Tag: Hero

  • Draftfcb+Ulka celebrates boyhood with Hero

    Draftfcb+Ulka celebrates boyhood with Hero

    MUMBAI: Hero once again plans to capture the imagination of the youth with its latest commercial, conceptualised by Draftfcb+Ulka, that is a true celebration of ‘boyhood’ with the Hero Maestro – a scooter that’s made for boys.

     

    The idea is to bring out the behaviour of today’s boys and give an enjoyable, light twist and who better to play the role of the quintessential boy than Ranbir Kapoor. Continuing his long standing relationship with Hero, Ranbir brings his inimitable style and incredible talent to this story and makes it more memorable than ever.

     

    Draftfcb+Ulka Delhi group creative director Sanjay Sharma said, “We wanted to bring out the ‘boyish’ attitude which Maestro stands for in a way that is relevant to the contemporary society. It’s a new dimension – a light hearted take on the way future is dear to the girls and present to the boys.”

     

    The commercial has seen an overwhelming initial response. Draftfcb+Ulka Delhi COO Sanjay Tandon said, “Maestro is a brand built around boyish idiosyncrasies. To further reinforce the positioning success of the brand, Ranbir exudes his boyish charm through a typical “men are from mars. women are from venus” storyline.”

     

    Adding to this, Draftfcb+Ulka, Delhi VP Sharad Mathur said, “The aim was to play up the ‘boyish’ attitude through the product as well as in a setting which most of the youngsters can easily relate to. Ranbir effortlessly exudes a playful boyish charm which along with the music and setting brings out Maestro’s attitude and its celebration of boyhood.”

    Shot in Fort Kochi, Kerala, along the quiet roads and vibrant backgrounds, the commercial truly stands out for its visual style and witty dialogue.

  • Draftfcb+Ulka celebrates ‘boyhood’ with Hero

    Draftfcb+Ulka celebrates ‘boyhood’ with Hero

    MUMBAI: Hero once again plans to capture the imagination of the youth with its latest commercial, conceptualised by Draftfcb+Ulka, that is a true celebration of ‘boyhood’ with the Hero Maestro – a scooter that’s made for boys.

    The idea is to bring out the behaviour of today’s boys and give an enjoyable, light twist and who better to play the role of the quintessential boy than Ranbir Kapoor. Continuing his long standing relationship with Hero, Ranbir brings his inimitable style and incredible talent to this story and makes it more memorable than ever.

    Draftfcb+Ulka Delhi group creative director Sanjay Sharma said, “We wanted to bring out the ‘boyish’ attitude which Maestro stands for in a way that is relevant to the contemporary society. It’s a new dimension – a light hearted take on the way future is dear to the girls and present to the boys.”

    The commercial has seen an overwhelming initial response. Draftfcb+Ulka Delhi COO Sanjay Tandon said, “Maestro is a brand built around boyish idiosyncrasies. To further reinforce the positioning success of the brand, Ranbir exudes his boyish charm through a typical “men are from mars. women are from venus” storyline.”

    Adding to this, Draftfcb+Ulka, Delhi VP Sharad Mathur said, “The aim was to play up the ‘boyish’ attitude through the product as well as in a setting which most of the youngsters can easily relate to. Ranbir effortlessly exudes a playful boyish charm which along with the music and setting brings out Maestro’s attitude and its celebration of boyhood.”

  • Instructions Not Included becomes highest grossing Spanish Language film in the US

    Instructions Not Included becomes highest grossing Spanish Language film in the US

    MUMBAI: Pantelion Films’ Instructions Not Included has become the highest grossing Spanish Language film ever released in the US, according to distributor Lionsgate. With this weekend’s estimate of $3.38 million, the breakout family comedy/drama has a cumulative of $38.567 million in its fifth weekend at the American box office.

     

    Starring and directed by Eugenio Derbez, the movie has passed Pan’s Labyrinth‘s $37.6 million as the new record holder. It’s also the fourth biggest grossing foreign language film ever in the US, behind only Crouching Tiger, Hidden Dragon (Taiwan), Life is Beautiful (Italy), and Hero (China).

     

    Meanwhile, Instructions Not Included is yet to release in Canada. Word of mouth spread is also helping the pic garner eyeballs, and Instructions Not Included expanded its US run to target crossover audiences.

