Tag: general entertainment channel

  • Hindi GEC tops GEC genre’s ad volumes in H1 FY’22: TAM Media report

    Hindi GEC tops GEC genre’s ad volumes in H1 FY’22: TAM Media report

    Mumbai : TAM media research’s subdivision AdEx India has released the half yearly report for advertising in the general entertainment channel (GEC genre). According to recent data, Hindi GEC tops with 24 per cent share of GEC genre’s ad volumes in H1 FY22 and  50 per cent indexed growth was observed. 

    GEC contributes 28 per cent of the ad volume share of overall advertising across different genres (H1 FY’21 and H1 FY’22). The GEC genre has five key sub-genres which include Hindi GEC, Tamil GEC, Telugu GEC, Malayalam GEC, Bengali GEC, and other languages GEC.

    During both periods (H1 FY’21 and H1 FY’22), Hindi GEC topped with 24 per cent share of the GEC genre’s ad volumes.  Three out of the top five subgenres retained their ranks in H1 FY’22. The top five subgenres accounted for more than 65 per cent share of ad volumes during both periods. 

    HUL, Reckitt Benckiser, and Brooke Bond Lipton India remained in the top three positions in the GEC genre in both periods  (H1 FY’21 and H1 FY’22). 960 plus advertisers and 2000 plus brands exclusively advertised in the GEC genre during H1 FY’22.

    May 2022 had the highest ad volume share that is 17.4 per cent during H1 FY’22. H1 FY’21 saw the highest share of ad volumes that is 27.9 per cent in GEC.

    580 plus advertisers advertised exclusively in GEC genre during H1 FY’22. JCB Industries was the top exclusive advertiser in the GEC genre followed by Mangalam Matrimony.com. Coca-Cola India and Pepsi Co were the new entrants among the top 10 list.

    Tata Play and Lizol All In One were the top exclusive advertiser and brand respectively during H1 FY’22 compared to H1 FY’21.

    The food & beverages industry topped with 29 per cent share of GEC genre’s ad volumes followed by personal care/personal hygiene with 20 per cent share.

    All industries except services, household products and personal accessories retained their rankings in H1 FY’22 compared to H1 FY’21.

    Prime time was the most preferred time-band on GEC genre followed by afternoon and morning time bands. Prime time, afternoon and morning time bands together added more than 70 per cent share of ad volumes.

    In H1 FY’21 and H1 FY’22,  less than 20-sec ads of the GEC genre had 28 per cent and 23 per cent share of ad volumes respectively. Ad commercials of 20-40 seconds were most preferred for advertising on GEC channels during H1 FY’21 and H1 FY’22.

  • Shemaroo Entertainment’s traditional media biz up by 39% YoY in Q1 FY23

    Shemaroo Entertainment’s traditional media biz up by 39% YoY in Q1 FY23

    Mumbai: Shemaroo Entertainment announced its financial results for the first quarter of FY23 recently. The company reported consolidated revenue from operations of Rs 96 crore, up by 28.4 per cent, and a Rs 20 lakh net profit.

    Its digital media business generated Rs 48.1 crore in revenues, up by 19.3 per cent YoY. The company’s traditional media business generated Rs 47.9 crore in revenues, up by 39 per cent YoY.

    Shemaroo’s expenses also grew to Rs 87.9 crore, up by 29.9 per cent YoY.

    The company reported a flux in media viewership across traditional and digital platforms on account of increased mobility due to the Covid unlocking period. The advertising spends for traditional advertisers were affected due to rising input costs, uncertainty in the global economic environment, and supply chain disruptions. This was amplified by the slowdown in start-up funding, which impacted new-age advertisers.

    Despite the challenges, the company delivered a strong performance in terms of revenue growth and maintained positive margins during the quarter.

    Shemaroo launched its third free-to-air (FTA) Hindi general entertainment channel (GEC) Shemaroo Umang in April. The company began monetising the channel via advertisements in July. As per the company, Shemaroo Umang opened at the No. 2 position among FTA GECs and held on to that position until the end of the quarter.

