Tag: Hooq

  • Multi-territory video streaming service Hooq files for liquidation

    Multi-territory video streaming service Hooq files for liquidation

    MUMBAI: Multi-territory video streaming service Hooq said last week that it has filed for liquidation as giant players are looking more into streaming services and the competition intensifies across the globe.

    The service was launched in 2015 by the Singapore-based telecom company Singtel and was also backed by Warner and Sony. Along with India, Hooq was also available in the Philippines, Thailand and Indonesia.

    “Singapore Telecommunications Ltd (“Singtel”) wishes to announce that HOOQ Digital Pte Ltd (“HOOQ”), a joint venture company in which Singtel has an indirect 76.5 per cent effective interest, has commenced a creditors’ voluntary liquidation. The liquidation of HOOQ is not expected to have any material impact on the net tangible assets or earnings per share of Singtel,” it said in a stock exchange filing.

    According to media reports, Hooq said in a statement that it had been unable to grow fast enough to keep up with global and regional rivals, and also noted “significant structural changes” in the over-the-top (OTT) video market in the five years since its launch.

    “Global and local content providers are increasingly going direct, the cost of content remains high, and emerging market consumers’ willingness to pay has increased only gradually amidst an increasing array of choices,” said Hooq.

    “Because of these changes, a viable business model for an independent, over-the-top distribution platform has become increasingly challenged,” it added.

    Hooq has appointed Messrs Lim Siew Soo and Brendon Yeo Sau Jin as its joint and several provisional liquidators. A shareholder meeting and creditors’ meeting have also been set for 13 April.

    Back in 2018, Hooq struck a unique deal with India’s leading streaming service Hotstar. Under the partnership, HOOQ’s 6,000 hour catalogue of Hollywood TV shows and movies were made  available for Hotstar Premium users. It also started offering more than Pay TV channels to their premium offering in partnership with brands across Asia.

    Experts already warned about upcoming consolidations and exits in the media industry. Towards the end of 2019,  Hong Kong-headquartered PCCW Media’s Asian video streaming service Viu also  decided to fold its India operations.

  • HOOQ announces new partnerships at Asia TV Forum 2019

    HOOQ announces new partnerships at Asia TV Forum 2019

    MUMBAI: HOOQ, Southeast Asia’s leading on-demand service announced a series of partnerships at Asia TV Forum 2019 held in Singapore last week, further cementing its position as the entertainment platform built in Asia, for Asia.

    HOOQ is partnering with Outdoor Channel, Mediacorp, TechStorm and ONE Championship across all four markets – Indonesia, Philippines, Singapore and Thailand. Additionally, HOOQ is also partnering with JKN Dhamx, M Channel, New18, Channel 3 Catch-up and Thairath TV in Thailand to bring even more content and HOOQ Originals to viewers across Asia.

    HOOQ CEO Peter Bithos says, “HOOQ is an entertainment platform made in Asia, for Asia. We remain focused on creating a truly Asian experience for our more than 80 million subscribers. Our partners allow us to deliver relevant and unique stories to more people than ever before across Asia. We couldn’t be happier to have such amazing partners who want to push the boundaries with us.”

    Partnerships are core to HOOQ’s hyper-local focus as a voice for authentic, inspiring and thought provoking local stories. These investments and partnerships come together affirming HOOQ’s commitment to growing the region. HOOQ is currently partnered with more than 20 leading companies bringing HOOQ to millions of Asians. These companies include IMDA and all3media international, AIS, Globe Telecom, Grab, Singtel, Telkom and Telkomsel and payment services OVO, Line Pay.

    Across four markets  – Indonesia, Philippines, Singapore and Thailand, HOOQ announces four new partnerships with Outdoor Channel which will bring 150 hours of free to air Catch up, One Championship will bring highlights and complete videos of upcoming fights and matches in 2020, Stormbytes will add short form content from TechStorm and Mediacorp will see the addition of Chinese content for AVOD.

    In addition to the collaborations across the four markets, HOOQ has announced new or renewed HOOQ Originals in Indonesia, Philippines and Thailand.

    As part of HOOQ’s long-time collaboration with Starvision, Season 2 of popular sitcom Cek Toko Sebelah releases this month. HOOQ is also launching a weekly talk show IMHO (“In My Humble Opinion”) in co-production with Vice Media. With cheeky humor, IMHO tackles  the biggest stories, conversations, and topics trending in Indonesia.

