Tag: Girish Dwibhashyam

  • DocuBay to premiere ‘Kargil 1999: The Untold Story of the Indian Air Force’ on I-day

    DocuBay to premiere ‘Kargil 1999: The Untold Story of the Indian Air Force’ on I-day

    Mumbai: To commemorate the 25th anniversary of the Kargil War, IN10 Media Network’s premium global streaming platform, DocuBay, unveils an exclusive documentary, Kargil 1999: The Untold Story of the Indian Air Force. The film that brings forth the critical role of the Indian Air Force (IAF) in the Kargil War was screened in Delhi on the 9 of August in the presence of Senior Air Force officials and veterans who had played a significant role in this operation.

    The film significantly enhances DocuBay’s robust content slate of originals that showcase real stories covering topics like technology, culture, society, crime, relationships and more. It documents the IAF’s strategic and tactical prowess during Operation Safed Sagar, launched in May 1999 to support the Indian Army’s efforts to eliminate Pakistani encroachments in Kargil. The operation saw the Air Force deploy its best men and machines to support the military endeavour. The film offers edge-of-the-seat storytelling as this was the first time combat air power was used in the mountain ranges above 15,000 feet altitude and how laser-guided bombs were created and operated by the Indian Air Force during the war, appealing to a vast global audience.

    DocuBay COO Girish Dwibhashyam said, “We are honoured to collaborate with the Indian Air Force to bring Kargil 1999: The Untold Story of the Indian Air Force to our audiences. The film will not only delight defence and aviation enthusiasts but also be a gripping tale that will enthral audiences worldwide.”

    Featuring real-life accounts of IAF heroes and brings viewers closer to the never-seen-before action. Their stories, supported by rare footage and personal diaries, are inspiring tales of innovation and bravery.

    Juggernaut Productions CEO Samar Khan said, “This is the first time that Operation Safed Sagar is being documented and presented to the audience. We aim to bring to light the untold stories of these heroes, providing a detailed and personal account of their experiences. This documentary is a tribute to their sacrifices and a powerful reminder of their crucial role in securing our nation’s victory.”

    Starting 15 August 2024, Kargil 1999: The Untold Story of the Indian Air Force, produced by Media Indica in association with Juggernaut Productions, will be available to stream on DocuBay.

  • DocuBay’s ‘Bad Toys Inc.’ uncovers India’s booming pleasure toy market

    DocuBay’s ‘Bad Toys Inc.’ uncovers India’s booming pleasure toy market

    Mumbai: DocuBay, a platform for intriguing premium documentaries, part of IN10 Media Network brings you an engrossing tale of India’s little-known love for sex toys with their latest DocuBay Original release ‘Bad Toys Inc.’ The forty-five-minute film is all set to reveal a lot about evolving pleasure pursuits of individuals in the country!

    The documentary is a no-holds-barred look at the booming business of pleasure toys in India. While the global sex toy market is worth a massive $35 billion, India itself is touted to touch an impressive $200 million in the next five years. With very little in-depth research on the subject till now, the film dives deep into India’s vivid and vibrant world of intimate toys, taking us on a whirlwind journey of many surprising facts and gripping stories.

    ‘Bad Toys Inc.’ charts the quirky geography of sex toys, and how every Indian region has its own preference of the type of pleasure toys. From Assam embracing the most amount of BDSM gear, Mumbai seeing maximum sales of fetish products, and West Bengal being a big fan of edible underwear, ‘Bad Toys Inc.’ springs an array of pleasant surprises on the viewer as it unravels how, where, when and sex toys are used.

    What also makes the documentary unique is the bouquet of consumer stories it presents of individuals on the need for pleasure toys. ‘Bad Toys Inc.’ takes us to the valleys of Kashmir to tell the story of a girl who suffers from Vaginismus and finally discovers her path to pleasure through toys. It transports us to the lanes of Lucknow to introduce a couple who spice up their love life through intimate toys. It flies us to Pune, where a heartbroken girl chooses sex toys over a partner after suffering in many toxic relationships. Many such anecdotes are part of the film’s engrossing narrative.

