Tag: GEC

  • Big Magic amplifies reach across HSMs with DD Direct+

    Big Magic amplifies reach across HSMs with DD Direct+

    MUMBAI: Big Magic, the flagship general entertainment channel (GEC) from the Reliance Broadcast Network stable is on an aggressive spree to intensify distribution and reach across the Hindi speaking markets. Coming close on the heels of its distribution alliance with one of the leading DTH players, Videocon d2h, the Channel announced the inking of a carriage deal with yet another player DD Direct+. Big Magic will be available on channel number 28 on the platform.

    DD Direct+ is India’s only free direct-to-home service and reaches all parts of India, even where cable is not available, making it the answer to the entertainment requirements of the masses. The GEC offers an eclectic mix of entertainment which appeals to the sensibilities of audiences and ranges from family dramas, to reality shows, to cookery shows, to game shows to weekend movies, and more, and is designed to cater to audiences with a progressive mind set.

    Speaking on the occasion, Big Magic business head Sunil Kumaran said, “Big Magic is very happy to add DD Direct+ to it distribution bouquet. DD Direct+ penetrates into the deeper pockets where even cable TV finds it difficult to reach, adding substantially to our overall channel reach. Our mix of shows, appeal to a wide cross section of audiences and the addition of DD Direct+ allows us to take this content to newer audiences, otherwise difficult to reach.”

    Big Magic is already available across key DTH players ranging Airtel, Videocon d2h, Dish TV, Reliance Digital TV along with Hathway, Incable, Digicable, DEN, 7 Star, ABS, Siticable, Star Broadband and GTPL amongst others.

  • Jayesh Patil takes charge of Star Pravah’s programming

    Jayesh Patil takes charge of Star Pravah’s programming

    MUMBAI: A change of face will mark a change of programming strategy on Marathi GEC channel Star Pravah. Jayesh Patil has been roped in as the new programming head for the channel, filling in the shoes of Shrabani Deodhar who has been elevated to a higher position which is yet unknown.

    Patil was previously with Reliance Big Productions for nearly two and a half years where he led the programming as fiction head. Prior to that, he has been a writer for several popular shows starting off with Ek Mahal Ho Sapno Ka and continuing with trend setters such as Kumkum, Jassi Jaisi Koi Nahi, Laagi Tujhse Lagan and more recently with Bade Achche Lagte hain.

    Taking charge on 26 August, he has already got to work to study the market and to strategise new plans. “Marathi space is very attractive. There is lots of scope for experimentation and there will be a lot of focus on events,” says Patil. He says he has had enough of writing and now it is time for him to reinvent himself as well as the programming strategy of Pravah.

    As far as competition is concerned Patil says that it is always good to have competition. Marathi as a genre has been lagging as compared to other regional genres but Patil says that this was the case a few years ago, but not anymore.

    Pravah faces competition from Zee Marathi and E TV Marathi but as of now it is leading in the genre.

  • Suvarana launches three new shows to replace Kannada KBC

    Suvarana launches three new shows to replace Kannada KBC

    BENGALURU: The second season of the Kannada version of the Who wants to be a Millionaire – Kannadada Kotyadhipathi (KK) which catapulted Star Network's Kannada GEC offering Suvarna to numero uno in the Kannada ratings race ended on July 25.

    Hosted by one of the top actors from Sandalwood, Puneeth Rajkumar, KK ran every night Monday to Thursday for 90 minutes on prime time between 8pm and 9.30pm. Throughout this week the grand finale of Suvarna Super Jodi (SSJ) is being aired during this slot. SSJ's run will end Sunday, 4 August. SSJ was aired three days a week, Friday to Sunday between 8pm and 9.30 pm.

    Early this week, Suvarna announced the launch of three new 30 minute daily soaps which will run six days a week, Monday to Saturday starting 5 August. The shows which will replace KK and SSJ are Priyadarshini, Milana and Aragini, at the 8.00pm; 8.30pm and 9.00pm slots respectively. The channel plans to air movies on Sundays' for a couple of weeks during this slot before announcing a new weekly property.

    Suvarna business head Anup Chandrashekaran said, "These three shows are very different from each other. They have a strong story line and narration. I am sure that our viewers are going to enjoy them. All the three shows appeal to the mass audiences and cater to the entire family. Suvarna as a brand has built a strong loyal viewer base. Our current fiction offerings have made us the leader in weekday prime time, with the launch of these three shows we intend to maintain this leadership and further strengthen our position in the KGE market."

