Tag: HBO

  • HBO and HBO HD brings you ‘Kong: Skull Island’ – a monster carnage of epic scales

    HBO and HBO HD brings you ‘Kong: Skull Island’ – a monster carnage of epic scales

    Put your seatbelts on, and get strapped for a monster party like no other. Say goodbye to urban skylines and skyscrapers, and encounter the colossal mythic beast on the very land it rules in. It’s a visual feast of truly epic proportions!

    HBO and HBO HD, home to the biggest Hollywood blockbusters, bring to you Kong: Skull Island, co-powered by Airtel TV along with associate sponsor Kumon Mathematics. Fans of the lore are in for the legendary showdown between man and beast that has captivated the imagination of cinephiles over decades. Kong: Skull Island unravels a jaw-dropping expedition of a team of explorers to an uncharted island in the Pacific Ocean. High octane action sequences with stunning visuals effects greet viewers early on the movie – giving just a gist of the nail-biting adventure about to begin in the monster-infested island.

    Director Jordan Vogt-Roberts brings a fresh vision to the darling of all monster adventure stories, welcoming fans and viewers to truly relish the behemoth that is Kong. This time, the landscape changes to a no-man’s land, with its own spine-chilling reptilian army, creepy spiders and dangerous predators called ‘Skullcrawlers’. A brand-new Kong, outstanding VFX and a subtle satirical undertone, combined with stellar star-cast of Tom Hiddleston, Brie Larson, and Samuel L. Jackson, make for an explosive cinematic melange. King Kong: Skull Island is the ultimate weekend mega movie treat you were waiting for!

    To make the experience even more special, HBO and HBO HD has released a cool ‘Stand with Kong’ filter available on Facebook camera filters. Fans can use the filter for a cool picture that brings them face to face with Kong himself!

    Fans can also check out a unique Facebook SmartApp and see how you measure up to the gigantic legend! https://standwithkong.kongskullislandmovie.com/ & https://www.facebook.com/HBOIndia/posts/10159834617155015

    To add to the excitement, fans can also participate in fun contests on HBO’s social platforms to win big! Check out HBO India on Facebook, Twitter and Instagram.

    Grab a giant tub of popcorn and gear up to watch the ultimate monster carnage unfolding in the fog-shrouded Skull Island! Tune in to HBO and HBO HD, and experience the magic of Kong: Skull Island only on Sunday, 28th January, 1pm and 9pm.

  • Hotstar announces partnership with awesomeness

    Hotstar announces partnership with awesomeness

    MUMBAI: Further expanding their portfolio of over one hundred thousand hours of content, Hotstar, India’s leading premium streaming platform, announces a partnership with Awesomeness, a media company serving the global Gen Z audience. The association will allow hit series from Awesomeness including Freakish, T@gged and Confess to reside on the platform under the Hotstar Premium library.

    The partnership supports Hotstar’s ongoing strategy to bring the best of global content to India. The two companies will work together to create added appeal for younger audiences through Awesomeness’ premium programming.

    Freakish, a horror show featuring an ensemble cast, revolves around a group of students trapped inside a high school who must fight for survival when mutant freaks take over after a meltdown at the local chemical plant. Season 1 and 2 of the show are currently available for streaming on Hotstar Premium. T@gged is a modern day thriller that explores the terrifying risks of social media in a world of anonymity. Season 1 and 2 are available for viewers on the platform, with Season 3 due to premiere next year. Based on the novel from #1 New York Times bestselling author Colleen Hoover, Confess is a modern love story about the secrets we keep to protect the ones we love. All episodes of Season 1 are available on the platform.

    “We are thrilled to renew our partnership with Hotstar and continue the expansion of our brand in this market,” Awesomeness, Head of Worldwide Distribution, Rebecca Glashow said. “Hotstar’s audience of millions of users provides us with the opportunity to expand our reach and deliver on our promise of bringing the Gen Z audience the best and most creative programming, no matter where they are.”

    Through its partnerships with the world’s largest studios, like HBO, Disney and Showtime, Hotstar has been able to bring the most celebrated international shows to India, under the Hotstar Premium banner.

  • Time Warner numbers up for third quarter

    Time Warner numbers up for third quarter

    BENGALURU: Time Warner Inc., (Time Warner) reported increase in revenues and income – both operating as well as adjusted – due to increase across these parameters by all its segments – Turner, Home Box Office (HBO) and Warner Bros. The company’s total revenue increased 6 percent for the quarter ended 30 September 2017 (Q3-17, current quarter) to $7,595 million from $7,167 million for the corresponding year ago quarter (y-o-y). Total operating income increased 11.5 percent y-o-y in the current quarter to $2,245 million from $2,014 million. Total adjusted operating income increased 13 percent y-o-y to $2,339 million from $2,070 million. It may be noted that the company continues to expect its pending merger with AT&T to close before yearend 2017.

