Tag: HBO

  • Turner launches HBO Defined & HBO Hits on Hathway & GTPL

    Turner launches HBO Defined & HBO Hits on Hathway & GTPL

    MUMBAI: Turner International India has announced the launch of HBO Defined and HBO Hits on two of the country’s leading digital cable platforms, Hathway and GTPL. With this HBO’s two premium advertising-free movie channels will be available to digital cable subscribers for the first time.

    The channels are available for a free preview in the initial phase of the launch. Turner International, the distributor for HBO Defined and HBO Hits will soon have the channels available on other digital cable platforms as well.

    “With the successful on-going digitisation of the Indian television industry, Turner is committed to continue bringing compelling content inside homes of consumers in India and on any device they own. HBO Defined and HBO Hits signify a new era of television viewing for the Indian consumer. We have received a very enthusiastic response from all platforms and are happy to have, Hathway and GTPL, two of the leading cable platforms partner with us,” said Turner International India MD Siddharth Jain.

    “The launch of HBO Hits and HBO Defined on our digital platforms is a reinforcement of our belief in the power of compelling content which can drive customer value and realisations. Hathway and GTPL have a foot-print of more than seven million addressable customers. We are delighted to partner with Turner in our on-going endeavour of delivering premium services to our discerning customers” said Hathway Cable and Datacom CEO & MD Jagdish Kumar.

  • TV industry targets heavy VOD buyers, TV valuable customer for commercials

    TV industry targets heavy VOD buyers, TV valuable customer for commercials

    NEW DELHI: Highly addressable advertising has been a long-standing plan for the TV business, which wants to rival the ad targeting available online, and the biggest beneficiary of addressable commercials so far may be the TV industry itself even as marketers want to make their spending more efficient.

    Cable networks like Starz and HBO have begun trying DirecTV’s addressable advertising platform to find specific viewers who they believe would actually be interested in their shows. Cable and satellite operators, meanwhile, are taking advantage of the system to more efficiently target specific customers and get current subscribers to upgrade.

    Such advertising could be most effective for the actual TV operators, said Visible World executive VP- marketing and research Claudio Marcus. Visible world provides targeting technology to Cablevision.

    According to the National Association of Broadcasters of the United States, this is partly because paid TV services do not want to waste sign-up ads on people who already shell out for the product. Other kinds of marketers have a greater interest in marketing to current customers, so they’ll stick with the brand for their next box of crackers or new smartphone.

    It can also be laborious to match specific households with the cars or packaged goods they buy but pay-TV operators like DirecTV know exactly which premium channels each of its households pays for.

    “People are telling us they have enough TV,” said Media Storm co-founder and managing partner Craig Woerz. Media Storm’s clients including WeTV and NFL Network use DirecTV’s addressable advertising. “We need to make it more personalised and break through the clutter. We don’t want to break through with everyone, just the right people, who will be highly engaged.”

    “Clients using addressable advertising are seeing a 20-40 per cent higher tune in rate than those not doing it,” informed Woerz.

    Addressable commercials let you plan a TV campaign the way you would plan digital, said Starz exec VP-marketing Nancy McGee, which has run two campaigns using DirecTV’s addressable system. “Addressable makes sense in light of how people are consuming TV, cherry-picking programming and networks,” she said.

    The premium cable channel tested a small campaign in March, urging viewers to add Starz, and followed up in June with a promotion for the premiere of the second season of “Magic City.”

    In the initial test, which ran over five days, Starz showed ads to non-subscribers who frequently bought movies on demand or who subscribed to other premium channels, groups that the network believed had a higher propensity to be won over.

    The network saw a 49 per cent higher jump in sales among viewers who saw the ads than in a control group, McGee said, adding that the system provides information on how many people were exposed to the campaign, how many watched it live and in playback, on which network they saw it and during which part of the day.

    HBO, too, has used the DirecTV system for a campaign pegged to Game of Thrones, showing commercials to consumers who met criteria such as frequent VOD orders, on the same logic that Starz applied. It will run a similar effort later this year for the return of Boardwalk Empire.

