Tag: Hotstar

  • Censorship and extremism worry content creator even as tech helps: Uday Shankar

    MUMBAI: Star India chief Uday Shankar today said while the distance that India has travelled in just one year in adopting internet based behavior is nothing short of remarkable, he was sad that ‘our censor authorities seem to be getting more and more conservative’ as the world gets bolder.

    Speaking at the inauguration of the three-day FICCI FRAMES, Shankar said that “the openness of the internet was supposed to lead to greater plurality of opinions, instead it has created a violent polarity” and a “forced extremism on every matter that has made gray the least acceptable colour in all discourse. As a society we have raised the stakes of every argument to narrowly legal and brutally physical consequences. There seems to be no room left to have civil debates and no place for those who disagree.”

    Clearly expressing a viewpoint that pained the creator of content, he asked: “But can we lay all the blame on the Censor Board itself? In my view the Board generally reflects the dominant consensus of our society and there are increasingly more bodies, mostly self-appointed, who have taken upon themselves the task of censoring media content. The refrain seems to be – I don’t like the legend or the myth on which your story is based, so I will burn down your sets. I don’t like a character, so I will not let you release your film. If you say you are going to do a show of busting fake godmen and gangsters, there is pre-emptive action. And what is becoming alarming now is that sometimes even the forums that you would seek redressal at are more inclined to bless the streetside censorship than speak for the freedom of expression.”

    Extending his argument, he said: “Punishment for disagreement seems to have become the norm. The institutions tasked with protecting expression and plurality, seem to be at loggerheads with the objective itself. By creating elaborate formal ceremonies around it, are we taking the joy out of one of the most loved and celebrated lyrics in our country i.e. our National Anthem? What’s frightening is that the court order has just become yet another weapon in the hands of any goon who is keen to stamp his authority. We are rapidly descending into a mindset where the most critical objective of a work of art is to make sure that it offends nobody no matter how many thematic or creative compromises it has to make.”

    He regretted that the “most worrying part” was that creative minds have begun to self-censor their thoughts and have started killing ideas before they germinate so as to avoid any conflict. “And that is really frightening. The advocates of this vandalism claim that unique measures must be taken to protect our unique culture.”

    However, Shankar said India appeared to be moving fast towards a digital dividend rather than a digital divide. “Personally I find predicting the future to be a tricky business -especially when it involves adoption of new technology. Just a year ago, at this very venue, there was a lively discussion on digital adoption. In less than a year, we are past that tipping point in this country. The distance that India has travelled in adopting internet based behaviour is nothing short of remarkable.”

    From buying goods and services to ordering in, India is now one of the largest markets for mobile applications – be it by volumes of downloads, consumption of video or e-commerce, for which it has already emerged as the next frontier.

    On the other hand, he said the conversation last year was about how many more unicorn start-ups will we see; this year it is about how many lame horses will have to be put down. “Fortunately, the digital story for the M&E sector continues to look exciting and it is already the next big destination for the global digital giants like Netflix and Amazon Prime. The stories of bottomless war-chests may or may not be hyperbole, but, it does give us a sense of the competition that they see from home-grown digital enterprises like Hotstar, Voot and the others.”

    He was confident that there will be a lot more lively activity on this front. The technology that has been introduced in this country is as good if not better than the best in the world. Combined with the reset in costs and quality benchmarks led by Reliance Jio, this has driven the adoption by the Indian consumer at a breathtaking pace.

    But while we celebrate this rapid growth, he said that in 2015-16 the Central Board of Film Certification refused certification to 77 movies. This number was 47 in 2014-15 and only 23 in the year before.

    As an example, he said the movie ‘Jolly LLB – 2’ had to be screened for a group of lawyers and medical professionals who were to decide whether the scenes were appropriate or whether they insulted any profession or institution. “This was despite the fact that the movie had been certified for universal release by the censor board.”

    He said there was a long list of instances “where the creative community has been bullied into changing its output to suit the needs of someone or the other in India. It seems that there are always people lurking in the shadows. Their sole job is to stretch and explore every piece of content that could be potentially offensive to someone.”

    He said the openness of the internet was supposed to lead to greater plurality of opinions, instead it has created a violent polarity.