    Time Warner chairman and CEO Jeff Bewkes said, “We delivered very strong third-quarter results, keeping us on track to achieve our objectives for 2017. Both Turner and Home Box Office achieved double-digit gains in Subscription revenues, including HBO’s highest quarterly growth in 13 years, while Warner Bros. had a terrific quarter in theatrical, which all contributed to us increasing Operating Income by 11 percent and Adjusted Operating Income by 13 percent. Warner Bros.’ latest blockbuster, It, followed other box office successes, including Annabelle: Creation, Dunkirk and Wonder Woman, which have earned Warner Bros. the #1 spot at the domestic box office so far this year. Turner boasted the #1 comedy across all television among adults 18-34 with Adult Swim’s Rick and Morty and TNT’s NBA Opening Night doubleheader averaged 4.9 million total viewers, up 53 percent compared to last year. CNN also maintained its strength as the #1 news network among adults 18-49 in both primetime and total day, and had its most-watched third quarter ever among total viewers.”

    Bewkes continued: “Home Box Office’s creative excellence was again recognized at the Primetime Emmy Awards where HBO received more Primetime Emmys than any other network for the 16th consecutive year. The seventh season of Game of Thrones concluded during the quarter with an average of 33 million viewers, a record for an HBO original series. Our results and these highlights reflect our continued focus on executing our strategy, which includes both creating the most engaging content and advancing the ways that consumers can enjoy and experience our content and brands across platforms. The ability to accelerate our pace of innovation and connect more directly with consumers are among the reasons we are excited about our proposed merger with AT&T, which remains on track to close before year end, pending regulatory review and consents.”

    Segment results

    Turner

    The segment reported 6.1 percent ($158 million) y-o-y increase in revenue for the current quarter to $2,678 million from $2,610 million. Operating income for the segment increased 7 percent to $1,243 million in Q3-17 from $1,162 million in Q3-16. Adjusted operating income increased 5.3 percent y-o-y in the current quarter from $1,267 million from $1,203 million.

    Time Warner says that revenue at Turner increased due to increases of 13 percent ($186 million) in subscription revenues and 4 percent ($5 million) in content and other revenues, partially offset by a decline of 3 percent ($33 million) in advertising revenues. Subscription revenues benefited from higher domestic rates and growth at Turner’s international networks, partially offset by lower domestic subscribers.Content and other revenues increased due to higher licensing revenues. The decline in advertising revenues was due to lower delivery at certain domestic networks, partially offset by increases at Turner’s news businesses.

    The company says that operating income at Turner increased ($81 million) to $1.2 billion due to the growth in revenues partially offset by higher expenses, including increased programming and marketing costs. Programming expenses grew 8 percent primarily due to higher original programming costs at Turner’s domestic entertainment networks. Marketing expenses increased mainly to support original series on Turner’s domestic entertainment networks.

    Home Box Office (HBO)

    HBO revenue increased 12.6 percent ($179 million) y-o-y in Q3-17 to $1,605 million from $1,426 million. Operating profits increased in Q3-17 by 4.2 percent y-o-y to $552 million from $530 million. Adjusted operating profits increased in the current quarter by 6.6 percent y-o-y to $565 million from $530 million.

    Time Warner says that HBO revenue increased due to increases of 12 percent ($156 million) in subscription revenues and 14 percent ($23 million) in content and other revenues. Subscription revenues increased due to higher domestic subscribers and rates and international growth. The increase in content and other revenues was primarily due to higher international licensing and home entertainment revenues.

    Operating income at HBO increased 4 percent ($22 million) to $552 million. The growth in revenues more than offset increased expenses, including higher marketing and programming costs. Programming expenses increased 7 percent due to higher original programming costs, primarily related to the timing of original series. The increase in marketing costs was related to HBO’s OTT products and original programming.

    Warner Bros.

    Warner Bros. is Time Warner’s largest segment in terms of contribution to overall revenue. Warner Bros revenue increased 1.7 percent y-o-y in the current quarter to $3,460 million from $3,402 million. Operating profit increased 25.7 percent to $538 million from $428 million. Adjusted operating profit increased 33 percent to $576 million from $433 million.

    Time Warner says that Warner Bros. revenue increase of the segment reflected higher theatrical and videogames revenues partially offset by lower television revenues. Theatrical revenues increased due to higher home entertainment and television licensing revenues of theatrical product. Videogames revenues increased primarily due to carryover revenue from Injustice 2. The decrease in television revenues was mainly related to lower initial telecast revenues. 5

    Operating Income at Warner Bros. increased due to the increase in revenues and higher contributions from this quarter’s box office releases, including It and Annabelle: Creation, as well as lower print and advertising costs due to fewer releases.

  • HBO snags rights for XXX: Return of Xander Cage in South Asia

    HBO snags rights for XXX: Return of Xander Cage in South Asia

    MUMBAI: Two targets with one arrow – that’s how HBO views its new acquisition. The channel and its HD counterpart will be premiering XXX: The Return of Xander Cage on 15 October 2017 at 1 pm and 9 pm to engage existing audiences and acquire new ones.

    Xander Cage is just one of the several premieres as part of HBO’s multi-year output deal with Paramount Pictures. Brands associating with the movie include TUV300 as the powered-by partner while Oppo is the presenting partner and Suzuki Gixxer, Canon and LG OLED TV are associate partners.

    The American action film, directed by D. J. Caruso and written by F. Scott Frazier, also marks the debut of the talented actress, Deepika Padukone in Hollywood, as the svelte and tough Serena. Special promos shot with Padukone will be aired till the television premiere.

