Tag: Hong Kong

  • Nandita Swamy quits Hathway Bhawani as independent director

    Nandita Swamy quits Hathway Bhawani as independent director

    MUMBAI: Hathway Bhavani Cable Tel & Datacom Limited’s Nandita Swamy has quit as an independent director and tendered her resignation as director with effect from 22 January. 

     

    With more than 20 years of experience, Swamy was independent director at the company since 31 March, 2015. 

     

    Swamy served as whole time director of the Vidal Health group where she handled finance and corporate affairs. She also acts as consultant for companies such as Price Waterhouse Tax, Hong Kong, TTK Healthcare TPA, Swiss Re Healthcare Services and Nova Medical Centers.

  • CNN International expands its Asia Pacific editorial team

    CNN International expands its Asia Pacific editorial team

    MUMBAI: CNN International has announced the expansion of its Asia Pacific editorial team with CNNMoney to have a presence in New Delhi plus additional staff in its Hong Kong bureau.

     

    CNNMoney is CNN’s top destination for money news, reporting the latest business headlines and top financial stories for viewers and readers all over the world. Headquartered in New York, with a presence in London and Hong Kong, the new India position marks the next phase of CNNMoney’s expansion for Asia Pacific and further strengthens the world’s largest global business news source.

     

    The New Delhi post will be held by associate editor Charles Riley who will be responsible for reporting on key economic stories and developing new editorial content from India and expanding the network’s business coverage from the region. Riley was most recently based in Hong Kong where he pioneered CNNMoney’s coverage from Asia. His Hong Kong role will be filled by CNN Digital producer Jethro Mullen who will join the CNNMoney team in January.

     

    CNN International has also appointed an additional three new members to the Hong Kong editorial team, further cementing its position as a centre for newsgathering excellence. Juliet Perry joins as a digital producer and Natalie Leung takes on the role of associate designer – both charged with enhancing desktop, mobile and social platform capabilities. On the news desk, Zahra Ullah joins as an assignment editor bolstering the already strong line-up of senior producers.

     

    “Nothing gives me greater pleasure than finishing the year with expanding our editorial presence in India and Hong Kong,” said CNN International senior VP and managing editor Ellana Lee. “Increasing our resources shows once again our commitment to Asia-Pacific and the strength of our newsgathering capabilities.”

     

    The Hong Kong bureau will continue to grow in 2016 with further staff appointments expected to be made in the first quarter of next year.

  • Turner launches Oh!K in Hong Kong with PCCW

    Turner launches Oh!K in Hong Kong with PCCW

    MUMBAI: Turner has joined hands with PCCW to launch a new 24 hour linear channel, Oh!K in Hong Kong on now TV.

     

    The channel will be available from 12 January, 2016 and will air a slew of Korean entertainment, premium drama series as well as variety and music programming across a number of platforms.

     

    Additionally, MBC shows will also be available through now TV’s SVOD service, Oh!K On Demand, as well as via PCCW’s newly-launched OTT service Viu. Another part of the Turner-PCCW agreement is the delivery of MBC shows on now TV’s upcoming free-to-air channel, launching in April 2016.

     

    Oh!K will be part of now TV’s Asia Entertainment Package, and available with English and Traditional Chinese subtitles and Korean audio.

     

    Turner Southeast Asia managing director and senior vice president Phil Nelson said, “This is an outstanding multi-platform partnership. In its short history, Oh!K has grown significantly with the addition of Hong Kong to our distribution roadmap. Likewise, our content partnership with MBC has allowed new audiences – across all platforms – exposure to a truly impressive and exclusive line-up of Korean content.”

     

    The current MBC shows available include Glamorous Temptation and Sweet Mob Family, and Korean variety show Infinite Challenge, which will be aired in the same week as its original telecast. In January, Hong Kong viewers will be treated to She Was Pretty.

     

    MBC director of global business Hyuk Jae Choi added, “This announcement is great news for fans of our content in Hong Kong. We know that they crave MBC dramas and variety shows in both Chinese and English, as soon as possible after their original Korean broadcast, and on platforms beyond just the TV screen. Through Turner, PCCW and MBC, this has become a reality.”

  • CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry

    CASBAA Convention Brings Together the Biggest Wave Makers in the Broadcast industry

    MUMBAI: The annual CASBAA Convention kicked off today in its new home at the Intercontinental Hotel, Hong Kong. The two-day convention, with the theme ‘Making Waves’ brought together key industry players in the broadcast, cable and satellite industry to discuss and debate the hottest topics and latest developments in the industry today. With the introduction of OTT and digital broadcast services now an established fact, key themes of the day focused on creating quality and relevant content, as well as localization, agile distribution and protection of content.

