Tag: HD

  • India’s Doordarshan selects Harris Broadcast for nationwide digital transition

    India’s Doordarshan selects Harris Broadcast for nationwide digital transition

    NEW DELHI: Harris Broadcast, a market share leader of content management and network infrastructure solutions serving the global broadcast, communication service provider, government and enterprise markets, today announced it has been selected by national broadcaster Doordarshan to deploy a new DVB-T2 transmission infrastructure across the country.

     

    The government of India is pushing ahead with plans to complete the move from analogue to digital television transmission by 2017. As the leading public service broadcaster in India, Doordarshan has an obligation to cover the whole country and to reflect the diversity of Indian society, including content in the more than 40 languages. At the same time, it is promoting a boost in quality and viewer engagement by rolling out high definition channels, as well as delivering its multi-lingual content across multiple platforms including mobile devices in the future.

     

    “This is not only a large-scale project for Doordarshan, but it is also one of the most high profile and important projects the broadcaster has undertaken,” said Joe Khodeir, senior vice president Asia at Harris Broadcast. “Our DVB-T2 solution maximises spectrum capacity, allowing Doordarshan to roll out multiple channels serving different communities as well as offer multiple HD channels. For a project of this scope and significance, Doordarshan looked for a partner with a strong local service commitment and presence along with best-in-class technologies that delivered the lowest lifecycle costs.  Our Maxiva™ ULX architecture provides the best power efficiency in the market, which was a critical consideration for Doordarshan when energy consumption is such a large part of the operating cost.”

     

    The first of two transmission contracts awarded to Harris Broadcast adds HD channels to digital multiplexes in four major metropolitan areas. Each facility will be served with a new 6kW Harris Broadcast Maxiva ULX DVB-T2 transmitter. The second contract is for 19 Maxiva ULX transmitters, which will be used to roll out digital transmission to the regions of India. In the first instance, these will carry standard definition channels in their multiplexes, but the flexibility of the transmitter and infrastructure design allows for an easy upgrade to HD when the time comes.

     

    The Maxiva ULX is a liquid-cooled, solid-state transmitter built on a modular architecture for maximum flexibility in inputs, transmission standards and power outputs. By incorporating Harris Broadcast PowerSmart® technology, the Maxiva ULX uses the minimum energy for the radiated power, produces less heat and occupies the smallest footprint in the industry. Together, this provides simplified installation, easier maintenance and reduced total cost of ownership over the lifetime of the transmitter.

  • Reliance Jio tests 4G network at IIT, Mumbai Techfest

    Reliance Jio tests 4G network at IIT, Mumbai Techfest

    MUMBAI: Very soon, consumers will not even have to remember to record their favourite shows on movies on television for later viewing. With Reliance Jio Infocomm Limited (RJIL) testing its 4G network during the IIT Mumbai Techfest by running trials of video calls and Jio television service, Indian market will soon see the technology that eliminates the need for recording content.

     

    RJIL is country’s only pan-India 4G spectrum holder. According to a Press Trust of India report, Jio television has a feature that eliminates the need for recording content. For visitors to get a feel of the technology, RJIL also deployed Wi-Fi network at select locations in the campus. Through this, visitors could experience the benefit of high speed wireless connectivity for hand-held devices over a blend of LTE and Wi-Fi networks.

     

    RJIL also used the fest to demonstrate Live TV and video on demand, with HD viewing experience and 3D TV experience and Ultra HD video experience on its 4G network. Live TV has 16 HD channels and total 101 channels. Video on demand has more than 400 movies.According to the media report, Jio is readying itself for commercial launch and is currently under trial. The company is using the Techfest for conducting trials and also to get a feedback to improve the commercial product.

  • Doordarshan to telecast RBIQ this year

    Doordarshan to telecast RBIQ this year

    MUMBAI: A partnership between RBI and Doordarshan led to the production of the second edition of the quiz conducted by RBI called RBIQ. The quiz that was conducted across 4,000 schools in 42 cities saw the finals being held at the Doordarshan studio in Mumbai, the production for which was done by DD on 2 October. It has recently revamped its whole studio by making it HD friendly.