    The movie being the blockbuster of the year for HBO, the channel is using both traditional and digital media for marketing. Turner India senior director and network head – English entertainment Rohit Bhandari says, “For traditional media, we use mediums like outdoor hoardings, print and radio to promote the film, while in digital we use the HBO India Facebook page to engage with our audiences along with some paid ads especially for the digital medium, with mobile being a key medium.”

    HBO has the satellite rights for South Asian markets including India, Pakistan, Bangladesh and the Maldives for the movie telecast.

    Fans of the espionage and high-octane combat are in for a treat, as Vin Diesel reprises his role of the daredevil, Xander Cage. Agency chief, Jane Marke, enlists Xander to help retrieve the mysterious Pandora’s Box that is destined to spell doom for mankind when in the hands of the ruthless antagonist, Xiang. Cage sets off on a deadly trajectory with his team of accomplices and renegades, replete with motorbikes, guns, jet skis and submarines.

    The cast also features Donnie Yen, Kris Wu, Ruby Rose, Tony Jaa, Nina Dobrev, and Academy Award nominees Toni Collette and Samuel L. Jackson in pivotal roles.

    For those who love spy games, brilliant gadgetry and spectacular feats, the much-anticipated return of Cage makes for a heady cocktail!

  • Hotstar to stream Emmy Awards in India on 18 Sept

    Hotstar to stream Emmy Awards in India on 18 Sept

    MUMBAI: It is bringing the world to India and taking India to the globe!

    Ahead of its launch in a “few international markets in the next couple of months” Hotstar, ranked number one by App Annie  in terms of MAUs, is also bringing the 69th Primetime Emmy Awards to Indian viewers. live.  This is even as the research firm KalaGato reported 73 per cent jump in Hotstar’s market share, that is expected to spurt with the addition of Emmys, CBS, and GoT.

    For Hotstar, which has over 100,000 hours of drama and movies in nine languages, and covers every major global sporting event, the Emmy countdown has now begun.  As the excitement builds up, viewers of the India’s leading video-on-demand service will be able to tune in to the awards simulcast on 18 September, at 530 am on 18 September 2017 from 8 pm onwards. Thereafter, the ceremony will be available in the Hotstar library from Tuesday, 19 September.

    Indiantelevision.com spoke to the Hotstar CEO Ajit Mohan on Friday evening, but he sought queries on email, which have been sent.

    With a whopping 149 nominations across 23 shows that it has licensed from American studios, Hotstar is the home of the Emmys and will be the only digital platform in the country to telecast simulcast the event. Viewers will have the opportunity to watch the much-anticipated ceremony along with the rest of the world, from wherever they are. This year, the event will be hosted by Stephen Colbert, previous Emmy Award winner and host of The Late Show with Stephen Colbert, at the Microsoft Theater in Los Angeles.

    From the Hotstar library, acclaimed shows like Westworld, Feud, Veep and Big Little Lies lead the extensive list with the most number of nominations. Other favourites include Night Of, This is Us, Silicon Valley, The Wizard of Lies, among others. Through their partnership with the world’s largest studios, like HBO, Disney and Showtime, Hotstar has managed to bring the most celebrated international shows to India, under the Hotstar Premium bucket.

     

    (For our readers: We, at indiantelevision.com got an email from Hotstar communications agency Text100 on 16 September at 11:19 pm after the Emmy Award Hotstar telecast press release was published on 16 September at 9:22 am. It had already been indexed by the Google News bot.  The Text 100 email read as follows

    Request you to disregard the announcement in this email. The information contained in it is incorrect. Hence, please do not publish it or use it in any form of story. Sorry for the inconvenience.”

    Another email followed from Text100 at 11:49 pm. It said:

    As discussed, request you to disregard the previous communication on Hotstar live streaming the Emmys. The information is incorrect. Hence, please do not use it in any form of story. Sorry for the inconvenience.”

    Here’s the link that was published – http://www.indiantelevision.com/iworld/over-the-top-services/hotstar-to-live-stream-emmy-awards-in-india-on-18-sept-170916?amp

    We have chosen to use the strikethrough text mode to inform readers that the story has been cancelled. Apologies for any inconvenience caused by the incorrect information provided by Hotstar’s agency, Text100. We adhere to the highest editorial standards and our effort is to  bring you the most accurate information possible. Always – Editor

    (Updated on 17 September 2017 at 10:57 am)

    Later in the day we got another email from Text100 stating that the Emmy Awards would be streamed on 18 September from 8 pm onwards. So now you know when to watch your favourite awards show on Hotstar. Hence, we removed the strikethrough mode and updated the story.

    (Updated on 17 September at 6:43 pm)

  • HBO and Epic enter whereas Zee Studio, Nat Geo Wild exit Top 5 list: BARC week 35

    HBO and Epic enter whereas Zee Studio, Nat Geo Wild exit Top 5 list: BARC week 35

    MUMBAI: HBO has recaptured its fifth position after a week’s gap in the top 5 English movies channels’ list, pushing out Zee Studio, according to BARC’s all-India data Week 35. Epic has made its entry in the Top 5 Infotainment channels pushing out Nat Geo Wild.

    Zee Cafe is back on its numero uno position after losing it last week (34) in the top 5 English entertainment channels list. Comedy Central, leader of week 34, and Colors Infinity SD slipped a slot each to second and third positions, respectively, in English entertainment channels’ list.