    Blending an immersive plot with interesting trivia and incredible stats, ‘Bad Toys Inc.’ unveils things about India’s pleasure toy industry that most people could never predict. May it be the fact that pleasure toys are actually legal in India even though many think otherwise, or the forgotten truth that pleasure accessories have existed in India since ancient times, the documentary uncovers many riveting tid-bits that viewers may not have known about.  

    Featuring appearances by eminent experts including renowned sexologist and Padma Shri awardee Dr Prakash Kothari, ‘Bad Toys Inc.’ delivers insights into sexual evolution, fun trade secrets, scintillating data and powerful stories through a fascinating tale of the country’s love for pleasure.

    The film sheds light on the entrepreneurs behind start-ups that are bringing innovative sex toys to the fore. Founders of brands like I am Besharam, That Sassy Thing and The Sangya Project spill exciting trade secrets on how young India thinks about sex. You also get a gender specific view of sex toy shopping. Although men buy the most amount of sex toys at 64 per cent, women make the most amount of repeat purchases.

    ‘DocuBay’ is synonymous with path breaking content and genre defining documentaries. The platform is now responsible for some of the most watched and acclaimed documentaries in the digital space. ‘Water Mafia’, Bogus Phone Operators’, ‘Plastic Fantastic’ and ’12 Digital Masterstroke’ are some of the brand’s premiere titles that fetched massive viewership numbers online.

    Talking about the latest DocuBay Original, DocuBay COO Girish Dwibhashyam said, “Bad Toys Inc. is a documentary on a topic seldom explored in the mainstream. The in-depth look at the entire pleasure toy business in India will surprise audiences. In fact we too were astonished at some of the facts uncovered during the research of the film. Bad Toys Inc. will serve as an engrossing and novel viewing experience for audiences who like to indulge in real stories with a difference”.

    Producer of this film and Black Iris founder and director Richa Sahai said, “As a company, we’re always itching to produce bold, thought provoking content and Bad Toys Inc was a great opportunity to do that. It’s been challenging, exciting and super fun!  Quite a thrill to see people from different corners of the country open up about their most intimate experiences. Clearly India is far more progressive than what’s commonly perceived and we hope the risk appetite to showcase such content only grows.”.

    New India needs new stories! DocuBay’s ‘Bad Toys Inc.’ is one such documentary that serves as an engaging watch as well as an eye opener about the evolution of pleasure toys in India. If you enjoy watching films that entertain and enlighten, head to www.docubay.com, and get hooked onto ‘Bad Toys Inc.’.

    The film is set to release on Friday, 26 July.

  • DocuBay announces ‘12 Digit Masterstroke’: An untold insight into India’s Aadhaar revolution

    DocuBay announces ‘12 Digit Masterstroke’: An untold insight into India’s Aadhaar revolution

    Mumbai: DocuBay, the global streaming service from IN10 Media Network, has announced the release of its latest original, ‘12 Digit Masterstroke – The Untold Story of Aadhaar’ that unravels a behind-the-scenes story of the creation of the world’s largest social identity program, culminating into what is today known as “Aadhaar Card”, crafting a unique identity for over 1.4 billion Indians.

    Motivated to highlight topics of national and global importance, DocuBay depicts the untold story of an unlikely team of public and private sector professionals who came together at UIDAI (Unique Identification Authority of India) to design & implement India’s ground-breaking Aadhaar card system. The documentary explores logistical, technological, financial & bureaucratic challenges faced by the team, spearheaded by tech wizard Nandan Nilekani, aiming to achieve something that no one had attempted before in India. Team Aadhaar worked under two governments led by former Prime Minister Manmohan Singh and current Prime Minister Narendra Modi.

    “While there is a lot of awareness about the remarkable initiatives that have benefited over a billion beneficiaries of various government schemes, through the Aadhaar project, not many people are aware of the gigantic efforts which were required from a team of technocrats led by Nandan Nilekani that executed the project to fruition,” said DocuBay COO Girish Dwibhashyam. “We are thrilled and grateful to have captured this historic story into our DocuBay Orignal film.”