    Mina Anud, a HOOQ Original in partnership with Regal Entertainment and Epic Media, is a movie about a small seaside community disrupted when three tons of cocaine land on its shores.

    The popular Sex Talks with Dr. Holmes is a non-fiction sex comedy series that answers questions we are too shy to ask, but are too curious to pass up. It will be back for a second season with 16 episodes. As the premier sex expert in the Philippines, Dr. Margie Holmes is one of the most popular columnists in the country. Dr. Holmes gives no-holds-barred professional advice about everyday issues, deepening ongoing conversations about love, life and lust.

    In Thailand, HOOQ adds JKN Dhamx, an Indian series with Thai dubbing to its available content. M Channel will bring even more Thai-dubbed movies while Channel 3 Catch-up will bring Thai drama series. HOOQ Thailand is also adding news channels New18 as well as including catch-up content to Thairath TV.

    More HOOQ Originals combined with the best partnerships in the region broaden HOOQ’s footprint and offering of relevant, high-quality content.  This paves the way for viewers across Indonesia, the Philippines, Singapore and Thailand to have access to truly innovative and unique Asian stories like no other service has delivered.

    HOOQ’s Originals slate is now at 63 original productions across the region, complementing the more than 35,000 hours of movies, television shows, sports and currently on HOOQ, available anytime, anywhere.

  • HOOQ announces six new originals and new distribution partnerships in Thailand

    HOOQ announces six new originals and new distribution partnerships in Thailand

    MUMBAI – HOOQ, Southeast Asia’s leading video-on-demand service, has announced plans to strengthen its footprint and grow aggressively in Thailand by launching six new HOOQ original productions by the first half of 2020. HOOQ also announced a new partnership with Grab and a renewal of long-time exclusive partnership with M Pictures.

    HOOQ’s commitment to increase content tailored to Thai’s, combined with the best distribution partnerships in the region enables HOOQ to broaden its offerings across the country. HOOQ has strong existing partnerships with AIS, DTAC, LINE Pay, Channel 3 and Thairath TV in Thailand. Adding to the extensive list, HOOQ announces a new partnership with Grab, enabling customers to use Grab reward points to redeem a one-month HOOQ subscription voucher and a movie rental ticket worth 240 Baht. In order to cater to a wider range of consumers nationwide, HOOQ is also increasing offerings on the Free to Air layer, delivering free content through an ad-funded model.

    HOOQ Thailand managing director Piyanuch Meemook says, “Our viewers these days prefer watching content on their mobile devices from wherever they may be. HOOQ Thailand’s vision for 2020, in line with our mission – Made in Asia, For Asia, is to bring even more local productions and HOOQ originals to our viewers as quickly as possible, allowing access anywhere, anytime. With the significant investment towards Thai content and partners, we are proud to increase the number, variety and genre of our HOOQ Originals, and in turn, increase user base and engagement on the platform.”

    HOOQ is also renewing its long-time exclusive partnership with M Pictures to bring Thai blockbusters such as Love Battle, Khun Bun Lue, Art of the Devil Series and Necromancer 2020, the biggest Thai action movie; producing HOOQ Originals rooted on relatable Thai stories, including The Cave and Someone; and adding a massive e-sports platform which includes King of Gamers and a PubG game battle between the Indonesian and Thai teams. Viewers are also able to watch new episodes from Channel 3 only two days after it airs on the channel. This paves the way for a wider audience in Thailand to truly enjoy innovative and unique Asian stories like no other service has delivered.

    “Based on data viewed year-on-year for the past three years, we’ve noticed that the most popular shows on HOOQ Thailand’s platform is local content,” said  HOOQ chief content officer Jennifer Batty. “These consumption habits drive our decision to keep laser-focused on creating even more localised content across all genres and segments, and to make that content more accessible to everyone – anywhere, anytime.  Filmmakers from Thailand showed a lot of promise in season three of HOOQ’s Filmmakers Guild last year, a ground-breaking initiative designed to give a voice to budding filmmakers, elevate new talent, and bring the most compelling and captivating stories to an audience in Asia who crave high-quality content.”