     

    To kick-start the day, Hong Kong SAR Government chief secretary for administration Carrie Lam, gave an introductory speech where she underscored that the rule of law and freedom of expression were vital to the fundamental strength of the HK broadcast industry. She also highlighted that the HK SAR government believes that investing in creative talent is key to driving growth of the creative industries and so launched the Create Smart initiative which supports students in tertiary education focusing on TV or media studies.

     

    The AOL Digital Prophet David Shing, then looked at content consumption from the audience perspective, highlighting how humans were at the heart of everything and that “technology changes behavior not needs” when looking at the key developments in the digital landscape. Also in a world where people are creating and publishing their own content, it’s important to note that “creativity still rules over technology” as content is now competing with popular culture. China Media Capital Chairman Li Ruigang, commented how there was huge demand from China for premium content yet “while content is important, there is the need to build up a sustainable system to continue to be able to create more content”. Ruigang also discussed how key global partnerships such as Warner Bros, Dreamworks, and Legoland were central to CMC’s strategy of establishing a solid content ecosystem. He also took the opportunity to announce that his company is buying the China Soccer League to further advance the company’s content and distribution strategy.

     

    New content platforms in Asia were discussed when Janice Lee from PCCW gave more detail on the company’s new global Viu OTT platform, announced just yesterday. She mentioned how the company had to become extremely agile in turning around their content in multiple languages to stay competitive as well as beat illegal content, “Windowing has become very important, we get our content out in multiple languages in just eight hours. Historically this didn’t happen, which gave room for piracy.” Mike Hyun-dong Suh of CJ E&M discussed how partnerships were also key to distribution of content, citing a recent collaboration with Japanese app Naver as an example. He also illustrated how taking content offline through events was also important to engage fans. Greg Beitchman from CNN International discussed the need to have content that worked across all their screens and that this was meeting with success. “Digital touchpoints are enhancing our appeal rather than cannibalizing what we do on TV,” he commented. CNNI also commented on localization, highlighting how it had helped make them “more, not less, relevant.”

     

    Alon Shtruzman from Keshet Media, creator of Homeland and other key global formats, maintains that content is, as ever, ‘king’. His company is starting to look further afield for content and he believes ‘Asia is a goldmine for content’ though not without some heavy legwork in understanding what does and doesn’t work in the market.

     

    How to engage with fans with content was discussed by Victorious CEO Sam Rogoway,  who believed their creation of a community of superfans would “change the way fans interact and engage with content.” The inception of the ‘passion graph’ would bring together like-minded individuals that would help drive deeper engagement of content, even when there was no new content available. Distribution of content was discussed by SpaceX President and COO Gwynne Shotwell, who’s company is investigating the feasibility of launching 4,000 satellites into space with a view to connecting people in remote areas throughout the planet.

     

    SeaChange CEO Jay Samit took a hard line on the future of the pay TV business “the pay TV business as we know it is dead. The majority of content is not linear and we need to adapt quickly or die.” With content now being accessed increasingly online, it’s possible to work out who’s watching what at home and provide relevant content based on that. “Pay TV will be completely data driven,” he added. “With social analytics now shaping content offers, the bottom line is you will go out of business if you don’t know who your consumer is.”

     

    Piracy of content was next on the agenda with Mark Mulready of Irdeto showcasing just how difficult it is to distinguish legal from illegal content sites. The Police Intellectual Property Crime Unit example from the UK, where an infringing website list of illegal websites is published and flagged to advertising brands, was flagged a great initiative to disrupt pirate sites. “Through working with the advertising industry, we can remove the incoming revenue to these illegal sites,” commented Det. Chief Supt. David Clark of City of London Police. It was also agreed that it was everyone’s responsibility – whether channel or creator – to protect the value of content. Are Mathisen from Conax AS encouraged all content owners to embrace new technology to combat content theft.

     

    With piracy followed the issue if regulation where Ajit Pai from the US Federal Communications Commission and R.S. Sharma from the Telecom Regulatory Authority of India both agreeing that governments should take a less restrictive approach to regulation to allow new business models to take shape.