    The documentary, narrated by entrepreneur Ankur Warikoo, features UIDAI former CEO Ram Sewak Sharma, an IAS officer, who articulates technology in a ‘Dabang’ way. Ganga Kapavarapu, a tech buff who brought a financial focus to the program. Srikanth Nadhamuni, the ‘tech guru’, introduced a powerful technological armoury for the creation of Aadhar. Shankar Maruwada, ‘Sir Panch’, played a key role in marketing Aadhaar with a small team of four. Pramod Verma the ‘Chief Royal Architect’ of Aadhar sketched the building blocks for the program. Lastly, Ashok Pal Singh modernised the Indian postal system through digitalisation and their stories of overcoming challenges.

    “How do you encapsulate a five-year rollercoaster journey into 50 minutes,” said Wide Angle Films founder and CEO Sujata Kulshreshtha, on the challenges faced during research that underwent to produce the film. She added, “We had to overcome the challenges like lack of archival material from the period of execution and to get access to the key members of the team. Our team did in-depth research, even before we formulated the narrative as the documentary brings this incredible ‘made-in-India’ story to viewers.”

    Today in India, with the introduction of UIDAI’s Aadhaar system, transformation has been enabled across 600,000 plus villages and 400 plus cities in India as the unique biometric secure number has become the bedrock for multiple government schemes. From enabling financial inclusion to powering direct benefit transfer schemes, Aadhaar has reshaped lives, earning international recognition as a model for digital identity systems.

    ‘12 Digit Masterstroke’, produced by Wide Angle Films, is now exclusively available on DocuBay, inviting audiences worldwide to witness the extraordinary story behind India’s Aadhaar revolution.

  • ‘Water Mafia’ documentary is a harsh reality, extraordinary tale of the Indian water mafia

    ‘Water Mafia’ documentary is a harsh reality, extraordinary tale of the Indian water mafia

    Mumbai: In the last few years, the changed dynamics of the world have brought technology and culture integration. From the coffee sip to water culture, every society has its cultural dimension but have you ever heard about the artificial world crisis in the cities of Mumbai, Delhi, and other metropolitan cities? Yes, the probability of all society’s divide is because of the influx into metro cities. The answer is No. It’s none other than water.

    DocuBay recently premiered its exclusive first Indian documentary for Indian documentary enthusiasts named ‘ Water Mafia ‘. In the ’90s Mumbai suffered from roadside gang war. The Mafia was born out of the cotton industry transformation, closed orthodox economy, unavailability of jobs, strikes, and many other reasons. Now mafia turned from bullets to ‘ Wallets’. Mafia exists anywhere in society right from government employees, municipal corporation employees, politicians, local dons, or anyone. DocuBay predicted a crucial problem that is not out of cultural problems or luxury but is the ‘ Water Mafia’.

    school, and education institutes we learned about water scarcity but is it completely true? It is an artificial shortage created by the social evil mentality of a few individuals. Though the water level supply is optimum, the level of water supply is not reaching masses from its middlemen. DocuBay exposed the crime, criminals, modus operandi, bureaucracy, functional deficiencies, corruption, and most importantly ‘Lateral damage ‘of moral responsibilities and how basic right for water is freqent delibrated efforts abolish by water mafia.

    One of the largest worldwide documentary libraries and apps ‘ DocuBay ‘ premiered its launch of the new documentary Water Mafia in Mumbai.

    In the tough competition of OTT pricing and content warfare, DocuBay came up in India with Water Mafia to explore corruption in water supply in cities. It is the only app recently that offers content limited to documentaries and docuseries. Such contemporary issue awareness needs an hour. In this series, DocuBay produced nonfictional documentaries in a sophisticated manner without compromising anything in content. It is the first Hindi documentary by DocuBay to launch internationally. Whether it is photography, sequence, narration contextual understanding for the audience personally I feel awesome.