  • Star Plus collaborates with Nisha Madhulika for the show ‘Banni Chow Home Delivery’

    Star Plus collaborates with Nisha Madhulika for the show ‘Banni Chow Home Delivery’

    Mumbai: Disney Star flagship channel Star Plus and famous YouTuber Nisha Madhulika collaborated for its fiction offering Banni Chow Home Delivery, which started airing from 30 May 2022.

    A household name in the Hindi general entertainment channel (HGEC) space, the channel has taken the initiative to integrate Banni Chow Home Delivery, a show which features an empowered self-made woman’s journey, with Nisha Madhulika’s YouTube channel, featuring ‘Banni’ and Nisha herself.

    This show is aimed at showcasing the story of a young and vivacious entrepreneur, Banni, who runs a food delivery business where she cooks home-cooked meals for those who miss them. The character Banni is on a journey to becoming a self-made entrepreneur just like Nisha Madhulika.

    This first-of-its-kind collaboration takes the ‘traditional meets new-age media’ to another level, and creates a harmony between both the digital and television audiences, unlocking a new media landscape.  

    Nisha Madhulika has been featured in YouTube’s own spotlight campaigns and encourages each of her viewers, mostly housewives who are eager to learn new things on a digital platform. They aim to bring content in a meaningful manner, to the new set of audiences who straddle both digital and television, through this never-seen-before collaboration of YouTube and HGEC.

    Nisha is a Uttar Pradesh (UP) based home chef who started her digital journey with a blog. She launched a YouTube channel with her recipes in 2011 eventually rising to become India’s #1 female YouTuber and 15th biggest YouTuber in India with a subscriber base of 13 million. The majority of her audiences are female with the highest viewership between ages 25-34 in Hindi-speaking markets.

    According to an official statement from the channel, “This first-of-its-kind collaboration takes the ‘traditional meets new-age media’ to another level, and creates a harmony between both the digital and television audiences, unlocking a new media landscape.”

    “The traditional linear TV has realised the potential of the creator economy in catering to a wider entertainment hungry audience who are spoilt for choice with a plethora of avenues at their disposal. The result is the wonderful amalgamation of the traditional TV and creator economy,” the statement added.

    The initiative goes behind the usual format of short-term paid engagement to create a series of videos that bring out the synergies between the TV character (Banni) and a real-life YouTuber (Nisha Madhulika). This unique association will help Star Plus reach out to a wider audience and bridge the digital divide.

    Nisha Madhulika said, “It is a sure-fire way to expand the reach of niche audiences to offer more value to both brands. It’s about growing each other’s communities to build a strong content ecosystem. Such associations for content makers and content creators like me can be a crucial link for brands to leverage to tap more viewers across geographies.” 

  • Sun TV Network launches Marathi GEC Sun Marathi

    Sun TV Network launches Marathi GEC Sun Marathi

    Mumbai: Sun TV Network has launched its Marathi general entertainment channel (GEC) Sun Marathi on 17 October.

    The channel’s tagline is ‘sohala natyancha’ which translates to ‘celebrating relationships.’ The channel has announced three hours of original programming with six shows starting from 6:30 p.m to 9:30 p.m.

    The shows announced are “Nandini” at 6:30 p.m, “Sundari” at 7:00 p.m, “Jaau nako dur..baba!” at 7:30 pm, “Abhalachi Maya” at 8 p.m, “Kanyadaan” at 8:30 p.m and “Sant Gajanan Shegaviche” at 9 p.m.

    The channel has also announced ‘bagha roj jinka rokh’ (‘watch daily, win cash’) contest which every day offers an opportunity for more than 1,000 viewers to win up to two crores in cash prize from Dussehra to Diwali. Every day during the contest period, one question will be asked in each of the six shows and viewers will have to give a missed call to register their answers on the numbers provided, said the broadcast network in a statement.

