Tag: GEC

  • Dangal TV gears up for launch of new shows

    Dangal TV gears up for launch of new shows

    Mumbai: Riding on the success of two of its prime-time shows, the 24 hours’ general entertainment channel (GEC) Dangal TV has entered 2022 on a high.  The channel has now announced a slew of new launches that will be premiered in the coming weeks.

    Apart from its growing fandom across the rural areas, the channel has also extended its viewership in the urban segment with two of its popular shows, ‘Rakshabandhan… Rasal Apne Bhai Ki Dhaal’ and ‘Nath Zevar Ya Zanjeer’.

    Launched in July 2021, ‘Rakshabandhan… Rasal Apne Bhai Ki Dhaal’ is an opening prime time show that is running in its seventh month. Based in Rajasthan, the story of a strong bond between two siblings as they navigate through various setbacks in life, has struck a chord with the masses. The show stars Nishant Malkani and Nyra Banerjee in the lead and has taken to finding its place amongst the top shows on Indian Television.

    Another show that connected with the audience is ‘Nath- Zevar Ya Zanjeer’. Launched in August 2021, the show got moved from a 10 pm slot to 8pm slot owing to its popularity. Starring Arjit Taneja, Chahat Pandey and Vaibhavi Kapoor among others, Nath revolves around the story of a progressive girl who takes on an age-old practice to dissolve caste and class boundaries in its utopian pursuit. A take that has found great rapport with its core audience.

    Dangal TV MD Manish Singhal said, “We at Dangal TV are delighted by the success we have found with both these shows, though it doesn’t really surprise us. We have a great connection with the masses and know the kind of content that keeps them engaged. Our social dramas are rooted in deep societal understanding and offer a progressive modern take on issues close to heart. We are working on many more original shows that will build on our success story in 2022.”

    Amongst the array of new shows, another newly launched show ‘Mann Sundar’ that captures the struggles of a dark-skinned girl Ruchita has resonated with audiences and gained mass popularity. Starting the year with a bang, and hitting the marquee soon is show ‘Rang Jaun Tere Rang Mein’ that was first aired on 3 January – a social drama, deep-rooted in the tradition of marriage. 

  • Zee TV challenges gender stereotypes in its new show

    Zee TV challenges gender stereotypes in its new show

    Mumbai: The portrayal of women on the small screen has always been a subject of intense debate. Some draw inspiration from the society, where women are often told to prioritise their marriage over their careers, or relegate their careers when it comes to making a choice.

    Zee TV is hoping to challenge some of these stereotypes in its fiction show – “Iss Mod Se Jaate Hain.” The show is an attempt to make audiences reconsider their approach towards women achieving more than their male counterparts, according to the channel.

    The story is told from the eyes of Paragi Parashar, the female protagonist who along with her love interest Sanjay Pathak, is preparing for her UPSC exam. While both of them are extremely motivated towards their joint goal of becoming IAS officers, the show captures the dynamics between the two families after Paragi clears her exam with flying colours and Sanjay doesn’t.

    The show is set to air every Monday – Saturday at 6:30 p.m, starting 6 December.

    Zee TV Business head Aparna Bhosle said, “It is a dramatic love story that presents an interesting scenario where the girl is a step ahead of the boy in terms of career accomplishments. Our show captures the diverse reactions the couple faces from both sides of the family and the impact it will have on their relationship.”

    “Iss Mod Se Jaate Hain” will feature actress Akshita Mudgal who will be portraying the role of Paragi, a smart, witty, and studious girl. On the other hand, the role of Sanjay will be played by none other than Hitesh Bharadwaj.

    “Our last association with Zee TV was the gloriously successful ‘Zindagi Ki Mahek,’ so now we’re excited to present audiences with the new show,” said producer Saurabh Tewari from Parin Multimedia. “The story touches upon a problematic social construct where a man is free to prioritise his career, but a woman is often told to focus on her marriage and not over-achieve, lest she should end up making her husband insecure and risk jeopardising her marriage. We would be happy if the show manages to make viewers introspect and reconsider their views on gender equality.”