    Referring to extremist reactions to creative works, he said: “We seem to be following the script that Hollywood had written almost 100 years ago. In the early part of the 20th century, Hollywood had decided to self-regulate itself. It adopted a production code and insisted on its enforcement for almost 25 years. The code covered the use of profanity like hell and damn, any suggestive nudity, wilful offense of any nation, race or creed and any ridicule of the clergy among other things. Doesn’t it sound familiar? The similarity with our own moral code is striking to say the least. Interestingly, television that was just arriving in American homes then, emerged as the challenger to this regime. Along with European cinema that came into the US, television buried this regressive moral code. The question today is – will digital play the same role for our generation and our country? The role of a progressive challenger, the role of providing a bigger canvas to creativity and creating a space for dissenting points of view. This new medium has the ability to truly democratize broadcasting. It offers the creative community the rare opportunity to rethink from scratch their art and how it is communicated. Only when modern technology and contemporary creativity truly come together, will we create a compelling and powerful media and entertainment offering.

    Those present included High Commissioner Nadir Patel and Mayor John Tory, Information and Broadcasting Secretary Ajay Mittal, and Department of Commerce Joint Secretary Sudhanshu Pandey,

  • Hotstar targets Rs 150 crore plus revenue from IPL 2017 streaming

    MUMBAI: Is video on demand streaming service Hotstar cooking up a good revenue platter this IPL 10 season? Well, if some media reports are to be believed, then, it is. Anywhere between Rs 150-200 crore is what it is likely to serve onto the Star India top line. The figure for IPL was a much lower estimated Rs 65 crore.

    The Novi Digital-owned service yesterday announced the on-boarding of Chinese mobile maker Vivo and auto major Maruti Suzuki as presenting sponsors for Vivo IPL 2017. The sticker price has not been specified. All that the release states is that the sponsorships are “believed to be sizeable investments from companies of a scale that has not been seen in the Indian digital market to date and indicate their belief in Hotstar’s promise of delivering the largest global sporting event on digital this summer.”

    Media reports have speculated that the figure each is anteing up is Rs 20 crore.

    According to Hotstar, advertisers and media agencies are signing fatter cheques because of the fact there has been a meaningful shift from television to digital — especially, as far as cricket viewing is concerned. The release states that “the most recent India vs England ODI series saw Hotstar’s reach challenging that of television consistently. The reach hit 120 per cent of television in cities with more than a million in population and 147 per cent reach in the largest six cities in India (M15+, NCCS AB). At the same time, the platform has seen new records established for digital with the short format cricket matches regularly exceeding 20 million in viewership.”

    Hotstar CEO Ajit Mohan is quite confident that the pioneering app is going to be the primary screen for this IPL season considering the 130 million viewers who are streaming video nationally.

    “Marketers are recognizing that these are audiences that are TV light or not present on television at all,” he points out. “We are reinventing the experience of cricket on a mobile and India is changing the way it watches its favourite sport.” Mohan told the media that the OTT player crossed had 200 million downloads by end February 2017. This is against the 50 million downloads, Star India CEO Uday Shankar had announced during the FICCI Frames inaugural keynote in March 2016.

    The streaming service’s contract with the BCCI is slated to end this year as it had paid Rs 302.2 crore to acquire the global internet and mobile rights three years ago.

    Vivo India CMO Vivek Zhang says he took the decision to partner with Hotstar as it appeals to the youth and enjoys tremendous brand recall. “Its desire to constantly invest on innovative technology which is in line with Vivo’s marketing objectives made it a preferred choice for Vivo We are truly excited about the delightful cricket experience that the platform is driving and were indeed keen to be a part of this drive,” he stated

    Maruti Suzuki marketing head Sanjeev Handa acknowledged that an increasing number of the auto firm’s target customer is engaging with the company’s products on digital. According to him, almost 50 per cent of users are researching cars online and hence a diffusion of the purchase cycle is taking place here. “Hence, our approach is integrating offline and online, (it is a ground sponsor of this year’s IPL),” points out Handa.

    “We wanted to embody the spirit of Play Glamourous for Vitara Brezza across the markets, and found a perfect fit by reaching out to the audiences via their closest screens, i.e. mobiles. An average user is spending over 150 mins each day on mobile. Our tie-up as co-presenting sponsor on Hotstar will give us the mileage and the engagement with the most glamourous sport in the nation!”

