Tag: Hotstar

  • TRAI seeks to regulate online streaming platforms

    TRAI seeks to regulate online streaming platforms

    MUMBAI: Online streaming platforms may come under the purview of the Telecom Regulatory Authority of India (TRAI). The regulator is likely to bring out a consultation paper to bring online video-streaming platforms like Netflix, Amazon Prime and Hotstar under the regulatory ambit, according to a report in Livemint.

    Industry stakeholders wrote to the TRAI to come up with a pricing framework and is likely to add a section in its upcoming consultation paper on over-the-top (OTT) services. They state that some broadcasters air content for free on their streaming platforms for which they charge customers on cable and DTH.

    Indian broadcasters such as Star, Zee and Viacom18 all have their own OTT sites and apps wherein some content is monetised while some is not kept behind a paywall.

    Some broadcasters and OTT players are up in arms against such a regulation because nowhere in the world does it exist. They claim that people have to pay for data charges if not content. OTT cannot be clubbed with DTH and cable and it comes under rules regarding net neutrality.

    Also Read:

    Pleased with India progress, says Netflix’s Reed Hastings

    Star to air IPL on 10 channels, in 6 languages; live on Hotstar

    Star to air IPL on 10 channels, in 6 languages; live on Hotstar

  • BTVI to now bring live budget updates on Hotstar

    BTVI to now bring live budget updates on Hotstar

    MUMBAI: At a time when OTT players are striving hard to build their content partnerships, Hotstar is adding a new pipeline of content to its news category. After Republic and ABP News, now BTVI is also live on Hotstar.

    BTVI will be giving all the Budget 2018 updates from today 8pm onwards.

    In May 2017, Republic joined hands with Hotstar to shape the future of news online. Republic TV claimed the partnership to be a stunning debut on Hotstar by crossing a million viewers within a day of its launch. Meanwhile, ABP has been live on Hotstar since October 2017.

    News as a genre is continuously spreading its wings. The ratio of watching news on television is on a whopping increase. In Indiantelevision.com’s 13th Indian Digital Operators Summit (IDOS 2017), Broadcast Audience Research Council (BARC) India CEO Partho Dasgupta sounded a positive note on the growth of news as a genre. He said, “Hindi news grew by 93 per cent in 2017 over week 41 of 2015,” which means the news content is being consumed more and more on television as well as online.

    Also Read:

    Hotstar is an important platform for us: ABP’s Avinash Pandey

    Republic TV claims  ‘stunning’ debut on Hotstar

    Hotstar announces partnership with awesomeness

  • Pleased with India progress, says Netflix’s Reed Hastings

    Pleased with India progress, says Netflix’s Reed Hastings

    MUMBAI: Netflix CEO Reed Hastings today announced that he was pleased with the progress his streaming powerhouse was making in India. Speaking to Sanford C Bernstein senior research analyst Todd Michael Juenger during a Q4 2017 earnings interview, Hastings said, “We are very pleased with the progress that we’re making in India, throughout Southeast Asia and Japan. So, really, all across the board, we’re seeing growth penetrations that look like the first couple of years of Latin America, which, as you know, has worked out very well for us.”

    Estimates are that Netflix has anywhere between 700,000 to a million paying subs in India. At that level–with the average subscription being Rs 600–the streaming giant is currently turning over anywhere between Rs 42 crore and Rs 60 crore a month, giving it annual revenue of Rs 504 crore to Rs 720 crore. As compared to that, estimates are that Star Plus alone tots up Rs 2,100 crore in revenue.

    “That’s pretty good going for such a new service,” says a media observer. “You can’t forget that it is an international service offering with very limited localisation so far.”

    The company announced that it had registered net global additions of 8.3 million–the highest quarter growth numbers in its history, up 18 per cent compared to 2016’s high of 7.05 million net adds. Netflix’s average paid streaming memberships rose by 25 per cent year on year in Q4. Combined with a 9 per cent increase in ASP, global streaming revenue growth amounted to 35 per cent. Operating income of $245 million (7.5 per cent margin) vis-a-vis $154 million in the prior year (6.2 per cent margin) was slightly above the firm’s $238 million forecast. Operating margin for FY17 was 7.2 per cent, on target with the firm’s goal at the beginning of this year.