  • Star Plus trumps regional GECs to regain top spot in week 38: Barc

    Star Plus trumps regional GECs to regain top spot in week 38: Barc

    Mumbai: Star Plus trumped close rivals Sun TV and Star Maa to emerge as the most viewed channel in Barc week 38 (between 18 and 24 September). The three channels have been fighting it out for the top position for several weeks, with the regional GECs dominating the list for the past three weeks.

    This week Star Plus clocked 2744.83 (‘000s) AMAs as against 2719.62 (‘000s) last week when it was at the second position. Tamil major Sun TV was next with weekly AMAs of 2650.54 (‘000s). 2512.05 AMAs secured the third spot for Telugu GEC Star Maa.

    Colors and Star Utsav clinched the fourth and fifth position. Riding high on IPL viewership, Star Sports 1 Hindi made a direct entry as the sixth most-watched channel in week 38. Sony SAB, Star Vijay, Star Pravah, and Zee TV grabbed the remaining four spots.

    Sun TV led the tally in the mega cities with 459.74 AMAs. Star Plus, Colors, Star Vijay, and Sony SAB followed. With weekly AMAs of 2644.6 (‘000s), Sun TV was the top performer in the South Market as well. Star Maa, Star Vijay, Zee Kannada, and Zee Telugu were at positions two, three, four, and five respectively.

    Maharashtra/Goa showed a clear preference for Star Pravah which bagged 1507.05 AMAs. With 1076.13 AMAs, Zee Bangla toppled long-time leader Star Jalsha to clinch the top spot in West Bengal. The latter slipped to the second spot.

    At 419.59 AMA, Tarang was the most viewed channel in Odisha, Zee Kannada in Karnataka (1461.09), Star Utsav in Rajasthan (245.59), and Zee Anmol (355.23) in UP/Uttarakhand.

  • COLORS ropes in Ranveer Singh for new interactive quiz show – ‘The Big Picture’

    COLORS ropes in Ranveer Singh for new interactive quiz show – ‘The Big Picture’

    New Delhi: COLORS is all set to bring the Israeli created quiz show – The Big Picture to Indian audiences soon. The Hindi General Entertainment Channel (GEC) has acquired the rights to adapt the international format and roped in actor Ranveer Singh to host it. BYJU’S has come on board as the presenting sponsor.

    COLORS will unveil the first look of the show- BYJU’S presents The Big Picture- ‘Tasveer se taqdeer tak’ ka khel’ on the channel at 6:45 pm on Saturday. The new show will also be available on Voot, and Jio TV, it said.

    The 12 stage trivia-based game show created by Israeli mentalist Nimrod Harel and Israeli content company Acappella was first commissioned by Dutch-based broadcaster RTL4 in 2014. It leverages the power of visual media and gives the participants a chance to win grand prize money by identifying pictures that appear in front of them on a large screen. It provides three lifelines to the contestants. The interactive format of the show also allows the viewers to play from the comfort of their homes and win big.

    Viacom18, Hindi Mass Entertainment and Kids TV Network, head Nina Elavia Jaipuria said, “With a view of bringing new and enhanced entertainment experience for our viewers, we have over the years pioneered diverse genres that include dance reality shows, talent-based shows, stunt-based shows and voyeuristic content. Breaking new boundaries of entertainment, we are extremely excited to announce one of the biggest and differentiated quiz shows- ‘The Big Picture’. We look forward to presenting this extremely unique proposition to our viewers which will be helmed by superstar Ranveer Singh.”

    It will also mark the Television debut of actor Ranveer Singh who has been roped in to host the quiz show. “Indian cinema has undeniably given me everything – it’s been a platform for me to excel and showcase my skills as an actor and I have been fortunate to get immense love from the people of India. Now, I look to connect with them in an extremely unique and engaging way through my television debut with COLORS’ The Big Picture. The proposition of introducing India to a ‘now’ generation quiz show sealed the deal for me,” said actor Ranveer Singh.

    Viacom18, Hindi Mass Entertainment, chief content officer, Manisha Sharma said, the channel is entering into an exciting new territory with the show. “What stands out is the show’s simple yet focused format based on visuals, interesting lifelines and enhanced interactivity interface for the viewers. Visuals are a powerful medium, one that the new age India best connects with. This concept will not only provide viewers with a platform to test their visual knowledge but also give them a chance to win Big.”