     

    A video note from UK actor and writer, James Corden, now host of the US The Late Late Show, concluded today’s session at the convention. Corden discussed how he saw his task was making a brilliant hour of TV every night. “All we really want to do is make a show that is different and feels fresh every night. If you think about it from the internet first then you will come unstuck.” He emphasized the importance of a great creative team and how they try to innovate with new features constantly to be as entertaining as possible. Finally when asked if he was tired doing 44 shows a year, he commented “It’s a luxury to be tired from doing something you love and always dreamt of.”

     

    Sponsors for the CASBAA Convention 2015 include: ABS, Accedo, Akamai, AMC, APT Satellite, AsiaSat, Asia Television Limited, Brightcove, Conax, ContentWise, CreateHK, Discovery Networks Asia-Pacific, Eutelsat, France 24, Ideal Group, InvestHK, Irdeto, ITV Choice, Kantar Media, Letv, Lightning, MEASAT, MediaExcel, One Championship, Patron Spirits, PCCW, PwC, RTL CBS Asia, Scripps Networks Interactive, SES, TIME NOW, The University of Chicago Booth School of Business, Time Warner, True Visions, Turner, TV5Monde and Victorious.

  • AsiaSat launches UHD FTA channel 4K-SAT for APAC

    AsiaSat launches UHD FTA channel 4K-SAT for APAC

    MUMBAI: Satellite operator Asia Satellite Telecommunications Co. Ltd. (AsiaSat) launched its first Ultra-HD (UHD) television channel 4K-SAT at 122°E on AsiaSat 4, marking a new era for AsiaSat’s satellite broadcasting services in the region.

     

    This new UHD channel will be available free-to-air (FTA) across more than 50 countries and regions within AsiaSat 4’s enormous footprint, spanning from New Zealand to Pakistan and part of the Middle East. Asian TV operators and home viewers with an AsiaSat 4 C-band antenna and a HEVC set top box will be able to receive the UHD channel directly.

     

    The new 4K-SAT channel broadcasts full UHD produced videos featuring fashion, lifestyle and documentaries from content partners including Hong Kong Cyberport Management Company Limited, FashionTV and Rohde & Schwarz.

     

    The UHD content from FashionTV includes major fashion shows from all over the world as well as features highlighting the latest in beauty and lifestyle trends, all delivered to Asian viewers in crystal clear, realistic and ultra-high definition. FashionTV, the global multimedia network in fashion and lifestyle content, also broadcasts its HD and SD channels on AsiaSat 5 and AsiaSat 7 in the Asia-Pacific.

     

    “We are delighted to be at the forefront of next generation broadcasting technology, bringing to Asian viewers true UHD content. We look forward to working closely with our content and technology partners to drive UHD audience penetration in Asia,” said AsiaSat vice president, marketing and global accounts Sabrina Cubbon.

     

    “The launch of this UHD channel on our new AsiaSat 4 UHD broadcast platform provides an opportunity for all stakeholders to experience and promote UHD content in Asia. This reaffirms our commitment to promoting leading edge technologies for the broadcast community. We shall continue to focus on compelling UHD content to enhance the quality of the television viewing experience,” Cubbon added.

     

    The 4K-SAT channel encoded in HEVC, is broadcasting at 50 frames per second (fps) with 10- bit colour depth. Besides offering 3840 x 2160 pixels resolution, four times the resolution of the full HDTV, the UHD specification also means a richer color palette, with more saturated colours and fine colour gradations. The superior quality of UHD broadcasting will deliver to consumers much better quality and more realistic picture and sound, offering an immersive viewing experience, particularly for sporting events and action movies.

     

    AsiaSat will be showcasing this new 4K-SAT channel at the CASBAA Convention in Hong Kong on 27 and 28 October.

  • CNN International Commercial makes new appointments in Asia Pacific

    CNN International Commercial makes new appointments in Asia Pacific

    MUMBAI: CNN International Commercial (CNNIC) has made two new appointments in the Asia Pacific region, boosting its Content Sales and Partnerships team.

     

    Kristin Burgham is the new director of CNN Content Sales and Partnerships based in Hong Kong, while Natsumi Sasaki is associate director of Networks and Content Distribution based in Japan.

     

    Burgham is responsible for the growth and development of the network’s content sales business throughout the Asia Pacific region, with a focus on leveraging its broadcast and digital assets. Her role encompasses content sales and partnerships, and licensing deals. Sasaki is responsible for managing affiliate relationships and developing new content sales and licensing business partnerships in Japan.