    The channel says that almost the entire inventory of spots for all the three shows has already been sold out. Suvrana's head of marketing and research Anil Narang said to www.indiantelevision.com ,"Spots generally are fully booked, and with the limit on ad spots, we have had to say no to advertisers and agencies often. We are planning a major outdoor campaign with over 100 hoardings across the state. Radio, print and magazines have also been planned."

    An emotional drama Milana is revolves
    around three characters

    Promos for the three shows began airing on Suvarna and the recently launched Kananda GEC Suvarna Plus. Outdoor and press conferences across cities in Karnataka, as well purchase of spots on radio stations are a part of the campaign to attract more eyeballs for the three soaps. Suvarna has purchased spots on Radio City in Bengaluru and on Red FM across the state.

    The channel has roped in an all new cast for each of the three shows, two of which are being directed by Ravi R Garani. Milana will be directed by R Madhusudhan.
    Priyadarshini is a story of two sisters (Kavya and Anjali). Anjali, a soft natured girl falls in love with a haughty Gaurav. Kavya, a boisterous girl falls in love with the ever courteous Gautham. A joint family which has been split from many years comes together because of these four characters.

    Suvarna says that the USP of the show is its lively and crisp narration. Its high emotional drama narrated with light humour is to attract youngsters and homemakers alike. Produced by Garani, the cast is Goutham – Gururaj V; Gaurav – Ajay; Kavya – Shwetha; Anjali – Amrutha S.

     

     

     

    Priyadarshini is a story of two sisters who bring their families together

    Aragini is a love – hate relationship between Sidharth Patil, an arrogant business tycoon and Khushi, a bubbly young girl from Bijapur. A series of unexpected incidents in their lives brings them together. The tussle between these contrasting characters forms the crux of the story. Directed by Garani, the cast includes Sidharth Patil played by Harish and Khushi played by Meghana.

    Milana is a story within the mind. It is an emotional drama woven by the three characters – Samarth, a successful corporate who has lived all his life as per his parents' instructions. He is highly ambitious and is looking to break-free from the clutches of his strict parents. Prarthana is a simple girl from a small town in Shimoga. She believes in small happiness and wishes for a happy family life. When Samarth's marriage is planned with Prarthana, he meets Aishwarya who is daughter of the maid in Prarthana's house. Aishwarya is an opportunist and desires all the happiness in the world. The love-triangle between these three characters forms the crux of the story. Directed by R Madhusudhan, the cast includes Samarth – Prashanth; Prarthana – Vinutha and Aishwarya – Pratula.

    The channel has canned about 10 episodes of each of the serials. "We plan for 70-80 episodes of a show at least, and we generally have a buffer of two weeks -12 episode bank in hand," revealed Narang.

     

  • Shagun TV launches new game-show Jodi No 1

    Shagun TV launches new game-show Jodi No 1

    MUMBAI: Earlier this year, Shagun TV, country’s first 24-hour wedding entertainment channel, was launched with a promise to have shows that were not only unique but also exciting to all matrimonial-related matters, whether it’s astrology, shopping or honeymoon travel planning.

     

    Trying to stay true to its theme, the channel is launching its first game show Jodi No 1.

    The game-show will try to explain the importance of marital relationship through each of its round. It will witness the participation of four married couples who will be tested on the grounds of compatibility. And the couple winning the majority of rounds will be the winner of the episode and will move closer to the trophy of Jodi No 1.
    The game show will highlight the importance of marital relationship through each of its round

     

    The sequence of rounds will try to see how well are the couples aware of each others likes and dislikes, how quickly they understand each others non verbal quos, how well is their understanding about rituals and customs of marriage, how much romance is instilled in their relationship and how much fun factor exists between them.

     

    “It is a niche channel and will cater to only a limited audience. So it is hard to say how will the channel or the show work,” says a media planner who went on to state the example of a matrimonial show, aired on a leading GEC a few years back and hosted by an actress, failed to garner much ratings.

     

    The one hour show will be hosted by actor-cum-anchor Agastya Jain and Sugandha Sharma and will be aired from 30 August, every Friday to Saturday, 8 pm onwards.

  • TVT gives us power to negotiate better: Broadcasters

    TVT gives us power to negotiate better: Broadcasters

    MUMBAI: The month of July saw the tamasha related to the ratings – TRPs vs TVTs and it was for a fortnight that the whole industry awaited for the three stakeholders to reach a consensus on how viewership numbers will be dished out and what will be the metric for evaluating how television is faring.

