Tag: HBO

  • Netflix CEOs play coy about Warner Bros Discovery acquisition

    Netflix CEOs play coy about Warner Bros Discovery acquisition

    LOS ANGELES: Netflix is keeping its cards close whilst the rest of Hollywood scrambles for Warner Bros Discovery’s assets. Asked during Tuesday’s third-quarter earnings call whether the streaming giant might join the bidding war, co-chief executives Ted Sarandos and Greg Peters delivered a masterclass in strategic ambiguity: they ruled nothing out, but ruled nothing in either.

    “It’s true that historically, we’ve been more builders than buyers, and we think we have plenty of runway for growth without fundamentally changing that playbook,” said Sarandos. “Nothing is a must-have for us.” 

    Yet he added that Netflix looks at “all” merger opportunities through the same lens—a nod that Warner Bros Discovery’s studio and streaming empire, including HBO, HBO Max and Warner Bros Television, might just pique its interest.

    What Netflix definitely won’t touch are Warner Bros Discovery’s linear networks. “We’ve been very clear in the past that we have no interest in owning legacy media networks, so there is no change there,” Sarandos said. That rules out a bid for the whole company, which Warner Bros Discovery is splitting in two: one entity (Warner Bros) housing the streaming and studio jewels, the other (Discovery Global) lumping together cable channels and Discovery+.

    The carve-up comes after Warner Bros Discovery announced it was reviewing “strategic options” following “unsolicited interest” from “multiple” parties. Paramount is reportedly leading the charge, having offered $20 per share for the lot, then upping its bid to $24—both rejected. CNBC reports that Netflix and Comcast are also circling.

    Peters downplayed the threat of rivals bulking up through deals, pointing to mega-mergers like Disney-Fox, Amazon-MGM and Discovery-WarnerMedia that failed to shake up the landscape. “None of those mergers represented a fundamental shift in the competitive landscape,” he said. “Watching some of our competitors potentially get bigger via M&A does not change our view.”

    The caginess came as Netflix reported third-quarter revenue up 17 per cent year-on-year to $11.5bn, in line with forecasts. Operating income rose 12 per cent to $3.2bn, though it fell short of expectations after a $619m hit from a dispute with Brazilian tax authorities. Shares tumbled 6.5 per cent in after-hours trading, though Netflix insisted the tax spat won’t dent future results.

    By region, revenue in the US and Canada grew 17 per cent to $5.01bn, Europe, Middle East and Africa climbed 18 per cent to $3.7bn, Latin America rose 10 per cent to $1.37bn and Asia Pacific surged 21 per cent to $1.37bn. Netflix now commands 8.6 per cent of US television viewing time, up from 7.5 per cent in late 2022, and 9.4 per cent in Britain, up from 7.7 per cent.

    Hits last quarter included Wednesday season two (114m views), The Thursday Murder Club (61m) and My Oxford Year (81m). The Canelo-Crawford boxing match drew 41m viewers, making it the most-watched men’s championship bout this century, Netflix claimed.

    For now, Sarandos and Peters are content to watch the feeding frenzy from the sidelines. But their refusal to slam the door suggests they might yet crash the party—provided the price is right and the baggage left behind.

  • Blockbuster breakup as Warner Bros. Discovery plots a starry split

    Blockbuster breakup as Warner Bros. Discovery plots a starry split

    MUMBAI: When one studio door closes, another opens with a box-office bang. In a dramatic plot twist that rivals its biggest screen spectacles, Warner Bros. Discovery (WBD) is pressing play on a two-part sequel splitting into two publicly traded companies to give each unit its moment in the spotlight. Announced today, the tax-free separation will see WBD carve out Streaming & Studios home to HBO, DC Studios, Warner Bros. Pictures and Television, and HBO Max from Global Networks, which includes CNN, TNT Sports, Discovery, and Discovery+, as well as key linear and digital assets across 200 countries and 68 languages.

    David Zaslav, WBD’s current President and CEO, will lead Streaming & Studios, while Gunnar Wiedenfels, its CFO, will take charge of Global Networks. Both will retain their existing roles during the transition.

    “This move gives us the sharper focus and agility needed to thrive in today’s fast-evolving media universe,” Zaslav said, promising a future of creative excellence and strategic flexibility. Wiedenfels added that the split will allow “each company to leverage its strengths and financial profiles,” paving the way for innovation and shareholder value.