  • Netflix’s Reed Hastings’ compliment pleases Hotstar

    MUMBAI: When the world’s most successful video on demand player Netflix acknowledges you as a rival to watch out for, you obviously are going to be fairly kicked about it. That’s the case at Star India-owned Hotstar.

    Sources reveal that the team – led by Ajit Mohan – inside the domestically originating service is pretty happy about the comment that Netflix CEO Reed Hastings made last week in an interaction with the media.

    Said he: “Here in India, consumers are fortunate because there’s a great battle with Hotstar, Amazon, YouTube and Netflix, and maybe others, all competing for consumer’s time. When you use your mobile phone, laptop, smart TV, there are many services to go to. You can do many things. We’re one of the choices. What’s unique about Netflix is that we have got these international originals, combined with local talent.”

    Hotstar India claims to have around 60 million subscribers in India and is gung-ho about going global. The plan is to target Indians globally and possible other international viewers too: the number is anywhere between 25-50 million worldwide.

    The other two players – Amazon and YouTube – are backed by global super heavyweights, while Hotstar is backed by Star India, which is part of Twenty First Century Corp. The latter is a midget compared to both and Google and Amazon in terms of valuation and market capitalisation.

    Says a media commentator: “Hotstar is targeting a billion minutes a day of watch time. Netflix does multiples of that in a day worldwide. Hence, to be named as a competitor to be watched out for is a stripe on the Hotstar team’s shoulders. As compared to Netflix, Hotstar has a smorgasbord of content offerings which are very local – right from soaps to series to films, primarily in house content created for its television channels. Or there’s the movies and the international shows from good libraries. Of course, in recent times, it has been curating original Indian content. And then, there is the IPL which drives the nation crazy. It’s interesting to see how team Netflix will actually do battle with it in the marketplace as it seeks to scale up the numbers in India.”

  • Digital measurement: Star leads the way, partners Zapr

    MUMBAI: Even as India’s only television rating body BARC India plans to get into digital measurement arena, Star India has made a major splash and taken a strategic minority stake in Zapr Media Labs, one of the largest media intelligence repositories and cross-device targeting platform which enables brands and media-owners to identify their offline media audience and re-target them on mobile and web.

    BARC India’s intent, through its planned foray into digital measurement, is to measure total unduplicated audience across all devices and platforms, measuring combined program impressions or advertisements regardless of where and how content/ad is being consumed, through a Single Source Panel. BARC had planned to provide a TV+ Digital viewership measurement service across the globe covering over 50 per cent of media spends between TV and digital. BARC was said to be in talks with an Israeli media technology company to customise for it tools for measurement, which is likely to be rolled out in phases from sometime in 2017 or early 2018.

    However, in what seems to be a march ahead of BARC India, Hotstar, one of India’s leading OTT platforms, and Zapr today announced a strategic partnership to drive the next wave of mobile audience analytics in India. The partnership is accompanied by a minority investment into Zapr from Star.

    For Hotstar, the partnership signals a clear intent to evolve from a media startup to a full-fledged technology and analytics company that shapes the next wave of mobile usage and advertising in India. With more than 60 million users in the month of January and a sharp uptick in user growth in the last few months, the platform already boasts of some of the highest daily engagement amongst its followers.

    In what is certain to be an exciting development for advertisers and agencies, the two companies will work together to create a deep understanding of mobile audiences that can be leveraged by brands to create personalized communication and offers. The two will collaborate to create deep audience segmentation and razor sharp targeting as a trail-blazing move for the mobile advertising ecosystem

    Zapr Media co-founder and CEO Sandipan Mondal informed www.indiantelevision.com, “Our partnership with Hotstar and Star reinforces the great response we’ve received from our industry partners, and we look forward to continuing to grow our relationship with the media and advertising industry.”

    Mondal added, “At Zapr Media Labs, we’re focused on building one of the world’s largest media consumption repositories and audience targeting platforms. Over the past few years, we’ve been working very closely with our partners across brands, agencies and broadcasters on deeper audience segmentation, sharper targeting and richer insights.”