    Several meetings and exchanges of emails  between the involved parties gave birth to television viewership in thousands, colloquially referred to as TVTs. The format was devised to capture and reflect growth in TV audiences in the country in absolute numbers.

    And so from the past three weeks, the industry has been receiving ratings in numbers rather than percentages. Indiantelevision.com spoke to industry professionals to understand the changing scenario and the road ahead.

    Though most broadcasters feel that it is still too early to expect any major changes, but the numbers have surely put them in a better position to negotiate.

    “It is never too easy to get advertisers on board,” laughs and says Zeel chief sales officer Ashish Sehgal. “Currently, the way transactions are happening people sometimes still tend to refer to both (percentage as well as numbers) as they are habituated to the old ways. But to see the real change happening, we will have to wait for a while – till the whole universe is revamped in January,” he adds.

    He further elaborates, “Things like ad cap and ad rate hike are the roadblocks in adaptation of the new currency. However, broadcasters now have higher negotiating power.”

    On the same lines, a senior executive from a leading GEC is happy that TVT which is the accepted norm globally for gauging TV viewership has been finally adapted in India. “The new method is a true reflection of how many people are really watching TV and hence, it helps our sales team to utilise the data in a profitable manner while discussing ad rates with the clients.”

    The new method has benefitted the niche and regional channels the most which at times received zero per cent TRPs. ETV Marathi and ETV Gujarati business head Anuj Poddar says, “The shift of TAM from GRP to GVT is a healthy thing for everyone and I don’t know why the buyers and advertisers were protesting so much. Now it’s all doodh ka doodh, paani ka paani because it shows absolute numbers. It is very easy to compare across platforms.  You can see the reach of the channels and know the number of homes it reaches.It’s a good starting point where TVT helps all of us get our math right and to also know how and where to spend money.”

    However, there is a catch in the consensus achieved which is keeping all the stakeholders happy. For internal evaluation including planning and buying, percentage TVR weekly and all other data is still available to advertisers and advertising agencies as in the past. Hence, for most advertisers it’s business as usual.

    Parle general manager (marketing) Praveen Kulkarni says, “For us, it has not made any difference. We still go by the old currency (TRPs). So, there is no change in our media plans.”

    Similarly, Godrej & Boyce Manufacturing vice-president (sales & marketing) Kamal Nandi states, “The change has just happened so it is too early to say anything. As of now, we still refer to information in percentages.”

    He further elaborates and says that for TVTs to become a reference point will still take some time and it all depends on how fast planners and buyers can cope with the new metric.

    Media planners too think that it is too early to talk about benefits of TVTs over TRPs and continue to refer to the old rating method. A south India based media planner explains, “It is too early to say how it will change the way money is exchanged between the two parties. We are trying our best to make sure that both the parties are in a win-win situation.”

    On this, the GEC executive goes on to say, “Earlier an advertiser who would pay Rs 100 (and if 100 people were watching a channel) will now have to pay Rs 500 as the reach too would have increased to 500 viewers. And that is the main reason they were and are still opposing it.”

    Whatever be the case, one thing which is clear right now is that the broadcasters have engineered change in the way industry views how television programming is being consumed. And that is only phase one of their journey. They still have some road to travel to ensure that TVTs become the currency amongst aadvertisers and agencies.

  • Postpone 12-minute ad cap deadline to Dec 2014: I&B minister Manish Tewari

    Postpone 12-minute ad cap deadline to Dec 2014: I&B minister Manish Tewari

    MUMBAI: He could well be labeled the messiah of the broadcasting industry if his suggestion is heeded. Minister of Information & Broadcasting Manish Tewari has recommended that the 12 minute per clock hour advertising cap deadline be moved ahead to December 2014 from 1 October 2013 suggested by the Telecom Regulatory Authority of India. (TRAI)

     

    “The final phase of India’s cable TV digitization is likely to be over by September 2014,” he is reported to have said. “And the broadcast industry would be in a position to generate a substantial dividend from the digitized cable TV ecosystem which could well compensate them for the loss of air time revenues on account of the reduction in advertising air time. We, at the I&B, have hence suggested to the TRAI that ad air time reduction should follow the completion of digitization.”