    Streaming & Studios will combine storytelling firepower and IP goldmines think Harry Potter, Game of Thrones, and Batman with global platform HBO Max, which currently operates in 77 markets and plans further expansion by 2026. WBD is aiming for 3 billion dollars in annual adjusted EBITDA from this division.

    Global Networks, meanwhile, commands a massive reach of 1.1 billion viewers, with an eye on live content growth, international opportunities, and monetising digital assets like B/R and CNN’s new streaming play. The unit boasts industry-leading margins and strong free cash flow.

    A crucial detail: Global Networks will retain up to 20 per cent stake in Streaming & Studios, planned to be monetised later for balance sheet de-leveraging.

    To support the split, WBD has secured a 17.5 billion dollars bridge facility from J.P. Morgan, which it expects to refinance before separation. Tender offers and consent solicitations have also been launched to optimise its debt structure.

    The full spin-off is targeted for mid-2026, pending board approvals, market conditions, and tax clearances from the IRS. J.P. Morgan and Evercore are advising, with Kirkland & Ellis as legal counsel.

    WBD Chair Samuel A. Di Piazza, Jr. framed the move as a win for shareholders: “This transaction is a great outcome, unlocking long-term value and strategic focus for two exceptional businesses.”

    The end credits may still be a year away, but WBD’s bold reboot is already setting the stage for a media double feature like no other. One company to power global fandoms, another to rule the airwaves all from the studio that gave us a century of storytelling magic.
     

  • Sesame Street’s new global playground: Netflix

    Sesame Street’s new global playground: Netflix

    MUMBAI: Netflix has tossed a lifeline to Sesame Street, bringing the beloved children’s show to its 300 million subscribers while keeping it on PBS in the US. The 56-year-old kids’ favourite will now stream new episodes on both Netflix and PBS on the same day, a rescue move after HBO dropped its funding.

    The deal is a double delight for Sesame Street fans—new episodes will be available worldwide on Netflix, while PBS viewers in the US will continue to get free access. But behind the cheerful puppets, it’s a story of survival.

    Sesame Workshop, the non-profit behind the iconic show, has been struggling financially after losing its lucrative HBO deal, which paid $30 million to $35 million a year. Warner Bros. Discovery, HBO’s parent, decided to drop the series as it shifts away from children’s content.

    To cope with the financial blow, Sesame Workshop laid off 20 per cent of its staff this year and warned that the Netflix deal will bring in significantly less revenue. But it’s not all doom and gloom. With Netflix’s global reach and PBS’s trusted brand, Sesame Street is now set to reach more kids than ever.

    In Season 56, the show will focus on character-driven stories, with each episode featuring an 11-minute tale packed with humour and heart. Classic characters like Elmo, Big Bird, and Cookie Monster will return, along with a peek inside the iconic 123 Sesame Street building.

    “This unique public-private partnership allows us to continue our mission of educating kids, now with Netflix’s global reach and PBS’s community trust,” said Sesame Workshop CEO Sherrie Rollins Westin.

    Sesame Street’s Netflix run will also include 90 hours of classic episodes, bringing the joy of learning to a new generation.

     For kids and parents, the message is clear: the street is still where the fun and learning meet.

  • Warner Bros. Discovery reports mixed bag in Q1 2025

    Warner Bros. Discovery reports mixed bag in Q1 2025

    MUMBAI: Warner Bros. Discovery (WBD) delivered a tale of two halves in Q1 2025 — streaming surged, but studios and traditional networks struggled. The media giant reported total revenues of $9 billion, a 10 per cent dip from last year’s $10 billion.

    Streaming revenues soared by nine per cent to $2.7 billion, with global subscribers hitting 122.3 million, up 5.3 million from Q4 2024. Advertising revenue in streaming shot up by 35 per cent, driven by a surge in ad-lite subscribers. Adjusted EBITDA in streaming rocketed to $339 million from just $86 million in the same period last year.

    Studios revenue dropped 16 per cent to $2.3 billion, hurt by a 27 per cent plunge in box office revenues. Hits like Dune: Part Two and Godzilla x Kong: The New Empire couldn’t prevent a fall in theatrical revenue. Games revenue was a washout, plummeting by 48 per cent, as 2025 saw no major game releases.

    Global streaming ARPU decreased nine per cent  ex-FX to $7.11, primarily attributable to growth in lower ARPU international markets and a five per cent decrease in domestic streaming ARPU to $11.15, primarily driven by a broader wholesale distribution of Max Basic with ads. Content revenue decreased seven per cent  ex-FX, as the launch of Max in new international markets, including Australia in the current year quarter, resulted in lower third-party licensing. HBO’s The White Lotus  had a record-setting season in the ratings and ranked among the five most streamed shows of March.

