Tag: Hotstar

  • Star Sports releases TVC of Kangaroo facing off a Tiger, from 17 Sept

    Star Sports releases TVC of Kangaroo facing off a Tiger, from 17 Sept

    MUMBAI: Star Sports has kicked off its campaign for Paytm India v Australia ODI series with a TVC to depict the two formidable opponents as a Kangaroo facing off a Tiger. The five-match ODI series which will be followed by three T20Is starts on 17 September, 2017. It is claimed that the TVC has been viewed over six million times since its release.

    The film, with its “wild” feel and distinctive music, captures the anticipation and excitement around the series, and the Indian fans will hope that the Tiger prevails over the Kangaroo yet again! Earlier this year, a hard fought Test series (Ind 2 – 1 Aus) saw new rivalries being born and friendships being fractured. Both sides are led by aggressive captains and will play to win.

    The upcoming ODI & T20 lineup promises to be the most anticipated series of the season. This series will also define the next chapter in the rivalry between these two cricketing powerhouses and possibly settle the Kohli Vs Smith debate as well.

    YouTube link –

    A Star India Spokesperson said, “This campaign is unique and different from any other sports campaign; and we are pleased with the response it has garnered. We look forward to some exciting cricket between the two powerhouses in the lead up to the festive season.”

    Former Australian cricketer Mike Hussey said, “Winning in India has always been a priority for any Australian side & this series is a great opportunity for the Australian team to upset India at home. I am excited & I look forward to witnessing this great cricketing battle between two top sides & also to the Kohli Vs Smith clash!”

    This year, Star Sports and Hotstar bring to cricket fans exciting action right from Diwali to Christmas starting with the India v Australia series, followed by New Zealand’s tour to India (3 ODIs and 3 T20Is) and culminating with Sri Lanka’s tour to India (3 ODIs and 3 T20Is).

  • Star Sports 1, HD, Hotstar & BWF YouTube to show World Badminton C’ship from 330pm today

    Star Sports 1, HD, Hotstar & BWF YouTube to show World Badminton C’ship from 330pm today

    MUMBAI: The World Badminton Championships 2017 are scheduled to be telecast live from Monday (21 August) at 3:30 pm India time from Glasgow in Scotland on Star Sports 1 and Star Sports 1 HD. Simultaneously, it will be live-streamed on Star India’s Hotstar and YouTube. The BWF championships will conclude on Sunday (27 August). 

    The BWF World Championships is held every year except for the year of an Olympic Games. It is a showcase of the very best in the sport and it determines who are the World Champions in each of the five disciplines, men’s and women’s singles, men’s and women’s doubles and mixed doubles. The championships is an individual event and each Member Association is invited to enter their players through the world ranking qualification. For each event, the joint third place winner gets a bronze medal, the runner-up silver and the winner is awarded a gold medal and title “World Champion”.

    Since Prakash Padukone’s bronze medal in 1983, India never won a medal in men’s section at the world championships. Srikanth, who has been handed a comparatively easier draw among the four, will start his championships campaign against Russia’s Sergey Sirant.

    Ajay Jayaram, B Sai Praneeth, Kidambi Srikanth, and Sameer Verma will represent India in men’s singles while PV Sindhu, Rituparna Das, Saina Nehwal and Tanvi Lad will participate in women’s singles. Three teams — Satwiksairaj Rankireddy/Chirag Shetty, Manu Attri/Sumeeth Reddy and Arjun MR/Shlok Ramchandran will represent the country in men’s doubles. Ashwini Ponnappa/Sikki Reddy, Sanjana Santosh/Arathi Sara Sunil and Meghana Jakkampudi/Poorvisha S Ram would play in women’s Doubles.

    Four Indian teams of Satwiksairaj Rankireddy/K Maneesha, Ashwini Ponnappa/Sumeeth Reddy, Prajakta Sawant/Yogendran Krishnan and Pranaav Jerry Chopra/Sikki Reddy would play in the mixed doubles event.

    India’s hopes for medals depend on Australian Open and Indonesian champion Kidambi Srikanth, and Olympic medallists Saina Nehwal and PV Sindhu. The mixed doubles team of Sikki Reddy and Pranav Jerry Chopra could probably win too.

