Tag: Grazia

  • Worldwide Media  gets going with Grazia Intern Diaries

    Worldwide Media gets going with Grazia Intern Diaries

    MUMBAI: For sometime now, publisher Worldwide Media has been churning out video content which has been making its way on television or on the web. Among the shows it has executed figure: The Good Homes show (in association with channel TLC and Hafele), Famously Filmfare  (Colors Infinity),  Nexa Journeys on AH1 (Discovery) and Secret Ingredients (for Michelin Tyres).

    And the latest to come out of its content studio (headed by Vidyut Patra) is the scripted reality web series Intern Diaries – an eight part show.  As the title suggests, it is all about the experiences of two young girls as they intern – where else but at Worldwide Media fashion title Grazia.  The first two episodes were released digitally on 15 May and with two being released every week, since then.  The last of the two episodes are slated to go out next week.

    “Given the current consumption pattern on digital, video content draws the maximum eyeballs and hence when it came to expanding Grazia’s audience base on digital, we thought of creating an original web series that would resonate its brand tonality – being young, easy chic, uber-cool and high street. Grazia , being a fashion and beauty brand catering to a younger audience and having interns working with the team round the year, the idea of Intern Diaries was formed,” Worldwide Media (Grazia’s parent) business strategy and special projects head Sunil Wuthoo explains, giving the backdrop to the series.

    To Worldwide Media’s advantage,  Lever brand Ponds BB+ latched on to the idea and agreed to associate with it. The reason: a similar target group of young female audience mainly into the world of fashion and glamour.

    The show features two girls – Tara and Anika, who are interning at Grazia and are aspiring to make a mark in the world of high fashion, style and Bollywood. And according to the Grazia website, the interns are seen working their way through tasks, completing them to the magazine’s standard. The web series  takes “the audience through a journey of real situations, fashion emergencies and challenges from a millennial’s point-of-view and is relatable.”

    Because it was shot in the Grazia offices, it features its editor Meharnaz Dhondy and members of the magazine’s  brand team. To add to the glam quotient, fashion  icons such as Manish Malhotra,   Anita Dongre, Masaba Gupta, Sonakshi Sinha  and Payal Singhal were roped in to interact with the Anika and Tara in scripted situations.

    Says Wuthoo: “We have shown them going through the daily grind like planning magazine covers or some or the other challenges like visiting a designer store to source clothes for a model shoot. And that’s where they get to interact with the star or the designers.”

    Line production was assigned to Bodhi Tree Multimedia. “The team was kept small to about 10-12 members so as not to disrupt the actual day-to-day functioning of the magazine and most of the shoot was done in all real locations across Mumbai,” reveals Bodhi Tree Multimedia co-founder Mautik Tolia.

    Promotion was in three phases – pre-teaser, teaser and promo. While the teaser phase was used to boost the excitement, pre-teaser phase saw celebrities talking about their own internship experience. Those videos were posted on Grazia’s social media pages as well as on the featured celebrities’ social media pages.

    This was further followed by the launch of the microsite that acted as a hub for this show, which not only hosted the episodes, but also a lot of ancillary content around the show including details about the characters and their fictional lives.

    “We also sustained the interest of the viewers by connecting them with the characters through Facebook live sessions and publishing key moments from the show on various platforms. All of this is also being cross promoted across various social assets belonging to brands like Filmfare, Femina, TopGear, Hello! India, which further helped reach out to a young demographic,” says Wuthoo.

    At the time of writing, Intern Diaries had manage to generate close to 10 million impressions, 2.5 million views, with a reach of 8 million.

    Also Read:

    Swiggy, AIB target India’s love for food and movies

    TVF’s ImMature first Indian show to reach Canneseries

  • WorldWide Media pushes into TV content creation

    WorldWide Media pushes into TV content creation

    MUMBAI: In August 2011, Bennett, Coleman & Co Ltd (BCCL) aka The Times of India group bought out the remaining 50 per cent of World Wide Media (WWM) from BBC Worldwide, making it a wholly owned subsidiary of arguably India’s largest media company.

    WWM had started off as a joint venture between the two firms to publish speciality niche magazines. Titles such such as Femina and Filmfare and licensed titles like Lonely Planet, Top Gear, Grazia, Hello! and Good Homes came under its umbrella. Most of them these have grown courtesy a loyal reader base and are adding substantial revenues to WWM’s topline.

    Deepak Lamba – who was earlier the president of Bennett Coleman – was roped in to spearhead it in January 2015 and fine tune its strategy. The idea: take it beyond traditional print publishing. And Lamba’s focus has been to transform it into a complete lifestyle and entertainment outfit. A special internal projects team has been created, which works on providing holistic branding and marketing solutions to clients, including content for the TV and digital space. Amongst the brands it is looking to extend onto digital and TV include: Top Gear, Good Homes, Lonely Planet, Hello, and Femina.

    “Digital is seen as the medium of the future but television is already here. Therefore, we are looking at that how our brands can be put across television platforms,” says WWM CEO Deepak Lamba. “We have signed a deal with Maruti Suzuki for the travel show where five celebrities from different walks of life and their biggest fan will take a fanatistic journey in the auto maker’s vehicles from India to Bangkok on the Asian expressway. The seven part series is slated to launch in November. Hello has an upcoming luxury show on ET Now and Romedy Now which is slated to go live two months from now. Good Homes will talk about how you can beautify your home on a finite budget. We also want to do the GEC version of our Filmfare talk show which is in the pipeline.”

    It is also expanding the Filmfare Awards franchise in August 2016 to cover north Indian cinema with the Britannia Filmfare Awards Punjab.

