Tag: Hollywood

  • &flix launches #FlixFirstBeforeAmerica campaign

    &flix launches #FlixFirstBeforeAmerica campaign

    MUMBAI: &flix, the destination for the biggest Hollywood hits, has launched a disruptive campaign titled “#FlixFirstBeforeAmerica”, sharing the exciting news with movie enthusiasts across the country. The campaign shows the American leader, a prominent personality himself, in complete awe and disbelief with this latest development where India gets ahead of America. He picks up the phone on an Indian embassy representative, a man named “Bhishambhar” to share his disbelief, exclaiming, “How has India pulled this off? It’s terrific”.

    The conversation is a reminder of all the big things that India has pulled off ahead of America with the latest announcement from &flix being one more in that league.

    With this initiative, the channel brings fans closer to the most awaited Hollywood blockbuster movies as it aims to crunch their wait time for Hollywood movies on television by half. Starting October 2019, &flix has redefined the movie viewing experience on television by bringing World Television Premieres of the biggest movies before the world and within a few months of their theatrical releases.

    Conceptualised by Publicis India, the campaign was produced by Bang Bang films.

  • Witness the heart-warming bond unfold in the epic-adventure movie Alpha premiering on &flix, &Privé HD and Zee Café

    Witness the heart-warming bond unfold in the epic-adventure movie Alpha premiering on &flix, &Privé HD and Zee Café

    Mumbai: Amidst the vast wilderness, the survival of the fittest truly determines life and death. But what happens when your fight for survival brings with it the dangers of the wild? Witness a young boy unleash his inner warrior and struggle as he travels through treacherous landscapes in the epic-adventure film Alpha. For the first time on television, &flix, the destination for the biggest Hollywood hits, is set to premiere the adventure-drama film Alpha, this Sunday, March 24, at 1PM and 9PM. The film will also be telecast as a part of Club Privè, a property of &PrivéHD on March 24, 3PM and on Zee Café at 2PM on the same day.

    Directed by the award-winning filmmaker Albert Hughes and supported by a powerful performance by Australian actor Kodi Smit-McPhee, the film gives you a chance to #LeapForth into a world where ‘life is earned and not given’. Join a young man’s unflinching determination to a journey back home.

    Set against the backdrop of prehistoric Europe, Alpha traces the life of young Keda who is separated from his tribe during his first hunt ever. Naïve yet fearless, Keda takes it upon himself to find his way back home and unite with his family. Barely surviving alone, the poor chap encounters a life-defying attack from a pack of wolves with him barely making it through. Injured and lonely, he chances upon an abandoned and ailing wolf and reluctantly tends to him. Enemy-turned-ally, Keda soon befriends the wolf and together they meander through the caves and trek through a harsh and unforgiving landscape to make it home before winter. Will they succeed in this mission?

  • Witness the awe-inspiring versatility of Tom Hanks under &PrivèHD’s ‘Side by Side’

    Witness the awe-inspiring versatility of Tom Hanks under &PrivèHD’s ‘Side by Side’

    MUMBAI: &PrivéHD, the premium destination for nuanced cinema, is all set to showcase a series of distinct performances under its programming property Side by Side. Presenting the diverse performance of Two Times Oscar Award Winner, Four Times Golden Globe Award Winner and Six Times Emmy Award Winner Tom Hanks this week, the channel is all set to air Captain Phillips and The Post on January 13, 2018 on Sunday at 9 PM & 11 PM.

    The fascination with actors grows real with their ability to dramatically transform from role to role. Tom Hanks is not just the exception but also the true hero in the landscape of Hollywood. Having always been a method actor, Tom is the champion of donning roles that push his creative benchmarks.

    One can experience his magic on screen – be it playing the role of Captain Richard Phillips who is full of energy yet under constant pressure in Captain Phillip or representing a hard-driven gruff and intimidating character of Ben Bradlee, the Editor for a newspaper in Two times Oscar nominated movie  The Post. Hanks does it all – he is a best friend, he is a tough boss, he is weak yet strong being humorous at the same time.