    Schedule for Indian players on 21 August

    Men’s singles

    Sergey Sirant Vs Srikanth Kidambi — 6.10pm approx.

    Pablo Abian Vs Sameer Verma — 8.30pm approx

    Men’s doubles

    Chung Eui Seok/Kim Dukyoung Vs Manu Attri/Sumeeth Reddy — 8.45pm approx

    Women’s singles

    Airi Mikkela Vs Rituparna Das — 9.50pm approx.

    Chloe Birch Vs Tanvi Lad — 8.30pm approx

    Women’s doubles

    Natalya Voytsekh/Yelyzaveta Zharka Vs Sanjana Santosh/Arathi Sara Sunil — 8.30pm

    Mixed doubles

    Sawan Serasinghe/Setyana Mapasa Vs Ashwini Ponnappa/Sumeeth Reddy — 3.30pm

    Tam Chun Hei/NG Tsz Yau Vs Satwiksairaj Rankireddy/K Maneesha — 6.10pm approx

    Lu Ching Yao/Chiang Kai Hsin Vs Prajakta Sawant/Yogendran Krishnan — 6.30pm

    ALSO READ :

    Star to focus on school-level games via FTA sports channel

    Rise of Indian sports leagues: South India loves Kabbadi

    Sports TV 2016: Digital explosion, player consolidation & confusion

    FIFA U-17 draw: Hosts India to take on U.S. in Delhi

  • Hotstar tech partner Prime Focus signs deals with Turner & sports broadcasters

    Hotstar tech partner Prime Focus signs deals with Turner & sports broadcasters

    MUMBAI: India’s Prime Focus, which was recently in news for admitting and plugging the leak of an upcoming episode of Game of Thrones to be broadcast by its partner Star India’s Hotstar, has signed technology deals with prominent traditional and digital broadcasters.

    A link to view Episode 4 of Season 7 of Game of Thrones bearing a Star India watermark appeared online three days before its airdate as an outcome of an illegal breach of obligations by PFT’s current and former employees. Following PFT’s forensic investigations, Mumbai Cyber Cell arrested four accused on 14 August.

    Prime Focus Technologies (PFT), the technology arm of Prime Focus, recently signed an agreement with Turner Latin America, where PFT’s CLEAR™ Broadcast Cloud will provide work order and supply chain management along with end-to-end process monitoring of critical tasks, with reports and dashboards. “CLEAR was built as an ERP system tailor made for M&E and is well-poised to help Turner improve efficiencies across their supply chain with lowest TCOP, while enabling them to be the first to publish their content to multiple destinations,” said Prime Focus Technologies CEO Ramki Sankaranarayanan.

    PFT also manages the content operations for sports broadcasters. Also, the Sports Video Group recently welcomed PFT as a corporate sponsor. PFT creates CLEAR enterprise-resource-planning (ERP) software for the media and entertainment (M&E) industry.

    Apart from Star, PFT is working with Disney, Warner Bros., Hearst, CBS Television Studios, 20th Century Fox Television Studios, Lionsgate, Showtime, A+E Networks, Tru TV, HBO, IFC Films, FX Networks, Miramax, CNBC Africa, TERN International, Sony Music, Google, YouTube, Amazon Prime, Hooq, Viacom’s Voot, Cricket Australia, BCCI, and The Associated Press and Indian Premier League.

    “We chose CLEAR for three reasons: it is cloud native, multi-platform and easy to integrate through a solid Service-Oriented Architecture (SOA) approach”, said Turner Latin America VP – technology & operations Luis Esparza.

    Operations at Turner Latin America’s main content processing hub in Buenos Aires (Argentina) will be seamlessly connected with all other supply chain locations through the CLEAR hybrid cloud architecture. This will support multi-location distributed workflows such as subtitling and dubbing, compliance mastering, promo operations, archival, playout delivery as well as schedule driven distribution for OTT and VOD.

    ALSO READ :

    Game of Thrones  episode leak with Star TV watermark traced to Prime Focus Tech; 4 people arrested

    VIDNET 2017: MINING THE BURGEONING OTT/VOD SECTOR

    Prime Focus reports flat results for first quarter

  • Kumar Mangalam Birla charges into content creation, hires TV vet Sameer Nair

    MUMBAI: Sameer “Sam” Nair has made it a habit to go where many  a man has gone before and failed. The only difference: he has made what he has been charged with a success.