    HOOQ CEO Peter Bithos says, “HOOQ was born and raised in the heart of Asia. We know Southeast Asia and remain 100% focused on creating a truly Asian video platform for millions of subscribers. There is such a unique heritage in Thailand with so many local stories to bring to life. Our tie-ups with like-minded partners who want to push boundaries together allow us to deliver fresh and unique stories to our viewers across the country.”

    In line with HOOQ’s drive to deliver 100 HOOQ Originals throughout the region by Q2 2020, furthering its hyper-local approach – An Entertainment Platform Made in Asia, For Asia. The significant content investment is seeing more HOOQ Originals in development, in production and on the platform than ever before. Including the six announced in Thailand today, HOOQ’s Originals slate is now at 63 original productions across the region, complementing the more than 35,000 hours of movies, television shows, sports and currently on HOOQ, available anytime, anywhere. HOOQ also provides access to fresh new Hollywood TV shows and movies through its joint venture with Warner Bros. and Sony Pictures Entertainment.

  • HOOQ brings the intriguing Spy-thriller – ‘Killing Eve S1 and S2’ to enthral the Indian audience

    HOOQ brings the intriguing Spy-thriller – ‘Killing Eve S1 and S2’ to enthral the Indian audience

    MUMBAI: HOOQ– the largest Video-on-Demand service in Southeast Asia, brings Season 1 and 2 of the gripping spy thriller- ‘Killing Eve’ to India. The platform has bagged the exclusive rights for the series. It will see performances of some of Hollywood’s stalwarts such as Sandra Oh and Jodie Comer. Based on the novel Codename Villanelle, the show takes viewers on a thrilling journey. The series traces the life of Eve, played by Sandra Oh, a bored yet a smart MI5 security officer and Villanelle, played by Jodie Comer, a very talented killer. The chase becomes extremely fierce as Eve goes after Villanelle.

    With its unique storyline, Killing Eve has garnered a lot of accolades from across the globe. The show has managed to retain unbroken weekly growth ratings and has also recorded the largest year-to-year growth of any returning series, in the past three years. Apart from the global popularity, the show has also managed to win awards at multiple prestigious award functions. The strong storyline of Killing Eve is backed by a highly talented cast in Sandra Oh and Jodie Comer who have received numerous global accolades. Sandra Oh is the recipient of Golden Globe Award, Screen Actors Guild Award and has been nominated twice for the Primetime Emmy Awards. While Jodie Corner has won the BAFTA Award for Best Leading Actress. Sandra Oh has also starred in the famous American Drama series – Grey’s Anatomy and has made impactful appearances in notable Hollywood films.

    Talking about acquiring the thriller series, Zulfiqar Khan, Managing Director, India – HOOQ said, “HOOQ has always aimed to provide the best of global content to its audience. Over time we have built a robust library which boats movies and series across genres, giving ample entertainment options to all our viewers. With Killing Eve Season 1 and 2 added to our content portfolio, we look forward to providing a thrilling experience to our unsatiated audience base.”

    The series is based on the Codename Villanelle novellas by Luke Jennings and is executive produced by Sally Woodward Gentle, Lee Morris, Phoebe Waller-Bridge, Gina Mingacci and lead writer Emerald Fennell. Sandra Oh and Francesca Gardiner are co-executive producers. Elinor Day serves as series producer. Damon Thomas returns to direct and is also executive producer, with Lisa Brühlmann and Francesca Gregorini also directing. Killing Eve is produced by Sid Gentle Films Ltd. for BBC AMERICA and sold internationally by Endeavor Content.

    Killing Eve Season 1 and 2 will go live from August 9, 2019, exclusively on HOOQ. This attention-grabbing thriller is sure to get you HOOQ’ed.

  • HOOQ raises the excitement quotient with Krypton S2 and Younger S6

    HOOQ raises the excitement quotient with Krypton S2 and Younger S6

    MUMBAI: HOOQ – the largest Video-on-Demand service in Southeast Asia, announced the launch of two of the most engaging shows – Krypton Season 2 and Younger Season 6. The second season of Krypton titled ‘Light years from Home’ promises to be bigger, better, and even more thrilling than the Superman prequel. On the other hand, while the first five seasons of Younger have had a great run, Younger Season 6 has so much more to unveil than what is already known.