    The Investigative documentary provides an depth exploration of the extensive underground water market in the two major cities including Delhi, and Mumbai. Thought interviews of individuals connected to the water mafia, underworld, whistleblowers, victims, and citizens. The new thing I found in this documentary is not to rely on any fictional data and to focus on real pictures with crime data statistics.

    What’s new in the documentary – Infographics, content sequencing, cinematography, Journalist Vivek Agarwal’s spectacular research and analysis, and last but not least videography.

    What’s missing – I feel the length of the documentary can be more. It is a lengthy subject to tackle. From the initial scene, you get a special scoop that is untapped in OTT space. Personally duration of the documentary can increase also. The rest of the documentary is almost perfect.

    Internationally and nationally DocuBay has been expanding its horizons over the last four financial years. DocuBay targets niche market segments to occupy non-fictional market space. EBITDA ( Earning before tax interest depreciation and amortization) has increased more than 18 per cent globally.

    According to sources, DocuBay has a plan to expand into the Indian market by encompassing more Indian content soon exploring different subjects which not touched by Indian OTT cogloromates. DocuBay has plans to launch one documentary every month. In the Indian diaspora DocuBay not have recently launched full-fledged documentaries for Hindi heartland. It can be contextual and a mixture of Hinglish also with English.

    DocuBay has strategically tied up with many brand associates to leverage its target audience. With an increasing audience for documentaries, there is a high demand for documentary content but supply is not that optimum to explore for the Indian market. The DocuBay aims for insightful perspectives from Investigative journalists, economists, and urban planners to shed light on the role of government corruption through this documentary.

    Right now many OTT apps offer different GEC, web series, movies, and documentary content but the Indian market is running majorly on a hybrid model whereas DocuBay wants to be a trendsetter. Currently in the Indian market DocuBay costs 999/- per year which is slightly reasonable in comparison to its innovative offering.

    DocuBay is part of the IN10 media network’s extensive OTT cogloromate led by Aditya Pittie.

    The major concern highlighted in the documentary – The Water Mafia of our times looting people with series of chain exploitation to the common man. Particularly this issue facing in lower and middle-income segments. Crucially no administration is bothered about criminals and water thieves operating in slums.

    I strongly recommend this documentary for the documentary enthusiasts audience. The film is directed by Naman Govil. In the preview premiere show, Girish Dwibhashyam – COO, of DocuBay, and Anil Chaudhary – Director, of VICE India are the people who are committed to building state-of-the-art infrastructure for building brands globally.

    Where to Watch – DocuBay App on Google Play Store.

  • DocuBay unveils its first original ‘Plastic Fantastic’

    DocuBay unveils its first original ‘Plastic Fantastic’

    Mumbai: DocuBay, the leading global documentary streaming platform from the house of IN10 Media Network, is thrilled to announce the release of its inaugural original documentary, Plastic Fantastic, from its slate.

    This thought-provoking film provides a profound examination of human insecurities and the relentless quest for perfection, recognizing the pivotal role that external appearance plays in shaping one’s self-esteem.

    Plastic Fantastic is a testament to DocuBay’s dedication to crafting diverse and captivating non-fiction content across a range of genres.

    Commenting on the documentary, DocuBay COO Girish Dwibhashyam said, “The documentary touches upon on how people want to improve their looks; while most use cosmetic products, there are others who are not afraid to take extreme steps like permanent cosmetic surgeries. Our research unearthed some truly captivating stories on cosmetic procedures, which as an industry is valued at more than $50 billion globally, making this documentary a relevant & fitting addition to our line-up of intriguing originals that will entice viewers worldwide.”

    The documentary features gripping stories centred on captivating themes. One highlighted story follows an aspiring young entrepreneur who decides to undergo breast augmentation surgery to advance her career as a Salsa dancer. For her, the surgery represented more than physical enhancement; it was a catalyst for improving her career prospects. Likewise, another narrative explores an individual’s journey after gender affirmation surgery, choosing feminization procedures to emphasize feminine qualities in pursuit of acceptance from both family and society. Moreover, it further sheds light on several individuals who are either presently undergoing or have undergone cosmetic procedures like lip fillers, Botox, and others, aiming to boost their personal and professional aspirations.