    Now, the former Star TV COO and former Balaji Telefilms group CEO, is headed to the $43 billion Aditya Birla group to revive chairman Kumar Mangalam Birla’s long harboured ambitions to chew away a piece of the fast growing Indian entertainment business through his company Applause Entertainment.

    Earlier, attempts by Birla under Applause were abject financial failures, though the company churned out films such as the Amitabh Bachchan-starrer Black and Dev.

    The reason: Birla did not have a strong platform 10 years ago, and attempts to create for cinema and television were challenging. However, with the upcoming Idea-Vodafone giant (around 400 million subs when the two merge by 2018) under his belt, he won’t be facing that challenge in his fresh attempt to build the entertainment side of his business. Additionally, he has  Sam who has a track record of turning around struggling entertainment companies.  Finally,  global platforms such as Amazon, Netflix and Hotstar will be another window of opportunity for revived entity.

    Thus, Kumar Mangalam has kept aside an initial  investment  war chest of  Rs 2-3 billion this time around.

    Sam  and Applause will be focused on creating premium drama series, in multiple genres and languages (Tamil, Hindi and Telugu) in the shorter format with seasons to feed the new emerging audience which is currently gorging on shows such as House of Cards and Game of Thrones. The idea, according to Sam is to work with content producers in the established studio structure to roll out the first batch of shows rather quickly in the next six months. Around 20-30 series  across romance, drama, crime and thriller genres will be delivered over the next 18 months.

    Dropping data prices on mobile and increased consumption of video while on the move are factors which will fuel the explosion in content in India going forward, points out Sam.  Content, he says,  has to play catch-up with technology.

    Also Read :

    ALTBalaji is essentially everything that Balaji on TV is not: Sameer Nair

    Just 11% video viewership is on OTT: Akamai’s Reddy

    Synergy between quality content & branding workable in digital space, feel industry experts

  • Ratings peaked during ICC Women’s World Cup 2017 finals

    Ratings peaked during ICC Women’s World Cup 2017 finals

    MUMBAI: Cricket craze in India is probably the higher than in any other country in the world is a cliché. It is normal for Indians to sit eyes glued to the idiot box as their male team players chase or hammer leather. Women’s cricket had not fascinated the average Indian until this year during the ICC Women’s World Cup 2017 in which their braveheart lassies’ made it to the finals – winning every match till then. The finals of the World Cup between women from India and England on July 23 saw ratings breach an unprecedented 19.533 million impressions (All India) according to Broadcast Audience Research Council of India (BARC) data. More rural impressions were recorded at 9.962 million than urban which were slightly lower at 9.571 million. However, in the case of all the other matches that India featured in saw higher viewership from urban markets than rural markets.38.6 percent more men watched the match than women – to put in numbers – men and women viewership was 11.346 million and 8.187 million impressions respectively.

    The breakup of networks was 14.263 million impressions (8.286 million male and 5.977 million impressions female) on the Star Sports Network and 5.27 million impressions (3.06 million male and 2.211 million impressions female) on DD National.

    The India-England final witnessed a reach of 13.7 million. Indian women played only one match that they won quite convincingly by 95 runs against India’s arch foe and neighbour – Pakistan. This was match 11 on 2 July 2017. The match scored 2.933 million impressions on an All India basis. Reach-wise, the India-Pakistan match was sampled by more viewers than those during India-Australia semi-final match. The India-Pakistan match witnessed a viewership of 9.2 million whereas the semi-final saw a viewership of 6.5 million.

    Please refer to the table below: (TG: All India, 2+)

    A press release just after the final match circulated by Hotstar, the OTT platform on which the matches were also beamed, stated that India’s second-ever entry into a Women’s World Cup final had a peak concurrency of 1.9 million simultaneous viewers. And this happened in the tragic forty eighth over with India needing 11 runs to win off 12 balls. UP and Maharashtra contributed to 25 per cent of the total viewership on Hotstar.