    Sun Marathi is widely distributed and is available on all leading DTH platforms including DD Free, Dish as well as on all cable networks across Maharashtra for free. In terms of its placement, it is part of the Marathi GEC neighborhood on all the platforms.

  • Allison+Partners awarded PR mandate for Colors

    Allison+Partners awarded PR mandate for Colors

    Mumbai: Viacom18’s general entertainment channel Colors has named Allison+Partners as its India public relations (PR) agency, following a competitive agency search process.

    Allison+Partners is known for wide-ranging communication support given its award-winning work with a spate of innovative and iconic brands which best exemplify today’s confluence of entertainment, culture, music, and video, the company said in a statement.

    “We are thrilled to add Colors to our growing portfolio of leading consumer and B2B brands in India and look forward to developing exciting, high-impact multi-platform campaigns at the edge of creativity and innovation,” said Allison+Partners managing director of India Pranav Kumar. “We look forward to bringing shows and cast closer through digitally-led PR brand and corporate campaigns for Colors via media and influencer relationships.”

    The agency was recently named Provoke Media’s “Global Agencies of the Decade” and PRWeek’s “Top APAC Consultancies in 2021”. Allison+Partners continues its growth in the Asia Pacific region and key markets such as India by expanding its reach in the country.

    “As an agency, our core belief is that it’s all about the work – working together with innovative brands and talented teams, to deliver impactful results,” said Allison+Partners India senior VP of client strategy and operations Neha Merchant. “We feel privileged to be chosen by Colors and excited that our thinking resonates with the Hindi GEC leader’s approach towards continued category differentiation and unique programming.”

  • “More than skill and knowledge, Zee focuses on talent of an individual”: Rajendra Mehta

    “More than skill and knowledge, Zee focuses on talent of an individual”: Rajendra Mehta

    The performance of a company depends largely on how happy its employees are. And this precisely is the reason why one of India’s top most General Entertainment Channel (GEC) Zee Entertainment, has been able to climb the ladder of success at the quickest pace. The Network tests how happy its employees are… It conducts an annual Employee Survey, which measures employee opinions and perceptions, based on the level of trust between management and the employees. Called the Trust Index, Zee has seen an increase in it from a mere 65 per cent in the previous year to 74 per cent this year. The Network is now also listed as ‘The Best Company to work for in the Indian M&E (Media & Entertainment) Industry’ (as per a study conducted by Great Places To Work).

     

    Zee engages with its employees globally through its ‘Samvad’ philosophy, which ensures prosperity both at a micro and macro level and of the individual and the Company.

     

    The one connect between the employees and management is Zee & Essel Group Human Resource Head Rajendra Mehta. With a rich experience of over 17 years, Mehta has worked with various companies representing diverse sectors, ranging from engineering, lighting, mining, retail, commodity trading and media, giving him profound insight into implementing human resource plans.   

     

    In a t?te-?-t?te with Indiantelevision.com’s Seema Singh, Mehta talks about the reason behind the increase in the Trust Index, why one should join Zee, the best employee policies and much more…

     

    Excerpts:

     

     

    What according to you has helped Zee become the ‘Best Company to work for in the Indian M&E Industry’?

     

    Building an environment, which is a great working place, to my mind is a journey. And I believe that we are trying to build upon different pillars of strength, which help the company become a great place to work. Zee is one organisation which gives you an opportunity to do what you enjoy doing. It has all the ingredients of entrepreneurship, has the cheek of innovative culture and provides the opportunity to experiment with ideas. Hence, as a professional, if I have ten ideas, I will have people who support them and do not act as roadblocks.

     

    Even the shareholders are very open to new ideas as they want to experiment with them. The biggest advantage with promoter shareholders is that they don’t want a stagnant status quo and the need to keep evolving is the biggest strength of this workplace.

     

     

    How does the Trust Index work?