    Global linear networks revenue fell seven per cent to $4.8 billion, weighed down by an eight per cent decline in distribution revenue and an 11 per cent fall in advertising. Domestic pay-TV subscribers continued to desert traditional networks, dragging the numbers down.

    The company slashed debt by $2.2 billion but was left with $38 billion in gross debt and $4 billion in cash. Free cash flow took a 23 per cent hit, sliding to $302 million from $390 million in Q1 2024.

  • Storytelling powerhouse Edstead enlists media veteran Megha Tata

    Storytelling powerhouse Edstead enlists media veteran Megha Tata

    MUMBAI: Edstead, the research-driven documentary studio known for its compelling narratives, has recruited media heavyweight Megha Tata as strategic advisor, signalling a strategic pivot in its content innovation journey.

    With three decades of media leadership under her belt, Tata brings a formidable arsenal of experience from industry giants like Star, Turner, HBO, and Discovery. Her appointment promises to turbocharge Edstead’s mission of purpose-driven storytelling.

    “I am delighted to work with Edstead at this transformative stage,” Tata commented, hinting at the studio’s potential to reshape media narratives, “We’re poised to create content that truly informs and inspires.”

    Edstead  founder Shekhar Bhattacharjee expressed unbridled enthusiasm about the collaboration: “Her leadership insights are invaluable as we craft stories that matter.”

    Tata’s impressive credentials include lecturing at top-tier institutions like IIT, IIM, and ISB, positioning her not just as an industry leader but a talent-shaper.

    The move signals Edstead’s ambitious strategy to elevate documentary storytelling from mere information to a catalyst for societal change.

  • Divine confluence: inside Megha Tata’s spiritual odyssey at the Maha Kumbh

    Divine confluence: inside Megha Tata’s spiritual odyssey at the Maha Kumbh

    MUMBAI:  It’s been around  a year  since media industry veteran Megha Tata – who has led channels such as Turner International,  HBO, Bloomberg TV, Discovery – has held a steady job. It’s been by choice. After slogging it out from 1992 when she was an executive with Sunday Mail, and then for more than a decade with Star India, she believes she deserves the rest. She has been happy lending her services to corporate India as a financial adviser and an independent director.

    Her husband Ariez is in total agreement with her choices. An entrepreneur, he too has decided to slow down on the blistering work front and, along with Megha, they have been exploring themselves individually, each other and the world. 

    Normally seen in suits and sarees, these days Megha appears to be more comfortable in jeans, boots, salwar kameez’  and a backpack as she lives out every senior executive’s dream – to have  a complete balanced life, rather than being  caught on the treadmill of corporate achievement alone. 

    Megha and Ariez have been gathering mileage – both on flights and on Indian  roads. It’s been motorcycle rides to nearby towns of Mumbai as she unwinds the years of tension of corporate meetings and targets from her sinews. Meditation, discourses from Sadhguru of the Isha foundation is what have been keeping both of them occupied apart from their freelance assignments.

    So when Megha and Ariez decided to get to Maha Kumbh, like many of her other exploratory journeys, she had no idea what she was getting into, though the duo  had planned out everything. What she discovered was that it was far more than a religious gathering – it was a masterclass in spiritual immersion, logistical precision, and the harmonious blend of ancient traditions with modern conveniences.

    The secret to Tata’s seamless experience lay in strategic choices that might seem counterintuitive to luxury travelers. Eschewing traditional comforts, she and her husband opted for motorcycle taxis over cars, transforming potential logistical nightmares into smooth spiritual passages. 

    “There was a method in the madness,” Tata reflects, describing how these agile two-wheeled vessels became their chariots through the sea of humanity.

    The decision to travel light – carrying only backpacks – proved equally crucial. Where others might have struggled with unwieldy suitcases, Tata and her husband found freedom in minimalism. This mobility allowed them to weave through the crowds with ease, their motorcycle taxis navigating paths where cars would have stood helplessly gridlocked.

    Their accommodation at Royal Kumbh, managed by The Secret Camp, offered a striking contrast to their minimalist transit strategy. “It was a beautifully organised setup,” Tata shares, describing their tent positioned along the Ganga’s sacred banks. This thoughtfully curated space provided not just luxury, but a serene sanctuary for reflection between spiritual immersions.

