Tag: Grimaldi Forum

  • Sportel 2025: AI set to dominate sports content as clubs embrace fan-generated revolution

    Sportel 2025: AI set to dominate sports content as clubs embrace fan-generated revolution

    MONACO: Sports organisations have a decade at most before artificial intelligence swallows nearly all their non-live content whole. Scoreplay – the AI-powered asset management platform – chief executive and cofounder Victorien Tixier delivered that stark message at Sportel Monaco’s sports business conference.

    The technology has become the lifeline for clubs scrambling to flood time zones with content that keeps fans glued. Yet Tixier reckons sport has a fleeting chance to rise above the tidal wave of AI dreck—provided it doubles down on storytelling and authenticity whilst deploying AI to dub content, chase trends and turbocharge workflows.

    “Sport has a unique opportunity to differentiate itself from all that huge flow of AI-generated content by helping organisations invest time and effort on storytelling, authenticity, and capitalise on what makes sport emotional, very human, and then globalise that,” Tixier told the panel.

    Liverpool FC vice-president of media Matthew Quinn detailed how the English football giants ditched physical infrastructure for cloud storage, enabling content creation from anywhere. The club had “years of images stored under a person’s stairs at home that were unsearchable,” he said. Cloud technology let Liverpool scatter content teams across training grounds and away fixtures whilst keeping them connected.

    Liverpool now deploys regional agencies in MENA and southeast Asia to run social media feeds round the clock. “Whilst we sleep in Liverpool, they will be awake in Thailand and those guys can be creating content, jumping on a trend,” Quinn explained. But his real obsession is user-generated content—fans capturing trophy lifts can tell stories “a million times more authentic than the clubs can do,” he said, though AI must do the heavy lifting to process footage in real time.

    Quinn sketched Liverpool’s business model: create centrally, distribute by audience. Different age groups and locations devour content differently—linear TV, YouTube, membership platforms. The setup lets clubs pounce when new platforms materialise. “A few years ago, TikTok didn’t exist,” he noted.

    Tixier stripped the monetisation playbook bare: “You sell tickets, you sell licensing, you sell brand partnerships, and you’re a content business.” Content must power every revenue stream, whether plastering Mo Salah across the website to shift tickets or exploiting international players to crack new markets culturally.

    Wasabi Technologies product marketing manager Isabel Freedman spotted another angle: sponsorship. Brands can trumpet partnerships that matured alongside the sport using archived footage—a compelling pitch.

    Quinn imagines AI linking fan-shot videos to match moments, creating hundreds of perspectives on the same goal. It’s a seductive vision: supporters as storytellers, clubs as enablers, AI as the glue. The sceptics worry about job losses and hidden agendas. The believers see magic. Either way, the revolution isn’t pending. It’s live.

  • Olympic films triumph at Monaco’s glittering Sportel Awards

    Olympic films triumph at Monaco’s glittering Sportel Awards

    MONACO: Monaco pulsed with sporting glamour on 20 October as the 36th Sportel Awards crowned this year’s finest films at the Grimaldi Forum. Two Olympic Channel productions—Personal Best and I’m Carl Lewis—walked away with coveted golden podiums, the ultimate accolade in sports broadcasting.

    Personal Best, a South African production by Anant Singh, claimed best thematic documentary. The film shadows eight athletes through their Olympic Games Paris 2024 journey, offering a raw glimpse into medal-chasing drama. I’m Carl Lewis, produced by Noah Media Group for Olympic Channel, secured best biopic honours. The British production explores the uncompromising life of the nine-time Olympic champion whom the International Olympic Committee declared “Sportsman of the Century” in 1999.

    Prince Albert II presided over the ceremony, broadcast live on TV Monaco, before a packed Salle Prince Pierre. The prince personally handed athletics legend Marie-José Perec the autobiography award for her book Ma Vie Olympique, whilst motor racing icon Jacky Ickx received the lifetime sport achievement award.

    Other winners included NBC Sports, which took best slow motion for Ilia Malinin: Relatable Awe, and Welcome to Wrexham, which won best docu-series. France’s Comme tout le monde claimed best report, whilst Canal+’s La Quête secured best advertising. ESPN Deportes’ Las Amazonas de Yaxunah won the Peace and Sport documentary prize.

    Tennis star Henri Leconte presided over a jury featuring handball champion Allison Pineau, cyclist Masomah Ali Zada and footballer Lonsana Doumbouya. Marine Picoulet, executive director of Sportel Awards, called the 2025 edition “one of the most powerful and inspiring” yet.