     

    The inter-school quiz was started last year to impart financial literacy to the country’s students. RBI governor Raghuram Rajan was present for the finale that saw the students of Maharshi Vidyamandir Public School of Guwahati take home the trophy. Questions asked were from the fields of banking, finance and general knowledge.

     

    The show will be telecast on DD in the coming few weeks, the date is not yet finalised. Last year, it was telecast on Zee Business. The number of students participating this year was up by 1,000.

  • Vizrt sets the benchmark for high quality video productivity at IBC

    MUMBAI: At the International Broadcasting Convention (IBC), Vizrt will display tools to increase graphics and video productivity, enhance live sports broadcasts, and streamline production. IBC2013 will be held from 12-17 September in the RAI convention center in Amsterdam.

    Among the highlights will be new technology that allows designers to run Viz Artist with a remote connection to a powerful cloud computer. A press conference on 13 September at 8:00 am in the RAI’s news conference room will present full details of this development and other top news from Vizrt.

    Vizrt’s real-time 3D compositing system, has increased its rendering capability beyond HD to 4k. Vizrt will display the breakthrough 4k rendering capability of the Viz Engine at the IBC show.

    Viewers on mobile devices, online, and on-air have the best possible viewing experience without the delay caused by transcoding.

    Viz Media Engine includes an extension panel to Adobe Premiere Pro CC that enables Premiere Pro users on both Mac and Windows to search and access media held within Viz Media Engine without leaving the Premiere Pro interface.

    With Viz Arena, broadcasters can superimpose animated 3D graphics, text, video, logos, images and animation over the live coverage of a sports event. The graphics remain in place, regardless of camera movement. The 3D graphics appear to be part of the live coverage.

    Vizrt will also display the Vizrt Online Suite integrated with Viz Media Engine. This integration gives journalists the ability to search all assets contained within Viz Media Engine from the Vizrt Online Suite CMS. MOS rundowns can also now be viewed within the Vizrt Online suite CMS.

    A cross-platform implementation between the Viz Media Engine and Vimond’s over-the-top TV toolset will enable broadcasters to control their video content across multiple platforms and monetise their content online.

     
  • Will Anil Kapoors 24 be a game changer?

    Will Anil Kapoors 24 be a game changer?

    MUMBAI: Indian viewers are set to witness high octane action drama unraveling on their TV screens soon. The adaptation of the hit American series 24 unveiled its first look last evening. The Indian adaptation of the American thriller is being co-produced by Anil Kapoor Film Company and Ramesh Deo Productions with Delly Belly director Abhinay Deo helming the series.

     

    “The amount of content we have shot is humongous and is equivalent to seven feature films,” gushed Deo at the launch of the 24 trailer. As creative director and co-producer of the series, he feels that the series will definitely be well received by the audience which has been adapted keeping in mind the Indian sentiments, also giving it a tinge of soap operas. “We could do this as we had the leeway to modify and adapt as per the Indian setting,” Deo added.

     

    A fresh young crew of 200 people in production and post production were brought on board to navigate this real time series. On normal days, just two cameras were used while on days packed with action sequences five cameras were put into use with VFX being provided by Prime Focus. “We have shot a scene with a brush falling in a bathtub and we placed an underwater camera to capture the scene from below as well,” says co-producer Apurba Sengupta emphasising on the efforts they took to make it look realistic. Red Scarlet X cameras are being used, and everything is shot in HD format in about 100 locations in Mumbai. The two standing set-ups are – ATU (Anti Terrorism Unit) office and the Tulip Star hotel.

    A great ensemble cast has been roped in to set your pulses racing with high octane action

     

    Looking at the production aspects, the pre production team needed at least  eight to nine months to bring all creative heads to spot perfect locations in the financial capital to shoot. Apart from a thorough recce of locations, the team had to decide on costumes, colour schemes as well as finalise the cast.

     

    For an episode the team shot for almost eight to ten days, that meant that the end product was seven minutes of content produced per day which the team is very proud of as usually on an average only two and a half minutes of content is created.

