Tag: Gori Tere Pyar Mein

  • Reliance MediaWorks partner with Dharma Productions

    Reliance MediaWorks partner with Dharma Productions

    MUMBAI: In yet another triumph of great visual post production work Reliance MediaWorks has delivered a whopping 750 plus VFX shots for Gori Tere Pyar Mein. Reliance MediaWorks have partnered with Dharma Productions to offer a complete range of post-production services like VFX, Digital Intermediate and Color Grading for Dharma productions latest offering.

    Reliance MediaWorks has a great working relationship with Dharma Productions, built over the years and brings that knowledge and learning to the project. The Reliance MediaWorks team worked closely with the Gori Tere Pyar Mein crew throughout filming, instead of coming in at the tail end of the production. This put Reliance MediaWorks in a position to help shape the overall look and aesthetics of the film.

    The goal with the VFX for the film was to be photoreal and keep the audience guessing about implementation. The film is set in a small village in Gujarat; Reliance MediaWorks (RMW) brought out the rural area and gave it a more rustic look through VFX.

    Mr. Venkatesh Roddam, CEO Reliance MediaWorks said, “As Gori Tere Pyar Mein’ is an easy-going romantic movie and not a VFX based movie, most of the VFX in the film is invisible. However, the elements that have been created as part of the VFX for the film play an essential role in the plot of the film, thereby making the task of handling the VFX that much more challenging creatively, and significant to the film. The movie is targeted at the youth with a lot of comic inputs, we preferred to keep the color scheme vibrant, yet signifying warmth and romance and switch the looks and textures as per the varying locations.

    There is a bridge in the film that forms a crucial element in the story. The same has been created through VFX in post-production, ditto for the river that flows beneath the bridge. The bridge was a modeled and textured computer generated representation of a real bridge. The models built had to be highly detailed because a large number of close-up shots were to be done on the bridge. For the river, various shots of a lake were taken, which were then given depth and magnitude using the VFX technology.

    Commenting on the same Punit Malhotra Director Gori tere Pyar Mein said, “For a film like Gori Tere Pyaar Mein, no one is really aware of the VFX work. Neither does the storyline indicate, nor is that highlighted in the communication. Thereby the transition of the VFX into the frames had to be seamless and almost invisible and non-intrusive for the viewer. That is precisely the reason why we chose to partner with Team RMW.

    One challenge was the set extension (the bridge and the river), since they appear in some scenes shot without cranes or tripods to stabilize the camera. Both the set extensions are very crucial to the film. It was essential that viewers believe that the same were real. It was also necessary to manipulate the physical environment to reflect the mood of the film. Since RMW was also the DI house for the project these types of color adjustments went very smoothly between the VFX and DI departments.

    Gori Tere Pyar Mein is directed by Punit Malhotra. The movie stars Imran Khan and Kareena Kapoor in lead roles, and is produced by Dharma Productions.

  • Krrish 3 continues its strong run; others struggle to make a mark

    Krrish 3 continues its strong run; others struggle to make a mark

    MUMBAI: Sunny Deol’s action film, Singh Saab The Great is old wine in a plastic bottle. With so much use of Punjabi language, it could well have been a Punjabi film due to which it loses out on patronage in South and East India while limiting it in other parts. The film’s appeal is only limited to single screens. The movie collected Rs 14.2 crore for its opening weekend which is not very encouraging.

     

    Gori Tere Pyar Mein – the second flick featuring Imran Khan and Kareena Kapoor Khan together – has failed to attract the audience from day one and failing to improve even on Saturday and Sunday. A poorly conceived and executed film, it draws neither youth nor the compulsive moviegoer. The film has managed a poor Rs 7.8 crore for its opening weekend.

     

    Goliyon Ki Rasleela: Ram-Leela crossed one more hurdle in UP as there were objections to the film’s title by certain people following which a court had stopped its screening in the state of UP. There were no shows on Friday and Saturday (22 and 23 November) in UP. The producer gave the film a new title, G-K.R.R, for UP and availed of the Censor Certificate following which the screening resumed from Sunday (24 November) onwards. The film has collected Rs 69.7 crore for its first week.

     

    Rajjo has proved to be a futile exercise with the film barley managing to collect Rs 1.65 crore in its first week.
    Krrish 3 has added Rs 8.5 crore for its third week taking its three week total to Rs 171.8 crore.

  • Bullet Raja misses the mark at the BO

    Bullet Raja misses the mark at the BO

    MUMBAI: Bullett Raja based on an outdated premise which a few decades back would have been classified as B-grade stunt movie, has not gone down well with the audience. While the film fared better with the single screen moviegoers, it was not accepted at the multiplexes. The film has collected Rs 19.7 crore for its opening weekend.

     

    Last week’s release, Singh Saab The Great has been below par; its mostly Punjabi lingo and flavour limited its appeal to a region. The film has collected Rs 20.8 crore in its first week with little to hope for in second week.

     

    Gori Tere Pyar Mein too has proved to be a disaster that it was predicted to be. An outdated story told in a patchy style, the film falls flat with poor response from day one. It was not a film worth making. The collections endorse the view. The film has collected a meagre Rs 12.65 crore in its first week.

     

    And though, it didn’t see a great opening, Goliyon Ki Rasleela: Ram Leela has had a decent second week, especially in Bombay Circuit. The film has collected Rs 22.1 crore in its second week with half of it coming from Bombay Circuit.

    Krrish 3 comes to the end of its run with the film collecting just Rs 2.5 crore in its fourth week. The film’s four week tally is Rs 174.3 crore.