    Internationally, Netflix added 6.36 million memberships (compared with the firm’s earlier guidance of 5.05 million), a new record for quarterly net adds for this segment. Excluding a foreign impact of more than $43 million, international revenue and ASP grew by 59 per cent and 12 per cent year over year, respectively. The increase in ASP reflects price adjustments in a wide variety of Netflix’s markets over the course of 2017. With contribution profit of $227 million in 2017 (4.5 per cent contribution margin), the international segment delivered its first full year of positive contribution profit in the firm’s history.

    For Q1, the firm has projected global net adds of 6.35 million (against 5.0 million in the year ago quarter) with 1.45 million in the US and 4.90 million internationally. On the whole, the company has upped its content budget to $7.5-$8 billion for 2018.

    Its original content slate from India should start rolling out sometime later this year. In the earnings press release, the company said, “We’re finding continued success with international originals. High-quality content can travel globally, irrespective of language…we will expand this initiative with over 30 international original series this year, including projects from France, Poland, India, Korea and Japan.”

    In India, the firm has been striking partnerships with platforms such as Videocon d2h and Airtel wherein the Netflix app has been embedded in an easy-to-view user interface. It has been extending this partnership to cable TV MSOs. Said the company: “We are partnering with a growing number of MVPDs and ISPs across the world to the benefit of our mutual customers. These partnerships make it easier for consumers to sign up, enjoy and pay for Netflix while our service allows our partners to deepen their relationships with these subscribers. “

    Hastings revealed that he did not expect Disney’s proposed acquisition of Fox’s India assets, including Hotstar, to impact it any differently than it used to in the past year. “Not particularly. I mean, YouTube gets the most streaming in India, but Hotstar gets the second most. So it’s not a wildly different landscape. So that wouldn’t particularly change our view in India. Hotstar’s a great competitor, and sometimes collaborator now, and I’m sure they would continue to be under Disney,” he said.

  • Leaving a Job is never easy, Hotstar gives you the best ways to #QuitInStyle

    Leaving a Job is never easy, Hotstar gives you the best ways to #QuitInStyle

    MUMBAI: In a field as exciting and opportunity-abundant as technology, a job that’s mediocre, mundane or downright mechanical just won’t cut it anymore. But, there’s never really an easy way to say goodbye. Is there? With its new #QuitInStyle series, Hotstar, India’s leading premium streaming platform, comes to the rescue with out-of-the-box, innovative, yet brutally honest resignation letters. 

    Taglined ‘Dare. Don’t Stay There’, the campaign showcases unconventional ways to bid adieu to your existing jobs and join the incredible Hotstar tech team to build the future of online video for the world. 

    public://ninja.jpg

    Not all heroes wear capes. In an attempt to save the country, one disgruntled employee at a time, ‘Code Ninja’ dons a superhero persona and breaks free from the shackles of a routine workplace. Whether it’s through the countless work Whatsapp groups, e-mails, or in a blaze of glory, the campaign urges people to always #QuitInStyle. 

    The creatives strike a chord with the crème de la crème of the tech fraternity and paint a vivid picture of the exhilarating opportunities that await people who join the company. Launched as India’s singular destination for live sports, and a wide collection of movies and shows in 9 languages, Hotstar has registered stupendous growth, skyrocketing from 100 mn to 350 mn downloads in the year 2017 alone. The company is inviting people who dare to be a part of the team that is venturing into territories no video streaming platform has dared to before. 

    The campaign will run across Hotstar’s social media platyforms till 22nd January 2018. For more information, please visit the microsite: https://tech.hotstar.com/

  • Star Sports encourages kids to take up sports with studies

    Star Sports encourages kids to take up sports with studies

    MUMBAI: Across generations in India, there is an age-old Indian adage that goes, ‘Padhoge Likhoge Banoge Nawab, Kheloge Kudoge Banoge Kharab’. This has become a motto to encourage youngsters to single-mindedly study hard in order to be successful.