     

    In 2012, we came up with a long-term mission objective exercise. It was called the ‘2015 Commitment’. So, we worked on it in 2012 and at that point of time, we were assessing the strengths and weaknesses of the organisation and in our kind of industry, it is the people who make or break it. And therefore, we decided to work around a people-oriented strategy because they are critical to the success of our business. Then, we identified the fact that if we want to know exactly where we are, the only way to find out is to test our Trust Index based on some recognised framework.

     

    We chose the ‘Great Place to Work’ format because it actually does peer comparison; thus, comparing us with others in the media industry and also the top 50 organisations in India. In the first year of our Trust Index, we were at about 63, which is a low from a media perspective. We have worked hard on this since then and now, the scores have jumped to 74 and we are on par with the top media companies.

     

    The plan is to surge ahead and feature amongst the top 50 companies, which include the FMCGs and telecom companies. We want to be right on top because the entry and exit of people doesn’t only happen from the media sector. So, we should be as interesting an organisation for people from other domains to join as well.

     

    We are doing a lot of promos on the social media to vigorously promote Zee as a brand and as a result, there is a decent following that we have created. We have embarked upon a fulfilling journey.

     

     

    What is the strength of the workforce in Zee? What measures have you adopted to retain employees?

     

    Zee Entertainment has about 2,600 employees globally. Our presence is in 169 countries with full-fledged offices in Johannesburg, South Africa; New York, USA; Singapore, Dubai, UAE; China, Mauritius among others.

     

    Zee has one of the least attrition rates. The environment is conducive to people freely experimenting with ideas. We also ensure that the issues that employees face are resolved immediately so that it doesn’t keep them from working efficiently.

     

     

    Do you think enough people are looking to enter the media industry? What kind of promotional activities does Zee use to inform people about the industry and the company?

     

    I think people don’t have much awareness about the media and entertainment (M&E) industry. That’s why we do a number of campus sessions, activities online as well as engage on social media to create visibility about Zee. We are trying to attract people from other domains as well. I feel people don’t really understand the subsets of media.

     

    The domain is far more forward-thinking than meets the eye and is looking good and glamorous to boot. We therefore, try to talk about the positives as this domain has tremendous growth potential and is here to stay.

     

    What we also do is create case studies about Zee, which is then studied across premier institutions in India and abroad. We take campus sessions, where we talk about media, because more often than not, we are on the lookout for fresh blood, who we can then groom and they later become long-term assets to the company.

     

     

    How often do you hire? What do you look for in a person while hiring?

     

    It is an ongoing process. Say our attrition is 10 per cent, then there is still a churn of 200 people and hence, we need those many employees. On top of that, business is growing, new segments are getting added as well as new channels are coming in place; digital is taking shape and so we keep adding on people in these departments. There is a significant hiring spree. We hire about 50 – 55 people from good reputed B Schools every year and fortunately, we find people who end up being long-term resources for us. Generally, the professional lifespan of a management trainee extends over 10 years here. This implies good retention.

     

    More than skill and knowledge, we focus on the talent of an individual. We spend maximum time in identifying the talent suitable for a respective post.

     

     

    How different are your HR policies in comparison to other organisations?

     

    My belief is that Zee is far more forward looking in terms of its HR practices. I can safely say that from an HR person’s perspective, we are far ahead of others.

     

     

    What are the incentives and perks given to employees? Do they help to retain people in the organisation?

     

    I think the people-oriented practices that we have such as learning skills and development, capability building and so on. We want to build our learning skills as an organisation. Talent acquisition is focused upon while hiring personnel on the basis of strengths. We have a ‘Samvad’ philosophy, which we follow in this regard.

     

    For Performance Management System, I think we have the best tools. We believe in nine-blocker Performance Management System, and we have turned our organisational structure in such a way that it would be doing far more justice to people and their performances post this method.

     

    We have moved away from grade to band structure, which is far more forward looking and we believe that will bring some cultural changes.  Earlier, we had 10 grades and now we have moved to five band structure. The spirit behind this is far deeper and so, it is not a simple shift from a grade to band structure, but it is with the intent of real change in attitude, in the thought processes of people and what growth means for them and the organisation. The spirit behind it is what counts the most while implementing it.