    HBO is still learning, according to HBO director, domestic network distribution Gina DeSantis. But the network intends to increase its investment in addressable ads next year, she said.

    Scripps Networks is early in its exploration of addressable advertising, using it to send programming messages to viewers based on geographic location, said VP, national accounts, content and marketing group Brent Scott.

    “There are so many shows and competitive networks, if you can pinpoint a specific customer you have a better chance of tune in,” he said. “Why advertise to DirecTV’s entire customer base of 20 million if 19 million of those have no interest. I’d rather reach a couple of hundred thousand that are interested.”

    “In a lot of ways what we are doing here is no different than what Spotify is doing, what Amazon has been doing for years,” said DirecTV exec VP- chief revenue and marketing officer Paul Guyardo. “They see what you like to purchase, they see the songs you like to listen to, and they serve up songs they think you might be interested in. We are only putting the commercials in homes of people that want to know more about new cars or a premiere of a particular show because it is a show they like to watch.”

    Auto, insurance and financial marketers have also been using the addressable technology, according to Guyardo, but the limits of the pay-TV systems’ reach have held back widespread adoption.

    Some in the TV business also worry about the impact of easy, highly targeted TV commercials. “There’s a fear factor,” said Marcus. “The concern is if media buys become more efficient, does money come out of the marketplace because advertisers can do more with less?”

    But the biggest challenge is educating the marketplace, with many media buyers and planners still thinking in traditional gross rating points, according to Guyardo.

    DirecTV is trying to overcome that by pitching directly to CMOs, especially those who are data-driven. “If they value and appreciate data and analytics and they have a good understanding of exactly who they want to target, the beauty of this addressable product is it provides all of the reach that they want without the waste,” Guyardo said.

  • Anna Torv and Jennifer Jason Leigh to be a part of HBO’s ‘Open’

    Anna Torv and Jennifer Jason Leigh to be a part of HBO’s ‘Open’

    MUMBAI: The sexuality drama series Open is being produced by Ryan Murphy. Anna Torv has had a successful stint with Fringe on Fox for five years. Jennifer Jason Leigh will be the on-screen love interest of Torv. The series will explore sexuality in the light of monogamy and intimacy in relationships.

     

    The series starts off with Torv and Leigh in a relationship but the entrance of Grace in Torv’s on screen character’s life, issues crop up between the two. The actor who will play the role of Grace is still under process.

     

    Scott Speedman will be Grace’s gynaecologist husband. Glee’s Dante Di Loreto will be the executive producer for Ryan Murphy Television and 20th Television’s cable arm Fox 21.

     

    Forv is repped by WME and United Management in Australia while Leigh is repped by CAA, Untitled and Sloane Offer. Open would be Murphy’s second project with HBO.

  • Blinkbox offering free preview of US pilots

    Blinkbox offering free preview of US pilots

    MUMBAI: Blinkbox has reached agreements with Twentieth Century Fox Home Entertainment, Warner Bros, HBO and BBC Worldwide to offer customers a free preview of pilot episodes of series before purchasing.

     

    From 24 July to 19 August, customers can preview such series as True Blood, Supernatural, The Americans, The Following and The Wire. Also included are The Big Bang Theory, The Newsroom, Entourage, American Horror Story, Arrow, Veep and The Vampire Diaries, among others. Customers can try as many shows as they’d like during the period.

     

    Blinkbox’s CEO Michael Comish commented: “Great TV continues to be one of our biggest obsessions and the fuel for many conversations. There’s more choice than ever before thanks to services like ours and our insights told us that customers relished the opportunity to try TV before committing to purchase. After all, life’s too short to watch something that you’re just not into.”

     

    “We think you should be able to enjoy great TV all year round, anytime and anywhere, not just when programs are scheduled. We’re confident that we have the best selection of great TV, so offering a teaser for free seems like a good way to introduce people to our service. We’re delighted to be able to say ‘try TV on us”, he adds.