    While access to the Internet has been exploding in India in the last few years, especially on the mobile screen, mobile marketing has been constrained till date by the lack of availability of platforms that marry deep user engagement and audience segmentation. While many brands have deployed significant amounts of money on mobile in the last few years, especially through banner and in stream display ads, marketers have been frustrated by the lack of brand building vehicles online that allow them to leverage deep audience analytics. In what is clearly a trail blazing move for digital marketing, the partnership could herald the emergence of more robust audience analytics and better accountability for results in the mobile marketing world.

    Hotstar CEO Ajit Mohan said, “In the transition from the broadcast world to the digital world, advertisers got a data bonanza but in the process had to give up the ability to engage consumers who are actually paying attention to what they are saying. Hotstar has the opportunity to build the world’s first platform on digital where consumers are engaged and immersed while at the same time delivering deep audience understanding that allows brands to talk to individuals rather than segments. We believe that we have a shot at creating the world’s premier truly personalised advertising service, which benefits both brands and consumers.”

    Mondal added, “We look forward to accelerating the pace of our research & development, growing our product portfolio and building a deeper and long lasting relationship with the larger media and advertising industry.”

    Zapr’s proprietary technology platform analyzes television viewership across 600+ channels in India providing targeted digital analytics and insight into offline consumption behaviour. Zapr has built an analytics platform that combines this proprietary understanding with enriched data that allows advertisers to use it for sharper audience targeting and analysis.

    The announcement is a big step in the direction of becoming the premier personalised advertising service.

  • Hotstar plans to enter other markets

    MUMBAI: Much is in store for Over-the-top (OTT) content aggregator platform Hotstar. A game-changer in the industry which managed to generate 175 million downloads in two years now plans to expand to other parts of the globe.

    Hotstar CEO Ajit Mohan has announced new territory launches. Speaking to Mumbrella Asia at the CASBAA OTT Summit in Singapore, he said, “The model can be global with mobile viewing and tech at the heart of things.”

    Though, he did now reveal how much investments had gone into the company or which countries were being looked at as the next markets in the global expansion plan. “We will look at other models too,” he said. “It may be that some of our customers want to pay to receive no ads whatsoever. And where we do run ads, we try to ensure they are personalised and not disruptive. So, for example, with the cricket the ads run during the break between overs.”

    Despite the high cost, he revealed that the app received 60 million active users last month due to its mix of national and international content. “It was a big bet for us to bring all the content together in one place, but that is what the consumer wants. India was ready for it but nobody had invested to connect up the dots before,” he added.

    He also said that the cricket test match between India and England has received as many as three million people using Hotstar at one time.

    Mohan also asserted that the company is seeing rapid growth on a dramatic scale. “Something big is happening in India. That’s clear in the numbers. It’s an exciting story for curated high-quality content and we now have massive brand equity. So we do see an opportunity to take Hotstar to other markets.”

    It will be interesting to see what card the company pulls out next.

  • Hotstar breaks norm, introduces CinePlay

    MUMBAI: Hotstar, India’s leading streaming platform today announced that it is expanding its Premium Service and offering a new storytelling format, CinePlay, under its Originals banner. Hotstar Originals’ CinePlay will showcase classics and contemporary stories from the theatre world presented in a cinematic fashion. Each CinePlay will bring together the work of leading playwrights, internationally renowned directors and the best of the actors from both the theatre and cinema worlds.

    Available exclusively in India for Hotstar’s premium subscribers, 20 CinePlay titles will release regularly on the platform, starting with 5 titles being released on 13 February.

    The announcement comes close on the heels of the partnership with Disney that Hotstar announced last month. With that announcement, Hotstar Premium had put together a portfolio of American TV shows and movies from three of the best studios in the world: Disney, Fox and HBO.

    The introduction of CinePlay to the Premium service represents another big jump for the platform, which has already established stellar leadership in the highly competitive and fast evolving space of on-demand content. According to third party measurement company App Annie, Hotstar was the largest premium streaming platform in the month of January in India with more than 60 million users. Its watch time for the month was more than 12 times that of Amazon Prime Video and more than 20 times that of Netflix.

