ITV

Tag: Global Streaming

  • BBC Studios names Robi Stanton EVP & GM of global media & streaming ANZ

    BBC Studios names Robi Stanton EVP & GM of global media & streaming ANZ

    MUMBAI: BBC Studios Australia & New Zealand has just made a bold move, appointing Robi Stanton as EVP & general manager of Global Media & Streaming for the region. If the name sounds familiar, that’s because she’s been a media heavyweight for over 25 years, shaping the industry with her expertise in distribution, commercial strategy, marketing, and advertising sales at some of the world’s biggest media companies-including CNN International Commercial, Warner Bros. Discovery, and Turner International. Now, she’s set to make waves at BBC Studios.

    Working closely with Global Entertainment ANZ EVP & GM Kylie Washington, Stanton will spearhead content sales, channels and streaming, and advertising sales. Their mission? Delivering innovative, pan-business growth solutions that elevate BBC Studios’ footprint across Australia and New Zealand. No small feat—but if anyone can do it, it’s her.

    Her appointment comes at a time when BBC Studios Global Media & Streaming ANZ is already firing on all cylinders. Recent milestones include enhancing BBC.com and the BBC app, launching six FAST channels on Nine, bringing BBC First to Sky NZ, extending natural history deals with Nine and TVNZ, and renewing a long-standing premium content partnership with ABC. It’s clear—BBC Studios is on a roll, and Stanton is here to push it even further.

    With ambitious plans for content, digital platforms, and streaming services, BBC Studios is doubling down on its global media dominance. Stanton is expected to bring her strategic acumen to the table, further solidifying BBC’s standing as a content powerhouse.

    One thing’s for sure—this is not just another corporate shuffle. It’s a game-changer for BBC Studios in Australia and New Zealand. The countdown begins—Robi joins later this month, and we’re here for the action.

  • Culpa Tuya takes over the world, smashing Prime Video records!

    Culpa Tuya takes over the world, smashing Prime Video records!

    MUMBAI: Prime Video is rewriting the record books, and Culpa Tuya is at the centre of this cinematic revolution. This Spanish young-adult blockbuster didn’t just arrive—it took over, becoming the most-watched international original on Prime Video at launch. Who knew that a sequel from Mercedes Ron’s best-selling Culpables trilogy could ignite such a global frenzy?

    Since its release on 27 December 2024, the film has topped charts in over 170 countries, including Spain, France, Italy, Germany, Brazil, and Mexico—even securing a top three spot in the U.S. and U.K.. That’s right—90 per cent of streams came from outside Spain, proving that language barriers are no match for a gripping love story and some serious drama.

    So, what’s the secret? A sizzling narrative, characters you can’t help but root for, and the kind of suspense that keeps you glued to the screen. One thing is clear: Culpa Tuya isn’t just a movie—it’s a global movement.

    Prime Video also unveiled its top 10 most-watched non-English language international originals of 2024, spotlighting a year of record-breaking international hits. Seven different countries landed on the list, reflecting the platform’s commitment to global storytelling.

    Top 10 non-English language international originals on Prime Video in 2024 (Based on performance outside their country of origin in the first 4 weeks of launch):

    1. Culpa Tuya (Movie, Spain)

    2.  Apocalypse Z: The Beginning of the End (Movie, Spain)

    3.  Maxton Hall: The World Between Us (Series, Germany)

    4.  Citadel: Diana (Series, Italy)

    5.  Citadel: Honey Bunny (Series, India)

    6.  Red Queen (Series, Spain)

    7.  Marry My Husband (Series, Korea)

    8.  No Gain No Love (Series, Korea)

    9.  Betty La Fea, The Story Continues (Series, Colombia)

    10.  Like A Dragon: Yakuza (Series, Japan)

    The young-adult genre ruled 2024, with Culpa Tuya and Maxton Hall: The World Between Us leading the charge. Korean dramas also made waves, proving that audiences crave emotionally rich, binge-worthy content. Meanwhile, Spanish-language titles accounted for four out of the Top 10 spots, reinforcing the global appeal of Spanish storytelling.

    “It’s been a landmark year for International Originals on Prime Video, as customers increasingly embrace stories from across the world,” said Prime Video & Amazon MGM Studios VP – international originals, James Farrell. “Our success proves that great storytelling transcends language and geography.”

    Prime Video’s international originals didn’t just travel well—they shattered records in their home countries. Among the biggest hits:

     .  Mirzapur, Season 3 (India) – The most-watched show on Prime Video India at launch

     .  Oshi No Ko (Japan) – The biggest debut for a Japanese Original

     . Who Killed Him? (Mexico) – Mexico’s most-watched title of all time

     . The Park Maniac (Brazil) – The top Brazilian Original ever

     . Nahir (Argentina) – The most-viewed title in Argentina’s history

    Prime Video is doubling down on global storytelling with a lineup of sequels, new seasons, and adaptations of beloved franchises. Fans can look forward to:

     . Culpa Nuestra (Spain) – The next installment in the Culpables trilogy

     . My Fault: London (UK) – A UK-based spin-off of the franchise

      . Maxton Hall: The World Between Us – Season 2 (Germany)

     . Red Queen – Season 2 (Spain)

     . Betty La Fea, The Story Continues – Season 2 (Colombia)

     . Superboys of Malegaon (India) – A highly anticipated new Indian series

    “We’re thrilled to see Culpa Tuya resonate with audiences worldwide, breaking records and setting new benchmarks,” said Prime Video & Amazon MGM Studios head of movies & scripted TV, María Contreras. “The appetite for great international storytelling has never been stronger, and we’re committed to bringing even more compelling stories to our global audience.”