    The location proved strategic, offering easy access to the heart of the Kumbh while maintaining a peaceful distance from the most crowded areas. The blend of comfort and spirituality allowed them to fully absorb the profound energies of the gathering without being overwhelmed by its scale.

    naga baba
    What makes Tata’s journey particularly compelling is its transcendence of religious boundaries. Her husband’s Parsi heritage adds a fascinating dimension to their shared spiritual quest.

    “For us, this journey was not about religion but about experiencing the energy and being part of a once-in-a-lifetime event,” she explains, highlighting how the Kumbh’s spiritual magnetism crosses all denominational lines.

    Their experiences ranged from witnessing the dramatic presence of Naga Babas to finding kinship among fellow Isha Meditators.

    “It was incredible to witness people from all walks of life, rich or poor, from every background united in devotion,” Tata recalls.

    The sacred dip in the Ganga became a powerful symbol of unity, where the waters “seemed to embrace everyone, symbolising inclusivity and faith at its purest.”

    In an interesting contemporary twist, Tata acknowledges social media’s role in amplifying the Kumbh’s reach. Rather than viewing this digital dimension as a distraction, she sees it as a bridge making this ancient gathering accessible to a global audience. “While some may see it as a double-edged sword,” she notes, “it has undeniably helped bring attention to the event.”

    With an estimated 40-50 crore visitors, the event’s smooth operation stands as a testament to administrative efficiency. The Uttar Pradesh government and police force orchestrated what Tata describes as “organised chaos,” creating an environment where spiritual seeking could flourish unimpeded by logistical concerns.
    For Tata, who has been on a spiritual path for over a decade, the Kumbh experience served to deepen her existing practice.
     

    royalkumbh

    “The experience strengthened my faith in spirituality and reaffirmed my connection to this path,” she reflects. Even as her daughters remained distant – one in Bangalore, another in the United States – the journey became an intensely personal chapter in her spiritual evolution.

    As the Maha Kumbh approaches its conclusion on 26  February, Tata’s experience stands as both inspiration and practical guide for future pilgrims. Her journey illuminates how this ancient gathering has evolved to meet contemporary needs while preserving its spiritual essence. In navigating the delicate balance between comfort and authenticity, tradition and modernity, Tata’s story offers valuable insights for anyone drawn to this extraordinary confluence of faith, humanity, and divine energy.

    Her parting advice to potential visitors encapsulates the wisdom gained and can be applied to our daily lives as well. As she says, plan thoughtfully, travel light, embrace the unexpected, and remain open to the transformative power of the journey (to the Maha Kumbh or)  of your life. In doing so, you  too might discover, as she did, that both the Maha Kumbh and your daily experiences offer a far lot more –they  provide a gateway to profound spiritual awakening.

  • Warner Bros Discovery to launch Max in seven new markets

    Warner Bros Discovery to launch Max in seven new markets

    Singapore – Warner Bros. Discovery (Nasdaq: WBD) announced that its streaming service Max will launch on 19 November in Indonesia, Malaysia, Philippines, Singapore and Thailand, as well as Taiwan and Hong Kong. Max will be a brand new streaming experience in the region bringing fans blockbuster movies, series, iconic hits, engaging real-life content and family favorites through a strong product experience.

    Max brings together the highest quality entertainment from beloved brands like HBO, Harry Potter, the DC Universe, Cartoon Network, Max Originals, and the best of Hollywood movies, as well as can’t-miss programming from Discovery, TLC, AFN, Food Network, ID* and HGTV all in one place.

    From 19 November, subscribers can enjoy an elevated streaming experience on multiple devices with an easy to navigate interface including personalised recommendations, seamless search, genre rails and brand hubs. Providing a more intuitive way of exploring Max, subscribers can create up to five unique profiles, each customisable with favorite characters as avatars, receive content picks based on viewing habits and customise profiles for kids, curated with age-appropriate content and parental controls.

    Warner Bros. Discovery CEO and president of global streaming & games, JB Perrette said: “We are thrilled to bring Max to more consumers in Asia. Max brings together unparalleled quality content from iconic brands like HBO, Discovery, the DC Universe, Harry Potter, AFN, and Cartoon Network, as well as Hollywood blockbusters all in one place. Building on successful launches in the U.S., Latin America and Europe, Asia Pacific represents the next phase of Max’s globalization, making Max available now in over 72 markets with more to come in 2025.”