     

    TRAI had in May 2013 mandated that general entertainment TV channels (GECs) and news TV channels should reduce their advertising air time per hour to 16 minutes and 20 minutes respectively from 1 July 2013 and to 12 minutes by 1 October 2013. The reason: GECs were booking and telecasting around 18-20 of ads per hour while for news channels the figure was 25-30 minutes. The advertising clutter was resulting in a poor viewing experience for TV watchers; hence TRAI had ordered the broadcast ecosystem to cut back around a year ago, but had delayed enacting the order until to May 2013.

     

    Broadcasters – specially news TV channels – had immediately protested this move, saying it could impact their financial viability. The news channels had also asked the Telecom Disputes Appellate Tribunal (TDSAT) to intervene a month or so ago after the headless body found itself a chief.

     

    However, both GECs and news channels had – for the large part – complied with the TRAI ad cap mandate and reduced their air time to 16 minutes and 20 minutes from 1 July 2013. The major Indian GECs had managed to increase their advertising air-time rates between 12-30 per cent, but news channels have said this has been difficult for them. They have also complained that high cable TV carriage fees have been a drain on their resources.

     

    The ball is now in TRAI’s court. Will it concur with the minister and his ministry’s recommendation? Will it do so for only the news TV channels or for all genres? Will the other genres of TV channels accept the largesse being doled out to the news channels alone? Will they also join the chorus and implore the government to help them out too? Questions that beg answers!

  • Broadcasters delighted; want I&B minister to push through ad cap delay

    Broadcasters delighted; want I&B minister to push through ad cap delay

    MUMBAI: With just a little more than two months left for the 12 minute per clock hour advertising cap to be implemented, the broadcast industry is applauding Minister of Information & Broadcasting Manish Tewari’s recommendation. The minister has reportedly stated that the ad cap deadline should be moved ahead to December 2014 from 1 October 2013 as suggested by the Telecom Regulatory Authority of India (TRAI).

     

    Times Television Network MD and CEO Sunil Lulla feels that the recommendation is in sync with reality. “From a news broadcasters’ point of view, we have put forward similar thoughts many a times with concerned bodies. Considering the difference between cost of production and the revenue generated, it would be better if news broadcasters’ were allowed to self regulate. We hope that the request is heard,” he anticipates.

     

    Similarly, a senior official from the News Broadcasting Association (NBA) agrees and adds, “Look at the cost for each broadcaster;  if he has to increase eight minutes of content per hour that is close to three hours of more content a day. Where will a broadcaster get so much money from when his ad revenue is going down? Even producers are going to demand more money as to produce a minute of content takes up a good one hour. There are 10,000 things that need to be done depending on the final decision…”

     

    The NBA official further elaborates, “As broadcasters we don’t know what to do. Everyone is saying different things, so who do we believe? What if a channel actually starts implementing changes and then they extend the date, it’ll be in a mess.”

     

     “We are happy that he’s understood our problem which is a genuine one and we hope that he will be able to convince TRAI. And we need take a decision soon,” say both the broadcasters.

     

    But what about other channels/genres? “One shoe for all is what I believe rather than two which might create confusion,” Lulla clarifies.

     

    To put forward advertisers’ viewpoint on the issue, Advertising Agencies Association of India (AAAI) president Arvind Sharma elucidates, “AAAI has always supported the thought implementing the ad cap after we know what is the full impact of digitisation is known.”

     

    However, when we contacted a senior official from TRAI, he told us that they too haven’t received any official “recommendation” from the ministry about postponing the deadline, but have only read about it in new reports.

     

    In May 2013, TRAI had mandated that general entertainment TV channels (GECs) and news channels should reduce their advertising air time per hour from16 minutes and 20 minutes respectively to 12 minutes by 1 October 2013. The reason given by the authority was that the advertising clutter was resulting in a poor viewing experience for TV watchers.

     

    Industry is hoping the minister follows up his suggestion with a formal appeal to the TRAI. “The bullet has left the gun…,” says an official from the Indian Broadcasting Foundation who was caught in surprise by the minister’s statement that TRAI should posptone the ad cap until cable TV digitsation is completed in September 2014.

     

    “We haven’t received any communication from the ministry regarding this. And if we go by the communication we have received in the past few days, there seems to be a conflict,” he says sounding puzzled.

     

    In the past too, there have been many ups and downs in the broadcasting industry. The whole ratings tamasha which went on for a fortnight was resolved when the three stakeholders – Indian Broadcasting Foundation (IBF), Advertising Agencies Association of India (AAAI) and Indian Society of Advertisers (ISA) – finally came up with a solution of providing the television viewership in thousands (TVT) to media and public.