    Feel the other side of Tom Hanks’s reel life transformation as Captain Phillips and The Post air on Sunday, January 13 at 9 PM and 11 PM only on &PrivéHD.

  • Netflix reviving dying rom-com genre to net more audience

    Netflix reviving dying rom-com genre to net more audience

    MUMBAI: It’s not unusual for streaming giant Netflix to create market buzz with newly launched originals. But since the beginning of this year, the platform has stimulated excitement by reviving a dying genre – romantic comedy which was once an integral part of Hollywood’s yearly box-office strategy went through slow death after mid 2000s. Set it Up, Kissing Booth stirred the wheel in first half of 2018 and the Netflix original rom coms followed by these two indicated the platform’s less-hyped treasure. Now, after Q3 earnings, it has validated the notion. At least one of its “Summer of Love” rom-com has been watched by more than 80 million of its subscribers from around the world over the past few months.

    From the late 1990s to mid 2000s, rom coms had been worth a fortune for producers. Few of the popular ones even cracked and topped $100 million at box office. Unfortunately, the fall began around 2012-13 and the movies from this genre gradually disappeared from top box office performers. The audience stopped watching and major studios stopped making mid-budget movies.

    With the emergence of streaming platforms, the traditional way of watching movies has also changed. Thanks to the change, the genre has found a new home outside of the theatre. As part of its “Summer of Love” original movies, Netflix released Set It Up, The Kissing Booth, Like Father, Sierra Burgess Is a Loser, To All the Boys I’ve Loved Before. While the first one has ignited the reputation of Netflix as the “saviour of the genre”, the platform has singled out the last one of its “most viewed original films ever with strong repeat viewing”.

    Considerably, in most of the rom-coms from the platform there are no star casts and mostly fresh faces. As most of the once popular rom-com stars got too reluctant to work for the genre, it also became harder for studios to pull the audience to theatres. But, this problem does not trouble the streaming giant owing to its loyal subscribers who don’t yearn for a star-studded cast.

    Although the streaming giant is blamed for increasing the production cost in Hollywood, the rom-com movies can be made at comparatively moderate budgets. The inexpensive, easy to produce movies will also help to increase its movie library which has been often described as dull compared to other streaming platforms. Among the craziness of spectacle action, sequels, sci-fis, this is an easy stint to provide viewers to enjoy something different.

    Rom-coms are also perfectly suited for “Netflix and chill” in the comfort of home with minimum engagement, short time span to finish a story. However, from all the plot lines of major hits of this genre, it seems to target young audience for whom OTT platforms are the primary source of entertainment.

    “As part of our Summer of Love and building on the success of Set It Up and The Kissing Booth, we released original films Like Father (starring Kristen Bell and Kelsey Grammer in a daughter-father dramedy), Sierra Burgess Is a Loser (starring Stranger Things’ Barb, Shannon Purser) and To All the Boys I’ve Loved Before, which is one of our most viewed original films ever with strong repeat viewing. More than 80 million accounts have watched one or more of the Summer of Love films globally and we are already in production for the next set of original rom-coms for our members,” Netflix said in a letter to shareholders after Q3 earnings.

    Though Netflix does not share exact viewership numbers ever, a Netflix executive from the company said they were able to see that people around the world had been watching a lot of rom-coms in their catalogue according to a media report. Hence as people enjoyed the genre and there were very few players, the streaming giant utilised the chance properly. Moreover, with the 80 million statistics, Netflix has proved global audience still love to watch classic romances.

    At a time when Netflix is targeting the Indian market widely, its movie catalogue has two Indian romantic films. After releasing Love Per Square Foot, the original rom-com, they added Kuch Bheege Alfaz produced by Yoodle Films later in the library. Both the films worked well and created high social media buzz. The “Summer of Love” was not only about few months, it is very clear that Netflix has committed to its new found treasure for the long term.

