPL action. After 45 matches, the current season registered 9,823 TVTs (000’s) whereas in 2014 the championship manage to garner 7,985 TVT’s (000’s) after same number of matches.

     

    The cumulative reach also went up compared to the previous edition. After 45 matches IPL 8 garnered 182 million viewers as compared to 179 million in 2014 edition, which signifies a growth of two per cent.

     

    The average time spent witnessed a growth of nine per cent as the current registered 45.04 minutes per match compared to 41.22 minutes of 2014 edition.

     

    IPL 8’s viewership so far has been dominated by males aged between 15 to 24 and 35 above. 

     

    Source: TAM Peoplemeter System; TG: CS 4+ Yrs, Market: All India; Period: 8 April – 9 May, 2015; IPL 7: 45 matches played between 16 April – 19 May, 2014

     

    To view the entire presentation, click here.

  • ‘Bombay Velvet’ exclusive preview unveiled on Hotstar

    ‘Bombay Velvet’ exclusive preview unveiled on Hotstar

    MUMBAI: Stepping up on its film marketing initiatives by setting new precedents, Fox Star India has rolled out its third digital-first initiative on Hotstar in less than a month for its upcoming movie Bombay Velvet.

     

    The studio unveiled an exclusive preview of the film to Hotstar’s 15-million-strong audience base on 10 May.

     

    The Hotstar movie preview of Bombay Velvet comprises four minutes of handpicked scenes from the soon-to-be-released film. The preview was packaged with a specially shot sequence, which had Karan Johar introducing the movie’s stars Ranbir Kapoor and Anushka Sharma with their on-screen names of Johnny Balraj and Rosie Noronha, and inviting the audience to watch the exclusive footage that followed. It ended with the trio reminding the audience of the film’s release date, and inviting them to watch it in theatres on 15 May.

     

    Fox Star Studios India CMO Shikha Kapur said, “We are delighted to be the first studio in India to introduce a series of Digital-first initiatives for film marketing on mobile, and that too with a huge multi-starrer like Bombay Velvet. While initially it was all about creating buzz, with the film now getting closer to its release date, we thought the audience would be excited to preview some of Bombay Velvet’s high-quality content, and hence the Movie Preview. This is a part of the build-up strategy which has worked very well so far.  Hotstar is poised as the go to destination for digital content platform on mobile today, and we believe it will help us effectively fill the market gaps for movie promotions on digital, and through the innovations, set a precedent for film marketing not only in our country, but also in other world markets.”

     

    This promotional activity came on the heels of a one-hour talk show featuring Ranbir Kapoor, Anushka Sharma, Karan Johar and Anurag Kashyap, which was shot for and premiered exclusively on Hotstar. This was preceded by yet another world-first initiative, the video premiere on Hotstar of the popular song, Mohabbat Buri Bimari, from Bombay Velvet.

  • Zee Classic ushers in phase two of revamp with new positioning, campaign

    Zee Classic ushers in phase two of revamp with new positioning, campaign

    MUMBAI: Zee Entertainment Enterprises Limited’s (Zeel) Hindi movie channel Zee Classic, which changed its look in June last year, is now gearing up for the second phase of revamp. 

     

    The channel, which is known for playing timeless ever green movies, has launched a new TVC reinstating its brand positioning of ‘Woh Zamana Kare Deewana’ in order to connect better with its target audience.

     

    Aiming to reach out to an audience with the same brand ethos, the new brand film will be showcased during the telecast of Zee Classic’s celebrated showcase – RD Night – The Concert on 26 April at 1 pm. The messaging through the TVC will take viewers back to the all-time classic eras of Indian cinema truly brought alive after all these years by the channel.

     

    RD Night – The Concert, will see renowned artists from the music fraternity come together to commemorate the unconventional legend and celebrate the life’s work of a man who irrevocably changed the world of music with his chart topping compositions – RD Burman.

     

    Speaking to Indiantelevision.com, Zee Entertainment Enterprises deputy business head, Hindi movie channels, Ruchir Tiwari says, “In phase two of our revamp, we have to come up with the positioning and will take it ahead with our multi-media marketing campaign. These great movies that we showcase on our channel are unmatched and very different and through this campaign, we are pushing the boundaries.”

     

    The channel took six months to design the campaign. Designed and developed by Whyness and produced by Abstract Films, the two films are directed by Pariskhit Vaidya.  

     

    The TVCs encapsulate the ethos of bringing alive an era of films that not only enchanted but were also revered by the audiences. Rehashing the cult classic path-breaking films such as Padosan and Sholay, the brand films reconstruct the scenes merged with contemporary situations and characters. 