    The show is being brought in association with Banijay Asia and ITV Studios Global Entertainment B.V, said the channel.

    Banijay Asia founder and CEO Deepak Dhar said, “We are delighted to kick off our partnership with COLORS with the internationally acclaimed ‘The Big Picture’ and are confident that its unique format will garner as much attention in India as it did internationally. Working with a powerhouse like Ranveer Singh is an exciting feat in itself and we are looking forward to creating some quality content that stirs excitement and engagement at the same time.”

    ITV Studios, SVP licensing at Global Entertainment, Ayesha Surty said, “We’re thrilled to have this exciting format in India following other ITV Studios formats like ‘The Voice’ and ‘I’m A Celebrity..Get Me Out Of Here’. ‘The Big Picture’ brings in viewers from home as active participants and sees the return of ‘feel good television’, enhancing family viewing. We couldn’t have asked for a better platform than Colors TV or a more captivating host than Ranveer Singh to bring alive this highly energetic and enthralling show.”

  • Sa Re Ga Ma Pa Lil Champs returns to Zee Marathi after 12 years

    MUMBAI: Zee Marathi is all set to bring a new season of Sa Re Ga Ma Pa Lil Champs after 12 years. The iconic singing reality show has not only leveraged the power of music in uplifting young kids, but also marked a valuable contribution to the growing talent in the entertainment industry.

    The grand return of Sa Re Ga Ma Pa Lil Champs will see a slightly different format this year. There will be no elimination in the season. It will be the first-ever Marathi singing reality show with no elimination until the grand finale. Total 14 exceptional young talents will be seen competing for the winning title of Sa Re Ga Ma Pa Lil Champs. The mammoth task of grooming and guiding these contestants, rests on the shoulders of the renowned ‘Panchratna’ from the previous season which was aired in 2009 – Kartiki Gaikwad, Rohit Raut, Arya Ambekar, Mugdha Vaishampayan and Prathmesh Laghate.The talented singers won everyone’s hearts in the previous seasons and now they are ready to mentor the contestants by playing the crucial role of the jury in this season. Popular actress Mrunmayee Deshpande will helm the show as the host, starting from 24 June, airing from Thursday to Saturday at 9.30 pm, only on Zee Marathi.  

    Zee Entertainment Enterprises Ltd, Amit Shah, cluster head – north, west & premium channels, Amit Shah said, “At Zee Marathi, our commitment has always been to deliver the best of Marathi entertainment to our audiences. Our philosophy is Mi Marathi, Zee Marathi – which means wherever there are Marathi viewers, we will be present. Sa Re Ga Ma Pa enjoys a rich legacy of being amongst the longest-running reality shows and we are extremely glad to bring back this popular show for our viewers. With a new and engaging format, we are sure the show will elevate the power of music and positivity, offering an extraordinary entertainment experience.”  

    Zee Marathi, business head, Nilesh Mayekar, said, “We understand that the viewers have been missing out on their weekend dose of authentic entertainment and with the comeback of Sa Re Ga Ma Pa Lil Champs, we intend to bring the entire family together once again to create a wholesome viewing experience. It will be a celebration of singing talent across the State that is bound to increase the entertainment quotient of this season substantially. We are sure that the viewers will shower their love upon this new season of Sa Re Ga Ma Pa Lil Champs.”  

    The show will be aired at 9.30 PM on 24 June only on Zee Marathi.

  • MIB asks GECs to promote Covid helplines

    Mumbai: The union ministry of information and broadcasting (I&B) asked general entertainment channels (GECs) to promote six central government Covid helpline numbers. The country is battling with its worst-ever health crisis, with over 2,500 people succumbing to the infection daily.

    “The private general entertainment (non-news) TV channels are advised to promote awareness of these six national level helpline numbers by way of a ticker or such (other) appropriate ways as they may consider, at periodical intervals,” the I&B ministry said in its recent advisory.