     

    We at Indiantelevision.com can only hope that the recommendation doesn’t boil down to another controversy, but has a happy ending. However, one does wonder why the statement was made. Do up-coming elections have anything to do with it? Let’s just wait and watch…

  • Zee TV tries to recapture the 8.30 pm slot with Do Dil…

    Zee TV tries to recapture the 8.30 pm slot with Do Dil…

    MUMBAI: Indian soaps have in the past brought stories from the big screen to the small screen and Zee TV is doing so for its upcoming show – Do Dil Bandhe Ek Dori Se. The story – loosely based on the Hollywood film The Bodyguard – revolves around the adjustments one needs to make in his/her married life. Do Dil…will replace the long-running Hitler Didi from 12 August at 8.30 pm.

     

    The 8.30 pm slot is reportedly not a big one for most Hindi GECs and apart from apart from Sab’s Tarak Mehta ka oolta chasma and Madhubala ek ishq ek junoon on Colors, the others aren’t getting high ratings.

     

    However, Zee is optimistic about its upcoming primetime drama which delves a little deeper into the heart of a woman who marries a man who is unequal to her in every respect. The story unfolds in Jodhpur where Shivani and Raghu share a master – servant equation, respectively. Circumstances conjure up a situation where Shivani, the girl born to riches is married to an underprivileged Raghu.

     

    Says Zeel content head Ajay Bhalwankar: “The beauty of Do Dil Bandhe Ek Dori Se is its simplicity. The protagonists from two different backgrounds had different dreams while destiny etched out quite another plan for them. Raghu and Shivani are suddenly bound together by the design of destiny. It’s a wonderful and poignant story that showcases Raghu and Shivani’s journey from resistance to acceptance and embracing their destinies.”

     

    Producer Kalyan ‘Pintoo’ Guha and his wife Rupali of Film Farm Productions have signed on an impressive cast for the show. Says Rupali: “It’s with Zee TV that we began our television journey. We had produced Chausat Panne followed by Tumhari Disha and Rakhi. It’s an honor to produce our next show for Zee TV.”

     

    Arhaan Behl will enact the role of Raghu and Mansi Shrivastav will play the female lead, Shivani. Shivani’s grandfather will be enacted by veteran actor, Alok Nath as Balwant Rana. Rucha Gujarati and Vikas Sethi will be seen as Mahima and Jaswant Rana (Shivani’s bhabhi and bhaiyya) respectively.

     

    At the time of telecast, the drama series will be having 10 episodes in the can. There are two sets at Elora Studios, Dahisar – one being Raghu’s house with the second being Shivani’s house.

     

    The channel promises to go big on digital platforms like Facebook and Twitter. Apart from that the launch campaign of the show will include the use of audio visual mediums such as TV, DTH and cable in the Hindi speaking markets (HSM). Differentiated properties will be used in DTH such as shifting LCN, whereby a new channel will be created between any two existing channels where the show-related content will be telecast, and live streaming where as soon as one switches on their TV set and set top box, they will be diverted to the channel. Dish TV and Airtel subscribers will be able to experience this on the show’s launch day. Marketing initiatives have also been aligned around upcoming movies like Chennai Express.

     

    Media professionals say that Do Dil will do well, if the storyline and treatment is gripping and that is maintained through its life cycle. . Explains Maxus national director (insights) Priti Murthy: “Today there are two kinds of storylines which grace the screen – progressive and regressive. If the show has “entertainment” value and is able to excite the people it will work. It doesn’t matter if the show is old school or not. It should be able to excite people.”

     

    The folks at Zee TV and Film Farm clearly have their task cut out for them.

  • Zee TV’s &pictures launch to be followed by GEC Anmol

    Zee TV’s &pictures launch to be followed by GEC Anmol

    MUMBAI: Earlier this week, media offices went into a tizzy when a small pouch containing a fortune cookie and a chocolate box arrived at journos tables with just a tag ‘& coming soon.’ Additionally, an anonymous email arrived saying that &pictures has bagged the broadcast rights of upcoming film Chennai Express. No one knew who it was from; everyone was kept guessing.

    On 1 August, the anonymous sender’s identity was revealed. A press release arrived from Zee TV proclaiming that it is launching a new movie channel christened &pictures. And it gave sparse details about the channel.