  • Apple’s TV service would pay networks to allow ad skipping

    Apple’s TV service would pay networks to allow ad skipping

    MUMBAI: Adding to rumors of Apple‘s supposed set-top cable box plans, a report on Monday claims the company is in the thick of talks with media executives over a “premium” level of the alleged service that would allow users to skip ads entirely.

    According to the report, Apple recently informed networks about the “premium” version of the as-yet-unannounced service, which would theoretically have users of the proposed service pay Apple for the ability to skip ads.

    While the system has yet to be detailed, similar offerings found heavy resistance from broadcasters. For example, Dish Network launched an ad-skipping technology in 2012, and was subsequently sued for its efforts.

    Apple is already seeing resistance from cable providers over its streaming services. When HBO launched the HBO Go app for Apple TV, some cable and satellite companies pushed back by refusing to authenticate the app for streaming.

    With the advent of the DVR, however, an increasing amount of America‘s television-watching public are fast-forwarding through commercials. This could give Apple some leverage in negotiations, though details regarding the talks are few and far between.

    Rumors of an Apple-branded set-top cable box have been floating around the web for nearly one year, with initial reports of the company‘s alleged plans coming in August 2012. Unlike DVRs, which store content on-site, Apple‘s rumored system would be cloud-based, meaning enhanced viewing flexibility and data handling.

    Fanning the flames of an Apple partnership with at least one cable company, currently thought to be Time Warner, both CEO Tim Cook and SVP of Internet Software and Services Eddy Cue attended this year‘s Sun Valley conference and met with a number of media firms. The event, hosted by New York-based investment bank Allen & Co, brings together moguls from the media and tech industries for four days of lectures, discussions, and networking.

  • James Gandolfini a.k.a.Tony Soprano of the hit HBO drama bids adieu at 51

    James Gandolfini a.k.a.Tony Soprano of the hit HBO drama bids adieu at 51

    MUMBAI: The 51 year old James Gandolfini, best known for his role on the HBO drama The Sopranos as Tony Soprano, passed away on Wednesday, 19 June while on his vacation in Italy. His sudden death has sent a shock wave across millions of his fans as friends and colleagues tweeted and made statements after hearing news of the actor‘s death.

    Gandolfini‘s death was confirmed by HBO. He was vacationing in Rome, and was scheduled to attend the Taormina Film Festival in Sicily this week. The exact cause of death is not known, but his managers said it was possibly a heart attack.

    Gandolfini, the Emmy Award-winning actor who grew up in Park Ridge, in Bergen County, N.J., played a cold and curt crime boss with an anxiety ridden exterior but a rich interior life in The Sopranos. The television drama that made its debut in 1999 and ran for six seasons on HBO revolved around his struggle to balance his family life and career in the Mafia. His other roles include the woman-beating mob henchman Virgil inTrue Romance, enforcer/stuntman Bear in Get Shorty, and the impulsive Wild Thing Carol in Where the Wild Things Are.

  • HBO’s ‘Games of Thrones’ season finale sets a new piracy record

    HBO’s ‘Games of Thrones’ season finale sets a new piracy record

    MUMBAI: The season finale of US broadcaster HBO‘s ‘Game of Thrones‘ has set a new BitTorrent record with more than 170,000 people sharing an episode simultaneously.

    Within a few hours after it was released hundreds of thousands grabbed a copy of the show via ‘The Pirate Bay‘ and other torrent sites, breaking the old record that ‘Game of Thrones‘ had set just a few weeks ago during the premiere of the third season.

    In recent weeks the show has been shared millions of times online, but never before have so many people shared the same file.

    Data gathered by TorrentFreak shows that, within 24 hours, the season finale has been downloaded a million times. This could increase to more than five million during the weeks to come. ‘Game of Thrones‘ will probably be the most pirated TV-show of the year.

    Most downloaders come from Australia, followed by the US, Canada and the UK.