    From the UK, a record 1.1 million reportedly watched the final played between India and England. It was also reported that this figure was equivalent to the average audience that watched the popular Premier League’s Sunday afternoon matches, according to data from BARC India.

     

  • IPL: BCCI tells SC rights bidding process under way, hearing on 22 Aug

    IPL: BCCI tells SC rights bidding process under way, hearing on 22 Aug

    MUMBAI: The Supreme Court sent a legal notice to the Board of Control for Cricket in India (BCCI)  enquiring why the IPL media rights auction has not taken place online. And, BCCI told the court that e-auction of rights was not possible and that the court should not intervene as the bidding process was already under way.

    The auction process for IPL media rights is in progress up to 28 August, and the rights would operate for a period of five years. BJP MP Subramanian Swamy had, on 11 July, filed a petition before the apex court asking why broadcast rights for cricket matches would not be sold through e-auction. He had mentioned that the BCCI should have gone for e-auction since a huge amount of Rs 300 billion was at stake.

    The court had directed the board to respond in two weeks.

    The bench, comprising Justices AM Khanwilkar and Dipak Misra, has asked the Committee of Administrators (CoA), appointed by it, to assist the apex court in deciding the issue. The next hearing is now scheduled for 22 August.

    IPL’s TV broadcast rights were held by Sony Pictures Networks till the 10th edition which concluded in June. The Internet and mobile rights were awarded to Novi Digital Entertainment Pvt. Ltd (Hotstar), a unit of Star India, for a period of three years to 2017.

    Singapore-based World Sport Group pocketed the IPL broadcasting rights for 10 years in 2008 by investing US$ 918 million. A year later, the contract was replaced when Sony Group (through Multi Screen Media Pvt. Ltd) paid US$ 1.63 billion for the nine-year broadcasting rights. The auction process was delayed last year on the Supreme Court’s directive to first comply with the Lodha panel reforms.

    Facebook, Reliance Jio, Twitter, Sony Pictures Network India and Star India were some of the major companies who picked up the tender document. While the television broadcast rights for the Indian subcontinent is for 10 seasons (up to 2027), the digital rights are valid for five seasons and the international media rights also are for five seasons.

     

    Also Read: IPL: Media rights race hots up after IMG renews events deal

    Swamy seeks transparency in IPL media rights through SC

    IPL tendering process to commence 17 July; bidding to be fierce

  • Star India’s PKL 5 telecast via 12 channels in five languages starts today

    MUMBAI: Star India, with 12 sports channels in its bouquet, plans to reach out to a larger audience by telecasting Vivo Pro-Kabaddi Season 5 live in five languages.

    PKL season 5 will be aired on Star’s first FTA sports channel Star Sports First in Hindi, Star Sports 2 and 2HD in English, regional channels Star Sports 1 Tamil, Star Suvarna Plus in Karnataka, Star Maa Movies for Telugu.

    Starting 28 July (and going up to 28 October), PKL will also be aired on its digital platform Hotstar.

    The captains of all 12 VIVO Pro Kabaddi teams came together to launch the Season 5 of the league in Hyderabad. The first match, on July 28, 2017, will see new team Tamil Thalaivas, led by Ajay Thakur take on Rahul Chaudhari-led Telugu Titans in Hyderabad.

    The inaugural ceremony of Season 5 is likely to be a star-studded affair, with eminent sports icons and film personalities expected to attend. Bollywood superstar Akshay Kumar will sing a glorious rendition of the National Anthem before the start of the first match of the season.

    Gearing up for the 138 exhilarating matches across 13 weeks, the teams have been training fastidiously to prepare for a competitive season. The battle for the league got even more intense with the announcement of a consolidated sum of Rs 80 million as the coveted prize money.

    Star India MD Sanjay Gupta said, “As we stand hours away from the 5th season of Vivo Pro Kabaddi, I am transported back to the day we decided to launch the league. I am filled with immense pride to see how the league has made tremendous impact and grown continuously. It’s now constituted as the biggest domestic sports league with twelve new teams and expanding to new geographies. I look forward to a thrilling season of three months and I am confident that it will make history all over again.’’

    Vivo Pro-Kabaddi league commissioner Anupam Goswami said, “I am excited and, at the same time, grateful to the fans, franchises, Star and the federations for supporting us at every step of this journey. I look forward to an engaging season of kabaddi.”

