Tag: HBO

  • HBO to hold Indian premiere of ‘Terminator Genisys’ on 12 June

    HBO to hold Indian premiere of ‘Terminator Genisys’ on 12 June

    MUMBAI: Indian fans of the fiction action film Terminator Genisys have a reason to rejoice. The much awaited movie is premiering for the very first time on Indian television on 12 June 2016 at 1 pm exclusively on HBO.

    Directed by Alan Taylor and written by Laeta Kalogridis and Patrick, the fifth instalmentof the franchise, stars Arnold Schwarzenegger reprising his role as the eponymous, along with Jason Clarke, Emilia Clarke and Jai Courtney. The film’s plot follows soldier Kyle Reese in the war against Skynet, who is sent from the year 2029 to 1984 by John Connor, leader of the Human Resistance, to protect Connor’s mother Sarah Connor. However, once Reese goes back in time, he discovers Sarah has been raised by a reprogrammed Terminator.

    The movie’s marketing campaign across social media pages of HBO is set to ignite the imagination of moviegoers across India. HBO will give a chance to movie enthusiasts to participate in the terminator era by creating their own customised gif & also stand a chance to win exclusive Terminator merchandise. Other exciting contests include uploading a photo of a daily object as a possible weapon on the Instagram page with the hashtag #TerminatorOnHBO.and a twitter battle for the movie buffs. The tweet battle will run a poll for the fans to choose where their loyalty lies- with the power of machine or emotions of a human by commenting with the hashtag #ManVsMachine.

    Directed by Alan Taylor, Terminator Genisys stars; Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J. K. Simmons, Dayo Okeniy, iMatt, Smith, Courtney B. Vance, Lee Byung-hun.

  • HBO to hold Indian premiere of ‘Terminator Genisys’ on 12 June

    HBO to hold Indian premiere of ‘Terminator Genisys’ on 12 June

    MUMBAI: Indian fans of the fiction action film Terminator Genisys have a reason to rejoice. The much awaited movie is premiering for the very first time on Indian television on 12 June 2016 at 1 pm exclusively on HBO.

    Directed by Alan Taylor and written by Laeta Kalogridis and Patrick, the fifth instalmentof the franchise, stars Arnold Schwarzenegger reprising his role as the eponymous, along with Jason Clarke, Emilia Clarke and Jai Courtney. The film’s plot follows soldier Kyle Reese in the war against Skynet, who is sent from the year 2029 to 1984 by John Connor, leader of the Human Resistance, to protect Connor’s mother Sarah Connor. However, once Reese goes back in time, he discovers Sarah has been raised by a reprogrammed Terminator.

    The movie’s marketing campaign across social media pages of HBO is set to ignite the imagination of moviegoers across India. HBO will give a chance to movie enthusiasts to participate in the terminator era by creating their own customised gif & also stand a chance to win exclusive Terminator merchandise. Other exciting contests include uploading a photo of a daily object as a possible weapon on the Instagram page with the hashtag #TerminatorOnHBO.and a twitter battle for the movie buffs. The tweet battle will run a poll for the fans to choose where their loyalty lies- with the power of machine or emotions of a human by commenting with the hashtag #ManVsMachine.

    Directed by Alan Taylor, Terminator Genisys stars; Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J. K. Simmons, Dayo Okeniy, iMatt, Smith, Courtney B. Vance, Lee Byung-hun.

  • BARC week 20: English entertainment and movie spots shuffled; Discovery continues to top

    MUMBAI: According to week 20 of BARC India, 6 Mega Cities : NCCS AB : 4+ Individuals rating, Zee café climbed back to its top position. AXN dropped a place in the English entertainment space. Star Movies returned to top spot, pushing Movies Now to second spot. Discovery continued to top the infotainment genre.

    English Entertainment

    Zee Café climbed up and replaced AXN on first position, with a rise in rating to 247 Impressions (000s). AXN followed on second spot with 223 Impressions (000s). Star world with 183 Impressions (000s) grabbed third position. Comedy Central with 167 Impressions (000s) and Colors Infinity SD with 135 Impressions (000s) took fourth and fifth positions respectively.

    English Movies

    Star Movies repossessed its top position replacing Movies Now with 2684 Impressions (000s). Movies now dropped a rank to second spot scoring 2593 Impressions (000s). Sony Pix secured third spot with 1663 Impressions (000s). Zee Studio grabbed fourth position with 1415 Impressions (000s) and HBO got fourth spot with 1126 Impressions (000s).