    Warner Bros. Discovery, APAC, president, James Gibbons said: “Warner Bros. Discovery has long entertained fans across Asia Pacific with culture-defining content from powerhouse brands. For the first time, this programming will be available in a brand new streaming app for regional audiences, with Max combining incredible breadth and depth and a best in class viewing experience.”

    Content offering

    Max will offer a collection of fan favorite content from theatrical hits, culture-defining shows, best in class real-life stories across food, home, lifestyle and documentaries, as well as family favorites.

    . As the exclusive streaming home for HBO Originals, Max will feature a slate of exclusive stories including new series Dune: Prophecy, the Game of Thrones prequel, A Knight of the Seven Kingdoms, IT: Welcome to Derry, the upcoming Harry Potter series, and new seasons of House of the Dragon, The White Lotus and The Last of Us. Subscribers will also have access to award-winning series, True Detective, Game of Thrones and Succession, as well as Max Original adult animation Creature Commandos, the first series out of the new DC Universe under James Gunn and Peter Safran.

    . Max will feature the best of Hollywood movies, including the full Harry Potter movie collection, Dune: Part Two, Barbie, Aquaman and The Lost Kingdom, Wonka, Mission Impossible: Dead Reckoning, Godzilla x Kong: The New Empire and the upcoming premiere of Beetlejuice Beetlejuice.  

    . Fans of Warner Bros. Discovery’s beloved collections will be entertained by Friends, the DC Universe, The Conjuring Universe, The Matrix and Sex and the City.

    . For the first time, real-life stories from Warner Bros. Discovery’s renowned unscripted programming from Discovery, TLC, AFN, Food Network, ID* and HGTV will be available in one streaming destination. Individual brand hubs on Max will feature worldwide hits including Deadliest Catch, Ghost Adventures, Property Brothers, Gold Rush, Dr. Pimple Popper and Selena + Restaurant.

    . Max will be home to kids’ brands Cartoon Network and CARTOONITO offering a wide selection of content for kids and families from Adventure Time, We Bare Bears and Tom and Jerry, to Looney Tunes and Teen Titans Go!.

    Plans

    Max will offer a choice of different plans. Full details about pricing will be announced in the coming weeks and will vary by country and provider.

    Mobile

    . Watch only on mobile phone and tablet

    . 15 downloads to watch on the go

    . Stream on one mobile device at one

    . Standard HD video resolution

    The Mobile plan is available in Indonesia, Philippines, and via select providers in Indonesia, Malaysia, Philippines and Thailand.**

    Standard

    Stream on two devices at once

    Full HD video resolution

    Watch on more devices, including TVs

    30 downloads to watch on the go

    Ultimate

    . Stream on four devices at once

    . 4K UHD and Dolby Atmos as available

    . Watch on more devices, including TVs

    . 100 downloads to watch on the go (limits apply)

    Max will launch in Indonesia, Malaysia, Philippines, Singapore, Thailand, Taiwan and Hong Kong on 19 November. The Max app will be available for subscription through Max.com, and through select partners – additional details will be announced in the coming weeks.

  • ‘The Penguin’ to premiere on JioCinema Premium on 20 September

    ‘The Penguin’ to premiere on JioCinema Premium on 20 September

    Mumbai:  JioCinema Premium has announced the premiere of the upcoming HBO series, The Penguin, on 20 September. The eight-episode drama, from the world of DC Studios, continues the epic Batman crime saga initiated by filmmaker Matt Reeves in the global blockbuster – ‘The Batman’.

    The series dives deep into the psychology of Oz Cobb, portrayed by popular Irish actor Colin Farrell, as he embarks on a ruthless journey to become Gotham City’s new Kingpin and a formidable opponent of Batman.

     

     

    The Penguin will also be available in Hindi, Tamil, Telugu, Kannada, Bengali, and Marathi on JioCinema Premium.

  • Sajan Raj Kurup joins The Commandant’s Shadow as executive producer

    Sajan Raj Kurup joins The Commandant’s Shadow as executive producer

    Mumbai: While India makes waves at the upcoming Cannes Film Festival, it was announced on Friday (26 April 2024) in a statement by Warner Bros. Pictures and Fathom Events that Daniela Völker’s much-talked-about documentary The Commandant’s Shadow is set to release in 500 theatres across the U.S. on May 29, 2024, with an encore presentation the following day.

    A little-known fact is that this hard-hitting documentary also boasts a strong Indian connection, with noted creative head and entrepreneur Sajan Raj Kurup serving as Executive producer on the documentary film.