    International Kabaddi Federation president, Janardan Singh Gehlot, said, “At the federation, we are eagerly waiting to see how Season 5 of VIVO Pro Kabaddi unfolds. The players and their coaches have invested grueling hours of training to put up a competitive front and give fans an action-packed sport to cheer on for 3 months. We are confident that Kabaddi will continue its upward rise in the days and years to come.”

    The season will culminate with the finals slated for 28 October, 2017, in Chennai.

    ALSO READ :

    Vivo becomes FIFA’s smartphone sponsor in a six-year, US$ 450m deal

    PKL 5 advertisers grow three-fold, sponsorships rise 320%

    Pro Kabaddi: Mashal Sports invites tenders to own & manage new team

    Star’s five marketing strategies that helped sports grow in 2016

  • Womens’s World Cup final draws record viewers on Hotstar

    MUMBAI: Cricket continues to rule in India. Even if you don’t have the likes of Virat Kohli, Mahendra Singh Dhoni, Yuvraj Singh and Rohit Sharma on the field or screen.

    The team at the 21st Century Fox owned Hotstar were more than happy to discover the upscaling in viewership that even women’s cricket has been getting.

    The recently concluded ICC Women’s World Cup 2017 final featuring India and England has notched up new records, if a press release from Hotstar is to be believed. The Indian cricketing eves lost by a slender margin; England’s ladies kept their nerves to pick up their trophy.

    Hotstar says India’s second-ever entry into a Women’s World Cup final had a peak concurrency of 1.9 million simultaneous viewers. And this happened in the tragic forty eighth over with India needing 11 runs to win off 12 balls.

    The release syas that “this was higher than the average concurrency of many of the marquee men’s cricket tournaments on Hotstar in the last year, a feat in its own right and an inflection point in women’s sports. While Vivo IPL 2017 saw a predictable list of state-wise tune-ins, consistent with team loyalties, the Women’s World Cup saw a surprise entrant in UP, which along with Maharashtra, contributed to 25 per cent of total viewership.”

  • Competing with Google & FB on free side and with Netflix and Amazon on subscription — Hotstar CEO Ajit Mohan

    One of the early movers in the Indian over the top (OTT) space, Hotstar – – part of the Twenty First Century Fox-owned Star India – has been setting a scorching pace for itself. In a nation where high data costs made customers wary of consuming content when on the move, it displayed a voracious appetite for acquiring them. Today, its massive subscriber base equals or surpasses the total subs of all the VOD services in Asia and rivals that of the big boys in the US.

    It has also been aggressive in its content strategy – paying top dollar for movies and TV series from  top notch Hollywood studios as well as for sports telecast rights.

    21st Century’s Fox’s leaders – the Murdoch brothers Lachlan and James – along with the Star India management led by Uday Shankar and Sanjay Gupta – are quite bullish that the investments being poured into Hotstar are well worth it and should bear fruit, sooner than later. Estimates are that around $500 million has so far been pumped into the VOD service.

    The man in the hotseat at Hotstar has been the US returned executive Ajit Mohan who has been steering it right from day one three years ago. With single minded focus, he has been at his task of building a robust product and a team that helps it remain so.

    The publicity shy Mohan was one of the Indian VOD leaders who had a one on one with Indiantelevision.com founder, CEO and editor in chief Anil Wanvari at the highly successful  second VIDNET OTT conference in Mumbai two weeks ago.  Excerpts from the conversation:

    First of all, I would like to start by congratulating you on your CBS Showtime deal. Tell me little more about it?

    If you look at what we have built on Hotstar premium we feel pretty proud. I think we have built a fairly distinctive subscription service which in many ways I think compares to the best in the world.  I am not sure that there is any platform worldwide that brings together the best studios for American TV shows and movies. With Hotstar Premium we have HBO, Fox and Disney movies exclusively. And we thought that the only missing piece was Showtime. So we have done an exclusive partnership with  Showtime to both bring the Showtime brand and also the best of their marquee shows  to India on Hotstar.

    I think it really completes our offering. We have built a free service that has scaled up dramatically in the past two and half years or so. Now we are kind of applying some of the same rigor and aggression on P remium as well.  From the content proposition point of view I feel pretty good about how it  looks like.