    Now indiantelevision.com would like to reveal more about the initiative to readers: &pictures is currently being led by Zeel chief content and creative officer Bharat Kumar Ranga and is expected to launch a fortnight from now. And the target audience, well, it’s going to be young India, namely the youth. Hence, the channel will run films which excite them and which are not more than a decade old.

    “But that doesn’t mean we will not show cult movies like Jo Jeeta Wohi Sinkandar. Even today youngsters can relate to movies such as these and enjoy them to the fullest. So, whatever our TG wants, we will give it to them,” clarifies the source.

    The network is currently promoting the channel digitally keeping in mind that the TG is normally online 24×7. However, large-scale promotions and marketing activities will start only after the first week’s ratings, elaborates the source.

    Indiantelevision.com has learnt that there is more in the offering from the Zee TV network. It is slated to launch another GEC in September called Anmol which is likely to be like Star Utsav, that plans to air re-runs of Zee TV shows like DID LiL Champs, Indias Best Dramebaaz, Afsar Bitiya, Sapne Suhane Ladakpan Ke, Punarvivah and Pavitra Rishta.

    Moreover, the test signals of the channel have already started. Anmol has been added on Dish TV, running on channel no 103 via DD Direct Plus and has replaced 9XM (now on 670). The new channel has also launched its official Facebook page.

  • What keeps Life Ok ticking…?

    What keeps Life Ok ticking…?

    MUMBAI: In December 2011, when Star India launched its second Hindi GEC christened Life OK, the network made a promise to its viewers that through the channel they will see not only different but also out-of-the-box content.

     

    And keeping to it, the channel is launching a new show wherein the wife is the “other” woman. Gustakh dil portrays the life of a simpleton (Laajo) from a village whose husband (Nikhil) continues to be madly in love with his childhood sweetheart (Ishana).

     

    Commenting on how the show stands apart from the rest Life OK general manager Ajit Thakur asserts, “Disruption has always been a key thrust for us at Life OK and with Gustakh Dil we are aiming to bring out the other side of a love triangle. We are confident that people will accept this unique storyline and will appreciate our modest attempt at providing quality entertainment.”

     

    This is not for the first time that the channel has tried to do something different. In the past too, the channel has tried to grab eyeballs through it shows. It recently launched a reality crime-based show Police Dial 100 where the channel took a completely different track. Here, the team from Endemol follows policemen in Delhi, as they attempt to solve crimes and face different situations.

     

    “Police Dial 100 is Life OK’s effort to delve deeper into the functioning of law enforcing agencies and capturing on camera the highly stressful lives of our police forces lead”, Thakur had expressed earlier during the show’s launch in Delhi.

     

    Apart from it, another major property by the channel has been Savdhan India. However, one cannot deny that the crime based shows have done well for the genre.

     

    On the other hand, unlike the other channels which have failed to garner ratings and viewership through mythology, the channel struck gold with its mythological show – Mahadev – which is the most popular show on the channel.

     

    HavasMedia, MD, Mohit Joshi emphasis on it and adds, “Mahadev has set the grounding for the channel. And with good production quality and new shows every now & then, the channel has been able to grow significantly as well as make a mark for itself in the market. What even sets it apart from sister-concern Star Plus is the fact that it’s more contemporary.”

     

    What is interesting is that the channel not only brings out innovative shows but also has interesting FPCs. On 23 June, the channel showed non-stop 12 hours of fresh content comprising of crime, terror, mythology programming and Bollywood movies. Life OK plans to make it a regular initiative at least once a month as it feels that such kind of experimentation will make it a game changer. Before baara-se-baara, it had experimented with 6 a.m. – 6 p.m. and that too had worked well with the channel.

     

    Moreover, Life OK has acquired the format of the popular US reality dating game show The Bachelor and has commissioned the Zodiak owned SOL Productions to produce the Indian version – The Bachelorette India – Mere Khayalon ki Mallika which is expected to be on-air in September.

     

    “The series will strengthen Life OK’s programming and set another benchmark in quality entertainment”, states Thakur optimistically.

     

    However, Helios Media MD Divya Radhakrishnan resounds, “Though Life OK has been taking a lot of initiatives to make a name for itself among the leading Hindi GECs, it still has to do a lot more. Today the Hindi GEC cluster is leaving no stone unturned to come up with new shows, but are not moving any boulders. It’s just like any other GEC.”