    Challenging this societal norm, Star Sports’ new film emphatically states, ‘Kheloge kudoge toh banoge lajawab’: a new motto for India’s youth to follow. The film has been launched to promote the pioneering initiative of the Ministry of Youth Affairs and Sports, Government of India which will be broadcast on the Star Sports network and Hotstar, beginning 31 January 2018.

    Through a series of dramatic sequences of various sports and a moving script, the film is a call for youngsters to pursue sports alongside education. The film features Indian sports heroes such as badminton player P Gopichand, tennis star Leander Paes, Indian football captain Sunil Chhetri, Olympic badminton silver medalist PV Sindhu, Olympic wrestling bronze medalist Sakshi Malik, renowned Paralympic athlete Deepa Malik, hockey player Sardara Singh, Kabaddi player Rahul Chaudhari, and gymnast Dipa Karmakar.

  • 2017: The year OTTs went regional in India

    2017: The year OTTs went regional in India

    MUMBAI: Over-the-top (OTT) services were undoubtedly the centre of attraction in 2017. The boom in India’s internet users, mainly aided by the growth of Reliance Jio, ensured that OTT players got the right reception and target audience. Not just  mainstream TV broadcasters but even smaller players exponentially increased their consumer engagement on digital.

    Viewership increased as data cost decreased. Consumers were entertained and content makers got a boost to create fresh stories. The online content library was flooded with genres like comedy, thriller, drama, romance, rom-com, suspense, action, humour, reality, etc.

    Regional India was the focal point for 2017 and will continue to be in 2018. It also enabled new companies to take a risk in the OTT space. Tamil, Telugu, Malayalam, Kannada, Bengali, Marathi, Punjabi and Gujarati languages have been pampered the most by the creators.

    Comedy emerged as the ultimate king in 2017 along with the rise of stand-up comedy. Ideas increased and so did production cost due to competition. Movies jumped over TV to directly go for digital movie premieres. However, this turned out to be a costly affair for OTT players but a good bargain for producers.

    Another trend was of creators holding IP rights for content instead of the platform.

    There’s no shortage of OTT platforms now, just like the rising number of TV channels. Let’s take a look at how some of the main players performed last year.

    Amazon Prime

    Amazon Prime, which recently completed one year in India, hiked its annual subscription fee to Rs 999 from the initial annual subscription of Rs 499 in India. In its first month, Amazon had 5.82 million active users, according to data from app tracker App Annie. That number almost doubled by May to 9.57 million. Total engagement time tripled from 622 million minutes to 1,815 million minutes in the same period. In the month of August, Amazon India had a big fall when its director and country head, Nitesh Kripalani resigned, but then Vijay Subramaniam, who has been in the entertainment industry for 25 years, joined Amazon for the interim as content head in June 2017.

    It launched the first original series Inside Edge in collaboration with Excel Media & Entertainment in July 2017, which is now available on Apple TV, Sony PlayStation and Vodafone along with the library of Amazon Prime. The OTT platform is expected to come up with four Indian originals series, i.e., Breathe, The Remix, Comicstaan and Mirzapur in 2018.

    Amazon realised that kids content will play an important role. It tied up with Green Gold Animation for Chhota Bheem and its new series Kalari Kids. It also commissioned an animated version of mega-blockbuster Baahubali.

    Amazon Prime Video has bet big on Indian movies by releasing them on the platform before they leave theatres. It has signed a digital rights deal for five movies of Bollywood actor Salman Khan before it goes on to television for $10 million. Tubelight was the first and Salman’s next four movies, including Tiger Zinda Hai, will come to Prime first, television next. It has also bagged the streaming rights for the movies like Lipstick Under My Burkha, 2.0, Arjun Reddy and much more along with the streaming rights for the year’s most controversial movie – Padmavat.

    Comedy is a big market in India, so Amazon went after it by associating with OML for 14 exclusive stand-up comedy specials and six new series created by stand-up comedians like Anuvab Pal, Biswa Kalyan Rath, Kenny Sebastian, Zakir Khan, Sumukhi Suresh and Varun Thakur. 