    The fight to save Superman’s home planet continues when Krypton returns. The first season of Krypton, led by showrunner Cameron Welsh, did an admirable job of combining political intrigue with sci-fi and time-travel tropes. Season 1 ended on a particularly dramatic note, with Superman’s grandfather Seg-El (Cameron Cuffe) saving Krypton by trapping himself and Brainiac in the Phantom Zone, a prison outside time and space. The fascinating story is likely to continue and keep one gripped.  This season hopes to maintain the legacy and stand true to the expectations set in Season 1.

    Younger is a romantic-comedy celebrating female friendships and millennial empowerment. The first 5 seasons showcases the lead characters navigating relationships in a distinct manner. The previous season ended with Zane Anders played by Charles Michael Davis stepping down from his post and Kelsey Peters played by Hilary Duff taking over. In Season 6, Younger remains a fizzy New York fantasy that’s light without sacrificing its intelligence. The cast lives up to its charm and totally in control of the show’s snarky-to-poignant tonal shifts.

    Krypton Season 2 and Younger Season 6 is available on HOOQ along with the previous seasons and subsequent episodes of both the shows will be available every Thursday. Tune into HOOQ to experience the drama unfold.

  • 2019 OTT TV trends in Asia and India

    2019 OTT TV trends in Asia and India

    MUMBAI: 2018 wrapped up as a fascinating year for OTT TV in Asia, with global content owners, Pay TV operators, and OTT players all ramping up their direct-to-consumer OTT offerings. With falling smartphone prices, OTT content market saw a boom in India as players across the spectrum set up shop. Original content was a game changer over the last few years, with OTT players outdoing the Bollywood big studios in their budgets. Netflix is investing Rs 500-600 crore per year into original content in India whereas Amazon Prime has announced that it would be investing around Rs 2000 crore in the same. In contrast, the budget of a Bollywood blockbuster like Padmaavat (2018) was merely Rs 200 crore.

    As content owners and pay TV operators launch — or even revamp — their direct-to-consumer OTT TV services, it’s an ongoing race to establish a business model that includes the right content, pricing, and user experience. Here’s my take on the top six trends that will shape OTT TV in India this year.

    1. Focus on the viewing customer

    While previous years have been dominated by conversations about tech or monetisation, 2019 will be dominated by a focus on the customer and enabling their access to great content. Disney’s Kevin Mayer puts this succinctly in a recent interview: “Having a better relationship with our consumer puts us in control of our own destiny.”

    2. Enabling access on every device

    Consumption trends are plotting a chart upward and to the right. Not all of this consumption is sensitive to copyright ownership, but it’s clear that video viewers have multiple devices and an internet connection, which facilitates increasing consumption. However, there’s a great deal of friction preventing these viewers from watching the content they want or even being offered the option of paying for the content they watch.

    3. Consumers want flexible payment options

    According to our OTT research, consumers have varying views across the region about whether they’re willing and happy to pay with their time (through watching advertising) or their money (subscriptions).  In 2019, we’ll see platforms using their understanding of their consumers’ preferred content to deliver premium experiences. Business model choices also need to be flexible for the consumer. In India and Asia, OTT providers could take a cue from the FMCG marketing playbook by offering sachet pricing. OTT TV providers can also offer small, low-priced subscription plans that are valid for a weekend or a week. The aim here is to enable users to sample the content and eventually convert the consumer into a more long-term subscriber.

    4. Does OTT advertising remove friction?

    Advertising paying for TV content is a contract the viewer is already familiar with. The benefit for the viewer is that they ‘pay’ with their attention. And they should receive more relevant, well-targeted ads than they would on a broadcast channel.

    Because of its highly targeted nature, ease of measurement, and tendency to have higher ad completion rates, OTT advertising is opening up new revenue streams for OTT TV providers — while also offering a highly engaging environment for brands. For advertisers, who tend to go where their audiences are, OTT TV is a beautiful mix of engaging content and addressability. It’s encouraging that agencies are seeing ad rates hit a plateau in the traditional, linear channels, while CMOs are excited by the high viewability of OTT TV services.  

    5. The content viewing experience guides OTT strategy

    According to Brightcove's OTT TV research with YouGov, trials and promotions tend to drive users to sign up for OTT services, but it’s the content itself that drives retention. We see many OTT providers not just investing in content, but also making their content work harder with content discovery and recommendation features. The research also sheds light on the importance of accessing content on mobile, which forces OTT providers to consider how their mobile OTT app could or should enhance the viewing experience. Features like offline download, which allows users to watch content when they’re not on wifi or a mobile network, and video continuity, which allows users to continue where they left off or ‘travel’ in between devices, remain desirable. All of these features are designed to increase stickiness to the service, as they allow for increased view times and encourage binge-watching habits.