    What will we get to watch? What kind of shows and will it be on same day and date?

    It is. One of the promises we have as pat of the English part of Premium is that all the TV shows will be aired at the same time as  the US. That’s true for HBO, Fox and it will be true for Showtime as well. Billions, one of their best shows will be on Hotstar and Twin Peaks too. Overall, I think it’s a pretty exciting roster.

    I think more than any individual shows what I am excited about is that both HBO and Showtime in the US have created these fabulous premium pay TV propositions on the back of really redefining what a high quality  American show looks like. I think  by bringing them together on the same platform, what we are essentially saying when it comes to English content there really is no need to look beyond Hotstar Premium. Not in terms of other services.  Or not in terms of torrents, which is still a meaningful source of competition for us.

    We will now start investing in educating the market where there is a substantial number of users who have an affinity to English who are spending a lot of time – especially the younger demographic – digging up for content on torrents. And very often they don’t get good quality versions. They don’t get it on time.Or they get It dubbed or subtitled in a language that is not familiar.

    Now the reality is that as a consumer in India you don’t need to have  to go through the pain. It may be difficult for them to understand the richness of the proposition that is  on offer today. Now when you compare it to consumers in any other part of the world today; the Indian consumer has probably the best deal.  Rs 199 per month only…I don’t think price is a  challenge anymore. So I think it’s more about creating  awareness.  And I think there is still a segment – especially in the younger demographic – who believes it’s cool to pirate. And I am sure that philosophy will be carried by a lot of people. For most people,  it is just creating awareness that there is a serious ease of getting almost every show that you want on Hotstar Premium at a price that is quite affordable. And that is what we are going to invest in on the back of the Showtime deal and what we already have on Premium. And taking it to a mass market in a way that’s not been done in this country before.

    So will you have Hindi sub titles? Or in any other languages?

    Currently, it’s English subtitles. I think the fundamental  point you are making is improving accessibility, can dramatically expand the audience for English TV shows or movies in India. Hollywood has shown that with dubbing. The direction we are moving is to make it accessible by subtitling in multiple languages which you will see over the next few months.

    How are you doing on the app download front?

    We have crossed 300 millions downloads and we are seeing downloads across all operators. Wifi.  Jio obviously has  had a tremendous impact on the ecosystem in terms of expanding access to mobile broadband and increasing affordability. Two things stand out over the last nine months when Jio has had this massive disruption. One is that video has  benefited disproportionately. For us what the last two years -and the last year in particular – has really established is the bet that we made if data was not a constraint,  people will gravitate towards  long-form content including on a mobile. That  what we saw in the early stages of the ecosystem , people consuming short form clips, user generated content  – that it did not represent the truth. It was not the end state; it was the beginning of the market.  That has really played out  And you see that in the data, the time spent time..the watch time on video  has grown disproportionately to social media.. And by multiple factors. And Hotstar has grown – disproportionately to any other video platform.

    300 million I don’t think somebody else has this kind of numbers in the world.

    I think Jio has been an enabler. But more and more you are seeing that for sieving out where consumers are going, both in terms of adoption and in terms of watch time. I think data is an enabler. My sense is that the more people have access to 4G, the cheaper data gets – a high quality propostion like Hotstar that has both the content proposition and is compelling as well  and we are seriously investing in technology to keep improving the consumer experience. I think that combination is quite powerful.

    We are seeing that in the numbers which are substantive. One of the numbers that stands out for us is that just on the Google Playstore globally we crossed 100 million downloads a couple of months ago. From what we know, only Netflix has done that globally outside of Hotstar and may be in the entertainment space, Spotify. And it does feel like even being in one market in India, I think  the scale of what we are seeing clearly compares to the best in the world.

    I believe this should be a moment of pride for the country as well that in the mobile ecosystem that we are blazing the trail in terms of what can be done. And for us, we really think of ourselves as “we are not replicating models that have happened in other parts of the world. We are truly creating a template for what a mobile centric business could look like which would be relevant in any market.”

    How many of these are active?

    In the month of May and June 2017, we crossed more than 100 million active users

    How would you define these actives?