    Viu

    Viu, the OTT video service by PCCW, focused on regional content in the year 2k17 and extended the library with over 3000 hours of compelling original content in Asia. As of October 2017, the global number of downloads was 26 million to which India contributes 9.5 million. Viu rolled out its first ad campaign titled ‘Kaaf feels Bro’ from 28 August. The company has appointed Times Network’s Shantanu Gangane as the head of marketing of Viu in January. It has also enrolled Eros International Media’s Sameer Gogate as distribution and monetisation head of Vuclip for converting certain costs in revenues through non-ad revenues.

    In the beginning of the year, the platform promised to create long and short form regional original shows and started with Telugu as a region with shows such as Cinema Pichollu, Pelli Gola and PillA as well as Gehraiyaan, Spotlight, No. 1 Yaari, Munching with Mahathalli and Social. It also experimented with cricket comedy chat shows like What the Duck and Virender Sehwag’s micro-original Viru ke Funde. Viu also partnered with Nicotex for an adventure journey series I Can You Can. Apart from Indian languages, it has a big original content library of Korean language shows, which is now available for Indian audience. It inked a licensing deal with content house Shemaroo Entertainment to access a handpicked catalogue of Hindi movies.

    Viu created a new trend of bilingual content in Telugu and Hindi like Social, which is the first such show. There will be more bilingual shows next year.

    As a part of the global strategy, Viu has formed strong partnerships with Samsung, Micromax, Vikram Bhatt’s Loneranger Productions and Annapurna Studios for creating refreshing original localised content that keeps the viewers glued.

    Amazon’s Fire TV streaming stick, which launched last month in India, has added Vuclip’s streaming service Viu as an app on its platform.

    Hotstar

    As an early entrant in the OTT space, Hotstar has been building a differentiated proposition for its free and premium users comprising local and international TV shows, movies and live sports, helping it cross 175 million downloads and 60 million users in January 2017. Hotstar continues to have the largest number of active users about 69 million in May, according to AppAnnie. Based on the November report, Hotstar topples the chart across all platforms with 15 billion minutes total time spent in the month.

    Hotstar has appointed Punitha Arumugam as platform evangelist, with the mandate to showcase the power of the platform to India’s leading brands. 

    This year, Hotstar launched an original series in Tamil, in association with celebrated film director, Balaji Mohan, titled As I’m Suffering from Kadhal on 6 June. Apart from Tamil, the series was dubbed in Telugu,with English subtitles available for both languages. Hotstar brings back comedy show Sarabhai vs Sarabhai this year. It streamed Kabaddi World Cup in Ahmedabad in stereoscopic 3D virtual reality. News platforms like Republic TV and ABP News were added to its live feed.

    Disney acquired 21st Century Fox in December but before the acquisition could take place, Hotstar inked a multi-year SVOD deal with Disney India to showcase the studio’s hits exclusively on its premium offering in India which includes movies like Lucasfilm Star Wars: The Force Awakens, Disney’s The Jungle Book and Moana, Marvel’s Captain America: Civil War and Doctor Strange, Disney.Pixar’s Finding Dory amongst others.

    The highly anticipated premiere of Game of Thrones Season 7 launched on the platform on 17 July, with the first episode available for viewing within minutes of its American telecast.

    A new storytelling format, CinePlay, was launched under its originals banner that showcased classics and contemporary stories from the theatre world presented in a cinematic fashion. In April, Hotstar became the first ‘Made in India platform’ to cross 100 million downloads on Google Play Store and crossed more than 200 million downloads across Play Store, App store and other Android app stores.

    Jio TV

    The game changer of telecom and digital industry, Jio TV, has recently launched a web version of JioTV app which allows Jio users to access over 500 TV channels. This service was previously exclusive to mobile users via the app. Now with the support for web platform, users will be able to access TV channels through their web browser as well.

    Reliance Jio offers a suite of apps which includes JioTV, JioCinema, JioMusic, and more. Jio’s suite of apps is free along with the Jio Prime membership and users can enjoy all the content on these apps for free. On the other hand, JioTV, an online version of cable TV, that’s free as of now, has partnerships with almost all national and regional channels, and allows users to stream content up to seven days old. It also has JioCinema, which is a free movie streaming service.