    India is a diverse country so we had a lot of meat in it and yes it includes politics too says Abhinay Deo giving a sneak peak into the story

     

    Up until now, 16 episodes have been shot while the remaining eight will conclude in December. Out of the 24 episodes approximately 16 are shot by Deo and the rest will be done by Rensil D’Silva, who is also co-writing the adaptation, and Nitya Mehra, who was the AD for Life of Pi. “The level of drama needed for Indian audiences is more so we had to mix emotions,” says D’Silva. He also mentioned that scripting was a daunting task as they had to re-work it several times to get it absolutely perfect.

     

    With an edge of the seat thriller being shot with the best of cameras and a great ensemble cast; it would be natural to believe that the production cost is way beyond the average but Sengupta says the difference isn’t that farfetched either. “It’s promotion for them too. So if they give it to me at a particular price then next year someone else will approach them for it,” D’Silva explains on how the production deals pan out. Industry sources however feel that a show of this level cannot be shot at such a low budget and estimated it to be at a cost of a minimum of Rs 50 lakhs per episode.
    The Anil Kapoor starrer 24 is set to thrill the audiences with never before seen action

     

    Although only one season is on the cards right now, Colors CEO Raj Nayak is optimistic of seeing all eight seasons being made. Rumors are afloat that the story draws parallels with the Gandhi family but the claims were rubbished by the producers.  “India is a diverse country so we had a lot of meat in it and yes it includes politics too,” says Deo.

     

    The cast includes Anil Kapoor, Tisca Chopra, Mandira Bedi, Neil Bhoopalam and cameos by Anupam Kher and Shabana Azmi. The trailer showed Anil Kapoor caught in the middle of making time for his family and on the hunt of the to-be PM’s assassin.  It isn’t like the usual series that Indian audiences are used to watching with real time storytelling and split screens to show different people. “I have got a lot of people telling me that they want this to succeed because it will be a success for the industry,” says Nayak.

     

    The channel is yet to announce the launch date and the time slot for 24. “I signed the deal on 24 October which also happened to be Dassera last year,” said a beaming Nayak.

     

    It is the first time such a series is being produced in India on such a large scale. “It opens up a world of fiction like never seen before,” says Colors weekend programming head Manisha Sharma.

     

    But the bigger question here is that will such a show work with the Indian audiences who are tamed to watching saas-bahu serials? Media planners are positive about it. “I would be surprised if the show does not do well in India because if the content is treated keeping Indian sentiments in place then it is a sure shot winner,” says Madison COO Karthik Laxminarayanan.

     

    “The show is coming after a certain phase of digitisation so it will be interesting to see the ratings that it will get from digital homes. However, it should do well here as well,” says ZenithOptimedia Group CEO Satyajit Sen.

     

    The industry feels that the show will definitely be a game changer for the channel and the genre as well, but it is up to the audience to give their verdict.

  • Arabsat to bring HD BBC World News to the Middle East

    Arabsat to bring HD BBC World News to the Middle East

    MUMBAI: BBC World News is set to broadcast in high definition on Arabsat throughout the Middle East beginning 5 August.

     

    The agreement allows viewers in the region to access BBC coverage in HD, including international news, documentaries, entertainment and arts programming. Among the shows on the schedule is Global, a daily news program hosted by Jon Sopel. Arabsat will be BBC’s first distribution partner in the Middle East to offer the news channel in high definition.

     

    BBC Global News distribution director Colin Lawrence remarked: “We are pleased to be able to partner with Arabsat to launch BBC World News HD across the Middle East, bringing our audience closer to the news than ever before. BBC World News HD will showcase our commitment to impartial and high quality journalism, and will showcase our news programs at their best.”

     

    Arabsat president and CEO Khalid Balkheyour added: “We are very proud of the long term partnership with BBC and value their confidence in Arabsat. We are pleased to be the first satellite operator to bring BBC World News HD to its viewers in the region. Known for its professionalism and impartiality, the BBC enjoys a very good reputation and a wide range of viewers and followers in the Middle East.”