    Movies Now and Sony Pix climbed a slot and MNX slipped two slots in English movies genre top 5 list.

    English Entertainment

    Zee Cafe has emerged as the leader in the English entertainment genre with 380 Impressions (000s) sum. Comedy Central slipped to the second position with 375 Impressions (000s) sum.

    Star World came to the third position with 317 Impressions (000s) sum jumping a slot from last week. Colors Infinity SD bagged the fourth position with 258 Impressions (000s) sum slipping a slot from last week whereas AXN retained its fifth position with 250 Impressions (000s) sum.

    English Movies

    With a slight fall in the ratings, Star Movies retained its number one position in the English movies genre with 3050 Impressions (000s) sum as compared to 3193 Impressions sum (000s) in week 34.

    Movies Now and Sony Pix hopped to the second and third positions with 2905 and 2421 Impressions (000s) sum, respectively.

    MNX slipped to the fourth position from the second position in week 34 with 2248 Impressions (000s) sum. And, HBO, this week, made an entry into the Top 5 channels list with 2171 Impressions (000s) sum.

    Infotainment

    History TV 18, Discovery Channel and National Geographic Channel retained their respective first, second and third positions with a slight fall in the ratings as compared to week 34 with 3300, 2938 and 2303 Impressions (000s) sum.

    Epic has made an entry this week into the Top 5 list with 2259 Impressions (000s) sum. Animal Planet sat pretty at the fifth position with 1749 impressions (000s) sum.

    Lifestyle

    Living Foods, witnessing a rise in the rating as compared to week 34, still lead the genre this (35th) week with 1570 Impressions (000s) sum.

    Fox Life, FYI TV18, Food Food and TLC sat pretty at the second, third, fourth and fifth positions with 1415, 768, 587 and 353 Impressions (000s) sum, respectively.

  • Comment: War on online video piracy, which matters, is here for India to fight

    Comment: War on online video piracy, which matters, is here for India to fight

    “There’s only one war that matters. And it is here”.

    So reads the caption of HBO’s official trailer for the blockbuster sixth episode of ‘Game of Thrones’ season seven that is scheduled to be aired next week. Even as Daenerys Targaryen’s Unsullied Army took up position outside the walls of King’s Landing, the online leaks of the TV series continued with unfazed pirates threatening not only to up the ransom figures, but also breach more episodes—Khalessi and dragons, notwithstanding.

    But the caption of the trailer does resonate with the Indian media and entertainment (M&E) industry as well as the government and policy-makers. The war that matters – the battle against online pirates — is certainly here and worth fighting for.

    As the online video market grows around the globe, India being no exception, so has the fear of online piracy and loss of revenues to content owners.

    The leak of an episode of GOT that recently happened in India, courtesy Prime Focus Tech, Indian host broadcaster Star India’s technology vendor, brought to the fore that the menace is closer home and will grow in coming days. And it happened just in the week – or after Hotstar – started a high decibel media campaign  urging  viewers to stop downloading torrents and go for originals on the streaming VOD service. The comnsumer – it seemed – was cocking a snook at its suggestions, though the leak happened through its vendor-partner. 

    Earlier, it was primarily the Indian film industry that was battling online pirates through John Doe court orders and blocking of some websites. But now, it seems, the whole entertainment industry needs to come together with policy makers to put up a joint front against piracy. More importantly, admission of the fact that the scourge has arrived on Indian shores and will spread in the coming years more aggressively, will only help drive anti-piracy initiatives.

    It’s not that initiatives against piracy are not taking place, but they are individual acts. “There are various industry bodies operating in the M&E sector in India and since there can’t be divergent views on tackling piracy, it’s high time a single coalition is formed by all industry stakeholders in partnership with government, which will help align business interests in a common mission,” said Viacom18 Media group general counsel and company secretary Sujeet Jain, one of the industry execs at the forefront in the fight against piracy.

    Why the fight against online piracy is imperative and India must start taking counter measures to safeguard against revenue losses?

    Sample some figures. Singapore-based market research firm Media Partners Asia (MPA) recently estimated that the Indian online video industry generated approximately $ 230 million in total sales in 2016 and could reach approximately $340 million in 2017. Online video revenues, including net advertising and subscription fees, will grow at a 21 per cent CAGR across the Apac region between 2017 and 2022, climbing from US$17.6 billion in 2017 to US$46 billion by 2022, MPA reported.

    Data revenues across fixed and mobile networks in Apac will reach $318 billion by 2022 and average mobile broadband penetration will reach 73 per cent per capita by 2022 versus 59 per cent in 2017, with some of the biggest growth coming from India, Indonesia, the Philippines, Thailand and Vietnam.

    Indian regulator TRAI’s figures state till May-June this year India had 282 million wireless and 18.33 million wired broadband subs.

    While acknowledging the potential of the Indian online video market and its weaknesses for breaches, a TV exec, on the condition of anonymity, pointed out that lack of cohesion and unity is stopping various industry associations to come together under one umbrella for anti-piracy activities. The need for finances to keep such an initiative afloat is an impediment too.

    For example, a body called Copyright Force was announced last year with much fanfare with few Indian and foreign industry associations promising to collaborate on anti-piracy measures. But, recently a senior government official in the Ministry of Commerce, which oversees IPR-related policy-making, told indiantelevision.com that he had not heard about Copyright Force, but some individual media companies were in regular touch.