    Jio had 42 million users in May and gained momentum in a short while with free data and free content service. Based on the November report by App Annie, Jio TV grabs the second position leaving behind all the OTT players with 8.8 billion minutes total time spent on the platform in the month.

    Netflix

    Netflix’s focus this year was entirely content, partnerships and technology to build a great experience in India. IT has announced six original productions in the country, namely Sacred Games, Selection Day, Again, Bard of Blood in association with Red Chillies Entertainment, our first kids original series from India, Mighty Little Bheem and Love Per Square Foot, the first mainstream film from India to be exclusively available on Netflix. Over 2017, Netflix tied up with Airtel Digital TV, Videocon and Vodafone to make it easier for Indian consumers to watch Netflix, whether on a set-top box or on a mobile.

    Simran Sethi joined Netflix International Originals Production Group in August after leaving the position of SVP of scripted development at Disney’s Freeform to lead the creative Indian content. Netflix executive Nick Nelson moved to Ownzones Media Network as the new head of product innovation.

    According to a Netflix survey, Indians are the second-highest public bingers in the world (88 per cent), just behind Mexico (89 per cent).

    SonyLiv

    SonyLiv played safe this year. It launched the first regional original series, in the Marathi language titled YOLO – You Only Live Once, conceptualised and developed by Indian Magic Eye. Later, it launched the first ever Gujarati rom-com web series titled Kacho Papad Pako Papad in May. SonyLIV and Jossbox have co-produced a web-series called House Proud. In the month of October, the platform came up with the second season of the home-grown originalLoveBytes 2 focussed primarily on youth issues. In association with Beyond Originals, SonyLiv served the last original of 2017 titled Black Coffee. Along with that, to see India fit-n-fine, in the beginning of the year, it launched health and wellness segment LIV Fit.

    SonyLiv partnered with Web Talkies, Pocket Aces (for Filter Copy and Gobble) and Fanform Mediaworks for originals content. It bet long on short films from the catalogue of Pocket Films by including 50 award-winning shorts in its bouquet. It joined hands with super chef Sanjeev Kapoor and food YouTubers like Rajshri Foods, Varun Inamdar and Ruchi Bharani to expand its unique food content library. 

    SonyLiv has appointed Times Internet’s regional head Maruti Indoria as national sales head for its sports division in February.

    To expand the reach, it has signed deals with Videocon d2h, Amazon Fire TV and Apple TV to enable customers to access a seamless broad selection of content available on SonyLIV app.

    Voot

    Viacom18’s digital venture Voot was a complete package of fun without pay. However, they unlike others, it planned a significant regional line-up for the next year. It launched several web series back to back this year which includes Time Out, Yo Ke Hua Bro, Stupid Man Smart Phone and Untag.

    Voot has also put the spotlight on the kids section and rolled out a hi-decibel TVC campaign to promote it Voot Kids in Hindi, Kannada and Marathi. It has included various internationally acclaimed characters in its kitty and aims to expand their kids library with 30 plus shows in the year 2018. In association with HDFC, Voot has launched digital talent hunt show for kids in the mid of the year.

    In its partnership with Google, Voot has turned its mobile website into a Progressive Web App (PWA) and won the coveted International Broadcasting Convention 2017 (IBC2017) Innovation Award for Content Distribution for its Progressive Web App (PWA) product – Voot Lite, in Amsterdam on 17 September. Next year, it is experimenting with making video available offline on its PWA.

    The key strategy of streaming Bigg Boss has awarded the platform with 550 million views till date and 60 minutes average time spent per viewer per day. However, shows like Splitsvilla, which is watched 52 per cent by males, has also added 150 million views.

    In 2017, Voot has gained 32 million monthly active users, six million plus daily active users and 50 minutes time spent per viewer per day. Their daily time spent has taken it to the second position after Netflix, according to App Annie November report. Also, it has secured third position with 7.5 billion minutes total time spent on the platform across all OTT platforms, followed by Hotstar and Jio TV, reported by App Annie.