    Speaking about this Kurup said, “It is a proud moment for us at Creators Inc. and Creativeland Studios to be able to back The Commandant’s Shadow, a story that deserves telling, and we are happy to see it reach a wide audience with its upcoming release in the US.”

    “For me personally, I am happy that the dream I set out to achieve, to back content that builds legacy, is one step closer. I am positive this will be the first of many such landmarks from Creators Inc. and Creativeland Studios” he added.

    The Commandant’s Shadow follows Hans Jürgen Höss, son of Auschwitz’s Commandant Rudolf Höss, confronting his father’s terrible legacy for the first time and as he is introduced to Anita Lasker-Wallfisch, a Jewish survivor of the camp. Their historic meeting, eight decades later, in Anita’s London living room, alongside their children Kai Höss and Maya Lasker-Wallfisch, delves into their very different hereditary burdens and raises questions about love, guilt, and forgiveness. This feature-length documentary explores the trans-generational impact of war crimes, yet ultimately offers a story of hope, acceptance, and compassion.

    The documentary film is written, produced and directed by Daniela Völker and produced by Gloria Abramoff, with Wendy Robbins, Neil Blair, Jonathan Blair, Matti Leshem, Joel Greenberg, Len Blavatnik, Danny Cohen, Sajan Raj Kurup, Jani Guest and Jamie Jessop serving as executive producers. Völker’s creative team includes directors of photography Rob Goldie and Piotr Trela, editor Claire Guillon, and music composer Gabriel Chwojnik.

    Warner Bros. Pictures presents, in association with HBO Documentary Films, A Snowstorm Productions / Creators Inc. Production, In Association with New Mandate Films, A Film By Daniela Völker, “The Commandant’s Shadow.” It will be distributed by Warner Bros. Pictures, and is rated PG-13 for thematic content involving the Holocaust, some disturbing images, and smoking.

  • Bobble AI appoints Ravi Shharma as its chief business officer

    Bobble AI appoints Ravi Shharma as its chief business officer

    Mumbai: Bobble AI on Friday announced the appointment of Ravi Shharma as its new chief business officer. In his capacity as chief business officer, Shharma will be responsible for driving B2B business growth for existing revenue streams – A&M (Advertising & Marketing), DaaS (Data as a Service), and  TaaS (Technology as a Service) and future streams, overseeing sales and revenue generation strategies, and exploring new market opportunities to scale revenue. He will work closely with the executive team to steer Bobble AI towards continued success and growth and report to founder & CEO Ankit Prasad.

    “We are excited to welcome Ravi to our team. His extensive work experience of around 25 years, proven track record as a sales leader with quite a few Fortune 500 companies, deeper understanding of media sales, ability & vision to scale businesses in a rapidly changing digital landscape and commitment to delivering results will undoubtedly be a great asset to our business going forward. Bobble AI has been roping in industry stalwarts to accelerate the growth and expansion plans and we are confident that Ravi’s integration into the team will strengthen that process & help us achieve new milestones,” said Prasad.

    Shharma comes with a solid reputation as a veteran sales leader with a rich and diverse background coupled with exceptional revenue growth skills while working as sales/ revenue head for many global & Indian media companies like CNN, Turner Broadcasting, Cartoon Network, Warner Bros, HBO, Gaana & Saavn in his previous stint. In his more than two decades of experience, he has contributed to an array of activities spanning evolving business strategy and value proposition, creating a multi-year business plan along with the creation of multi-geography business ecosystems.

    Having a strong understanding of the entire media landscape – from Print to TV to Digital as an industry stalwart, at Bobble AI he will be instrumental in envisioning, designing and executing impactful business development strategies aligning the company’s expansion plans, its industry vision and the impactful approach backed by exclusive consumer intelligence and artificial intelligence to bring a paradigm shift in the mobile marketing & advertising landscape.

    Shharma said, “In the last few years Bobble AI has emerged as the most impactful deep tech solution company in India by re-imagining the keyboard utility as a holistic conversation media platform that has empowered brands to engage with their millions of potential customers in a creative and non-intrusive way. Despite having worked with many global media companies for over two decades, it’s probably the first time I felt moved by the unparalleled disruptions in the mobile marketing & advertising space that Bobble AI is driving and challenging the incumbents. I am quite excited to be part of a visionary team of innovators and look forward to achieving our collective goals and driving the company’s growth.”