    The SVOD platform anticipates that Plastic Fantastic will present viewers with intriguing explorations and motivations that underlie plastic surgery. By sharing the personal experiences of patients, insights from social commentators, and perspectives from leading experts in the field like Dr Parag Telang and Dr Umaira Shaikh, the documentary endeavours to foster a deeper comprehension of this evolving phenomenon.

    Produced by 1947 Productions, Plastic Fantastic caters to a broad audience, ranging from 18 to 55 years old, and will resonate with anyone curious about the realm of aesthetic surgery.

    The documentary is now available on DocuBay, as well as on various platforms including Prime Video Channels, Jio Fibre, Airtel Xstream Play, Tata Play, and others where the OTT service is accessible.

  • OTT platforms chasing the regional pie

    OTT platforms chasing the regional pie

    MUMBAI: It isn't just the broadcast sector that's woken up to the call of the regional, but even the budding over the top (OTT) platforms.

    On the stage of Vidnet 2018, hosted by Indiantelevision.com, experts from India’s leading OTT platforms were present. Voot Originals head and VP Viacom Tanya Bami, Eros Now VP editorial and content strategy Piyush Bhatia, monozygotic CEO Ravi Luthria, Arre Sharan Budraja and Spuul content head Girish Dwibhashyam shared their views on the state of content on OTT. The panel was moderated by Monozygotic founder Rajiv Laxman.

    Dwibhashyam highlighted about Spuul’s SVOD format and said that initially its primary focus was largely outside India but over a period of time, it captured users in India as well. According to him, currently, long form and live television are more suited for SVOD and for short form content which is less than 10 minutes, AVOD is the way to go. He added, “Earlier, viewership used to come from Mumbai, Delhi metro belt but in the last 9-10 months the consumption has started coming in from the small towns for regional languages like Bhojpuri, Punjabi and that is the trend that we are observing these days. So our focus in India will be more in vernacular languages as we believe that the next 400 million internet users will be different from people right now and they will largely speak vernacular language and would want to watch the content in their own language rather than English language.”

    Bami agreed to Dwibhashyam's point about Indian audiences getting inclined towards regional content. She said, “Half of the population is supposed to parallelly grow by 23 per cent in the next couple of years. So, those are people moving away from TV and if they were to watch TV, they will be already on Voot.” Furthermore, according to her, people are moving away from conventional mainstream content and are looking at the international channels and OTT platforms and those are the stories that are offered in regional languages which will gain traction from the viewers. “So the attempt is to move into pure-play storytelling and that will attract newer audiences to the ones who are digital natives. So to top-up the footfall that we may have is why we would go SVOD. Each show will attract the audiences like we did a very big experiment with a popular show on MTV, Kaisi ye Yaariyan, by bringing it on Voot.”

    Throwing light on the original content on the platforms, Bami said that serving original content is a must, but content strategy is also important. She said that the platform will be able to maximise and juice it up around content like extra dose, or behind the scenes or probably any sort of engaging content to the audiences will attract eyeballs. She explained by giving an example of Bigg Boss’s content strategy on Voot with Video Vichaar.

    Commenting on the same, Bhatia also added that original content is everyone’s primary focus on every OTT platform. While Luthria said the industry should get into more collaborations and developing content base because that will drive the industry. “Three years down the line you see the problem coming in that there are so many things happening. Also, if you are saying that there is no consolidation, then there will be more disruptive content because everyone will be running behind the same pie. So, I suggest there should be collaborative, creative content development.”

    Dwibhashyam concluded by saying that the Bible for content for OTT will be the internal consumption dashboard. “I think the future is going to be where we have seen it with Netflix or Amazon that how they used their internal data, that every platform today knows what content is actually getting consumed and what type of content works basically and in future consumers are going to see the stuff that they would like to watch.”