    Infotainment

    Discovery continued to rule infotainment genre with 4881 Impressions (000s). History TV18 followed on second position with 3899 Impressions (000s). National Geographic Channel with 3305 Impressions (000s) and Animal Planet with 3298 Impressions (000s) grabbed third and fourth position respectively. Nat Geo Wild was on the last spot with 2005 Impressions (000s).

     

  • BARC week 20: English entertainment and movie spots shuffled; Discovery continues to top

    BARC week 20: English entertainment and movie spots shuffled; Discovery continues to top

    MUMBAI: According to week 20 of BARC India, 6 Mega Cities : NCCS AB : 4+ Individuals rating, Zee café climbed back to its top position. AXN dropped a place in the English entertainment space. Star Movies returned to top spot, pushing Movies Now to second spot. Discovery continued to top the infotainment genre.

    English Entertainment

    Zee Café climbed up and replaced AXN on first position, with a rise in rating to 247 Impressions (000s). AXN followed on second spot with 223 Impressions (000s). Star world with 183 Impressions (000s) grabbed third position. Comedy Central with 167 Impressions (000s) and Colors Infinity SD with 135 Impressions (000s) took fourth and fifth positions respectively.

    English Movies

    Star Movies repossessed its top position replacing Movies Now with 2684 Impressions (000s). Movies now dropped a rank to second spot scoring 2593 Impressions (000s). Sony Pix secured third spot with 1663 Impressions (000s). Zee Studio grabbed fourth position with 1415 Impressions (000s) and HBO got fourth spot with 1126 Impressions (000s).

    Infotainment

    Discovery continued to rule infotainment genre with 4881 Impressions (000s). History TV18 followed on second position with 3899 Impressions (000s). National Geographic Channel with 3305 Impressions (000s) and Animal Planet with 3298 Impressions (000s) grabbed third and fourth position respectively. Nat Geo Wild was on the last spot with 2005 Impressions (000s).

     

  • BARC week 18: Movies Now dominates the English movies space

    BARC week 18: Movies Now dominates the English movies space

    MUMBAI: AXN and Movies Now continue to dominate the English entertainment and English movies space respectively.  In the infotianment genre, Discovery manintained its leadership, according to week 18 of BARC India rating, 6 Mega Cities : NCCS AB : 4+ Individuals.

    English Entertainment genre witnessed a mixed bag of ratings in this week and saw a rise in its overall rating with AXN leading. The English movies space was topped by Star movies and Infotainment continued with Discovery as number one.

    English Entertainment

    AXN stood at number one position with a decline  in its rating from 343 Impressions (000s) in week 17 to 221 Impressions (000s) this week. Comedy Central moved up the row and bagged the second berth with 217 Impressions (000s) followed by Zee Cafe with 211 Impressions (000s).  

    Colors Infinity SD with 121 Impressions (000s) and Star World with 82 Impressions (000s) took the fourth and the fifth position respectively.

    English Movies

    Movies Now toppled Star Movies with 3157 Impressions (000s). Star Movies took the second position with 2915 Impressions (000s) followed by Sony Pix with 1782 Impressions (000s). Zee Studio grabbed the fourth place with 1370 Impressions (000s) while  HBO bagged the fifth position with 1333 Impressions (000s). 

    Infotainment

    Discovery with an increase in the ratings from 4585 Impressions (000s) in week 17 to 4760 Impressions (000s) this week. History TV 18 with 3846 Impressions (000s) secured the second positon. National Geographic Channel grabbed the third position with 3214 Impressions (000s) followed by Animal Planet with 2498 Impressions (000s) and Nat Geo Wild with 1969 Impressions (000s) on the fourth and fifth position respectively. 

  • BARC week 18: Movies Now dominates the English movies space

    BARC week 18: Movies Now dominates the English movies space

    MUMBAI: AXN and Movies Now continue to dominate the English entertainment and English movies space respectively.  In the infotianment genre, Discovery manintained its leadership, according to week 18 of BARC India rating, 6 Mega Cities : NCCS AB : 4+ Individuals.

    English Entertainment genre witnessed a mixed bag of ratings in this week and saw a rise in its overall rating with AXN leading. The English movies space was topped by Star movies and Infotainment continued with Discovery as number one.

