Tag: GEC

  • TAM Adex: Indian TV advertising takes a breather as brands tighten purse strings in H1 2025

    TAM Adex: Indian TV advertising takes a breather as brands tighten purse strings in H1 2025

    MUMBAI: India’s television advertising market has hit the brakes. Ad volumes per channel tumbled 10 per cent in the first half of 2025 compared with the same period last year, signalling what industry watchers call a “strategic recalibration” in advertiser spending.
    top 10 brandsThe pullback comes as brands reassess their media strategies amid economic uncertainty. Yet some categories are thriving. Food and beverages maintained their dominance with a 22 per cent share of total ad volumes, followed by personal care and hygiene products at 16 per cent.

    The real winners were toilet and floor cleaners, which saw ad spending surge 16 per cent—the highest growth among major categories. E-commerce firms splashed out too, with online shopping platforms boosting their television presence by 48 per cent. Vocational training institutes went on the biggest spree, nearly quadrupling their ad volumes.
     

    Top 10 advertisers

    Hindustan Unilever retained its crown as India’s biggest television advertiser, with Reckitt Benckiser close behind. Together, the top 10 advertisers—dominated by fast-moving consumer goods companies—accounted for 47 per cent of all ad volumes.

    Toilet soaps led categories

    Reckitt’s aggressive push was evident in the brand rankings. Six of the 10 most-advertised brands belonged to the British consumer goods giant, led by Harpic Power Plus toilet cleaner. Dettol soap and antiseptic liquid also featured prominently.

    Top channel genres

    General entertainment channels edged past news networks to capture 31 per cent of ad volumes, reversing last year’s trend. The top five channel genres hoovered up more than 95 per cent of total advertising, underscoring the continued dominance of mainstream television over niche programming.

    Food and beverages

    The data, compiled by TAM AdEx from over 600 television channels, suggests Indian advertisers are becoming more selective about their television investments. With more than 6,600 brands vying for viewer attention, only the biggest spenders are breaking through the clutter.

    (The picture featuring the family watching the Surf Excel ad on TV is representational only. No brand infringement is intended)

  • Nivedita Basu joins Dangal as vice president – fiction

    Nivedita Basu joins Dangal as vice president – fiction

    Mumbai: In a strategic move aimed at bolstering its creative portfolio, Dangal, a leading general entertainment channel (GEC) under the Enterr10 Television Network, has appointed Nivedita Basu as vice president – fiction (Hindi, Oriya, Bangla). With an illustrious career spanning over two decades, Basu’s return to the GEC space is set to usher in a new era of innovation and content excellence for Dangal.

    Known for her stellar contributions at Balaji Telefilms, where she helmed iconic shows like Kyunki Saas Bhi Kabhi Bahu Thi and Kasautii Zindagii Kay, Basu brings an impressive repertoire of over 100 television shows. Her expertise in audience engagement, content creation, and production management positions her as a driving force in Dangal’s ambitious expansion plans across regional and national markets.

    Expressing her enthusiasm, Basu stated, “Joining Dangal is an exciting new chapter in my career. With its strong reputation and commitment to creating impactful content, I look forward to contributing to its continued success. Meeting Manish Singhal, whose visionary leadership has made Dangal the number one Hindi GEC channel, has further fueled my excitement. I am thrilled to collaborate with him and the talented team at Dangal, and I am eager to explore opportunities to expand the channel’s portfolio with innovative and engaging projects.”

    In her previous role as senior vice president (Content) at Atrangii, Ullu, and Hari Om App, Basu transformed brands into household names, turning them into profit-making entities. She also spearheaded the launch of India’s first devotional channel, Hari Om, marking a significant milestone in her career.

    Dangal’s reputation for delivering diverse, engaging programming is expected to benefit greatly from Basu’s industry acumen and creative vision. Her leadership will focus on overseeing ongoing projects, exploring growth opportunities, and shaping the strategic direction of the channel’s fiction content.

  • Colors celebrates Diwali with brand film – ‘Zindagi Ke Rang, Apno Ke Sang’

    Colors celebrates Diwali with brand film – ‘Zindagi Ke Rang, Apno Ke Sang’

    Mumbai: As we prepare to celebrate Diwali for the first time since the pandemic, the countdown has started. However, due to people’s busy lives, celebrations have since been reduced to calls, forwards, GIFs, and posts. Families are splintering, and the fundamental principles of Indian households appear to have been forgotten in the age of technology.

    In order to rekindle the feeling of community, Colors has created a brand film called “Zindagi Ke Rang, Apno Ke Sang” that emphasises the importance of community. The country’s top GEC develops a brand campaign to emphasise that celebrating Diwali is incomplete without spending time with your loved ones. In a cultural fabric that is constantly changing, it is our traditions, festivals, and families that keep us grounded.

    The brand film, created by Leo Burnett, depicts members of a joint family bringing in the celebrations in separate houses and sharing them on a group chat window. As the conversation progresses, a stream of selfies, pictures, emojis, and Diwali greetings appears on the chat thread, demonstrating how accustomed we are to minimising our happiness for the sake of convenience.