    6. Pay TV operators experiment with OTT solutions

    Asia Pacific pay TV annual growth is slowly grinding to a two percent compound annual growth rate — from 267 million subscribers in 2018 to 288 million subscribers by 2023. Such low growth means that pay TV operators need to adapt to changing viewer habits by exploring the extension of their pay TV service to OTT TV services. Skinny bundles are an emerging product offering in Asia, with HOOQ launching skinny bundles in Indonesia that are targeted to tap into the 90 percent of Indonesia’s population who do not already access pay TV services. These kinds of content offerings acknowledge the difference between the buffet of the pay TV mega bundle and the a la carte personal choice of OTT TV. Understanding the context-driven difference in consumer preferences will allow pay TV operators to thrive in the OTT space.  

    Finding success in OTT TV services ultimately comes down to the viewing customer. For any global regional broadcaster or direct-to-consumer OTT service to thrive in this highly competitive environment, they must offer the desired elements to consumers.

    (The author is head of media sales, Asia, Brightcove. The views expressed here are his own and Indiantelevision.com may not subscribe to them)  

  • HOOQ, Hotstar enter unique strategic partnership

    HOOQ, Hotstar enter unique strategic partnership

    MUMBAI: Southeast Asian OTT platform HOOQ has struck a unique deal with India’s leading streaming service Hotstar. Under the partnership, HOOQ’s 6000-hour catalogue of Hollywood TV shows and movies will be available for Hotstar Premium users.

    The deal is a win-win situation for both. HOOQ can leverage Hotstar’s massive 150 million monthly active users while the latter will be able to upsurge its premium English content easily. Star India’s digital arm already features content from studios like HBO, Showtime, Fox and Disney. Now, titles such as The Big Bang Theory, Arrow, The Flash, S.W.A.T., The Goldbergs and HOOQ Originals like The Oath will be available on Hotstar. Hollywood blockbusters and classics including Wonder Woman, Harry Potter, Spider-Man and Pulp Fiction will be also available on the platform.

    “Hotstar Premium’s English catalogue is unlike anything you’ll find on any other platform in the world – an aggregation of content from across studios and content producers, at a single destination. This partnership with HOOQ, with its portfolio of curated blockbuster Hollywood content, seals the argument – for an English content fan, there is nowhere else to go,” Hotstar CEO Ajit Mohan commented.

    “We are so pleased to announce this collaboration with Hotstar that combines their reach with our offering as the ‘Home for Hollywood’ in India. With the appetite for Hollywood content in India growing at a furious pace, we are poised to offer the Indian customer easily accessible and a very affordable way to watch the best of Hollywood. This partnership with Hotstar underscores our commitment to satisfying the Indian market’s appetite for on-demand content,” HOOQ CEO Peter Bethos commented.

    According to FICCI-EY’s research on India’s entertainment industry, box office collections from Hollywood films, inclusive of all regional language dubbed versions, totalling Rs 8.01 billion in 2017, making up 13 per cent of the overall movie box office in the country. English titles have witnessed significant uptick over last couple of years. As per the FICCI-KPMG Media and Entertainment Industry Report 2017, gross box office collection of English films in India grew by 10 per cent in 2016 compared to 2015.

    “When it comes to English content, Hotstar Premium is uniquely placed in that it boasts titles from global studios like HBO, Disney, Showtime and Fox and now with HOOQ, iconic shows like The Big Bang Theory, The Flash, S.W.A.T and even cult classics like Friends in the fold. Regardless of mood, genre preference or which side of the superhero debate you sit on, Hotstar Premium is the single destination where English content consumers find everything. The partnership with HOOQ firmly strengthens that position,” Hotstar Premium business head Prabh Singh commented.

    “This is the start of a great relationship between HOOQ and Hotstar in India, we are excited to bring to life a wealth of content for a new audience. The OTT market is an exciting space and our belief is that it is imperative for consumers to have easy access to content. With this Hotstar partnership, HOOQ takes another step forward in becoming the service known as the “Home of Hollywood” on major platforms,” HOOQ managing director India Zulfiqar Khan said.