  • HBO’s ‘Behind the Candelabra’ premiere draws 2.4 million viewers

    HBO’s ‘Behind the Candelabra’ premiere draws 2.4 million viewers

    MUMBAI: HBO‘s Liberace biopic ‘Behind the Candelabra’ managed to generate curiosity amongst the viewers of the premium cable network with its Sunday premiere as reported by The Hollywood Reporter.
     
    The film which stars Michael Douglas as the flamboyant pianist and Matt Damon as his lover, the two-hour film drew 2.4 million total viewers with initial airing at 9.00 pm on Sunday and also pulled an additional 1.1 million viewers pushing it to a total of 3.5 million.
     
    The film saw its official premiere in Cannes, where it received positive reviews.

  • More than 3,000 on-demand services in Europe

    More than 3,000 on-demand services in Europe

    MUMBAI: In May 2013, more than 3,000 on-demand audiovisual services were identified as being established in European countries or received in at least one country.

    The European Audiovisual Observatory in a report said that 447 VoD services established in the European Union offer only or mainly cinema films. More than 130 film VoD services targeting one or more EU countries were established outside the EU, mainly in the US and Switzerland.

    The database also lists 45 services offering compilations of trailers and 10 European archive services.

    The European Audiovisual Observatory has just taken stock of on-demand audiovisual services on the occasion of the Cannes Film Market. The general use of cross-border strategies for VoD services

    This month, the European Audiovisual Observatory identified 3,087 on-demand audiovisual services: catch-up TV services, newspapers‘ video services and various kinds of VoD services (general-interest, films, TV fiction, music, animation and children‘s or adult programmes) and various economic models (financed by advertising, pay per view, direct subscription, services included in a subscription to digital packages, services from public broadcasters). 2,733 services established in the European Union were identified, 447 of them film VoD services (or 18 per cent of the total available), 44 were trailer services (not including distributors‘ promotional websites) and 10 were film archive services.

    It appears only natural that the big countries should have a large number of film VoD services: 48 are established in the UK, 34 in France and 33 in Germany. Four countries have a relatively large number of services compared to their size. Three of these, Luxembourg (86), Sweden (36) and the Czech Republic (31) are very clearly countries of establishment of services targeting other countries. Luxembourg hosts the iTunes Stores that are operated by iTunes S.?.r.l. and target not only other European countries (apart from Romania) but also many countries in Africa, the Middle East and Asia (with the exception of Japan). Netflix, which provides services for the United Kingdom and the Nordic countries and has announced the continuation of its European rollout, is also established in the Grand Duchy.

    In addition, the following are established in Luxembourg: the Xbox Video platforms operated by Microsoft Luxembourg S.?.r.l., which are available in 15 countries and are not considered VoD services but as catalogue distribution platforms, most being American and each regarded as a separate service. Sweden hosts various services that target the Nordic countries (SF Anytime, Canal+ Digital, CDON, Headweb, Filmnet) and even a service targeting Spain.

    The Czech Republic hosts various language versions of HBO OD, which targets Central Europe. The Netherlands is characterised by a multiplicity of small online VoD services and a few cable or IPTV platform services.

    417 or 45.3 per cent of the 920 VoD services in the database (all countries and types combined) are operated by American groups, either from the United States or via subsidiaries in Europe.

    The Observatory estimates that in the European Union over 52 per cent of the VoD services available in one country are established in another. This development in the cross-border provision of on-demand audiovisual services, which is especially pronounced in the case of film VoD services, might make it difficult to implement measures laid down by the most stringent national regulations for the promotion of European works or for contributing to production funding.

    There are an increasing number of multi-platform services (fixed or mobile internet, cable, IPTV, sometimes digital terrestrial). More and more film VoD services are also available in the form of applications for tablets or smart TVs.

    Subscription VoD (SvoD) services have proliferated in the last few months, and 76 have been identified. This model, which was initially employed for some types of special-interest services (especially children‘s services), has been developed with the launch of film subscription services. Many pay film channels also offer catch-up services, which are included in the subscription price and are increasingly accessible on tablets or smartphones.