    English Entertainment

    AXN stood at number one position with a decline  in its rating from 343 Impressions (000s) in week 17 to 221 Impressions (000s) this week. Comedy Central moved up the row and bagged the second berth with 217 Impressions (000s) followed by Zee Cafe with 211 Impressions (000s).  

    Colors Infinity SD with 121 Impressions (000s) and Star World with 82 Impressions (000s) took the fourth and the fifth position respectively.

    English Movies

    Movies Now toppled Star Movies with 3157 Impressions (000s). Star Movies took the second position with 2915 Impressions (000s) followed by Sony Pix with 1782 Impressions (000s). Zee Studio grabbed the fourth place with 1370 Impressions (000s) while  HBO bagged the fifth position with 1333 Impressions (000s). 

    Infotainment

    Discovery with an increase in the ratings from 4585 Impressions (000s) in week 17 to 4760 Impressions (000s) this week. History TV 18 with 3846 Impressions (000s) secured the second positon. National Geographic Channel grabbed the third position with 3214 Impressions (000s) followed by Animal Planet with 2498 Impressions (000s) and Nat Geo Wild with 1969 Impressions (000s) on the fourth and fifth position respectively. 

  • Q1-16: Turner, HBO push Time Warner revenues up 2.5 percent

    Q1-16: Turner, HBO push Time Warner revenues up 2.5 percent

    BENGALURU: Time Warner Inc., (Time Warner) reported 2.5 percent growth in revenues for the quarter ended 31 March 2016 (current quarter, Q1-16) at $7,308 million as compared to the $7,127 million in Q1-15. Revenues increased due to growth at Turner and Home Box Office, partially offset by a decline at Warner Bros.

    Total Operating Income increased 11.8 percent year-on-year in the current quarter to $1,996 million as compared to $1,786 million in the corresponding quarter of the previous year.

    Time Warner chairman and chief executive officer Jeff Bewkes said, ““We’re off to a terrific start to 2016, as we benefit from the investments we’ve been making in great content and new capabilities in order to take advantage of the growing demand for high-quality video content around the world. Revenues increased 3 percent and Adjusted Operating Income grew 11 percent to a quarterly record of $2 billion due to strong growth across all our operating divisions. In the past several weeks, we’ve seen Warner Bros. release its latest global hit in Batman v Superman: Dawn of Justice, setting the stage for what we expect to be a big year in film, with upcoming releases including Suicide Squad and Fantastic Beasts and Where to Find Them. In television, Warner Bros. continued to show its strength with three of the top five new shows on broadcast television this season among adults 18-49 and a record 21 renewals ahead of the upfront this year.”

    Bewkes continued, “Turner aired cable’s first ever NCAA Men’s Division I Basketball Championship game, and Turner and CBS entered into an agreement with the NCAA to extend their television, digital and marketing rights to the NCAA tournament through 2032. TBS ended the quarter as the #1 ad-supported cable network in primetime among adults 18-49 and its repositioning as cable’s premier network for young, fresh comedy is underway with the introduction of new programming including Angie Tribeca, Full Frontal with Samantha Bee and The Detour, the biggest new comedy on cable this year. With its must-watch coverage of the US presidential campaign, CNN continued to build on its success by more than doubling its primetime audience in the quarter. Meanwhile, HBO continued to make strides both inside and outside the traditional TV ecosystem, including expanding its OTT reach to new platforms and new international territories. And, more recently, HBO’s epic series Game of Thrones returned to record premiere night viewership. Further demonstrating our commitment to shareholder returns, we returned close to $1.3 billion to our shareholders through share repurchases and dividends year-to-date.”

    Turner

    Turner reported 7.2 percent YoY growth in revenues in the current quarter at $2,906 million as compared to $2,710 million. The segment reported 11.8 percent YoY increase in operating to $1,239 million from $1,108 million. 

    Revenues increased due to increases of 11 percent ($143 million) in subscription revenues and 5 percent ($56 million) in advertising revenues. Turner says subscription revenues increased due to higher domestic rates and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates and lower domestic subscribers. Advertising revenues benefited from domestic growth, primarily due to Turner’s news business, and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates.