     

     

    How do you keep your employees suitably engaged?

     

    We look at not only engaging employees conducive with the environment of the organisation, but also keeping in mind his or her role. Both are critical to us and we keep assessing the happiness quotient around these two broad objectives. If there is a conflict of interest, we resolve it faster. If there is a mismatch of talent and the respective role, then we try and change the role as soon as possible. We keep changing the scenario to make this place a happier one.

     

    We have trainings which we run through a practice called ‘Zenith’, which is our capability development initiative. Last year, we trained more than 1,700 employees through this programme. Our focus is not only on skills, but also behavioural transformation areas.

     

     

    What is Samvad?

     

    It is a people-oriented philosophy and it is all about the effectiveness of leaders. Talent is the basic foundation of Samvad.

     

     

    Zee is an organisation, where it is said that people can become business heads after spending 7 – 8 years in the company. Is that so?

     

    We believe that taking up a post is not about having a wealth of experience, but it is a matter of talent that people possess. And if people have the necessary talent, we don’t hesitate in pushing them up the ladder. This also helps them gain in maturity and confidence.

     

     

    How are people motivated to experiment? Don’t they face flak for their failures? 

     

    This organisation is supportive of failures after experimenting. Even if certain ideas fail, we do not take punitive action. On the contrary, we keep pushing people to experiment with ideas, because we believe that of the 10 experiments, even if two or three are implemented well, it will give you a humongous impetus in business performance. Failure is an integral part of growth and the organisation is supportive of that.

     

     

    What are the highlights of Zee’s employment policies?

     

    You can aspire to be the business head in the quickest possible time frame. It is an entrepreneur-friendly organisation, where you can experiment with novel ideas, and this place keeps you happy. The HR here supports people in both their personal and professional aspirations. We as HR have a far more inclusive approach in the business and are not sitting at arm’s length.

     

     

    What are the policies with regard to women employees?

     

    We have a forum on the internet called the ‘Zee Connect’. People can come up and if they have any grievance or feedback they can write to the forum. We also have a formal structure of addressing various concerns of women and are very sensitive to them. Also, we have a lawyer onboard to ensure there is an impartial investigation with regard to complaints. There are senior women from the organisation in the Committee, who are free to take decisions. We have even sacked employees and have also found that at times, complaints have been malicious in nature. There is absolute impartiality.

     

     

    What are the trends in the media and entertainment (M&E) industry, which would attract fresh blood?

     

    I think digital is a changing trend, which will attract. Secondly, digitisation will create multiple space for a very niche genre, and that will give individual geeks that opportunity to do what they enjoy doing in their characteristic manner. From content consumption, that will continue to grow. It will have its own niche and people can experiment and do well in the segment.  This whole space is growing rapidly in terms of size and volume. That will give rise to opportunities of employment and being associated with this domain.

     

     

    What keeps you busy?

     

    I think complete focus on growth areas and therefore, thinking about new opportunities and how we can deploy our people. What keeps me busy is also learning and development. If we have to be focused on the future, then we will have to keep building skills. Engagement is a big domain. My foremost aspiration will be that we don’t lose productivity of a single employee, just because he is now disengaged. It is our grave concern and so we keep addressing that issue. We keep building a conducive environment, which is positive so that people feel part of this business, and this helps us to hire with ease. Creating a bigger pool of talent that aspires to be here, is the biggest challenge.

  • A tale of intense action and selfless love on Life OK’s Nadaan Parinde

    A tale of intense action and selfless love on Life OK’s Nadaan Parinde

    MUMBAI: It’s a bright sunny day and Sameer as usual is up to some trick or pulling a prank on someone. It seems like a regular day for him and his family that lives at the border but that is far from the truth. He is unaware that he is being watched. Every movement, every step that he takes is being monitored. Someone is keeping a close watch on him. And then, there’s a transformation, something changes. The happy go lucky and the aimless Sameer’s life has turned 360 degree on the axis. Why has Sameer changed? It’s a world of illusion at the border…Life OK, India’s fastest growing General Entertainment Channel launches a first of its kind drama thriller series, Nadaan Parinde that will have viewers on the edge.