     

    CNN Content Sales and Partnerships vice president Greg Beitchman said, “CNNIC is actively investing in diversifying revenue streams and Content Sales and Partnerships is a critical component of this strategy. We are focused on obtaining greater value from existing intellectual property through syndication, expanding CNN’s footprint on digital, mobile and social platforms, and licensing the brand in exclusive partnerships. Kristin and Natsumi’s appointments come on the back of several significant wins in the region including the launch of CNN Philippines and CNN Indonesia. With Kristin and Natsumi on board in Asia we will be better placed to service our existing partners and develop new opportunities during what is a truly exciting, innovative time for CNN.”

     

    Prior to CNN, Burgham was head of global sales for CJZ, Australian production company where she grew the sales and distribution business from the ground up. Before that, she led the global content sales team of SBS Australia, and was a senior sales manager for ABC Australia.

     

    Before joining CNN, Sasaki was an account manager at Reuters News Agency, where she developed new revenue streams with major broadcasters and online publishers. Prior to Reuters, she spent three years at Nippon Television as an accountant working with multiple media outlets and broadcast service companies.

  • J. Walter Thompson launches new global talent program

    J. Walter Thompson launches new global talent program

    MUMBAI: As innovative ideas increasingly come from outside traditional agency confines, J. Walter Thompson has launched a new global talent development program called Jump/Start.

    The program is aimed at helping young creative thinkers from all backgrounds break into the advertising industry.

    The program aims to collapse boundaries by attracting and retaining students and recent graduates who have diverse and multidisciplinary backgrounds. Jump/Start is inclusive of disciplines spanning theater, film, creative writing, technology, product design, innovation and more.

    “Across the board, one of the biggest trends we’re seeing in our industry is the convergence of traditional categories. With Jump/Start, we’ve designed a program that supports creative talent from beyond these traditional confines. Growing a diverse talent pool is essential to our ability to deliver better and more innovative ideas to our clients,” said J. Walter Thompson worldwide chief creative officer Matt Eastwood.

    Jump/Start is designed to bridge the gap between classroom education and hands-on application. Participants will have the opportunity to work in an active agency setting, while collaborating with teams of experienced and award-winning professionals. They will also have the chance to work on live briefs and enhance their portfolios with real client work. Participating students will receive a monthly stipend for the duration of the three-month internship.

    The program will kick off in Beirut, Dubai, Hong Kong, London, Melbourne, New York, S?o Paulo and Sydney. Students, recent graduates and young professionals will be eligible to apply.

    “I owe great thanks to the many people and agencies that helped me throughout my career, and especially as a young university graduate. That’s the sort of support we want to replicate for the next generation of great creative minds,” said Eastwood.

    The program will be led by J. Walter Thompson worldwide head of creative talent Britt Hayes and by the respective chief creative officers in the participating offices.

    Applications will be accepted for three-month rotations, and regional Jump/Start programs began accepting their first groups of participants in Fall 2015.

  • FIC promotes Keertan Adyanthaya as EVP Hong Kong & SE Asia

    FIC promotes Keertan Adyanthaya as EVP Hong Kong & SE Asia

    MUMBAI: Fox International Channels head of entertainment and factual channels for Hong Kong & Southeast Asia Keertan Adyanthaya has been elevated as executive vice president – content and communications – Hong Kong & Southeast Asia with effect from 1 September.

     

    In his new role, Adyanthaya will be responsible for all content, channel operations and marketing for the HK and SE Asia covering Hollywood and Chinese entertainment as well as factual genres.

     

    It may be recalled that a couple of months back Adyanthaya, who was heading FIC’s India operations as NGC Network India managing director, was re-located to Hong Kong to handle a broader portfolio.

     

    Adyanthaya elevation is one of many structural reshuffling done by FIC in north Asia so as to align with its new strategy as the company positions itself for a growth spurt in China with an aim to ramp up its investment in production of Chinese content and communications. The restructuring exercise reflects emerging opportunities in these markets including China, Japan and Korea.

     

    FIC Asia Pacific and Middle East president Zubin Gandevia said, “Japan and Korea are two of the biggest media markets in our footprint.  In view of recent strategic partnerships we’ve forged in both countries, including with JTBC to launch JTBC3 FOX Sports in Korea and with Avex in Japan as part of an OTT offering, we see massive potential for further growth in these markets.”

     

    As a part of the restructuring, FIC managing director for SE Asia and Hong Kong Joon Lee will now move into a dual role, which is focused on driving growth initiatives in Japan and Korea as well as increasing FIC’s share of the growing opportunities in original Chinese production as executive vice president, North Asia & head of original productions – Mainland China.