    Writing a blog on the need to uphold IPR, Viacom18’s Jain very aptly had pointed out programs such as Digital Bharat may not achieve the  desired results if online piracy is not curbed as IPR enforcement for the M&E industry was no less important than IP assets emerging from innovations and R&D from other sectors and for India to be globally successful, it must ensure safeguards against IPR breaches.

    While the government admits India is a big and complex market, officials also point out efforts are on to evolve an ecosystem where IPR is respected  and online piracy is arrested, if not totally demolished as even more developed markets are finding it difficult to plug such loopholes – leakage of GOT episodes from various parts of the globe being an example.

    A senior government official also told indiantelevision.com that the Commerce Ministry is in touch with organizations like the Ministry of Information and Broadcasting, Ministry of Electronics and IT and Ministry of Law to amend some of the existing relevant legislations (The Cinematograph Act, 1952, the IT Act and the Copyright Act, for instance) to update them in the modern context.
     
    However, the government also expects the Indian M&E industry and related industry associations to give it exhaustive and cohesive feedbacks and suggestions to help framing of futuristic legislations to fight piracy and uphold sanctity of IPRs. Probably, such a united approach is not coming forth from the industry, even while piecemeal suggestions are being given to the government.    

    That raises another question: how is the issue of IPR piracy is being sought to be addressed in other parts of the world?

    The UK has PIPCU or the Police Intellectual Property Crime Unit, which is funded by the Intellectual Property Office and run by the City of London Police to combat this criminality, with a special focus on offences committed online. Australia has a controversial, but stringent law against piracy. In Asia, various countries have different standards, but collaborate with media associations like Hong Kong-based CASBAA to crack down on pirates through jointly funded legal recourse and high-pitch anti-awareness campaigns.

    In June this year, 30 global content creators and on-demand entertainment companies launched an industry coalition called Alliance for Creativity and Entertainment (ACE) dedicated to protecting the dynamic legal market for creative content and reducing online piracy.The worldwide members of ACE include Amazon, AMC Networks, BBC Worldwide, Bell Canada and Bell Media, Canal+ Group, CBS Corporation, Foxtel, Grupo Globo, HBO, Hulu, Lionsgate, MGM, Millennium Media, NBCUniversal, Netflix, Paramount Pictures, Sky, Sony Pictures Entertainment, Studio Babelsberg, STX Entertainment, Twentieth Century Fox, Univision Communications Inc., Village Roadshow, The Walt Disney Company and Warner Bros Entertainment Inc with Star India being the lone Indian member.

    A spokesperson of ACE told indiantelevision.com that though it’d welcome more Indian companies (apart from Star), it has no India-specific initiative on its agenda at the moment. One wonders why not? Certainly ACE with its money and influencing power – some of its supporters do have large business exposure in the Indian market – can contribute a lot in terms of international practices that could help the Commerce Ministry in framing and pushing more effective anti-piracy measures; the existence and contribution of TIPCU or Telengana Intellectual Property Crime Unit or Maharashtra’s online Cyber  crime division, notwithstanding.

    If, according to MPA, India, Japan, Australia, Korea and Taiwan will emerge as the markets (apart from market leader China) with the most scale in online video revenues and distribution, can the pirates be far behind back home?

    Jain conservatively estimated large and medium sized pirate networks in India can generate between $2-6 million per annum, but another Indian M&E industry exec said the loss due to piracy could be in high double digit millions of dollars. Incidentally, the Indian government doesn’t have a figure of revenue losses due to online piracy. If it has, that figure hasn’t been made public.

    So, if there’s one war that the Indian M&E industry and the government need to take cognizance of – it’s already here – it could very well be the fight against online piracy.

    Certainly, piracy cannot be bandied as an achievement of the government’s much touted Make In India and/or Made In India programmes.

    ALSO READ :

    Indian online video to grow to US 1.6 bn at 35 percent CAGR by 2022

    MPA forecasts Asia Pacific online video opportunity at US$35 billion by 2021

    FICCI Frames ’17: Maharashtra to form IP crime unit to fight online piracy

    Online pirates beware, Copyright Force on way

  • Game of Thrones episode leak with Star TV watermark traced to Prime Focus Tech; 4 people arrested

    NEW DELHI: “You know nothing, Jon Snow,” Ygritte told her reluctant lover, delivering one of the most iconic lines in the drama series. But  the Maharashtra police do know who leaked  episode four from season seven of  the blockbuster HBO series ‘Game of Thrones’ with the Star India watermark about 10 days back. And, the source of the crime is Prime Focus, a technology partner of Star. 

    Police investigations done in Mumbai and Bangalore have shown that present and former employees of Prime Focus, technology vendor for Star India, were responsible for the leak. GOT airs in India on Star channels and its digital platform Hotstar.

    “The information and material collected at the Bangalore office (of Prime Focus) and the Mumbai Police station were collated, studied and analysed by the police. On being satisfied, the investigating agency sufficiently established the role and involvement of various persons, both existing and former employees as well as outsiders,” Maharashtra special IGP (cyber) Brijesh Singh said in a statement yesterday, adding four persons were arrested on 14 August 2017.