     

    Naadan Parinde explores the thrilling and captivating journey of an Indian family living at the border. The story brings alive the reality that nothing is what it seems at the border and for the people living there it is a life full of surprises and challenges. To capture the drama and the essence of the storyline effectively and extensively, Life OK moved its entire show production including the crew and artistes right in the heart of a real village in Punjab. The channel set up an entire new ecosystem in the village across multiple locations for its narrative giving the viewers a chance to enjoy the real mustard fields of Punjab, the dhaabas and the spirit of the people of the village who also lend their support to Life OK to make Nadaan Parinde a reality.

     

    The show will also open up a new slot at 6.30 pm for the channel, thereby extending Life OK’s prime time programming from 6.30pm to 11 pm. With this show the channel is also targeting the prime time slot of 9pm, giving its viewers a double treat.

     

    Sharing his thoughts on the show, Ajit Thakur, General Manager of Life OK says,” Life OK has always been conscious of creating content that breaks the clutter and gives viewers a chance to experience different stories. With Nadaan Parinde we have gone a step ahead in our endeavour by creating an entirely new ecosystem for the show in a small village of Kharar near Punjab,  far away from the comfort and convenience of Mumbai studios. It is a conscious decision that we have taken to give the viewers the feel and look of a real village that is set near the border. With this we are also challenging ourselves as we open up the series with dual timings; a new slot at 6.30 pm and the existing 9:00 pm space.”

    With a gripping narrative, we will surprise the audiences with never seen before thrilling elements and moments. With this we are also challenging ourselves as we open up the series with dual timings; a new slot at 6.30 pm and the existing 9:00 pm space.”

     

    Nadaan Parinde is produced by Imtiaz Punjabi and his company Scaling Heights. A story that will inspire and hold the viewers’ attention with its lead characters; Sameer played by Karan Rajpal as a happy go lucky and affable boy who lives life to the fullest, Meher portrayed by Gulki Joshi who is Sameer’s childhood friend, is progressive in thoughts and wants Sameer to make a mark for himself and Bebe played by Tanushree Kaushal who embodies the love of a mother who is not only protective but also stands by her child even amidst many a dark secrets.

     

    Starting 7th April, Nadaan Parinde will premiere on Life OK every Monday to Friday at 6:30pm and 9:00pm

     

  • ‘Bigg Boss 7’ was unique in many ways!

    ‘Bigg Boss 7’ was unique in many ways!

    MUMBAI: The end of the year 2013 seemed to be really good for the general entertainment channel Colors. One of its biggest properties of the year, Bigg Boss7, reportedly made on a big budget of 115 crore, not just got it audiences’ attention but also took its tally a notch higher in the ratings chart. The show was high on viewership throughout the season, however it was its finale episode on 28 December that added the cherry on the cake.

     

    Interestingly, the finale of the reality show became “phenomenon” according to Colors’ weekend programming head Manisha Sharma. “It had all the makings of a ‘masaledaar’ blockbuster including power-packed performances by the contestants and the host Salman Khan himself. This season has been the most watched, most buzzed and most trended season of all times. We are ecstatic with the response that the Grand Finale has garnered, not only in terms of TVTs but also with the kind of conversations that were generated across social media platforms,” says Sharma about the show that garnered 9,577 TVTs in the week 52 of TAM TV ratings.

     

    Many things have worked for the reality show that went on for 104 days unlike 96 days in the earlier editions. From a unique contestant mix, a fresh look and feel of the house, two different living conditions with the hell and heaven concept, to unique tasks and inclusion of an adorable pet – Heaven as a friend and confidant, just added to the show. “We have pushed the boundaries to raise the entertainment quotient of the show. The combination of all these elements have made the seventh season of Bigg Boss as one of the most popular season with the audiences,” says Sharma.