  • Twentieth Century Fox television distribution & Starz sign licensing pact

    Twentieth Century Fox television distribution & Starz sign licensing pact

    MUMBAI: A new multi-year licensing deal sees hundreds of movies from the Twentieth Century Fox Television distribution library airing commercial-free on the Starz and Encore premium channels.

     

    The agreement also includes associated HD, on-demand and authenticated online offerings. Titles included as part of the pact are Big Momma’s House, 2001’s Planet of the Apes, Cheaper By the Dozen, How Stella Got Her Groove Back, Fight Club and many others.

     

    “Consumers have long-subscribed to the Starz family of premium services thanks to the depth and breadth of its quality movie product. This agreement with Fox will fortify our pipeline of popular theatrical library content through the end of the decade and is a great complement to our exclusive originals, first-run movies, and other popular movie fare,” said business and legal affairs executive VP of acquisitions Michael Thornton.

     

    “Encompassing a deep collection of hundreds of films including such highlights as movies from the Ice Age, X-Men and Home Alone franchises, as well as There’s Something About Mary and Alien, these timeless hits will be a great addition for our loyal subscribers.” Thornton added.

     

    Twentieth Century Fox television distribution executive VP of worldwide pay television and SVOD Gina Brogi commented, “We are very pleased to extend our relationship with Starz and thrilled that they will have an opportunity to access so many great films from Fox’s extensive library.”

  • SES pioneers first Ultra HD transmission

    SES pioneers first Ultra HD transmission

    MUMBAI: Global satellite operator SES has announced that, together with its partners Harmonic, which offers video delivery infrastructure, and Broadcom which offers semiconductor solutions, it has pioneered what it says is the first Ultra HD transmission in the new HEVC standard live from an Astra satellite at 19.2 degrees East. The HEVC standard features an up to 50 per cent encoding efficiency improvement, compared to previous test broadcasts in MPEG-4 AVC (H.264).

    The end-to-end demonstration which was presented at the SES Industry Days in Luxembourg used Harmonic’s ProMedia Xpress and a HEVC decoder reference-design system based on Broadcom’s BCM7445 device for receiving HEVC encoded Ultra-HD television transmission. The signal was broadcast in DVB-S2 using a data rate of 20 Mbit/s.

    The live demonstration for the first time broadcasts a full 3840×2160 pixel Ultra HD picture in HEVC, while previous demonstrations were either broadcast in H.264 or using 4 HD pictures in parallel. SES first live-broadcast a full 3840×2160 pixel Ultra HD picture using the MPEG-4 AVC (H.264) standard at IBC 2012.

    SES VP reception systems Thomas Wrede said, “We are very proud to present the first Ultra HD demo in the HEVC standard on satellite. SES has once again taken a leadership role in the industry by broadcasting the first real Ultra HD picture in a commercially realistic bandwidth.

    “We are convinced that the HEVC standard will become the option of choice for TV operators broadcasting Ultra HD content and expect the industry to develop prototype Ultra HD receivers in the coming months. With this initiative SES will be significantly driving the Ultra HD ecosystem forward and provide a 24/7 test channel to its industry partners.”

    Harmonic senior director of emerging technology, strategy Ian Trow said, “SES has achieved an important industry first with Harmonic and Broadcom. This DVB-S2 transmission clearly demonstrates the benefit of HEVC encoding using the Harmonic ProMedia in a live to air Satellite application. A significant compression improvement has been achieved using HEVC when compared to previous Ultra HD deployments using MPEG-4 AVC (H.264)”

    Broadband Communications Group associate product line director Joseph Del Rio said, “Broadcom is working to advance the adoption of HEVC technologies – and ultimately the distribution of UltraHD content – with SES. HEVC is the catalyst that will drive UltraHD television with its telepresence-like resolution to consumers.”

  • Martial Arts TV HD channel to be distributed via Measat-3a satellite

    Martial Arts TV HD channel to be distributed via Measat-3a satellite

    MUMBAI: Measat Satellite Systems has signed an agreement with Martial Arts Networks to distribute the Martial Arts TV HD channel via the Measat-3a satellite.

    Martial Arts TV HD provides a wide variety of combat sports, such as mixed martial arts and kickboxing, as well as martial arts programmes including anime, movies, reality, video game and lifestyle programming. The channel is dedicated to showcasing the beauty and strength of martial arts from around the world.