    Both winning Olympic films are currently streaming free on Olympics.com—territorial restrictions permitting. For once, the podium finish comes without the sweat.

    GOLDEN PODIUMS
    Best Slow Motion Georges Bertellotti
    Supported by Comité National Olympique et Sportif Français
    Ilia Malinin: Relatable Awe
    Eric Hamilton, Max Rahamin, Ryan Yeager, Eric Girgash, Sam Tydings, Jack Felling – NBC Sports
    USA

    Best Thematic Documentary
    Supported by TVMONACO
    Personal Best
    Ady Walter & Amal Doghmi – Videovision Entertainment – Distant Horizon
    South Africa

    Best Report
    Supported by
    Comme tout le monde
    Pierre-Etienne Léonard et Mohammed Khouadja – WAA ULTRA
    France

    Best Biopic
    Supported by
    I’m Carl Lewis!
    Julie Anderson & Chris Hay – Noah Media Group for Olympic Channel
    United Kingdom

    Best Docu-Series
    Supported by Les Barbagiuans de Monaco
    Welcome to Wrexham
    Bryan Rowland, Josh Drisko and Jeff Luni – NEO Studios / Boardwalk Pictures
    United Kingdom

    Best Advertising – Christian Blachas
    Supported by A.S.Monaco Basket-Roca Team
    La Quête
    Sébastien Bovier – CANAL+
    France

    Jury Special Prize
    Laure ! Laure ! Laure !
    Guillaume Priou & Laurie Delhostal – CHENGYU
    France

    SPECIAL PRIZES
    Peace and Sport Documentary Prize
    Las Amazonas De Yaxunah
    Alfonso Algara – ESPN Deportes
    USA

    Sports book Prize  Renaud de Laborderie
    Supported by Comité Olympique Monégasque
    Rainer W. Schlegelmilch – Porsche racing moments
    Switzerland

  • Monaco’s Grimaldi Forum turns into a high-stakes sports-tech power play as Sportel 2025 starts

    Monaco’s Grimaldi Forum turns into a high-stakes sports-tech power play as Sportel 2025 starts

    MONACO: The sports industry’s deal-makers have flooded into Monaco this week, and the energy is electric. Nearly 70 countries have sent their sharpest minds to Sportel 2025, a three-day collision between legacy sports titans and maverick tech disruptors that kicks off today and runs through 22 October. This is where real money gets moved and genuine innovation gets showcased.

    The Grimaldi Forum is heaving with some of sport’s biggest names exhibiting: Fifa, La Liga, the World Cup of Hockey 2028, alongside a glittering roster of tech firms like Qualcomm, AWS, and Wasabi. But Sportel is no mere trade show—it’s a strategic summit where the next generation of sports media gets hammered out.

    The conference programme cuts straight to the chase. Javier Tebas, La Liga’s president, will deliver a keynote spelling out how the world’s most compelling league is monetising itself. But the real fireworks come in a masterly panel on investment: “Where is the next $1bn coming from?” features the CEOs of Surj Sports Investment, Kings League, and the Professional Fighters League, all circling the same question—which markets are still hungry, and where will private equity and sovereign wealth funds actually deploy capital?

    There’s more. A panel on Formula 1’s storytelling prowess asks whether authentic sport crossed with entertainment star power can turbocharge sponsorship and rights values. Then comes the tech avalanche: sessions on generative AI reshaping everything from content creation to the fan experience; on new live-streaming tools that personalise what viewers see; on how Liverpool FC is harnessing AI and cloud infrastructure to deepen loyalty across the globe.

    The Ligue 1+ case study is particularly clever—a league building its own direct-to-consumer platform, hoarding first-party data, and cutting out the middleman to capture fresh revenue. That model is spreading. So too is the adoption of ad-supported streaming as the default for OTT platforms. World Rugby, via the platform WURL, is showcasing exactly how.

    The conference even has a competition worth caring about: “Pitch Perfect Innovation Contest” will see start-ups including Pendular, FalconHQ, and Camb.ai each get three minutes to convince industry heavyweights that their solution deserves backing. And a Women’s Lunch (by invitation) will celebrate female leaders redefining the sport-media nexus—expect Alexis Ohanian from Seven Seven Six, Lauren Pedersen from SportAI, Fiona Wong from the NBA, and marathon world record holder Paula Radcliffe to set the room ablaze.

    The message from all sides is unambiguous: artificial intelligence, cloud technology, and direct fan relationships aren’t the future anymore. They’re the present—and if you’re not moving now, you’re already behind.