    Home Box Office

    HBO reported YoY increase in revenues to $1,506 million in Q1-16 from $1,398 million in Q1-15. HBO operating income increased 4.1 percent to $477 million in the current quarter from $458 million in the corresponding year ago quarter.

    Revenues increased due to increases of 5 percent ($57 million) in subscription revenues and 23 percent ($51 million) in content and other revenues. Subscription revenues grew primarily due to higher domestic rates and subscribers. The increase in content and other revenues primarily reflected higher international licensing revenues, partially offset by lower home entertainment revenues.

    Warner Bros,

    Warner Bros. reported 2.8 percent YoY decline in revenues Q1-16 to $3,109 million from $3,199 million in Q1-15. Despite drop in revenue, Operating Income from the segment increased 30.9 percent in Q1-16 to $424 million from $324 million in the corresponding year ago quarter.

    Revenues decreased mainly due to lower theatrical revenues, partially offset by higher television and videogames revenues. Theatrical revenues declined as the prior year quarter included revenues from American Sniper and The Hobbit: The Battle of the Five Armies compared to the release of Batman v Superman: Dawn of Justice late in the current year quarter. Television revenues increased primarily due to higher international licensing revenues and higher initial telecast revenues. The increase in videogames was mainly due to Warner Bros. LEGO and Mortal Kombat franchises.

     

  • Q1-16: Turner, HBO push Time Warner revenues up 2.5 percent

    Q1-16: Turner, HBO push Time Warner revenues up 2.5 percent

    BENGALURU: Time Warner Inc., (Time Warner) reported 2.5 percent growth in revenues for the quarter ended 31 March 2016 (current quarter, Q1-16) at $7,308 million as compared to the $7,127 million in Q1-15. Revenues increased due to growth at Turner and Home Box Office, partially offset by a decline at Warner Bros.

    Total Operating Income increased 11.8 percent year-on-year in the current quarter to $1,996 million as compared to $1,786 million in the corresponding quarter of the previous year.

    Time Warner chairman and chief executive officer Jeff Bewkes said, ““We’re off to a terrific start to 2016, as we benefit from the investments we’ve been making in great content and new capabilities in order to take advantage of the growing demand for high-quality video content around the world. Revenues increased 3 percent and Adjusted Operating Income grew 11 percent to a quarterly record of $2 billion due to strong growth across all our operating divisions. In the past several weeks, we’ve seen Warner Bros. release its latest global hit in Batman v Superman: Dawn of Justice, setting the stage for what we expect to be a big year in film, with upcoming releases including Suicide Squad and Fantastic Beasts and Where to Find Them. In television, Warner Bros. continued to show its strength with three of the top five new shows on broadcast television this season among adults 18-49 and a record 21 renewals ahead of the upfront this year.”

    Bewkes continued, “Turner aired cable’s first ever NCAA Men’s Division I Basketball Championship game, and Turner and CBS entered into an agreement with the NCAA to extend their television, digital and marketing rights to the NCAA tournament through 2032. TBS ended the quarter as the #1 ad-supported cable network in primetime among adults 18-49 and its repositioning as cable’s premier network for young, fresh comedy is underway with the introduction of new programming including Angie Tribeca, Full Frontal with Samantha Bee and The Detour, the biggest new comedy on cable this year. With its must-watch coverage of the US presidential campaign, CNN continued to build on its success by more than doubling its primetime audience in the quarter. Meanwhile, HBO continued to make strides both inside and outside the traditional TV ecosystem, including expanding its OTT reach to new platforms and new international territories. And, more recently, HBO’s epic series Game of Thrones returned to record premiere night viewership. Further demonstrating our commitment to shareholder returns, we returned close to $1.3 billion to our shareholders through share repurchases and dividends year-to-date.”

    Turner

    Turner reported 7.2 percent YoY growth in revenues in the current quarter at $2,906 million as compared to $2,710 million. The segment reported 11.8 percent YoY increase in operating to $1,239 million from $1,108 million. 

    Revenues increased due to increases of 11 percent ($143 million) in subscription revenues and 5 percent ($56 million) in advertising revenues. Turner says subscription revenues increased due to higher domestic rates and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates and lower domestic subscribers. Advertising revenues benefited from domestic growth, primarily due to Turner’s news business, and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates.