    “Measat is pleased to support Martial Arts TV distribute its HD channel throughout the Asia Pacific region. Martial Arts TV HD is the ninth HD sports channel on the Measat-3/3a video platform, underlining 91.5°E as a prime location for quality HD content in the region,” said Measat VP Broadcast Sales Jarod Lopez.

    The MEASAT-3/3a satellites at 91.5°E support Asia‘s key HD video neighbourhood which features a wide variety of news, general entertainment, sports and factual programming. The addition of Martial Arts TVHD brings to 39 the number of HD channels distributed by the satellites.

    “We are delighted to be working with Measat on their Measat-3a satellite which gives us broad coverage throughout Asia,” said Martial Arts Networks CEO Patrick O‘Connor-Read. “Through our partnership with Measat, we are charging ahead to bring Martial Arts TV to operators and fans throughout the region.”

  • Avid unveils upgraded digital audio and video technology at NAB

    Avid unveils upgraded digital audio and video technology at NAB

    MUMBAI: Avid, the creator of digital audio and video technology, has introduced a new and upgraded solution for audio production, professional editing, multi-platform content distribution, on-air graphics production, and asset management at the Nab television technology trade convention in Las Vegas.

    The company also shared its strategic vision, termed “Avid Everywhere,” which expresses the company‘s commitment to create the most fluid end-to-end, distributed media production environment in the industry.

    ‘Avid Everywhere‘ recognises that flexible deployment options, including remote and cloud-based collaboration technology, have become critical to content creators and distributors as they face relentless pressure for operational excellence.

    Intense cost pressures and content creation complexity are key challenges for media and content professionals in this ever more mobile and social world. ‘Avid Everywhere‘ helps our customers meet these challenges by empowering distributed work teams, multi-platform delivery, and the ability to work in any production environment.

    Avid president, CEO Louis Hernandez Jr said, “Over the past 25 years, Avid has built a strong heritage of industry leadership; we‘re proud of the role we play in empowering our customer community to create the most compelling media in the industry. As a critical element of Avid‘s growth strategy, Avid Everywhere inspires our next phase of innovation around our entire product suite. We look forward to sharing more announcements over the next year.”

    Specific new and upgraded products announced at Nab include:

    Creative Tools-Avid‘s professional creative tools set the industry standard for the highest quality content creation and production solutions to power the complete professional content creation environment.

    • Avid Media Composer 7 – The nonlinear editing solution is now available and the aim is to bring value to post production editors. The new version features accelerated and simplified file-based workflows including optimised HD delivery from high-res source material and automated media operations. The new release also offers Interplay Sphere for Mac support, extending real-time production everywhere.
    • Avid Pro Tools 11 – Avid‘s digital audio workstation features audio and video engines, 64-bit architecture, expanded metering, and direct HD video workflows.
    • Avid Motion Graphics 2.5 – Avid‘s next-generation platform of on-air graphics production includes a new dual-channel configuration option and stand-alone playout engine to increase deployment flexibility and speed graphic workflows, to create stunning imagery and get work quicker to air.
    • Avid Fast Track Solo and Duo – Avid‘s two new portable audio interfaces for composing and recording high-quality audio come equipped with Pro Tools Express software for Mac and PC, and connect directly to the iPad, providing high-quality I/O for any iOS app.Media Management Solutions-From the largest media enterprises to independent professionals, Avid provides the most open, flexible, and scalable solutions in the industry.
    • Avid Interplay Production 3.0 – Avid‘s latest version of the production asset management solution simplifies and speeds file-based workflows for post production and broadcast customers, and offers Interplay Sphere with full Mac support.
    • Avid Interplay Pulse – Avid‘s enhanced multi-platform content distribution solution delivers content to online, mobile, and social platforms everywhere, in the right form and format for each, while featuring integration with Avid‘s connected newsroom solution set and unified web client.
    • Avid AirSpeed 5000 2.5 – Avid‘s latest-version video server delivers slow motion playback for SD and HD, fast media replay, and continuous record.