     

    Made for a $5 million budget and acquired by Pantelion, it was the big story coming out of Labor Day Weekend for the best-ever domestic debut for a Spanish language film. Pantelion Films is a joint venture between Lionsgate and Mexico’s media powerhouse Televisa with plans for eight to10 films per year.

  • Draftfcb Ulka Delhi gets Burma as group creative director

    MUMBAI: Sachin Das Burma has joined the Delhi office of Draftfcb Ulka Advertising as group creative director. He comes in from JWT Delhi where he was the vice president, creative. He has also worked with agencies like Contract and Bates.

    Draftfcb Ulka Advertising national creative director K S Chakravarthy (Chax) said, “Sachin is a natural-born big ideas guy who enjoys working on big, challenging brands as much as he enjoys doing fun creative stuff. I am confident he will effortlessly fit into our high quality team in Delhi, and help drive our creative agenda.”

    Draftfcb Ulka Advertising, Delhi COO Sanjay Tandon said, “In Sachin, beyond the competence, I see values that are dear to us – stability, team work & desire for excellence. He joins the senior team to push us faster towards where we want to go…creating game changing ideas that Build BrandWealth.”

    Burma said, “I have always liked the Draftfcb Ulka way of thinking and wanted to become a part of a team that cherishes common values.”

    Referring to Arvind Wable, advisor to the Board, Burma stated: “Arvind‘s long term belief in a ‘happy people culture‘ and its effect in building a strong business for over 20 years, was a convincing factor in my decision. And being hired by Chax was indeed a high.”

    He comes to the team having built his credentials across several marquee brands like Hero, Airtel, Nokia, Pepsi, Timex, GSK and Dabur and having earned recognition at all premiere advertising forums like Effies, Goafest and D&AD.

  • ‘India is one of the few markets where making positive impact is possible’ : Wolff Olins MD Charles Wright

    ‘India is one of the few markets where making positive impact is possible’ : Wolff Olins MD Charles Wright

     

    Q. Why has Wolff Olins not set up shop in the rapidly growing market of India when it has caught the attention of every big global agency?
    We have no such plans to enter India soon as Mumbai is a very expensive real estate city. We do work for a lot of clients in India. But we have created Dubai as a hub from where we serve a much wider region. We service India from Dubai as a base.

     

    Q. So how do you get a feel of the local needs of the Indian clients?
    In our Dubai office, we have Westerners, Indians and Arabs working together. The mix is very important. If we only have an American or European team, there would have been huge cultural misunderstandings. So what we are offering clients is the best of both worlds. The benefit from this is that clients can be assured that while we are adding an international flavour, we are also taking into account the local needs.

    Q. Isn’t India a difficult market from a brand perspective as it is very price sensitive?
    I think we have now figured out a model for working in India. You have to, if you are to do business here. Everyone here likes to negotiate. People will bargain even if they don’t need to. I have seen people haggle when you think “why are you even bothering?” But I guess it’s a cultural thing.

    Q. So how do you deal with this?
    Initially, it was irritating but now I enjoy it. That is, perhaps, because Indian businesses do not have the luxury of money. The idea of everything being done frugally is something I have learnt from here. If you were working for a big corporation in America, you would be accustomed to spending large amounts of money. So you could do all sorts of things which here would be considered to be frivolous. It’s something like an athelete that has trained hard and we have now become fitter at running the race the Indian way.

    ‘We have no such plans to enter India soon as Mumbai is a very expensive real estate city. We have created Dubai as a hub from where we serve a much wider region‘

    Q. What other lessons have you learnt from here?
    Having Indians on the team have helped because people are direct even with me and say, “Don’t do that!” What I have learnt working here is that while in Europe modesty is a virtue, here modesty is a weakness. We have to be more forceful. As a foreigner, one might mistake forcefulness for rudeness, but it’s not so! It’s being just honest. I am still learning to be much more direct. There is a big positivity that comes from working in India.

    Q. What about growth?
    There are a number of clients that are super ambitious. Here more than most of the countries I have worked in, making positive impact is possible. It’s not easy, but it’s possible.

    Q. Do Indians value brands as much as the matured consumer markets?
    The word brand identity has been devalued today to mean logo – not just in India but everywhere. Having said that, I find there is a lot of interest in branding in India. You have special supplements and shows about advertising and branding. In the US, which is the most developed market, there are no TV shows on this topic. There are columns in the newspapers and trade magazines like Advertising Age, etc. Perhaps the reason behind this is that the stuff is fairly new here following liberalisation. More people can afford more things, so there is that interest in the topic. There is a curiosity about lots of things. India is like a sponge soaking up stuff not just about branding but a lot of things.