    European Audiovisual Observatory head of the department for information on markets and financing André Lange said, “The establishment of a database on on-demand audiovisual services in Europe is in some way Utopian. The complexity of this field is growing and the lack of transparency is rather worrying, especially as far as the precise identification of the company providing the services and its country of establishment are concerned. At least a third of the identifications that we provide in the database are plausible but are in fact based on assumptions. This lack of transparency with regard to producing companies definitely does not conform to European or national transparency standards relating to publishing or media ownership. There is some risk involved in making these data available to the public, but we hope that service providers and distributors will be keen to help us correct any mistakes.”

  • The future of television rests in apps: Netflix

    The future of television rests in apps: Netflix

    MUMBAI: OTT subscription service Netflix has published a report called Long Term View. The report says that the evolution to Internet TV apps is already starting. It notes that existing networks, such as ESPN and HBO that offer amazing apps will get more viewing than in the past, and be more valuable. Existing networks that fail to develop first-class apps will lose viewing and revenue.

    “Apps that provide on-demand viewing are critical because people don‘t love the linear TV experience where channels present programmes at particular times on non-portable screens with complicated remote controls. Finding good things to watch isn‘t easy or enjoyable. In addition to Netflix, most of the world‘s leading linear TV networks are moving into Internet TV,” Netflix says.

    It has given the examples of HBO and ESPN. ESPN, Netflix notes will keep improving their app to try to stay ahead of MLB.tv, which it says is another terrific Internet TV sports app.

    “The HBO Go app makes HBO‘s films and series much more accessible than on HBO‘s linear channel. The BBC iPlayer app in the UK provides a rich and popular on-demand interface for a wide range of BBC programming. The other major linear networks are not far behind,” according to Netflix.

    Netflix adds that while Internet TV is only a very small per cent of video viewing today, the expectation is that it will grow every year because:

    1. The Internet will get faster, more reliable and more available;
    2. Smart TV sales will increase and eventually every TV will have Wifi and apps;
    3. Smart TV adapters (Roku, AppleTV, etc.) will get less expensive and better;
    4. Tablet and smartphone viewing will increase;
    5. Tablets and smartphones will be used as touch interfaces for Internet TV;
    6. Internet TV apps will rapidly improve through competition and frequent updates;
    7. Streaming 4k video will happen long before linear TV supports 4k video;
    8. Internet video advertising will be personalized and relevant;
    9. TV Everywhere will provide a smooth economic transition for existing networks;
    10. New entrants like Netflix are innovating rapidly.

    Netflix goes on to note that eventually, as linear TV is viewed less, the spectrum it now uses on cable and fibre will be reallocated to expanding data transmission. Satellite TV subscribers will be fewer, and mostly be in places where high-speed Internet (cable or fibre) is not available. The importance of high-speed Internet will increase.
     
    It cites examples of this transformation taking place in different nations. “In the UK, for example, the BBC is already starting to programme more for its iPlayer app than for its linear channels, given the large and growing viewing on the iPlayer. For most existing networks, this economic transition will occur through TV Everywhere. If a consumer continues to subscribe to linear TV from a multi-channel video programme distributor (MVPD), they get a password to use the Internet apps for the networks they subscribe to on linear.”

    The key to avoid cord cutting for networks, according to Netflix, is to keep their prime-time programming behind the authentication wall. It proposes that same consumer who today finds it worthwhile to pay for a linear TV package will likely pay for a ‘linear plus apps‘ package. Netflix further says that Internet TV apps will improve just like the mobile phone over the next 20 years.

    In addition to creating opportunity for linear networks, the emergence of Internet TV also enables new apps like Netflix, YouTube, MLB.tv, and iTunes to build large scale direct-to-consumer services that are independent of the traditional MVPD bundle. Netflix notes that while it competes for entertainment time with traditional networks, the scope of such time is quite large. Consumer time devoted to web browsing and video games, for instance, has expanded hugely over the last two decades without a corresponding diminution of TV viewing.