    With Prime Video’s International Originals smashing records across continents, 2025 is set to unleash even bigger cinematic waves. Who needs subtitles when a great story speaks every language? One thing is clear: the future of entertainment is borderless.

  • For the love of cinema, DocuBay unveils Fanatics by Studio 9

    For the love of cinema, DocuBay unveils Fanatics by Studio 9

    MUMBAI: What drives a fan to worship their cinematic idols with the fervor of a devotee? Is it the larger-than-life stories, the charisma of the stars, or something deeper – a bond that transcends the screen? For South Indian cinema lovers, it’s all of this and more. Come 7 December 2024, DocuBay, the global documentary streaming platform from IN10 Media Network, invites you on an exhilarating journey with Fanatics – a stirring original feature that peels back the curtain on the extraordinary world of South Indian film devotion.

    From Tollywood to Sandalwood, this documentary delves into the heartfelt, and sometimes overwhelming, passion of fans who turn theaters into temples and actors into deities. Fanatics isn’t just a film; it’s a celebration of an emotion that millions live and breathe – a spectacle that promises to move, inspire, and leave you in awe. Mark your calendars, because this is one cinematic story you won’t want to miss.

    Through in-depth storytelling, Fanatics journeys into the cultural heartlands of south India to showcase the acts of devotion and reverence that redefine fandom. From building temples in honour of their idols to life-altering sacrifices, the documentary portrays not only the admiration fans hold but also the darker consequences of such passion. Beginning with Tamil actor-politician MG Ramachandran’s era, the film traces the evolution of fan culture to the present day, including figures like Rajinikanth and Allu Arjun.

    The documentary features candid interviews with Indian cinema icons such as Allu Arjun, Kichcha Sudeep, and Vijay Sethupathi, highlighting their perspectives on fan loyalty and the influence it wields on society. The film also examines the risks of fanaticism, including violent rivalries between fan groups.

    Arjun reflects in the documentary, “Cinema has become a very strong, integral part of the culture—it’s no longer just a source of entertainment. Stars are highly idolised in the South, more than anywhere else I have seen in the world. Many fans do wonderful charity work, and that is great energy being put to the right cause.”

    Sudeep shares his perspective, saying, “When I see people building temples for me or getting tattoos, it honestly scares me because I am a man of flaws. Over time, you begin to understand the purity of their emotions and the immense love they have for you. It teaches you responsibility and makes you a better human.”

    IN10 Media Network, managing director, Aditya Pittie expressed the vision behind Fanatics, “At DocuBay, our mission is to curate and deliver intriguing narratives that resonate with global audiences. With Fanatics, we aim to provide an in-depth look at the unparalleled devotion of South Indian cinema fans. This first-of-its-kind documentary reflects our commitment to diverse and impactful storytelling that drives engagement worldwide.”

    Fanatics delves into the symbiotic relationship between fan loyalty and the business of cinema, highlighting how this devotion directly influences the box-office success of south Indian films. By presenting stories of fans piercing their tongues, tattooing their bodies, and dedicating their lives to their idols, the documentary balances the awe-inspiring and cautionary tales of fandom.

    Produced by Studio 9, Fanatics offers an unfiltered view into the world of extraordinary devotion. The documentary premiered exclusively on DocuBay on 7 December 2024.

  • Brightcove predicts seismic shift in global streaming

    Brightcove predicts seismic shift in global streaming

    Mumbai: Brightcove has predicted a significant global shift in how brands, enterprises, creators, and influencers engage, influence, and interact as they emerge as producers with true agency and ownership of their distribution and platforms and not just creators of their content, according to Brightcove Inc.

    With video streaming increasing and the value of the market, according to Fortune Business Insights, set to top $1.6 trillion by 2029, the trusted leader in streaming technology is expecting significant changes, including diversification amongst creators and a shift to more engaged direct marketing models for content owners.

    Commenting on the same, Brightcove chief executive officer Marc DeBevoise said, “Platforms such as YouTube and Netflix have helped take the industry forward to where we are now, but we do not believe these aggregator platforms and services are going to be enough going forward.”

    “We see a fundamental shift to owning content, its distribution and monetization, and its distribution platform, with the development and release strategy to super-serve the most loyal and highest-value followers, customers, and fans. The internet and streaming have allowed all of these producers to have a more defined and controlled voice, truly own their digital future, and control how their stories are told. Brightcove calls this phenomenon the producer economy,” added DeBevoise.

    The producer economy is the concept that brands and creators can now have more control over content creation, distribution, and monetization by building robust, multi-channel businesses across multiple established platforms and creating their own direct-to-audience platforms for their deepest and most loyal users, adding control over their first-party data.

    Brightcove highlighted its key predictions for this emerging trend during Brightcove PLAY Season 1, a streaming experience that features over 30 episodes of unique expert insights on how businesses can leverage the power of streaming to grow their digital businesses and reach. These predictions include:

    •     Creators will seek broader distribution and new ways to monetize content, including working with and extending beyond existing aggregators and services. Creators will diversify to own their own capabilities in creation, distribution, and audience, creating their own direct-to-consumer channels, endpoints, sites, apps, and free ad-supported streaming TV (FAST) channels.
    •     All companies and brands with consumers or customers on the internet will embark on further digital transformation and expand their audience reach across various owned and controlled channels, utilising social networks and platforms.
    •     The streaming ecosystem will evolve to enable creators to become producers with the ability to create, upload, store, manage, distribute, own their own platforms, own their data, and measure their content at all times. 

    “The move from creator to producer is critical. We currently operate in a robust market for streaming, and we also know how rapidly things can change. Brands and businesses must be able to tell their stories and stream videos to audiences on all digital platforms, including their own and third-party platforms. If you’re not ready now as a company, you will need to be very soon, or you won’t have the consumers and customers you have today,” said DeBevoise.