     

    “Joon’s unique combination of experience – his familiarity with our businesses in both countries plus his proven leadership and creativity – will be invaluable in helping us to dive deeper in these markets,” added Gandevia.

     

    On the other hand, Simeon Dawes has been named FIC EVP ad sales and partnerships and MD – Hong Kong, Southeast Asia & Middle East and will take over some of Lee’s responsibilities in Hong Kong and southeast Asia, even as he will continue to oversee FIC’s Middle Eastern business and ad sales across Asia Pacific.

     

    FIC EVP commercial and sports Rohit D’Silva will continue in his current role, which includes the FOX Sports Asia business as well as affiliate and content partnerships, and non-linear products. 

     

    “Keertan’s proven successes with content-driven initiatives will complement Simeon and Rohit’s ability to forge mutually beneficial partnerships with our advertisers and platform partners.  All four executives are proven leaders in FIC and will without a doubt propel our businesses in North and Southeast Asia to new heights,” Gandevia said.

  • Mezzo Live HD to launch in Hong Kong, Mongolia and Philippines

    Mezzo Live HD to launch in Hong Kong, Mongolia and Philippines

    MUMBAI: Mezzo, has announced a series of deals in three key Asian markets that will see ‘Mezzo Live HD’ launch in Hong Kong, Mongolia and the Philippines this year.  

     

    The channel will be accessible to subscribers on TVB Network Vision, Skytel and DDish. 

     

    Attending the CASBAA Convention, Lagardere Active TV SVP TV sales & business development Jean-Rene Aucouturier declared, “We are thrilled to announce our first series of deals in the Asia-Pacific region, only a few months after launching the channel. This shows there is a clear demand for our premium music content, and we certainly hope to carry this momentum forward with a range of new initiatives and deals for 2015.”

     

     ‘Mezzo Live HD’ features classical and jazz concerts with full content in HD with over 80 per cent self-produced from international venues like Paris’ Opera, London’s Covent Garden, Milan’s Scala or Moscow’s Bolshoi.

     

    Asia-Pacific representative for MEZZO Live HD, Lightning International’s CEO James Ross added, “We have had a fantastic response to the channel from our partners and operators, and we will shortly be announcing a raft of additional carriage agreements across the region.”

     

    The channel will be ramping up its efforts to showcase more localised content in 2015 with new partnerships in the works in Sydney, Tokyo, Singapore, Hong Kong, and elsewhere.

  • Hong Kong dominates Asian Film Market in Busan

    Hong Kong dominates Asian Film Market in Busan

    NEW DELHI: This week’s films from Hong Kong at the Asian Film Market in Busan in Korea represent a variety that moves from erotica to horror to romantic comedy and 3-D blockbusters.

     

    Distribution Workshop unveils In the Room by Singapore’s Eric Khoo. Produced by Nansun Shi and starring Josie Ho, the high concept erotic drama takes place in a single hotel room with six connected stories over several decades. Also on the company’s lineup are Tsui Hark’s spy thriller The Taking of Tiger Mountain 3D and Derek Yee’s martial arts film Sword Maste, both in post-production for 3D delivery.

     

    Golden Network Asia pesents Live TV by new Korean directors Kim Seon-ung and Son Gwang-su. The thriller follows two guys and one girl who live-broadcast a threesome sex scene online in a seedy motel only to find themselves become the next victims of a serial killer. It is slated for its world premiere at the Busan International Film Festival.

     

    Busan’s closing film Gangster Pay Day is Star Alliance Movies’ (HK) first co-production with Sundream Motion Pictures. Starring Anthony Wong and Charlene Choi, the action comedy is about a retired gang boss who leads a humble life but is forced to fight back to protect the woman he loves and avenge the death of a comrade. Lee Po-cheung’s film is due to open on 6 November in Hong Kong.

     

    Star Alliance is also selling Soi Cheang’s SPLII in the Asia-Pacific region only. The follow up to the 2005’s smash hit is top-lined by Thai action star Tony Jaa, Louis Koo and Wu Jing.  A 2015 summer release is expected.

     

    Universe Films Distribution touts James Yuen’s romantic comedy Paris Holiday, featuring Louis Koo and Amber Kuo as two broken hearts who fall in love in the most romantic city and the Benny Chan-produced Little Big Master with Miriam Yeung as a headmaster who runs a kindergarten for under-privileged children.