    CinePlays will bring some of the most renowned stories from theatre from leading playwrights like Dr. Vijay Tendulkar, Badal Sircar, Mohan Rakesh, and Mahesh Dattani amongst others. The productions have been helmed by renowned directors such as Santosh Sivan and Nagesh Kukunoor. They will feature some of the most compelling actors of the theatre and film world including Nandita Das, Saurabh Shukla, Lillete Dubey, Swanand Kirkire, Namit Das, Darshan Jariwalla, Rajpal Yadav, Sonali Kulkarni and others.

    “We love breaking norms,” said Hotstar CEO Ajit Mohan. “We have never believed in the artificial separation between television and digital audiences. Our aspiration for Hotstar Originals has always been to introduce new formats and stories that are not being explored by anyone, irrespective of the screen. CinePlay is a big leap forward for storytellers and their audiences in the country. We are excited to bring an entirely new way of storytelling to a generation that has not been exposed to either these stories or to the power of theatre.”

    “CinePlay is presenting a new visual language that blends the grammar of theatre and the power of cinema. We are excited to be exclusive partners with Hotstar in bringing these rich and relatable stories to every screen. With this collaboration, we hope to capture the imagination of the digital generation through an immersive cinematic experience of the theatre,” said CinePlay chairman and co-founder Subodh Maskara.

  • Hotstar, powered by Akamai, establishes high online viewership during India-England series

    MUMBAI: Hotstar, one of India’s leading premium video streaming platform, leveraged Akamai Technologies, Inc., a global leader in content delivery network (CDN) services, to establish several new online viewership records on its platform for live sporting events during the recently concluded India-England series. On the second One-Day International (ODI) held on the 19thof January, more than 25 million users watched the match on the platform, accounting for a majority of the Internet traffic from India on that day. The viewership peaked at more than 3 million concurrent viewers on the platform during the final T20 match of the England series, establishing a new high in the Asia Pacific region.

    India’s emergence as the world’s second largest smartphone market[2] is reflected in the dramatic growth in traffic witnessed by Hotstar, backed by Akamai’s Intelligent Platform, which saw more than 75 percent of viewers streaming the match from mobile networks.

    Hotstar, an Akamai customer since its launch in February 2015, delivers millions of hours of sporting and general entertainment content backed by Akamai’s Media Delivery Solutions every week.

    “We are seeing dramatic growth in our viewership every month, including in cricket. As millions of new users embrace Hotstar as a way of life, the platform is seeing new highs in sports viewership as well. As data costs fall dramatically, and users increasingly look to their mobile as the primary screen, we are starting to see the emergence of Hotstar as the primary destination in cities with more than a million in population. This trend will accelerate in the next few months, especially during IPL, and we rely on Akamai’s solutions to ensure that we are able to scale in line with this vertical growth in demand,” said Ajit Mohan, CEO, Hotstar.

    “Globally, the smartphone is becoming a key instrument to viewing live sporting events. We saw a significant majority of users accessing content via mobile for this ODI between India and England, making it the largest audience for a sporting event on the Akamai Platform, in Asia. Hotstar is truly leading the change in this paradigm shift in India, and we are proud to partner with Hotstar to bring new features and innovations to provide an unparalleled end user experience,” said Parimal Pandya, Vice President, Media, APJ, Akamai Technologies.

    As the Internet becomes faster and more accessible in India, brands can expect app downloads and usage to surge. Per a recently released App Annie report[3], Android users in India spent close to 150 billion hours on apps in 2016, leading app usage in the world. Indian users also downloaded apps over six billion times, surpassing America, the previous world leader.

  • Netflix facilitates downloads on Android memory cards

    Netflix facilitates downloads on Android memory cards

    MUMBAI: OTT and VOD services have been adding a variety of content and myriad features to attract more and more consumers to their service in India. India is one of the fastest growing smartphone-owning countries as hinted by Ericsson recently.

    Launched last year in India, Netflix, the entertainment streaming company, recently added the ability to download its dynamic entertainment content on memory card or expandable storage on Android operating system.

    Users can now download content on Android smartphones and tablets. Earlier, the company had opened up the ‘watch offline’ feature as a response to the growing business race from players such as Amazon Prime and Hotstar.

    The feature however is restricted to inbuilt storage. Players such as YouTube also have a similar limitation. But, the new feather in its cap could Netflix hike its user base in densely populated nations such as India.