    It has asked channels to promote national helpline numbers that include the union ministry for health and family welfare (1075), women and child development ministry (1098), and the national institute of mental health and neuro-sciences for psychological support (08046110007).

    Apart from these three major helplines,it has also sought to promote other helpline numbers that include, the AYUSH COVID-19 counselling number (14443), the MyGovWhatsApp help desk (9013151515), and that of the union ministry of social justice and empowerment for senior citizens (14567).

    In its advisory, the I&B ministry noted that the second wave of the coronavirus in India was showing signs of slowing down, even as the number of fresh cases was still on the higher side. On Friday, the country recorded as many as 1,34,000 new cases. The advisory also lauded private channels for complementing government efforts to fight the Covid pandemic by creating awareness regarding the infection.

  • Viacom18’s Simran Hoon joins The Q as India CEO

    Viacom18’s Simran Hoon joins The Q as India CEO

    Mumbai : Hindi general entertainment channel The Q has roped in Simran Hoon as the company’s chief executive officer, with immediate effect.

    In her new role, Hoon will leverage her experience and insight to provide strategic direction to create new opportunities for The Q in India thus driving the organisation’s overall growth. 

    In a statement released on Wednesday, the company said Hoon carries over two decades of industry experience. Prior to joining The Q, she was associated with Viacom18 as executive vice-president and head of ad sales. She has also been a part of Zee Entertainment Enterprises, Star India and Sony Entertainment Television in leadership positions.

    QYOU Media co-founder & CEO Curt Marvis said, “It is the right time to add someone with Simran’s extraordinary capabilities to our leadership team. Our growth in India has been exponential and we are confident that Simran, with her keen business acumen and  in-depth understanding of the industry, will immediately propel The Q forward. Simran’s distinguished record and forward-thinking approach will help us stay ahead of the curve.”

    The Q India co-founder & MD Sunder Aaron added, “She is a seasoned professional with extensive knowledge of the media and entertainment industry, who brings with her rich experience and enormous expertise that we believe fervently will take The Q to the next level. Her expansive knowledge and understanding of the Indian television market will be of immense value to our company.”

    The Q India is an advertiser and influencer marketing supported Hindi language general entertainment channel which recently reached 48.07 Gross Rating Points (GRPs) on BARC (Broadcast Audience Research Council) as of Week 15, 2021.

  • TV advertising shows record growth in Jan-Mar 2021: BARC

    TV advertising shows record growth in Jan-Mar 2021: BARC

    NEW DELHI: The overall growth in television ad volumes during the first two months of the year has further consolidated in March, said Broadcast Audience Research Council (BARC) on Friday.

    According to the television monitoring agency, 456 million seconds of ad volumes was recorded during the January to March period, the highest since 2018.

    The latest data offers a glimmer of hope to the television industry which has been struggling to get back on its feet amid the second wave of Covid2019.

    The growth in ad volume was observed across all genres. While the news genre recorded a growth of 25 per cent, the surge in the GEC space was 21 per cent. The movies genre saw an uptick of 23 per cent.

    According to BARC, growth of ad Volumes on TV observed in Jan-Mar 2021 was broad-based, with advertisers across the spectrum accounting for the higher levels. The top 10 advertisers, as well as the next 40, registered healthy growth at 37 per cent and 31 per cent respectively.

    E-commerce sector continued to show a healthy growth of 13 per cent in January to March 2021 compared with the same period in 2020.  

    The digital-native brands under education (3X growth), pharma/health care (7X growth) and BFSI (55 per cent growth) categories also continued to propel growth of the ECOM sector in Jan to March 2021 compared to 2020. The top 20 advertisers drove more than 50 per cent of ad Volumes during this period, showed the data.

    Festivals and special events like Sankranti and Republic Day in January garnered the highest ever ad volumes in 2021 since 2018, reported BARC.

    With a promising start to the year, the expectations for higher ad spends have definitely gone up for the coming months.