    Q. Isn’t that good news for a branding company?
    Being a branding company, we create or refresh brands. What makes us special is that first of all we try to work for companies that are ambitious and want to do something important. From our point of view, we also want that the work has a big impact. Our internal line is that we are optimistic and ambitious for our clients. So we are looking for clients that are looking at doing good for the world rather than just making money.

    Q. Are Indian brands receptive to this? 
    Hero is a company we have worked with and if you see the ads, they all tell a story or sing a song about how each of us is a hero. I think where we got to our work is that the motor bike isn’t the point. The point is what the two-wheeler or the bike can do for the guy. This ad is a dramatic example of what I am talking about; it reflects the optimism and the ‘doing good for the world’ concept. When you give a young guy or a young couple a bike when they get married, their life takes a different shape. And that, in a small way, is about celebrating the common man as opposed to the high fancy stuff, which to my mind is brilliant.

     

    In a similar way but in a different segment, Tata Docomo talks about enabling ordinary people to do stuff that they couldn’t do before. The common thread in these two brands is the positive impact we are trying to create.

     

    I would love to do work in the healthcare sector and financial services. Why is there no big financial group from India like in America and Europe? How come so many families do not have access to clean water? We would love to work with companies that are addressing the big issues of our times. We want to do stuff which has positive impact.

    Q. How do you select brands?
    We want to work with ambitious Indian clients. It could be a small company of designers or it could be companies that know about digital stuff. But they should allow us to do interesting stuff in tune with our philosophy.

    Q. Doesn’t this sound like you were born in a different age and era?
    The company is a child of the 60s. It was the decade of the Beatles in England. In fact, they were one of the first clients of the company. That was the time when the mood was for optimism, equality and freedom. One of the characteristics of the 60s was a desire to do good. There is a sense that the culture from back then has still lived on. These kind of things get us excited – and the good news is that there is lots of such work to do in India.

    Q. With such independent thinking, wouldn’t you have been better off staying separate rather than selling to Omnicom?
    A small group of us actually bought out the company in the mid 90s from the founders. We had an office in London and were active in Europe. We had another office in Spain and one in Portugal. But we had the dream of going fully international. We, thus, set shop in New York and started doing business in Japan because we thought that Asia would be the future.

     

    America, however, was a very tough market. So we approached Omnicom and told them that we needed their help to go international. We were willing to be acquired but wouldn’t want to be bulldozed because it’s the way that we work that makes us successful and not the size of what we do. So if we get acquired, it is on the understanding that the culture is what makes us successful and Omnicom has to trust us on this one.

     

    Omnicom agreed to our terms. The way it works is that at the start of the year we tell them what we are going to achieve and as long as you do that, they leave you alone. It is a very fertile environment for us.

  • Hungama TV to air antics of ‘Shin Chan’ from 19 June

    Hungama TV to air antics of ‘Shin Chan’ from 19 June

    MUMBAI:The series featuring the naughty antics Shin Chan that has garnered huge popularity in Europe, Latin America and the Far East, will now be brought to India. Come 19 June, Hungama TV will air Shin Chan every weekday, Monday to Friday at 5 pm.

    Viewers can witness the hilarious histrionics of the Nohara family as they struggle to cope with the hurricane, that is, their five year old son, Shin Chan.

    Hungama TV COO Zarina Mehta said, “Shin Chan, like Doraemon, is one of the top 3 shows in the Asian region. Shin Chan’s innocence and antics form a deadly mix designed to give entire families a wonderful time. We welcome Shin Chan to the Hungama Family of fabulous, memorable characters, which include Hero, Sanya, Doraemon, Kochikame & YuGiOh! “.

    Without even trying hard, Shin-Chan manages to be a one-kid disaster squad. Shin Chan can single-handedly turn a pleasant afternoon into a long and never-ending battle of wits. He provides all age groups with something they can relate to – his devilish charm, his care-free attitude, and his curiosity for new things. He just lets it all out and isn’t afraid of what others think. This, unfortunately, is the very reason he always succeeds in invoking his mother Mitsy’s short temper. Watch Shin Chan and his little sister, Daisy whose innocent looks are deceiving, along with his pet dog named Lucky, who is anything but that!