    But, the new feature does not surprise Nougat or Android Marshmallow users as they could already avoid limitations by using the adoptable storage option.

    However, for those who can’t do this, they make use of Netflix app and move to the option of ‘download location’ and select from the storage options — SD card or internal storage.

    Also Read:

    Netflix confirms seven million subs; picks up Amazon gauntlet

    OTT/VOD disrupted traditional ‘appointment viewing’ in India: Spuul’s Subin Subaiah

  • Netflix facilitates downloads on Android memory cards

    Netflix facilitates downloads on Android memory cards

    MUMBAI: OTT and VOD services have been adding a variety of content and myriad features to attract more and more consumers to their service in India. India is one of the fastest growing smartphone-owning countries as hinted by Ericsson recently.

    Launched last year in India, Netflix, the entertainment streaming company, recently added the ability to download its dynamic entertainment content on memory card or expandable storage on Android operating system.

    Users can now download content on Android smartphones and tablets. Earlier, the company had opened up the ‘watch offline’ feature as a response to the growing business race from players such as Amazon Prime and Hotstar.

    The feature however is restricted to inbuilt storage. Players such as YouTube also have a similar limitation. But, the new feather in its cap could Netflix hike its user base in densely populated nations such as India.

    But, the new feature does not surprise Nougat or Android Marshmallow users as they could already avoid limitations by using the adoptable storage option.

    However, for those who can’t do this, they make use of Netflix app and move to the option of ‘download location’ and select from the storage options — SD card or internal storage.

    Also Read:

    Netflix confirms seven million subs; picks up Amazon gauntlet

    OTT/VOD disrupted traditional ‘appointment viewing’ in India: Spuul’s Subin Subaiah

  • Disney, Pixar & Marvel movies available on Hotstar; exclusive deal signed

    Disney, Pixar & Marvel movies available on Hotstar; exclusive deal signed

    MUMBAI: This year Disney India has witnessed spectacular success with its Hollywood movies setting benchmarks that reflect the increasing popularity of English movies in the country. Similarly, Hotstar has emerged as a market leader signaling the rise of digital and mobile entertainment platforms. Hotstar has now announced a new studio partnership with Disney India to dramatically augment its Premium service. It has inked a multi-year SVOD deal with Disney India to showcase the studio’s biggest hits exclusively on Hotstar Premium in India which includes movies like Lucasfilm Star Wars: The Force Awakens, Disney’s The Jungle Book and Moana, Marvel’s Captain America: Civil War and Doctor Strange, Disney.Pixar’s Finding Dory amongst others.

    In addition, Hotstar premium subscribers will also have access to popular movies and classics from Disney’s library including Disney.Pixar’s Ratatouille, Brave, Toy Story 3; Disney’s The Lion King, Pirates of the Caribbean: Dead Man’s Chest as well as popular American TV series from ABC Studios such as Castle and Desperate Housewives. Hotstar subscribers will be able to access this content conveniently through Disney, Marvel and ABC Studios branded sections on the homepage of Hotstar.

    Hotstar CEO Ajit Mohan said, “Over the last 6 months, we have established Premium as an exciting new service for an Indian audience that is interested in international stories. The deal with Disney is in line with our strategy of bringing the best of new shows and movies from around the world to our Premium subscribers. This partnership signals our continuing strategy: we will invest deeply and widely with the best story tellers in the world to ensure that Premium continues as the standout streaming service in the country.”

    “Our movies have met with much success in theatres this year. This deal is important for us as it enables us to offer our movies across Disney, Marvel, Star Wars and Pixar brands and our ABC Studios’ TV shows to our audience wherever they are. Hotstar Premium is an ideal home for our content and it gives subscribers across the country, the chance to revisit their loved stories,” said Disney India VP Studios Amrita Pandey.

    Setting its sights on shaping the connected TV experience in India, Hotstar recently appropriated the top spot on iTunes as Apple TV’s App of the Year for India 2016. The recognition came on the back of a breakthrough year in which Hotstar continued to lead and disrupt the Indian market place. The service now has more than 140 million downloads to date. According to third party tracking provider App Annie, that tracks app usage of video streaming platforms, more than 50 million users used the service in India in the month of December.