    ALTBalaji

    ALTBalaji, the ad-free subscription-based platform that launched this year on 16 April with seven originals, today has 12+ original shows available on the platform apart from original regional stand-up comedy in languages like Marathi, Punjabi and Gujarati and content for kids. ALTBalaji recently launched the first Bengali original show Dhimaner Dinkaal and also has a Tamil original Maya Thirrai on the app and the website. It launched a big bunch of Hindi web series including Romil & Jugal, Bewafaa sii Wafaa, Boygiri, Class of 2017, CyberSquad, Pammi Aunty, Karrle Tu Bhi Mohabbat Season 1, Dev DD, Ragini MMS Returns and BOSE: Dead/Alive.

    ALT’s kid’s kitty is full with twelve shows including Get Crafty With Rob, Ding Dong Bell L-O-L, Moe Doe, Happy Lucky ki Katti Batti, Mademoiselle Zazie, Ratz, Nursery Rhymes and many more.

    Last year, Nachiket Pantvaidya was promoted to Group COO of Balaji Telefilms. In his current role as the Group COO and CEO ALTBalaji, Nachiket has additional responsibilities at Balaji Telefilms across the television and movie business.

    Within six months of its launch, ALTBalaji has been ranked amongst the top three revenue-grossing video streaming apps in the country, as per ‘State of Video Streaming Apps in India’ report compiled by App Annie Intelligence.

    ALT will begin 2018 with its Urdu language original series title Haq Se along with three Hindi originals The Test Case, Karrle Tu Bhi Mohabbat Season 2 and Mangalyaan.

    ZEE5, Ozee & Ditto TV

    The year was quite low key for Zee Entertainment Enterprises Limited’s (Zeel) already existing digital platforms Ozee and DittoTV. In the mid of the year, Zeel announced the launch of its new digital entertainment platform ZEE5. Existing platforms Ozee and DittoTV will be defunct and merge into the new platform Zee5, and the subscribers of both the existing platforms will be auto-upgraded. On Zeel’s 25th anniversary celebration, it launched the new logo of ZEE5.

    Yupp TV

    YuppTV, this year, added a new category of original series to its bouquet of offerings. It partnered various directors and production houses to provide original video content. Mid-year, it launched its first series, Endukila, written and directed by Laxman Karya. Later in November, YuppTV along with prominent producer Swapna Dutt, Vijayanthi Movies has launched another new web original Mana Mugguri Love story.

    YuppTV partners with leading production house, Yash Raj Films, to offer premium Hindi cinema to its subscribers on YuppFlix. Vodafone has also joined hands with YuppTV to expand its Vodafone Play service. It collaborated with cab aggregator Ola for its connected car platform for ridesharing, Ola Play.

    YuppTV, recently received funding from Emerald Media, a Pan-Asian platform established by leading global investment firm KKR for investing in the media and entertainment sector, wherein Emerald Media acquired a significant minority stake in the company for US$50mn.  YuppTV had earlier raised its Series A round of funding from Poarch Creek Indian Tribe of Alabama.

    Sun NXT

    Sun TV Network launched its digital content app compatible with every screen format, ranging from smartphones to living room TV called Sun NXT. The platform has a movie library of over 4000 titles, over 40 channels streaming live and catch-up TV programmes in Tamil, Telugu, Malayalam and Kannada. The company claimed that the app had already crossed more than 1.1 million downloads, within four days from its launch.

    Hoichoi

    Shree Venkatesh Films (SVF), a media and entertainment company of West Bengal, launched the first ever Bengali digital platform Hoichoi in September. In the last few months, the platform has released ten originals – Hello, Cartoon, Holy Faak, Dupur Thakurpo, Byomkesh, Bouma Detective, Paranoia Series, Bhootoorey and Stand Up across multiple genres like drama, detective, adult comedy, rom-com, thriller and non-fiction. The platform is aiming to expand the reach by launching on Amazon Fire TV, Roku TV and Apple TV in January 2018.