    Somebody coming and spending meaningful time at least once a month. The reality is almost everyone who comes to Hotstar comes multiple times a month. And very often multiple times a day. But a monthly active way is a good way to look at it as it a common measure for looking at adoption across the ecosystem. And all our 100 millions actives are unique.

    Some of the OTT players are distinguishing between monthly active users and uniques.  

    Digital is an interesting space where is there is no common measurement system in place and that equally applies to Facebook, Youtube or Hotstar. It makes sense to have a common measurement that is consistent. To the extent that  we know how to identify  unique users, their presence on devices, not everyone logs in. It’s not the same login across Hotstar, Facebook, Google  – all of those still remain. But We are seeing more than 100 million users coming to Hotstar.

    Are you still in the consumer acquisition mode or you have passed that. In what phase are you?

    I think we are going to be in a perennial growth mode for a long time because of two reasons: I think that’s the kind of company we want to build. The proposition is so exciting,  it’s relevant for more than 100 million users.

    Second, the context of India where as more people get access to  data… one of the things that we are convinced is the primary use case for getting people getting online can be video and Hotstar.

    The next 100 million or the first 500 million to go on digital in India.. we think mobile video and especially around the entertainment proposition that we have.. more than search, social media or ecommerce we can be the beach head. Because people love stories and it’s relevant for  a larger number of people. From that point of view I don’t think we are going to stay away from focusing on growth for a long time. I think we can be the primary use case for bringing people online in India.

    But your customer acquisition cost are going up or down?

    I think costs are going down. It’s a two and half year old platform now; there is a lot equity of the Hotstar as a brand. Once you reach a certain scale and have broken through I think the organic momentum starts kicking in. We are in the stage where it feels like growth is happening with far less effort than two years ago. Having said that it looks exciting to look for the next100 million users..and the next 100 million users after that.

    It’s not in an optimization mode, it’s in growth mode and in growth mode our focus is all three:  adoption of new users, it’s watch time and the third is revenue.

    I think for a uniquely consumer internet company we believe there is a virtuous cycle between consumer adoption, engagement and revenues.  We don’t see  it as competing, we see it as going together.  

    Varun (HotStar head of product and engineering EVP) said in some conference that he would like get some billion minutes. Correct me if am wrong?

    A year ago in APOSTech in Shanghai Varun had articulated this ambition of crossing a billion minutes a day in watch time. I don’t think we have said this publicly but we have crossed that  number a few times  in the past couple of months.  

    How has the playground has changed since you were here last year. What do you seeing? Your tech is keeping up or you have to spruce up your tech. You invested in Zapr to get some analytics in place. What has changed?

    Three things in my mind have changed.

    We have made significant movement in the past 12 months.  I think we have hired 60 engineers just in the last nine months. I think we are looking at doubling that number in the next six months.

    We have the clarity that we can build something unique in India and compete with some of the best global tech companies. It comes with building our own technology muscle.

    Second, if you look at the consumer internet space with lot of actions across e-commerce, fin-tech and our own media space, we have been quite thoughtful in building a deep bench in leadership. The past 12 months have been marked by a significant bulking up of our leadership capacity in Hotstar.

    Third big change that has happened as a result of that there is starting to be  a bit of a separation in terms of services that are standing out from an adoption, engagement and scale point of view – and clearly that’s happening.

    The last 12- 15 months have seen the launch of whole bunch of new services in OTT and a lot of them have very interesting propositions. They are occupying interesting positions in the market …some fairly niche but if I step back and think about it what we are proud of at Hotstar is we are breaking away when it comes to  serious scale and engagement.

    And for me it looks like we are competing with Google and Facebook on the free side which is all about its large scale,  ad supported and big numbers. And on the other front its subscription, which is still nascent, much smaller audience at the moment, we are competing with Netflix and Amazon Prime. At Hotstar, we have two sorts of vertical, one is the free ad supported business and the subscription business where we are facing two different sets of competitors.

    But I believe the ad supported services, IPL got you good revenues from two partners Vivo and Maruti. Agencies have told me its Rs 20 crore per head.

    I think we did okay.

    But that is serving out well in the terms of revenue.