    It transpires that the leak, which was one in the series of many leaks globally involving, GOT in recent times, happened in Prime Focus Technologies’ Bengaluru office.

    The police said interrogations revealed that more than one person was involved, included outside people, who had access to the raw data of the TV series. All the accused persons were produced in a court and later sent to police custody till 21 August 2017.

    During investigations, Prime Focus had come forward accepting the leak had happened at its end. It also lodged a police complaint against one of its serving employees alleging that he, along with another former employee and other persons, illegally gained access to the episode and leaked it online.

    Indiantelevision.com could not independently reach out to Prime Focus for the company’s reactions to the developments on online leak. 

    In a separate statement Star India said, “This was the first time that an incident of this nature has occurred. We are deeply grateful to the police for their swift and prompt action. We believe that valuable intellectual property is a critical part of the development of the creative industry and strict enforcement of the law is essential to protecting it.”

    On 4 August 2017, The Verge had reported an unaired episode of GOT appeared on the Internet early that morning. While HBO’s servers were breached earlier that week, this episode leak happened at GOT producer HBO’s distribution partner in India, Star India, and the company’s logo appeared watermarked throughout the leaked episode.

    According to The Verge, Smartprix spotted a direct link to the MP4 of the episode over at Star India’s own distribution site, allowing people to download GOT freely before sharing it with Google Drive links on Reddit.

     

    ALSO READ:

    http://www.indiantelevision.com/iworld/enews/content-piracy-making-b-casters-invest-in-good-tech-for-security-brian-morris-vp-tata-communications-161026

    http://www.indiantelevision.com/television/tv-channels/english-entertainment/star-world-to-host-first-live-got-debate-on-facebook-170421

    https://www.vox.com/2015/4/12/8394447/game-of-thrones-leak

  • Competing with Google & FB on free side and with Netflix and Amazon on subscription — Hotstar CEO Ajit Mohan

    One of the early movers in the Indian over the top (OTT) space, Hotstar – – part of the Twenty First Century Fox-owned Star India – has been setting a scorching pace for itself. In a nation where high data costs made customers wary of consuming content when on the move, it displayed a voracious appetite for acquiring them. Today, its massive subscriber base equals or surpasses the total subs of all the VOD services in Asia and rivals that of the big boys in the US.

    It has also been aggressive in its content strategy – paying top dollar for movies and TV series from  top notch Hollywood studios as well as for sports telecast rights.

    21st Century’s Fox’s leaders – the Murdoch brothers Lachlan and James – along with the Star India management led by Uday Shankar and Sanjay Gupta – are quite bullish that the investments being poured into Hotstar are well worth it and should bear fruit, sooner than later. Estimates are that around $500 million has so far been pumped into the VOD service.

    The man in the hotseat at Hotstar has been the US returned executive Ajit Mohan who has been steering it right from day one three years ago. With single minded focus, he has been at his task of building a robust product and a team that helps it remain so.

    The publicity shy Mohan was one of the Indian VOD leaders who had a one on one with Indiantelevision.com founder, CEO and editor in chief Anil Wanvari at the highly successful  second VIDNET OTT conference in Mumbai two weeks ago.  Excerpts from the conversation:

    First of all, I would like to start by congratulating you on your CBS Showtime deal. Tell me little more about it?

    If you look at what we have built on Hotstar premium we feel pretty proud. I think we have built a fairly distinctive subscription service which in many ways I think compares to the best in the world.  I am not sure that there is any platform worldwide that brings together the best studios for American TV shows and movies. With Hotstar Premium we have HBO, Fox and Disney movies exclusively. And we thought that the only missing piece was Showtime. So we have done an exclusive partnership with  Showtime to both bring the Showtime brand and also the best of their marquee shows  to India on Hotstar.

    I think it really completes our offering. We have built a free service that has scaled up dramatically in the past two and half years or so. Now we are kind of applying some of the same rigor and aggression on P remium as well.  From the content proposition point of view I feel pretty good about how it  looks like.

    What will we get to watch? What kind of shows and will it be on same day and date?

    It is. One of the promises we have as pat of the English part of Premium is that all the TV shows will be aired at the same time as  the US. That’s true for HBO, Fox and it will be true for Showtime as well. Billions, one of their best shows will be on Hotstar and Twin Peaks too. Overall, I think it’s a pretty exciting roster.

    I think more than any individual shows what I am excited about is that both HBO and Showtime in the US have created these fabulous premium pay TV propositions on the back of really redefining what a high quality  American show looks like. I think  by bringing them together on the same platform, what we are essentially saying when it comes to English content there really is no need to look beyond Hotstar Premium. Not in terms of other services.  Or not in terms of torrents, which is still a meaningful source of competition for us.

    We will now start investing in educating the market where there is a substantial number of users who have an affinity to English who are spending a lot of time – especially the younger demographic – digging up for content on torrents. And very often they don’t get good quality versions. They don’t get it on time.Or they get It dubbed or subtitled in a language that is not familiar.

    Now the reality is that as a consumer in India you don’t need to have  to go through the pain. It may be difficult for them to understand the richness of the proposition that is  on offer today. Now when you compare it to consumers in any other part of the world today; the Indian consumer has probably the best deal.  Rs 199 per month only…I don’t think price is a  challenge anymore. So I think it’s more about creating  awareness.  And I think there is still a segment – especially in the younger demographic – who believes it’s cool to pirate. And I am sure that philosophy will be carried by a lot of people. For most people,  it is just creating awareness that there is a serious ease of getting almost every show that you want on Hotstar Premium at a price that is quite affordable. And that is what we are going to invest in on the back of the Showtime deal and what we already have on Premium. And taking it to a mass market in a way that’s not been done in this country before.