  • MIB has no data on OTTs; not under regulation: Minister

    MIB has no data on OTTs; not under regulation: Minister

    NEW DELHI: The government on Thursday while admitting it has no official data relating to OTT industry, including number of players and subscribers, said the Ministry of Information and Broadcasting (MIB) doesn’t regulate internet-based video services.

    “MIB does not regulate paid streaming and video-on-demand services provided over the internet. However, there are enough safeguards available under the Information Technology Act, 2000, which is administered by Ministry of Electronics and Information Technology (MEITY), for content appearing on paid streaming and video-on-demand services,” MIB junior minister Rajyavardhan Rathore informed Indian Parliament’s Lower House or Lok Sabha. 

    The government stand is significant because increasingly voices of criticism were being heard from the conservative section of society questioning edgy content on OTT platforms that technically don’t have to follow any content code like done by linear TV, which also broadly follows guidelines on content as enumerated in the Cable TV Act 1997, apart from imposing self-regulations administered by industry bodies like NBA and IBF.

    With original shows and serials on OTT platforms operating in India increasing by the day — egged on by global and domestic players like Netflix, Amazon, Hotstar, VOOT and Arre  — the fledgling industry segment has given content producers a platform where out-of-the-box themes are being tested and tried.

    According to Rathore, who was answering a series of questions on the country’s OTT services, there were no official figures available with the ministry.

    However, MIB quoted Frost & Sullivan to state it is estimated there were around 70 million unique connected viewers of which 1.3 million were paid video subscribers.

    While not directly stating whether the government proposed any content regulations for OTT platforms, Rathore clarified that IT Ministry was empowered to block and/or censure content and its distributors on several grounds, including those relating to security of the country, foreign relations and pornography.

    As of now OTT platforms in India could breathe easy as regulator TRAI, too, has not issued any guideline relating to OTT content preferring to restrict its diktat on the telecoms side of net neutrality. Still, many OTT platforms, some of which are digital extensions of traditional TV services owned by big broadcasting companies, prefer to do self-censorship on edgy content in shows like the Game of Thrones.

    ALSO READ:

    TRAI releases recommendations on net neutrality 

    Regional OTT content more than just catch-up TV    

    Can OTT players leverage market opportunities & rationalize rising content costs?

  • ABP news creates a new benchmark on the digital front

    ABP news creates a new benchmark on the digital front

    MUMBAI: In today’s digital world where businesses need to be agile and adaptive to an ever-changing media landscape, ABP News has been a constant innovator. On the counting day of Gujarat and Himachal Pradesh elections, being a true leader, ABP News smashed all records and set an industry benchmark on digital front. 

    Reinforcing its digital supremacy, ABP News websites received record shattering 12 million visitors and 52 million page views on the counting day. ABP Live app also ruled the charts and was the most trending app on Google Playstore with 1.5 million active users.

    Commenting on this incredible feat, Mr. Avinash Pandey, ABP News Network says- ‘Keeping up with changing consumer behavior, we have tried to make our product screen agnostic. We have exponentially increased  our focus on Digital and Television which is validated by the game changing numbers that we’ve achieved. During the counting day , our website achieved 10 million + visitors, 43 million page views while our ABP Live app achieved a milestone of 1.5 million active users. With these record breaking numbers, we’ve successfully reset the benchmark in digital space. Time and again numbers have proved that in case of events of national importance whether elections, Ram rahim case,Mumbai floods etc ,ABP News is the go to news channel of viewers. This success is result of our adaptive business initiatives and extensive editorial coverage especially during Kaun Banega Mukhyamantri- which is the highest recalled election programme in the country. So when it comes to news and information that matters, ABP News and ABP News digital are the only destinations.”

    ABP News recently joined hands with Hotstar, which is India’s largest premium streaming platform, to become the only Hindi news channel to be available there. It reaches out to nearly 100 million users every month. No other platform has this kind of reach in India. On counting day, there were an astounding 2 million+ viewers watching ABP News on Hotstar. Watch time went up by 18X compared to previous events, best cementing ABP News’s true dominance on the digital front.