    One of things is clear to advertisers and that’s a big movement in the last 12-24 months especially at a time when there have been a lot of issues around  brand safety that came up in the UK. I think two things are showing up I think most advertisers started to recognizing that the Hotstar proposition is unique. In most parts of the world high quality on demand content on streaming is completely behind the paywall. Therefore it’s not available for brands to advertise on like you can’t advertise on Netflix in US.

    So Hotstar represents a unique opportunity on digital where for the longest time advertisers could only reach audience through user generated content or short clips whereas on HotStar you get premium content which is very different from most streaming business models.

    Second thing that the advertisers started recognizing the power of its engagement. I think it different when you reach an audience when they are scrolling and checking something on social media for 30 seconds or when watching a 40 second clip. It’s a very distracted audience. So even when you presumably get scale and you get metrics like video views what you are not getting is real engagement that comes with long form content. There is a reason why television helped build brands for 50-60 years. It was because people spent time deeply immersed into stories. And that’s the proposition we offer on Hotstar.

    Sports is driving you plus Hollywood. You kind of have tip toed away from originals unlike what Amazon Prime or Netflix are doing?

    I feel I keep answering this question but for whatever reason people don’t want to embrace the answer – especially my peers. Sports is big on Hotstar.  Sports is less than 15 per cent of our total watch time. It’s definitely played a meaningful role for us.

    But TV shows and movies are much larger on Hotstar. The proposition of Hotstar at least for consumers is  that they know that Hotstar is beyond cricket or sports. On originals, almost everything we have is exclusively on Hotstar on digital. Right from the early stages we believe in the power of exclusive content. Which is why Game of Thrones, a Star Plus show is all exclusively on Hotstar. The originals bandwagon was started by the people who did not have the enough content. I am not sure why Hotstar with the most compelling  content portfolio in the world would want to get on the same bandwagon.

    Why is Republic TV  there on your platform?

    …..For more of the interview click and watch the video  link below

  • Game of Thrones Season 7 starts on Hotstar, minutes after US showing

    NEW DELHI: The highly anticipated premiere of Game of Thrones Season 7 launched on video-on-demand platform Hotstar on 17 July, with the first episode of the new season available for the audience to view within minutes of its American telecast.

    The series was telecast under the Hotstar Premium service. In response to the burgeoning audience for international content in India, Hotstar has partnered with the world’s largest studios, like HBO, Disney and Showtime, to bring the most celebrated international movies and shows to India.

    Game of Thrones is the world’s most avidly watched and anticipated show, with immense excitement and conjecture preceding every season premiere. Unfortunately, it is also the most illegally downloaded show in the world, despite the content being legally distributed, globally, by its creators.

    (In India, the telecast was held back for some minutes, leading to angry comments by viewers in social media. Fans who subscribed tio Hotstar, got an error message on their screens saying, “Something went wrong – we’re working on it. Please try again in a bit”. Reacting to angry messages to the crash on Twitter and other social media, Hotstar CEO Ajit Mohan said, “As a service, we are proud that we have built a platform that can handle big surges in viewership. This morning, however, we faced an unprecedented surge in interest around the opening of the new season of Game of Thrones which resulted in a service disruption of about eight minutes.”)

    Taking a humorous lens to this, Hotstar has launched a bold marketing campaign, intended to upend the behavior of illegal downloading. Titled ‘Torrents Morghulis’, a play on ‘Valar Morghulis’, as fans of the show will instantly recognize, the theme translates to ‘All Torrents Must Die’. The campaign lightheartedly highlights the trouble people put themselves through for finding and downloading illegal content, and how redundant these pains are in the current day and age where shows are readily available, at the user’s fingertips.

    Leading with the promise of ‘Minutes after America, hours before Russia’, the campaign takes Torrents head on with 4 TV commercials, an outdoor campaign in key cities, and high impact digital activation. The films features two characters, one, who still labours through the process of procuring his content illegally, and another, who’s got a Hotstar Premium subscription and is able to enjoy the Game of Thrones experience the way it is meant to be – available to watch with the world, ad-free, unbeeped and unblurred.

    Based on George R.R. Martin’s best-selling ‘A Song of Ice and Fire’ series, Game of Thrones has run for six extremely acclaimed seasons and holds the record for the highest Emmy wins for any Primetime TV show.