    So will you have Hindi sub titles? Or in any other languages?

    Currently, it’s English subtitles. I think the fundamental  point you are making is improving accessibility, can dramatically expand the audience for English TV shows or movies in India. Hollywood has shown that with dubbing. The direction we are moving is to make it accessible by subtitling in multiple languages which you will see over the next few months.

    How are you doing on the app download front?

    We have crossed 300 millions downloads and we are seeing downloads across all operators. Wifi.  Jio obviously has  had a tremendous impact on the ecosystem in terms of expanding access to mobile broadband and increasing affordability. Two things stand out over the last nine months when Jio has had this massive disruption. One is that video has  benefited disproportionately. For us what the last two years -and the last year in particular – has really established is the bet that we made if data was not a constraint,  people will gravitate towards  long-form content including on a mobile. That  what we saw in the early stages of the ecosystem , people consuming short form clips, user generated content  – that it did not represent the truth. It was not the end state; it was the beginning of the market.  That has really played out  And you see that in the data, the time spent time..the watch time on video  has grown disproportionately to social media.. And by multiple factors. And Hotstar has grown – disproportionately to any other video platform.

    300 million I don’t think somebody else has this kind of numbers in the world.

    I think Jio has been an enabler. But more and more you are seeing that for sieving out where consumers are going, both in terms of adoption and in terms of watch time. I think data is an enabler. My sense is that the more people have access to 4G, the cheaper data gets – a high quality propostion like Hotstar that has both the content proposition and is compelling as well  and we are seriously investing in technology to keep improving the consumer experience. I think that combination is quite powerful.

    We are seeing that in the numbers which are substantive. One of the numbers that stands out for us is that just on the Google Playstore globally we crossed 100 million downloads a couple of months ago. From what we know, only Netflix has done that globally outside of Hotstar and may be in the entertainment space, Spotify. And it does feel like even being in one market in India, I think  the scale of what we are seeing clearly compares to the best in the world.

    I believe this should be a moment of pride for the country as well that in the mobile ecosystem that we are blazing the trail in terms of what can be done. And for us, we really think of ourselves as “we are not replicating models that have happened in other parts of the world. We are truly creating a template for what a mobile centric business could look like which would be relevant in any market.”

    How many of these are active?

    In the month of May and June 2017, we crossed more than 100 million active users

    How would you define these actives?

    Somebody coming and spending meaningful time at least once a month. The reality is almost everyone who comes to Hotstar comes multiple times a month. And very often multiple times a day. But a monthly active way is a good way to look at it as it a common measure for looking at adoption across the ecosystem. And all our 100 millions actives are unique.

    Some of the OTT players are distinguishing between monthly active users and uniques.  

    Digital is an interesting space where is there is no common measurement system in place and that equally applies to Facebook, Youtube or Hotstar. It makes sense to have a common measurement that is consistent. To the extent that  we know how to identify  unique users, their presence on devices, not everyone logs in. It’s not the same login across Hotstar, Facebook, Google  – all of those still remain. But We are seeing more than 100 million users coming to Hotstar.

    Are you still in the consumer acquisition mode or you have passed that. In what phase are you?

    I think we are going to be in a perennial growth mode for a long time because of two reasons: I think that’s the kind of company we want to build. The proposition is so exciting,  it’s relevant for more than 100 million users.

    Second, the context of India where as more people get access to  data… one of the things that we are convinced is the primary use case for getting people getting online can be video and Hotstar.

    The next 100 million or the first 500 million to go on digital in India.. we think mobile video and especially around the entertainment proposition that we have.. more than search, social media or ecommerce we can be the beach head. Because people love stories and it’s relevant for  a larger number of people. From that point of view I don’t think we are going to stay away from focusing on growth for a long time. I think we can be the primary use case for bringing people online in India.

    But your customer acquisition cost are going up or down?

    I think costs are going down. It’s a two and half year old platform now; there is a lot equity of the Hotstar as a brand. Once you reach a certain scale and have broken through I think the organic momentum starts kicking in. We are in the stage where it feels like growth is happening with far less effort than two years ago. Having said that it looks exciting to look for the next100 million users..and the next 100 million users after that.

    It’s not in an optimization mode, it’s in growth mode and in growth mode our focus is all three:  adoption of new users, it’s watch time and the third is revenue.

    I think for a uniquely consumer internet company we believe there is a virtuous cycle between consumer adoption, engagement and revenues.  We don’t see  it as competing, we see it as going together.  

    Varun (HotStar head of product and engineering EVP) said in some conference that he would like get some billion minutes. Correct me if am wrong?

    A year ago in APOSTech in Shanghai Varun had articulated this ambition of crossing a billion minutes a day in watch time. I don’t think we have said this publicly but we have crossed that  number a few times  in the past couple of months.  

    How has the playground has changed since you were here last year. What do you seeing? Your tech is keeping up or you have to spruce up your tech. You invested in Zapr to get some analytics in place. What has changed?