  • HOOQ, Hotstar enter unique strategic partnership

    HOOQ, Hotstar enter unique strategic partnership

    MUMBAI: Southeast Asian OTT platform HOOQ has struck a unique deal with India’s leading streaming service Hotstar. Under the partnership, HOOQ’s 6000-hour catalogue of Hollywood TV shows and movies will be available for Hotstar Premium users.

    The deal is a win-win situation for both. HOOQ can leverage Hotstar’s massive 150 million monthly active users while the latter will be able to upsurge its premium English content easily. Star India’s digital arm already features content from studios like HBO, Showtime, Fox and Disney. Now, titles such as The Big Bang Theory, Arrow, The Flash, S.W.A.T., The Goldbergs and HOOQ Originals like The Oath will be available on Hotstar. Hollywood blockbusters and classics including Wonder Woman, Harry Potter, Spider-Man and Pulp Fiction will be also available on the platform.

    “Hotstar Premium’s English catalogue is unlike anything you’ll find on any other platform in the world – an aggregation of content from across studios and content producers, at a single destination. This partnership with HOOQ, with its portfolio of curated blockbuster Hollywood content, seals the argument – for an English content fan, there is nowhere else to go,” Hotstar CEO Ajit Mohan commented.

    “We are so pleased to announce this collaboration with Hotstar that combines their reach with our offering as the ‘Home for Hollywood’ in India. With the appetite for Hollywood content in India growing at a furious pace, we are poised to offer the Indian customer easily accessible and a very affordable way to watch the best of Hollywood. This partnership with Hotstar underscores our commitment to satisfying the Indian market’s appetite for on-demand content,” HOOQ CEO Peter Bethos commented.

    According to FICCI-EY’s research on India’s entertainment industry, box office collections from Hollywood films, inclusive of all regional language dubbed versions, totalling Rs 8.01 billion in 2017, making up 13 per cent of the overall movie box office in the country. English titles have witnessed significant uptick over last couple of years. As per the FICCI-KPMG Media and Entertainment Industry Report 2017, gross box office collection of English films in India grew by 10 per cent in 2016 compared to 2015.

    “When it comes to English content, Hotstar Premium is uniquely placed in that it boasts titles from global studios like HBO, Disney, Showtime and Fox and now with HOOQ, iconic shows like The Big Bang Theory, The Flash, S.W.A.T and even cult classics like Friends in the fold. Regardless of mood, genre preference or which side of the superhero debate you sit on, Hotstar Premium is the single destination where English content consumers find everything. The partnership with HOOQ firmly strengthens that position,” Hotstar Premium business head Prabh Singh commented.

    “This is the start of a great relationship between HOOQ and Hotstar in India, we are excited to bring to life a wealth of content for a new audience. The OTT market is an exciting space and our belief is that it is imperative for consumers to have easy access to content. With this Hotstar partnership, HOOQ takes another step forward in becoming the service known as the “Home of Hollywood” on major platforms,” HOOQ managing director India Zulfiqar Khan said.

  • MN+ launches ‘Wings of Change’

    MN+ launches ‘Wings of Change’

    MUMBAI: MN+, the Gold Class of Hollywood movies, launches a specially curated property ‘Wings of Change’ to celebrate women who have created a paradigm shift in the world of cinema. Starting September 21, 11p.m on MN+, the eight-week property, ‘Wings of Change’ will feature movies starring some of the most talented and inspiring women from Hollywood.

    ‘Wings of Change’ is MN+ honour to inspirational women including actresses, directors, producers and others, who have seamlessly carved a niche for themselves with their acting prowess, inspiring characters, flawless direction, beautiful cinematography and art-direction.  

    As a part of the launch, MN+ has collaborated with two-of-the prominent Bollywood women, Nandita Das, leading Indian film-maker and Kajol, Padma Shri awardee and the most-celebrated Bollywood actress. Both Nandita Das and Kajol, two of the most dynamic and powerful women of Indian cinema, are strong influencers who have taken up matters of social relevance and have come together now to celebrate womanhood with ‘Wings of Change’.