  • GEC ad volumes saw 33% rise in 2020: TAM AdEx

    GEC ad volumes saw 33% rise in 2020: TAM AdEx

    MUMBAI: 2020 was a difficult year for the television broadcast space, courtesy Covid2019 pandemic. Every genre struggled hard to ensure saliency in terms of content generation and maintaining ad volumes. In the early days of the lockdown, GECs were hit the hardest because the production schedules were canned and there was no fresh content. They were forced to rerun the old episodes of popular shows and were unable to create fresh content until the Unlock phase started and that too under strict guidelines. The situation forced the advertisers to rethink their strategy. 

    Television Audience Measurement (TAM) released an analysis on ad volumes and active brands on GECs in 2020.  Ad volumes on general entertainment channels (GECs) last year has grown by more than one fourth over that of 2016, according to the TAM AdEx-Mirroring Y 2020 for advertising in GEC genre. It witnessed 33 per cent rise in 2020 compared to base year 2016. After ad volumes on GECs troughed in the second quarter of 2020 due to the imposition of a nationwide lockdown, they witnessed resurgence during the third and fourth quarter on the back of a gradual Unlock. 

    It also pointed that the month of October and November had the highest ad volume share (10 per cent each) due to the festive period. True Shield Hand Sanitizer was the top brand during the period of April, May, June and August in GEC genre. 

    In 2020, top three channel genres retained their positions compared to 2019, among which the Hindi GEC genre topped during both the periods. The Hindi GEC witnessed a growth of one per cent since 2019. Tamil GEC has continued to take 15 per cent of the pie in both the years. Malayalam and Kannada GEC observed positive rank shift. Top five channels genres accounted for more than 65 per cent share of ad volumes during both the periods.

    The report stated that the count of advertisers and brands dropped by 38 per cent in quarter two of 2020 which recovered by 48 per cent and 58 per cent respectively in quarter four over quarter two. Personal care/personal hygiene sector topped with 25 percent share of ad volumes followed by F&B with 22 per cent share.  Top sectors which included personal care/personal hygiene, F&B and services together added 57 per cent share of ad volumes which were also on top during 2019. The top four sectors also including hair care has dominated the GEC genre in year 2020.

    While the toilet soaps category maintained leading position during 2020, with seven per cent share of ad volumes, ecom-media/entertainment/social media climbed by five spots to achieve the second rank, replacing toilet/floor cleaners. The report highlighted that the top ten categories belonged to food and beverages sector. Biscuits category was the only new entrant in the top ten, replacing hair oils. Positive rank shift was observed in milk beverages and ecom-media/entertainment/social media categories. In terms of growth, hand sanitisers category witnessed highest growth of 10X, followed by range of toiletries with six times growth.

    Among the top advertisers of the year 2020, HUL topped the list followed by Reckitt Benckiser India. Top ten advertisers contributed 58 per cent share of GEC ad volumes. Marico was the only new entrant in the top ten advertisers’ list. P&G, ITC, Cadburys India, Wipro, Godrej Consumer Products, Colgate Palmolive India, Nestle India and Marico were in the list of top ten advertisers with a positive rank shift compared to the year 2019. Clinic Plus Shampoo was the top brand during 2020, followed by Lux Toilet Soap. The top ten brands together added 10 per cent share of ad volumes during 2020. Also, six out of the top ten brands were from HUL while three belonged to Reckitt Benckiser.

    2020 was a difficult year for the television broadcast space, courtesy Covid2019 pandemic, but regional channels have managed to hold their market. According to the report, regional channels had 3X ad volumes compared to national channels. Regional and national channels had 77 per cent and 23 per cent share of ad volumes respectively during both the years (2019-20).  HUL and Reckitt Benckiser India were the top two advertisers present in both regional and national channels during 2020. In GEC genre, regional channels had three times more ad volumes compared to national channels. Apart from this, Docubay Media and Attica Gold Company were the top exclusive advertisers in national and regional GECs respectively.

    One of the most affected genres on television in terms of ads during the Covid2019 lockdown was the GEC genre. The broadcasters were dependent on reruns of famous and old shows as shooting and production stopped due to restrictions. This led to a steep decline in adverts on GECs. From July onwards, when fresh content arrived, it propelled the advertising in the GEC genre, logging 330+ hours of average ad volumes per day. It saw a spike of  74 per cent more compared to lockdown period from April to June 2020. Tally of categories grew by 24 per cent whereas advertisers grew by 95 per cent and brands rose by more than 2X during Unlock.