     

    Tiwari believes that Zee Classic has now been accepted by the audience and has a loyal base, which was one of the reasons behind unveiling this campaign. “To up the ante, with the New Year and also with new dynamics coming, you know that you have to broad base and get in newer audiences. Our another main objective is to increase the awareness of the channel.”

     

    On the marketing front, the films will travel across network and on non-network channels too. 

     

    Future roadmap 

     

    In order to have a better connect with the existing audiences and attract newer ones, Zee Classic is also looking at original programming in terms of getting new weekly shows on-board in the next quarter. “The work is still in progress,” Tiwari informs.

     

    On the movie library front, the channel has been adding fresh movies to its kitty like Ganga Jamuna, which is slated to premier on 3 May. “We are also working to get two Gulzar movies namely Parichayand Khushboo,” he says. 

     

    According to Tiwari, the first two months of 2015 have been successful months for the channel. “From the last two months, the channel’s viewership is steady and has grown. Every second week, we had a very good viewership score card,” he adds.

     

    When queried as to how the network divides its strong movie library on its channels like Zee Cinema, &Pictures and Zee TV, Tiwari says that the network has a very focused and sharp approach with different teams handling different movie channels. “Classic and Zee Cinema are very focused in terms of their mindset and approach and the common usage is very few,” laughs Tiwari. 

     

    He further opines, “Consumers don’t really give us the feedback that movie is aired on various channels. They are very clear that which movie comes on which channel. In fact the recall on all our three channels has been positive in terms of what kind of content they expect and recall.”

     

    Moreover, Tiwari reveals that the network is aiming to expand its HD portfolio by bringing in exclusive movies only for HD. “We have already taken the first step by airing Haider on Zee Cinema HD,” he adds.

     

    Tiwari says that the on-going Indian Premier League (IPL) cricket tournament has not impacted Zee Classic’s viewership. “IPL is not a new event and over the years, we have our own learnings on how to approach a big event. I think it gives an opportunity where much more people sample the event and then come back to the movies as the second destination. Movie channels had witnessed a growth during last year’s IPL and this year too, we are confident that we will either sustain or grow from our numbers last year.”

     

    Zeel has its learnings on what kind of movies work during this period and what works post cricket. “It is about buying the right movie at the right time,” says Tiwari.

     

    With satellite rights of as many as 200 films still lying unsold over the last three years, the dream run had faced a few hurdles. However, now with TV channels pulling up their socks on film acquisitions with renewed vigour, Tiwari believes that the television movie market has seen a self correction, which was the need of an hour. “The satellite rights prices had gone through the roof and it was high time that it got corrected. The industry is also now rallying around it and understanding the perspective in terms of why it is not viable to pay those high prices. With the industry working around the module, everything will fall into place.”

     

    When queried as to whether Zeel will continue to acquire blockbuster movies for a huge sum, Tiwari says that it depended on the function of the market. “We will buy whatever will make sense in terms of viability and ROI. It is about buying a right movie at the right time.”

     

    With Star India launching Hotstar and movies being premiered first on digital and then on TV, Tiwari reveals that Zee too has been following the model with its VOD platform, Ditto TV. “All the mediums can co-exist, whether it is a mobile TV viewer, a user wanting high definition experience via a home theatre or the satellite market, which reaches out to a large majority of the population,” Tiwari concludes.

     

  • ‘Bombay Velvet’ song to premiere on Hotstar

    ‘Bombay Velvet’ song to premiere on Hotstar

    MUMBAI: One of the most anticipated releases of Bollywood this year, Anurag Kashyap’s Bombay Velvet starring Ranbir Kapoor and Anushka Sharma, will be premiering one of its song on Star India’s video on demand (VOD) platform hotstar.

     

    In what is seen as a first for cinema anywhere in the world, Fox Star Studios will premiere the song titled ‘Mohabbat Buri Bimari’ on hotstar during the Indian Premier League (IPL).

     

    The song will play out at 7.45 pm on 17 April on hotstar, just before the Pepsi IPL 2015 match between Mumbai Indians and Chennai Super Kings.

     

    With the increasing popularity of the hotstar platform, the song premiere is likely to attract a few million fans and give a dramatic fillip to one of Fox Star Studios’ biggest movie releases of 2015.

     

    With a million downloads in the first six days and nearly 15 million downloads since launch, hotstar has seen one of the fastest adoption of any digital service anywhere in the world.

     

    Fox Star Studios India chief marketing officer Shikha Kapur said, “We are excited about this premier. We believe this innovation will be a trailblazer for Indian cinema and an example of how it can engage with an audience that is young and on a mobile phone. We live in times where the digital doorway is omnipresent and is fast becoming the most effective and astute way to reach out to consumers. Bombay Velvet is a special film. And its song is being launched on a special platform, hotstar.”