    Wings of Change will air coveted titles including ‘Gone Girl’, ‘When Harry Met Sally’, ‘Bridges of Madison County’, ‘Fargo’, ‘By the Sea’, ‘Maleficent’, ‘Tulip Fever’, and ‘The Girl with the Dragon Tattoo’.

  • Independent press vs the government  &Privé HD brings the premiere of ‘The Post’ on 28th July

    Independent press vs the government &Privé HD brings the premiere of ‘The Post’ on 28th July

    MUMBAI: A good press serves the governed, not the governors and if the press doesn’t hold the government accountable, who will? &Privé HD, the premium destination for nuanced cinema, is all set to premiere the historical political thriller ‘The Post’ on Saturday, 28th July at 1:00 pm and 9:00 pm. The film, directed by the master storyteller and one of the most sought-after directors – Steven Spielberg, reminds us of the essential role the media plays in a healthy functioning democracy. It stars Hollywood’s powerhouse performers Tom Hanks and Meryl Streep in lead roles.

    Based on a true event from 1970’s America, The Post depicts the story of journalists at The Washington Post who fought to publish the Pentagon Papers, a set of classified documents regarding the 30-year involvement of the United States government in the Vietnam War. The movie is centered around the first female publisher, Katherine Graham (Meryl Streep) and her no-nonsense of an editor Ben Bradlee (Tom Hanks) who fight all odds to expose a cover-up of the Government that spanned four US Presidents. The Post is a classic Hollywood rendering of the struggle between the government trying to cover up its lies to the American people and the newspapers’ determination to expose it.

    Receiving rave reviews worldwide, The Post was chosen by the National Board of Review as the best film of 2017 and was named as one of the top 10 films of the year by Time and the American Film Institute. The film also received two nominations at the 90th Academy Awards and six nominations at the 75th Golden Globe Awards.

  • Appeals Court allows Netflix to proceed with lawsuit challenging Fox’s employment contracts

    Appeals Court allows Netflix to proceed with lawsuit challenging Fox’s employment contracts

    MUMBAI: A California court has finally paved the way for Netflix to take on 20th Century Fox. Cancelling an appeal from Fox, a three-judge panel has allowed the streaming giant to take forward a lawsuit that seeks to invalidate Fox’s fixed-term employment agreements.

    The conflict between the two giants in the global entertainment industry started back in 2016. Two executives of the company including Tara Flynn, a former development executive at Fox 21 TV Studios and Marcos Waltenberg, a former Fox film marketing executive left the company in that year.

    Fox, infuriated by the incidents, sued Netflix blaming the latter for illegally poaching two of its executives and encouraging to break employment contracts. 

    Following the suit, Netflix responded with a counter-suit alleging those deals were unenforceable. It also argued that Fox was compelling employees to stay in the company against their will.

    Fox sought to throw out the Netflix countersuit with an anti-SLAAP motion arguing that it concerned protected speech. However, a Los Angeles Superior Court judge rejected the motion. Again, the appeal court judges upheld the ruling. After the decision, the initial suit and the counter-suit will now proceed at the trial court level.

    “The acts that supply the elements of Netflix’s claims are Fox’s alleged business practices of utilizing fixed-term agreements with allegedly unlawful and restrictive clauses and selectively determining which employees will be allowed to terminate those contracts early,” the judges found as per media reports.

  • Sony PIX hosts the premiere of ‘Jurassic World: Fallen Kingdom’ before its India and US release!

    Sony PIX hosts the premiere of ‘Jurassic World: Fallen Kingdom’ before its India and US release!

    Sony PIX, home to Hollywood’s biggest blockbusters and premieres, is back with its biggest on-ground experiential event – Sony PIX Premiere Nights premiering the most-awaited movie franchise of the year, Jurassic World: Fallen Kingdom. On June 6, 2018, a day before its India release and weeks before its US release, the dino park has opened first for Sony PIX viewers for a jaw dropping experience!