    The report further highlighted that prime time was the most preferred timeband on GEC genre, followed by afternoon and morning time-bands.  Prime time, afternoon and morning time bands together added 72 per cent share of ad volumes.

    Ad commercials of 20-40 seconds were most preferred for advertising on GECs during both the years. Commercial advertising added 55 per cent share of ad volumes whereas promos had 45 per cent share in 2020.

  • Guest column: Lockdown learnings for TV land

    Guest column: Lockdown learnings for TV land

    MUMBAI: The Covid2019 pandemic has given us an opportunity to reflect on how we go about our daily lives, and has taught us to be leaner and greener both at work and at home. The lockdown has brought many together, a few apart, and brought out the best and the worst in us. Cocooned in our homes with the spectre of Covid2019 looming over us has led to radical changes in our consumption habits across categories. Television is no exception and the way we consume media and entertainment has changed as well. The absence of original content has seen broadcasters rummaging through their larder for content and this search has manifested itself in dusting off legacy shows, a renewed love for movies, an insatiable appetite for news, a grudging acceptance of dubbed content and the emergence of user-generated content amongst others.

    Whether these changes are transitory, quasi-permanent, or permanent, only time shall decide but a few crucial learnings during this period are highlighted below:

    Curation is as powerful as creation

    It has been an accepted norm that original content ratings are significantly higher than recycled content ratings. However, the careful curation of legacy shows, the introduction of dubbed shows and movies, and proactive FPC management have ensured that many truisms had to be revisited. There has been a blurring of prime time versus non-primetime ratings, original versus repeat ratings and discrete versus continuous content. So moving forward curation is at par with creation but both fundamentally require a deep understanding of viewers' sensibilities, need states, and cultural sensibilities and sensitivities.  

    Recycle, repeat and reuse is the new mantra

    Re-telecast of successful mythological shows delivered ratings in their original as well as dubbed avatar across markets. Channels across markets juggled their programming strategies over the past few months to give prominence to mythological shows such as Mahabharata, Ramayan, etc. The mythological shows bought in an element of hope and belonging during the time of unprecedented uncertainty. Gauging the audience’s response, reruns of erstwhile popular fiction shows also became a norm during the lockdown and were being aired alongside original shows.

    Language is no longer a barrier

    Thanks to the rising availability and popularity amongst viewers, regional language content has emerged as a key growth driver for TV viewership. Indian audiences are more than willing to consume content in their respective languages. In the past few years, rural electrification and smartphone penetration have also added to the popularity of regional language content.

    Movies have found their mojo

    Film-based content not only performed well in Hindi speaking markets but also in southern markets. According to BARC India data, the movie genre saw a 27 per cent growth in primetime viewership share in the south market as compared to the pre-Covid2019 period. Driven by the fact that movies, as a form of content, appeal to all age groups in a family and encourage co-viewing, the category emerged as the primary source of entertainment on GECs across markets.

    Families are the new TG

    Amidst the pandemic, during the time of lockdown, television cemented its role of bringing families together. Lockdown led channels to gradually move from ‘women-centric’ entertainment to ‘family-centric’ entertainment. Content consumption patterns have now changed from ‘me’ to ‘we’.

    Senior citizens can pack a powerful punch

    The population of senior citizens is projected to increase to 20 per cent by 2050. Pre-Covid2019, senior citizens were always underestimated as a target group. The lockdown phase defined them as a significant target group and led us to acknowledge them as an important audience while curating content.

    To conclude, as Socrates said, “The secret of change is to focus all of your energy, not on fighting the old, but on building the new.” While this has been a tough year for everyone across markets, we have grown in a few and may have declined in a few others, but in either case, we have maintained our position for 2020. We are constantly learning from our viewers every day. As we move along, our lockdown learnings continue to provide us with an opportunity to become significant and far more meaningful.

    (The author is business head, Viacom18 regional entertainment – Kannada and Marathi clusters. Indiantelevision.com may not subscribe to his thoughts.)