    In the movie, a family is shown celebrating Diwali digitally, but the youngest member is disappointed because the holiday is meant to be shared in person, not over the phone. Based on the idea of sharing our joys, the movie suggests that it’s time we quit wishing people well via chat and instead celebrate to our hearts’ content with get-togethers.

    Viacom18 Hindi Mass Entertainment marketing and digital head Sapangeet Rajwant said, “We, at Colors, believe in bringing families together and in all our endeavours we strongly support our country’s cultural ethos. We’re a nation that loves to celebrate the smallest joys and the biggest festivals together with our near and dear ones. Carrying this tradition forward, our latest brand film urges viewers to break the norm of celebrating festivals over the phone. It is a heartfelt reminder to everyone to enjoy this Diwali by getting together with family and friends.”

  • Hindi GEC tops GEC genre’s ad volumes in H1 FY’22: TAM Media report

    Hindi GEC tops GEC genre’s ad volumes in H1 FY’22: TAM Media report

    Mumbai : TAM media research’s subdivision AdEx India has released the half yearly report for advertising in the general entertainment channel (GEC genre). According to recent data, Hindi GEC tops with 24 per cent share of GEC genre’s ad volumes in H1 FY22 and  50 per cent indexed growth was observed. 

    GEC contributes 28 per cent of the ad volume share of overall advertising across different genres (H1 FY’21 and H1 FY’22). The GEC genre has five key sub-genres which include Hindi GEC, Tamil GEC, Telugu GEC, Malayalam GEC, Bengali GEC, and other languages GEC.

    During both periods (H1 FY’21 and H1 FY’22), Hindi GEC topped with 24 per cent share of the GEC genre’s ad volumes.  Three out of the top five subgenres retained their ranks in H1 FY’22. The top five subgenres accounted for more than 65 per cent share of ad volumes during both periods. 

    HUL, Reckitt Benckiser, and Brooke Bond Lipton India remained in the top three positions in the GEC genre in both periods  (H1 FY’21 and H1 FY’22). 960 plus advertisers and 2000 plus brands exclusively advertised in the GEC genre during H1 FY’22.

    May 2022 had the highest ad volume share that is 17.4 per cent during H1 FY’22. H1 FY’21 saw the highest share of ad volumes that is 27.9 per cent in GEC.

    580 plus advertisers advertised exclusively in GEC genre during H1 FY’22. JCB Industries was the top exclusive advertiser in the GEC genre followed by Mangalam Matrimony.com. Coca-Cola India and Pepsi Co were the new entrants among the top 10 list.

    Tata Play and Lizol All In One were the top exclusive advertiser and brand respectively during H1 FY’22 compared to H1 FY’21.

    The food & beverages industry topped with 29 per cent share of GEC genre’s ad volumes followed by personal care/personal hygiene with 20 per cent share.

    All industries except services, household products and personal accessories retained their rankings in H1 FY’22 compared to H1 FY’21.

    Prime time was the most preferred time-band on GEC genre followed by afternoon and morning time bands. Prime time, afternoon and morning time bands together added more than 70 per cent share of ad volumes.

    In H1 FY’21 and H1 FY’22,  less than 20-sec ads of the GEC genre had 28 per cent and 23 per cent share of ad volumes respectively. Ad commercials of 20-40 seconds were most preferred for advertising on GEC channels during H1 FY’21 and H1 FY’22.

  • Who is winning the hindi news viewership race post-data resumption? A Report on Hindi News Viewership

    Who is winning the hindi news viewership race post-data resumption? A Report on Hindi News Viewership

    Mumbai: News channels in India have always been one of the most talked about genres when it comes to linear television consumption. While cord-cutting has severely affected the viewership of many genres, news has weathered the digital storm firmly. According to TV audience measurement body Broadcast Audience Research Council (BARC) ‘s data, the viewership of the news genre saw a 27% growth in 2020 compared to 2019. In contrast, the general entertainment channels (GEC) and sports genres experienced a dip in viewership.

    Indiantelevision.com, as part of its newly launched Knowledge Series, presents an in-depth study on the Hindi News Genre.

    Click here to Download the report

  • Ishara launches celebrity chat show aimed at Hindi heartland

    Ishara launches celebrity chat show aimed at Hindi heartland

    Mumbai: IN10 Media Network’s general entertainment channel Ishara has announced the launch of its celebrity-chat show called Bhabhi Ke Pyaare… Pritam Hamare. The show will begin airing on 11 July every Monday to Friday at 9 pm.

    The chat show will see the host, radio jockey Pritam Singh, have light-hearted banter with television’s popular female celebrities like Shweta Tiwari, Sara Khan, Barkha Sengupta, and Jasmin Bhasin among many others.

    The daily primetime show is designed for India’s heartland audience and will see reel and real-life gossip, games, and entertainment segments. A guest – from friends and family to co-workers and staff – will be invited on the show to spill the beans. The first season with 30 episodes will see the actresses reveal their personalities, closest relationships, struggles and adventures, victories and setbacks, hopes and aspirations, and fears and inhibitions that make them human and relatable to the audience.