    Three things in my mind have changed.

    We have made significant movement in the past 12 months.  I think we have hired 60 engineers just in the last nine months. I think we are looking at doubling that number in the next six months.

    We have the clarity that we can build something unique in India and compete with some of the best global tech companies. It comes with building our own technology muscle.

    Second, if you look at the consumer internet space with lot of actions across e-commerce, fin-tech and our own media space, we have been quite thoughtful in building a deep bench in leadership. The past 12 months have been marked by a significant bulking up of our leadership capacity in Hotstar.

    Third big change that has happened as a result of that there is starting to be  a bit of a separation in terms of services that are standing out from an adoption, engagement and scale point of view – and clearly that’s happening.

    The last 12- 15 months have seen the launch of whole bunch of new services in OTT and a lot of them have very interesting propositions. They are occupying interesting positions in the market …some fairly niche but if I step back and think about it what we are proud of at Hotstar is we are breaking away when it comes to  serious scale and engagement.

    And for me it looks like we are competing with Google and Facebook on the free side which is all about its large scale,  ad supported and big numbers. And on the other front its subscription, which is still nascent, much smaller audience at the moment, we are competing with Netflix and Amazon Prime. At Hotstar, we have two sorts of vertical, one is the free ad supported business and the subscription business where we are facing two different sets of competitors.

    But I believe the ad supported services, IPL got you good revenues from two partners Vivo and Maruti. Agencies have told me its Rs 20 crore per head.

    I think we did okay.

    But that is serving out well in the terms of revenue.

    One of things is clear to advertisers and that’s a big movement in the last 12-24 months especially at a time when there have been a lot of issues around  brand safety that came up in the UK. I think two things are showing up I think most advertisers started to recognizing that the Hotstar proposition is unique. In most parts of the world high quality on demand content on streaming is completely behind the paywall. Therefore it’s not available for brands to advertise on like you can’t advertise on Netflix in US.

    So Hotstar represents a unique opportunity on digital where for the longest time advertisers could only reach audience through user generated content or short clips whereas on HotStar you get premium content which is very different from most streaming business models.

    Second thing that the advertisers started recognizing the power of its engagement. I think it different when you reach an audience when they are scrolling and checking something on social media for 30 seconds or when watching a 40 second clip. It’s a very distracted audience. So even when you presumably get scale and you get metrics like video views what you are not getting is real engagement that comes with long form content. There is a reason why television helped build brands for 50-60 years. It was because people spent time deeply immersed into stories. And that’s the proposition we offer on Hotstar.

    Sports is driving you plus Hollywood. You kind of have tip toed away from originals unlike what Amazon Prime or Netflix are doing?

    I feel I keep answering this question but for whatever reason people don’t want to embrace the answer – especially my peers. Sports is big on Hotstar.  Sports is less than 15 per cent of our total watch time. It’s definitely played a meaningful role for us.

    But TV shows and movies are much larger on Hotstar. The proposition of Hotstar at least for consumers is  that they know that Hotstar is beyond cricket or sports. On originals, almost everything we have is exclusively on Hotstar on digital. Right from the early stages we believe in the power of exclusive content. Which is why Game of Thrones, a Star Plus show is all exclusively on Hotstar. The originals bandwagon was started by the people who did not have the enough content. I am not sure why Hotstar with the most compelling  content portfolio in the world would want to get on the same bandwagon.

    Why is Republic TV  there on your platform?

    …..For more of the interview click and watch the video  link below

  • Zee Cafe dislodges C Central, Colors Infinity SD & HBO enter Top 5

    MUMBAI: Zee Cafe dislodged the last week’s leader Comedy Central whereas Colors Infinity SD and HBO entered the Top 5 channels list in their respective segments in the English entertainment genre, according to BARC all-India data for week 26.

    English Entertainment

    Zee Cafe climbed to the number one position pushing the leader Comedy Central to the second position with 411 Impressions (000s) sum and 374 Impressions (000s) sum, respectively. 

    AXN and Star World with 231 and 173 Impressions (000s) sum respectively retained their third and fourth positions. Colors Infinity SD entered the Top 5 list with 134 Impressions (000s) sum.

    English movies

    Sony Pix retained the numero uno position in the English movies genre with 3235 Impressions (000s) sum. Movies Now and Star Movies with 3025 and 2998 Impressions (000s) sum this week retained their respective second and third positions. 

    Movies Now 2 with 2930 Impressions (000s) sum sat pretty at the fourth position. HBO made an entry in the Top 5 channels’ list.

    Infotainment

    History TV 18 retained it first position with 4606 Impressions (000s) sum. Discovery Channel and Nat Geo Wild with 4529 and 2622 Impressions (000s) sum sat pretty at the second and third positions, respectively. National Geographic and Animal Planet with 2557 and 2294 Impressions (000s) sum also retained theirs fourth and fifth positions, respectively.

    Lifestyle

    Living Foodz, witnessing a slight fall in the ratings, lead the genre with 1239 Impressions (000s) sum. Fox Life and TLC interchanged their positions and are now at the second and fourth positions with 845 and 651 Impressions (000s) sum, respectively. 

    Food Food grabbed the third position with 758 Impressions (000s) sum. FYI TV18 took fifth position with 543 Impressions(000s) sum.