    Home Box Office

    HBO reported YoY increase in revenues to $1,506 million in Q1-16 from $1,398 million in Q1-15. HBO operating income increased 4.1 percent to $477 million in the current quarter from $458 million in the corresponding year ago quarter.

    Revenues increased due to increases of 5 percent ($57 million) in subscription revenues and 23 percent ($51 million) in content and other revenues. Subscription revenues grew primarily due to higher domestic rates and subscribers. The increase in content and other revenues primarily reflected higher international licensing revenues, partially offset by lower home entertainment revenues.

    Warner Bros,

    Warner Bros. reported 2.8 percent YoY decline in revenues Q1-16 to $3,109 million from $3,199 million in Q1-15. Despite drop in revenue, Operating Income from the segment increased 30.9 percent in Q1-16 to $424 million from $324 million in the corresponding year ago quarter.

    Revenues decreased mainly due to lower theatrical revenues, partially offset by higher television and videogames revenues. Theatrical revenues declined as the prior year quarter included revenues from American Sniper and The Hobbit: The Battle of the Five Armies compared to the release of Batman v Superman: Dawn of Justice late in the current year quarter. Television revenues increased primarily due to higher international licensing revenues and higher initial telecast revenues. The increase in videogames was mainly due to Warner Bros. LEGO and Mortal Kombat franchises.

     

  • APOS 2016: Netflix’s Hastings and Sarandos talk Asia and India

    APOS 2016: Netflix’s Hastings and Sarandos talk Asia and India

    BALI: How many subscribers has Netflix managed to get in India after its launch a 100 days ago? Netflix co-founder and CEO  Reed Hastings and chief content officer Ted Sarandos were unwilling to give out any numbers during the opening session at APOS in Bali yesterday. “It’s too early in the day,” they said. “But we have had a great start. Out of the new 6.7 million (67 lakh) members in the latest quarter, 4.51  million  (45.1 lakh) are from international. We have a long term strategy for the region.” 

    Estimates are that more than half a million (5 lakh) of that came from India during the free trial period and of that about 50,000 have gone ahead and subscribed to the service.

    Hastings and Sarandos were interviewed by Media Partners Asia executive director Vivek Couto. 

    Hastings admitted the streaming service was just about beginning in its Asian and Indian journey. “Netflix has barely been optimized. It’s an ongoing process of delivery to Asia. We are far below the number of languages we need to support. We support 21 languages; YouTube is over 50. We’re building out partnerships, the network infrastructure and in particular the content. We are just continuing to learn as we go along.”

    He pointed out to how Netflix worked it out in Brazil. “We didn’t do very well in the beginning there. We spoke with our members, corrected the issues one by one. Now we are doing well in Brazil.”

    Sarandos highlighted that Netflix has learned its lessons and “we are doing originals faster in Asia than in earlier markets. We are doing a film in Korea called Okja under director Joon Ho Bong, a film in Cambodia by Angelina Jolie and original TV series in Japan.” The Bong film according to iMDB is slated to be completed by 2017 and stars Jake Gyllenhaal, Tilda Swinton and Lilly Collins, apart from a Korean cast.

    Sarandos added that Netflix was making content for Asia, which would then travel around the world on its various country services. “Bollywood movies is also what we are looking to do, but they are a couple of years down the line,” said Sarandos. “ We will do movies the world watches. We will work with local producers. Imagine the traction it would get with our 81 million and expanding global members.”

    Hastings stressed the way forward for the company was to get global rights to all the originals that Netflix produced and also those it licensed from third party suppliers. “We did that with How to Get away with Murder. And we will do it with what ever we produce from now onwards. I regret not having the global rights to the House of Cards,”

    Great content and its easy delivery with a great user experience was what Netflix was consistently focused on,  both Sarandos and Hastings emphasised. Said Hastings: “We have 1,700 engineers who do nothing but ensure Netflix works. Our goal is that it becomes a must-have purchase just like the iPhone is, ” he explained. “Offer a great service at a consistent price.”

    Regulating or censoring Netflix content was something that both Sarandos and Hastings were not in favour of. “We offer greater freedom for story tellers,” said Sarandos. “The art is finding that balance with local authorities. For the most part the internet is not as highly regulated as broadcast. There’s no passive viewing on Netflix. Regulators have found that to be a differentiating factor between broadcast and Netflix. There are pins in place to ensure that adults are watching. Children are protected. For the most part, governments are okay otherwise they know that viewers will go for pirated content.”