    “It’s been 63 years now for the Filmfare Awards. The Hindi cinema awards are telecast on Sony Entertainment Television,” explains Lamba. “The South India awards are in their sixtieth year and are telecast on Star channels; the East Indian awards on Star Jalsa, even as the Marathi awards are on Colors Marathi. We are also launching three music awards with regional GECs in the South and with local partners in Punjab.”

    Short filmmakers will also be eligible to take a stab at winning the lovely black Filmfare statuette with the launch of an award for digital movies, discloses Lamba. “The short films have to be of 15 minutes and we will have a prominent jury just like we have for our main awards and the main gratification is that winners will receive the award on the same stage.”

    WWM is likely to reach out to other production houses to partner it on some of its brand extensions into video, especially those targeting broadcasters. For its digital initiatives, it has put together a full-fledged in-house team which is working closely with its editorial team to roll out its properties. On the anvil is a fun-filled 15 minute celebrity chat show with Filmfare editor in chief Jitesh Pillai as its host. The pilot is being shot with the official launch expected to happen in the next two to three months. Lamba says the move into digital has come because advertisers have been asking for it. “There was also an internal need as being a part of BCCL, scale does matter a lot. In the magazine space we are already the number one. Also if you listen to your consumers and advertisers you will not go wrong.”

    OTT and VOD players have come knocking on WWM’s doors and conversations are on with them too.

    A foray into fiction is planned under the Femina brand. “The show is about a fantastic girl who is a little plump. A Gujju girl whose boyfriend dumps her for a skinny girl,” points out Lamba. “The show will track what she decides to do with her life and how she comes out on top of the world. ”

    Will the strategy of stretching existing print titles to video work? Media observers believe it will.

    “Titles such as Top Gear, Filmfare, Good Homes have a pretty loyal following both from advertisers and consumers,” says a media expert. “The WWM team will have to do something really wrong or screw up to fail at this extension strategy. I am betting that they will do well.”

    And that is something Lamba is banking on too.

  • WorldWide Media pushes into TV content creation

    WorldWide Media pushes into TV content creation

    MUMBAI: In August 2011, Bennett, Coleman & Co Ltd (BCCL) aka The Times of India group bought out the remaining 50 per cent of World Wide Media (WWM) from BBC Worldwide, making it a wholly owned subsidiary of arguably India’s largest media company.

    WWM had started off as a joint venture between the two firms to publish speciality niche magazines. Titles such such as Femina and Filmfare and licensed titles like Lonely Planet, Top Gear, Grazia, Hello! and Good Homes came under its umbrella. Most of them these have grown courtesy a loyal reader base and are adding substantial revenues to WWM’s topline.

    Deepak Lamba – who was earlier the president of Bennett Coleman – was roped in to spearhead it in January 2015 and fine tune its strategy. The idea: take it beyond traditional print publishing. And Lamba’s focus has been to transform it into a complete lifestyle and entertainment outfit. A special internal projects team has been created, which works on providing holistic branding and marketing solutions to clients, including content for the TV and digital space. Amongst the brands it is looking to extend onto digital and TV include: Top Gear, Good Homes, Lonely Planet, Hello, and Femina.

    “Digital is seen as the medium of the future but television is already here. Therefore, we are looking at that how our brands can be put across television platforms,” says WWM CEO Deepak Lamba. “We have signed a deal with Maruti Suzuki for the travel show where five celebrities from different walks of life and their biggest fan will take a fanatistic journey in the auto maker’s vehicles from India to Bangkok on the Asian expressway. The seven part series is slated to launch in November. Hello has an upcoming luxury show on ET Now and Romedy Now which is slated to go live two months from now. Good Homes will talk about how you can beautify your home on a finite budget. We also want to do the GEC version of our Filmfare talk show which is in the pipeline.”

    It is also expanding the Filmfare Awards franchise in August 2016 to cover north Indian cinema with the Britannia Filmfare Awards Punjab.

    “It’s been 63 years now for the Filmfare Awards. The Hindi cinema awards are telecast on Sony Entertainment Television,” explains Lamba. “The South India awards are in their sixtieth year and are telecast on Star channels; the East Indian awards on Star Jalsa, even as the Marathi awards are on Colors Marathi. We are also launching three music awards with regional GECs in the South and with local partners in Punjab.”

    Short filmmakers will also be eligible to take a stab at winning the lovely black Filmfare statuette with the launch of an award for digital movies, discloses Lamba. “The short films have to be of 15 minutes and we will have a prominent jury just like we have for our main awards and the main gratification is that winners will receive the award on the same stage.”

    WWM is likely to reach out to other production houses to partner it on some of its brand extensions into video, especially those targeting broadcasters. For its digital initiatives, it has put together a full-fledged in-house team which is working closely with its editorial team to roll out its properties. On the anvil is a fun-filled 15 minute celebrity chat show with Filmfare editor in chief Jitesh Pillai as its host. The pilot is being shot with the official launch expected to happen in the next two to three months. Lamba says the move into digital has come because advertisers have been asking for it. “There was also an internal need as being a part of BCCL, scale does matter a lot. In the magazine space we are already the number one. Also if you listen to your consumers and advertisers you will not go wrong.”

    OTT and VOD players have come knocking on WWM’s doors and conversations are on with them too.

    A foray into fiction is planned under the Femina brand. “The show is about a fantastic girl who is a little plump. A Gujju girl whose boyfriend dumps her for a skinny girl,” points out Lamba. “The show will track what she decides to do with her life and how she comes out on top of the world. ”

    Will the strategy of stretching existing print titles to video work? Media observers believe it will.

    “Titles such as Top Gear, Filmfare, Good Homes have a pretty loyal following both from advertisers and consumers,” says a media expert. “The WWM team will have to do something really wrong or screw up to fail at this extension strategy. I am betting that they will do well.”

    And that is something Lamba is banking on too.