  • French cinema finds an ally in Hotstar

    French cinema finds an ally in Hotstar

    MUMBAI: Hotstar is saying je t’aime to its new French tie-up. Along with Bonjour India, Star India’s over-the-top (OTT) platform, Hotstar, is giving the country a peek into classic French films. Bonjour India is a festival presented by Cultures France and the French embassy in India.

    To celebrate the Indo-French partnership as well as shape the next decade of human exchange between the countries, Bonjour India launched ‘The Experience: A Journey with France’ and the platform 10 Years-10 Films in Mumbai on 14 December.

    The third edition of Bonjour India is an extravaganza spanning over four months to celebrate the Indo-French association through hundreds of events across India. It will cover 100 projects in 33 cities across 20 states and union territories from November 2017 to February 2018. The themes for these projects are smart citizen, high mobility and go green.

    While reviving a community of French cinema lovers by giving them access to recent French films through various media, 10 Years-10 Films will also facilitate the acquisition of French content by Indian VOD platforms.

    Hotstar CEO Ajit Mohan said, “They (Bonjour India) have helped us to choose and arrange 10 films, which are the best of French cinema with English subtitles. Our responsibility is to take them to India’s audience, especially the youth who have not been exposed to these kinds of movies.”

    Hotstar will, however, also screen three of the movies in cinema halls to reach a variety of audiences. Attaché for Innovation and Multimedia at French Institute India – French Embassy in India, Pierre Laburthe, handpicked the iconic films, across genres, and pitched it to Hotstar.

    Laburthe sees a big market French cinema in India. He said, “We are launching an online festival ‘10 on 10’ because, in the last few years, it has been very difficult to have French films in Indian cinema. We wanted to be online and so we partnered with Hotstar and we have one iconic film for each past decade.”

    “People don’t know that we have a common history, so we have created this structure to put it in the public space, where people can discover the relationship through these aspects. We will talk about culture, films, education, science, business and everything in a multidisciplinary event,” he added.

    Some of the French films that are available now on Hotstar are Villa Amalia, Tomorrow, 9-Month Stretch, Happiness Never Comes Alone, Sils Maria, A Few Hours of Spring, Of Gods and Men, and Irreplaceable. These films will be seen only on Hotstar as the French embassy has acquired the digital rights only for Star India.

    Also Read: Guest Column: How 2018 could become a landmark year for OTT entertainment in India

    Hotstar announces partnership with awesomeness

  • Hotstar announces partnership with awesomeness

    Hotstar announces partnership with awesomeness

    MUMBAI: Further expanding their portfolio of over one hundred thousand hours of content, Hotstar, India’s leading premium streaming platform, announces a partnership with Awesomeness, a media company serving the global Gen Z audience. The association will allow hit series from Awesomeness including Freakish, T@gged and Confess to reside on the platform under the Hotstar Premium library.

    The partnership supports Hotstar’s ongoing strategy to bring the best of global content to India. The two companies will work together to create added appeal for younger audiences through Awesomeness’ premium programming.

    Freakish, a horror show featuring an ensemble cast, revolves around a group of students trapped inside a high school who must fight for survival when mutant freaks take over after a meltdown at the local chemical plant. Season 1 and 2 of the show are currently available for streaming on Hotstar Premium. T@gged is a modern day thriller that explores the terrifying risks of social media in a world of anonymity. Season 1 and 2 are available for viewers on the platform, with Season 3 due to premiere next year. Based on the novel from #1 New York Times bestselling author Colleen Hoover, Confess is a modern love story about the secrets we keep to protect the ones we love. All episodes of Season 1 are available on the platform.

    “We are thrilled to renew our partnership with Hotstar and continue the expansion of our brand in this market,” Awesomeness, Head of Worldwide Distribution, Rebecca Glashow said. “Hotstar’s audience of millions of users provides us with the opportunity to expand our reach and deliver on our promise of bringing the Gen Z audience the best and most creative programming, no matter where they are.”

    Through its partnerships with the world’s largest studios, like HBO, Disney and Showtime, Hotstar has been able to bring the most celebrated international shows to India, under the Hotstar Premium banner.