    Hastings pointed that Netflix was going to persist with China where it does not yet have a presence. “Apple took six years to get in there. We are going to continue our attempts and discussions,” he added. “Great rewards can follow great patience.”

    He was pretty confident of Netflix’s continuous march forward, despite competition from Amazon and other local players in various countries it has launched. “Our focus is on streaming perfectly without any buffering, not competition,”  he said. “The loss of  pay TV is understated. Pay TV is steady at 100 million (10 crore) . We are in over half US households and growing. HBO  has grown. What is understated is that consumers are willing to pay for content.”

  • APOS 2016: Netflix’s Hastings and Sarandos talk Asia and India

    APOS 2016: Netflix’s Hastings and Sarandos talk Asia and India

    BALI: How many subscribers has Netflix managed to get in India after its launch a 100 days ago? Netflix co-founder and CEO  Reed Hastings and chief content officer Ted Sarandos were unwilling to give out any numbers during the opening session at APOS in Bali yesterday. “It’s too early in the day,” they said. “But we have had a great start. Out of the new 6.7 million (67 lakh) members in the latest quarter, 4.51  million  (45.1 lakh) are from international. We have a long term strategy for the region.” 

    Estimates are that more than half a million (5 lakh) of that came from India during the free trial period and of that about 50,000 have gone ahead and subscribed to the service.

    Hastings and Sarandos were interviewed by Media Partners Asia executive director Vivek Couto. 

    Hastings admitted the streaming service was just about beginning in its Asian and Indian journey. “Netflix has barely been optimized. It’s an ongoing process of delivery to Asia. We are far below the number of languages we need to support. We support 21 languages; YouTube is over 50. We’re building out partnerships, the network infrastructure and in particular the content. We are just continuing to learn as we go along.”

    He pointed out to how Netflix worked it out in Brazil. “We didn’t do very well in the beginning there. We spoke with our members, corrected the issues one by one. Now we are doing well in Brazil.”

    Sarandos highlighted that Netflix has learned its lessons and “we are doing originals faster in Asia than in earlier markets. We are doing a film in Korea called Okja under director Joon Ho Bong, a film in Cambodia by Angelina Jolie and original TV series in Japan.” The Bong film according to iMDB is slated to be completed by 2017 and stars Jake Gyllenhaal, Tilda Swinton and Lilly Collins, apart from a Korean cast.

    Sarandos added that Netflix was making content for Asia, which would then travel around the world on its various country services. “Bollywood movies is also what we are looking to do, but they are a couple of years down the line,” said Sarandos. “ We will do movies the world watches. We will work with local producers. Imagine the traction it would get with our 81 million and expanding global members.”

    Hastings stressed the way forward for the company was to get global rights to all the originals that Netflix produced and also those it licensed from third party suppliers. “We did that with How to Get away with Murder. And we will do it with what ever we produce from now onwards. I regret not having the global rights to the House of Cards,”

    Great content and its easy delivery with a great user experience was what Netflix was consistently focused on,  both Sarandos and Hastings emphasised. Said Hastings: “We have 1,700 engineers who do nothing but ensure Netflix works. Our goal is that it becomes a must-have purchase just like the iPhone is, ” he explained. “Offer a great service at a consistent price.”

    Regulating or censoring Netflix content was something that both Sarandos and Hastings were not in favour of. “We offer greater freedom for story tellers,” said Sarandos. “The art is finding that balance with local authorities. For the most part the internet is not as highly regulated as broadcast. There’s no passive viewing on Netflix. Regulators have found that to be a differentiating factor between broadcast and Netflix. There are pins in place to ensure that adults are watching. Children are protected. For the most part, governments are okay otherwise they know that viewers will go for pirated content.”

    Hastings pointed that Netflix was going to persist with China where it does not yet have a presence. “Apple took six years to get in there. We are going to continue our attempts and discussions,” he added. “Great rewards can follow great patience.”

    He was pretty confident of Netflix’s continuous march forward, despite competition from Amazon and other local players in various countries it has launched. “Our focus is on streaming perfectly without any buffering, not competition,”  he said. “The loss of  pay TV is understated. Pay TV is steady at 100 million (10 crore) . We are in over half US households and growing. HBO  has grown. What is understated is that consumers are willing to pay for content.”