  • What’s New on HOOQ

    What’s New on HOOQ

    HOOQ, Southeast Asia’s largest video on demand service reveals its content line up for the next three months (August – October). Get ready for an exciting three months filled with fresh blockbusters, classic comedies and same-day as U.S. Telecast series.

    Fresh out of the cinemas are epic blockbusters such as Avengers: Infinity War, Ant-Man and The Wasp and even Solo: A Star Wars Story. Also relive nostalgia with the hits from the past such as I Am Sam and Entourage and even the full series of the comedy classic, The Fresh Prince of Bel-Air. Kids favourites such as Max Steel, Barbie Dreamtopia and Thomas & Friends also make their debut.

    In addition to these, get your inner superheroes prepared for the new seasons of The Flash and Supergirl same day as the US Telecast.

    Find the full list and corresponding air dates in the attached PDF. Let us know if you need anything further for your features.

    Have fun watching and get HOOQ’d!

  • HOOQ ropes in two industry veterans for its content team

    HOOQ ropes in two industry veterans for its content team

    MUMBAI: Premium video-on-demand service HOOQ has roped in two industry veterans who will focus on deepening the platform’s original and local content. Bryan Seah has been appointed as its head of original productions and Tina Arwin as its new head of content Indonesia.

    Prior to his latest position, Seah worked as the original content head at Discovery Network where he oversaw original branded content for the likes of Nestlé, Audi and Samsung. He has produced and developed a range of programmes from current affairs to reality for media brands such as Animal Planet, Discovery Channel, NHK and TLC. His experience spans over 15 years.

    “There’s really no better time to be a consumer or producer of quality content today – OTT platforms have given audiences full control of the viewing experience, while producers have more avenues than ever to share their stories. HOOQ has led the charge in delivering premium content in partnership with top producers. I am delighted to join the dynamic team at HOOQ and to be part of this commitment to bring world-class content to our audiences, and I look forward to working closely with the production community across Asia to showcase the unique stories from our dynamic region,” Seah commented on his new appointment.

    Arwin worked as content and programming head of Viu Indonesia leading the content acquisition and programming strategy for the market.  She has more than 18 years of experience in the Indonesian market. She worked with brands like MTV Indonesia, Fremantlemedia, Astro Indonesia and Vivasky.

    “HOOQ presents an exciting opportunity, particularly in Indonesia where it is the market leader. Known for bringing in the best of local and Hollywood content to local viewers, I am thrilled to be joining the team and look forward to work together with the team to bring more local and original quality content that are both engaging and entertaining,” Arwin spoke about her new role.

  • HOOQ Original Production Marlina The Murderer in Four Acts Wins Big At Indonesia Movie Actor Awards 2018

    HOOQ Original Production Marlina The Murderer in Four Acts Wins Big At Indonesia Movie Actor Awards 2018

    MUMBAI: HOOQ Original Production Marlina The Murderer in Four Acts was awarded in the ‘Best Actress’ and ‘Best On-Screen Chemistry’ categories at the Indonesia Movie Actor Awards 2018. Veteran actress Marsha Timothy clinched the ‘Best Actress’ award for her intense performance as Marlina and shared the ‘Best On-Screen Chemistry Award’ with her co-star Dea Panendra.

    Jennifer Batty, Chief Content Officer of HOOQ said, “Marlina The Murderer in Four Acts was our first Indonesian original on the platform and we are delighted that fans are just as appreciative of this film.  We cannot be more proud of the Marlina team for their well-deserved wins at the Indonesia Movie Actor Awards 2018. The overwhelming support from locals towards local films is a strong vote of confidence that HOOQ’s strategy of Building in Asia, for Asia is the way to go.  With the incredible momentum set by Marlina, HOOQ will continue to bring the best local content to Indonesia.”

    Another notable HOOQ Original, Sweet 20, also walked away with both jury and people’s choice awards last night. Slamet Rahardjo was awarded the ‘Best Supporting Actor’ accolade, while Tatjana Saphira and Niniek L. Karim won fans over with their characters in the romantic dramedy musical and took home ‘Favourite Actress’ and ‘Favourite Supporting Actor’ awards respectively. 

    Other HOOQ Original Productions including Yowis Ben, a cult teen drama starring Bayu Skak and Cut Meyriska and directed by Directors Fajar Nugros and Bayu Skak, and Critical Eleven, a romantic crowd-pleaser, were also nominees in the “Favourite Film” category.