    ‘Sony PIX Premiere Nights’, is the finest on-ground Hollywood movie extravaganza where viewers get to exclusively watch the premiere of the latest Hollywood movies before their theatrical release in India. This time, the event is bigger and grander than ever before as the channel is hosting the multiple screenings across 10 cities Mumbai, New Delhi, Gurgaon Ahmedabad, Bangalore, Chennai, Kolkata, Hyderabad, Pune and Kochi.

    This is also the first time that Sony PIX tied up with multiple platforms like insider.in, kasakaimumbai, dailyobjects et al so that more people get the opportunity to watch the movie before anyone else in India! With an unprecedented 25,000 entries, thousands of people will attend the Sony PIX Premiere nights including Bollywood and TV celebrities, making it one of the biggest Hollywood on-ground event of the year!

  • Netflix, Amazon may contribute to rising production cost in India

    Netflix, Amazon may contribute to rising production cost in India

    MUMBAI: Netflix and Amazon Prime Video are known for loosening their purse strings when it comes to production cost. The threat of driving up costs is already looming over the Hollywood industry. As the OTT giants have begun to mark their territory in India, there is a concern that production cost may rise here as well.

    Recent reports state that Netflix and Amazon are throwing money to lure top talent from Hollywood. In addition to that, Netflix is also driving up Hollywood salaries by offering big pay rises. Traditional players have been sweating it out in competing with the rising cost. Netflix’s $300 million deal to poach Ryan Murphy from 21st Century Fox was a classic example of this development. Robert Kirkman, the creator of the hit show The Walking Dead, signed a two-year deal with Amazon last August.

    Both companies have renewed their focus on India and, in order to understand the market, it is likely that they will look to poach talent from rival companies. The quest to offer premium content will also lead to higher production cost.

    When Eros Digital COO Ali Hussein was asked if because of Netflix and Amazon’s higher investment the overall cost of Indian ecosystem will go up or not, he said though there’s not a definitive answer to this. But, in general, the cost will definitely go up. Along with that, he also feels that it depends on how smartly the work is being done in the existing ecosystem to have a certain amount of control over the cost.

    “If in any business, the demand is high, the supply chain cost will go up. Across all businesses, when there is a large demand for episodic or original web content, how do you ensure you are able to maintain a certain quality of production with a growing talent pool? It’s not just the cost of the celebrities or directors, it is the technical cost and that of the entire process,” says Hussein.

    ALTBalaji CMO Manav Sethi thinks the cost has already increased due to international players splurging but the output quality has not increased much. In addition to that, the companies have less understanding of the Indian market, which has unorganised, segmented content making.

    According to Bodhi Tree Multimedia founder Mautik Tolia, the increasing number of productions from Netflix and Amazon will not have any short-term impact on overall production costs. This is because the volume of content being produced at the moment by the duo is very limited compared to overall content production in India.  It will only drive the premium talent costs upwards such as A-list actors and directors. But at the same time platforms are providing opportunities for new and fresh talent, making the content creation process more inclusive and might actually bring down the talent costs as a fresh pool of talent will get injected in the system. “It all depends on what path the platforms will take forward whether they emulate the traditional studio systems going for safer bets with established stars and directors or punting in and promoting new talent. This remains to be seen,” Tolia says on the possible future scenario.

    However, one of the main reasons for spending more money on production is to increase premium quality content. “Overall, I believe that content quality in digital both for domestic as well as international players is improving and there will be a premium for quality content,” Arre co-founder Ajay Chacko says.

    Endemol Shine CEO Abhishek Rege also thinks Netflix is only shelling out money to get premium content. “Costs in digital will be higher than that of what we see in television because digital needs better quality of content,” he says.

    Where there’s a fear that Netflix and Amazon may shake up the Indian ecosystem like they are doing in Hollywood, the scenario is less viable in India despite the fact that production cost will definitely go up. Indeed, the streaming giants will aggressively try to acquire top talent from the industry but other OTT players can opt for fresh talent. In the next four to five years, the traditional players, including Bollywood and broadcasters, will face a tough challenge from these international players. However, with new content strategies, the cost can be controlled to a certain level.