     

    It wasn’t easy for the team working behind the show to put everything together in place. Endemol’s (the show’s production house) MD Deepak Dhar says the process of planning and casting for the show begins much before it goes underway. “The moment one season is over, our casting team starts short listing contestants for the next season,” says Dhar, who remarks that a total of almost 500 people were involved in the production of the show out of which 420-430 persons were stationed in Lonavala where the 10,500 sq ft Bigg Boss house designed by Omag Kumar was located.

     

    “While managing the production crew has been a big HR exercise, what has worked in our favour in all the seasons is that the crew is really enthusiastic and are on its toes 24/7 to come across that one moment that could make the episode fun and entertaining,” says Dhar.

     

    For the recently concluded season, the crew could see the action unfolding in the house from the 147 windows in the house from where the 80 cameras were also placed in the camera galli(a dark alley that surrounds the periphery of the house and supply the editors with constant feed about what is going on inside). “There was a projection control room where the story editor sat with his team of 15 editors as they ran through the 24 hours of footage on a daily basis and edited it to a short episode of 44 minutes. With so many different elements, the USP of the show remains the editors who work on 12 hour shifts to ensure that all key moments and happenings are captured within the 44 minute time frame of the episode,” says Sharma.

     

    Dhar seconds and adds, “It is like a newsroom. There’s never a moment in the house that we can afford to miss.”

     

    There used to be a lot of hustle bustle for the weekend episodes for which host Salman Khan visited the house. In fact, there was an additional crew of around 100 people to take care of things during the shooting of the weekend episodes.

     

    This season, according to both Dhar and Sharma was very unique. Sharma says each day in this season was unique in its own way. “Emotions like friendship, hostility, jealousy, love that manifested within the contestants set the stage for an engaging viewing experience. There were some tasks that pushed the contestants to achieve targets that they had not even considered. The biggest example of this is the fact that two of the contestants – Sangram Singh and Kamya Punjabi broke the international Big Brother record by staying under a box for more than 50 hours.”

     

    Dhar, who has been personally involved in the production process over the years, says that this season they knew how to handle the difficult situations that cropped during the show. “Our 24/7 security team assures that there’s no complication on-location,” he says when quizzed about handling the situations when contestants got in to a brawl with each other, or threatened to jump off the fence etc.

     

    “Our teams are extremely alert and over the seasons have learnt how to handle on-ground situations. Our primary prerogative is to ensure that the contestants follow the rules of the game as well as remain safe throughout their stay inside the Bigg Boss house. For this, we have Bigg Boss who steps in as the ultimate authority inside the house. He guides the contestants and ensures that harmony is maintained,” adds Sharma.

     

    While it’s too early to say anything for the next edition, Dhar remarks that they are going to make the show bigger and better. “It’s going to be a new challenge,” he concludes

     

  • Star Plus gets a new GM

    Star Plus gets a new GM

    MUMBAI: There is a change at the top in the Star Plus office. The leading general entertainment channel has a new General Manager — Gaurav Banerjee, who will fill in the space for Nachiket Pantvaidya, who quit in September this year. He will report to Star India COO Sanjay Gupta.

     

    Gaurav was the executive vice-president, content strategy of Star India. He joined Star Plus in October 2009 and played a pivotal role in shaping the content around the theme, “Rishta Wahi Soch Nayi”. In his previous role at Star India, Banerjee had helped in content development for Star Plus as well as Life OK for shows like Mahadev, Diya aur Baati Hum and Sasural Genda Phool.

     

    An alumnus of St Stephen’s, Delhi University and MCRC, Jamia Milia Islamia, Banerjee joined Aaj Tak in 2000. He anchored The War Room that covered the Afghan war and elections. He then joined Star News and anchored the 9 pm news and was the executive editor of prime time news. He also played an important role in the launch of Star Ananda that was a big success from day one. He also set up Star’s regional channels and is credited to take Jalsha to the number one spot.