    IN10 Media Network managing director Aditya Pittie said, “With the launch of Bhabhi Ke Pyaare… Pritam Hamare, the channel is entering the chat show genre and expanding its comedy brand that will amplify the channel’s entertainment quotient in the GEC space.”

    And added, “We want to cater to the heartland audience with the new show keeping their sensibilities in mind. We can promise the viewers that the show will be full of entertainment and give them a glimpse into these celebrities’ lives.”

    The show is produced by Gold Coast Films.

  • Much-awaited Hindi GEC ‘Atrangii’ launched by Vibhu Agarwal

    Much-awaited Hindi GEC ‘Atrangii’ launched by Vibhu Agarwal

    Mumbai: The much-awaited Hindi GEC (general entertainment channel) ‘Atrangii’ has been launched on Monday. Backed by Vibhu Agarwal, the channel will feature a programme line-up from 7 pm to 11.30 pm.

    The channel is now available across all pay platforms namely Tata Sky, Airtel, D2H, Dish TV as well as on all cable networks like Hathway, Den and GTPL.

    The eclectic content line-up will also have some of the most-watched shows from OTT platforms and production houses that will be brought to the television screens of the audiences. ‘Atrangii’ is targeted toward engaging with the Hindi speaking market across the length and breadth of the country with a slate encompassing an expansive gamut of genres.

    The channel will begin with a show titled Bheja fry at 7 pm, followed by Dil-E-Ghumshuda from 7.30 pm to 8.30 pm. The unheard story of the greatest sage warrior Parshuram will be aired from 8.30 pm to 9 pm. Hara Sindoor, follows the extraordinary journey of a young girl Rani, who stands against the monarchy of the village dictator to liberate the villagers from the shackles of the monarch. This prime-time show will be telecast at 9 pm. The 9.30 pm slot will showcase disruptive, quality content from the web, to be enjoyed by the audiences from the convenience of their homes and that too without any subscription fee with the show titled Bestseller

    From 10.30 pm to 11 pm Parshuram will be repeated. The show Jaghanya will alert audiences, showcasing some of the soul-trembling, heinous crimes that have plagued our society and will air from 11 pm to 12 am.

    Speaking on the launch of the channel, Atrangii CEO and founder Vibhu Agarwal shared, “We are elated to roll out our first Hindi general entertainment channel Atrangii. We have been curating gripping content for the channel for the past couple of months now and we take pride in launching it with four hours of programming. From here on, we aim to further bolster the original content line-up. We have invested heavily in expanding our creative pool, bringing talent both behind and on-screen to put out shows that resonate with the Hindi heartland. Our concerted focus with ‘Atrangii’ is to partner with established production houses and independent creators to showcase content that will give us a definitive edge over currently produced shows in the Hindi GEC space. We aim to emerge as the go-to destination for entertainment across both satellite and digital space.”

  • Colors Gujarati to premiere a new show ‘Jode Rehjo Raaj’

    Colors Gujarati to premiere a new show ‘Jode Rehjo Raaj’

    Mumbai: Colors Gujarati is all set to launch its new show Jode Rehjo Raaj – Sharto Lagu. The storyline of the show traces the journey of two individuals whose paths cross each other and they come together bound by conditions.

    Produced by Y Star Cine & Television Jode Rejo Raaj will premiere on 6 June 2022, Monday to Saturday at 7.00 pm.

    The show revolves around Aliya, who is not good at studies but somehow manages to get a job in one of the famous companies and then begins an interesting and humorous journey of errors, played by Toral Trivedi, as she enters the corporate world. In this journey, she meets Aryan, played by Akshay Pandya, who is the CEO of the company. He is self-centered and is as tough as coconut, but is soft-hearted. What binds them together is their secret which only the two are aware of and they plunge into a relationship with each other based purely on conditions. Will love blossom when it’s based only on conditions? What has a destiny in store for them? Or will the conditional love change to unconditional love for each other?

    Commenting on the concept of the show, Colors Gujarati business head Vipul Nagar said, “As a brand, we are deeply rooted in Gujarati values and culture and make a conscious effort to inculcate this in both our fiction as well as nonfiction shows. To continue this, we are launching another fiction show which captures this essence. The show focuses on the journey of two individuals Aliya and Aryan who come together but under certain predefined conditions. We are sure that our efforts will help our viewers to reconnect with the strong culture and values of Gujaratis.”

    Speaking on the launch of the show, Colors Gujarati programming head Darshil Bhatt said, “Our endeavour at Colors Gujarati has always been to provide inspiring stories with wholesome entertainment to our viewers. This show is a beautiful blend of love, humour and much more. The viewers are in for a delight and I’m excited to see it come alive on screen. “

  • Sony Aath to premiere new show ‘Vighnaharta Ganesh’ on 25 April

    Sony Aath to premiere new show ‘Vighnaharta Ganesh’ on 25 April

    Mumbai: Bengali general entertainment channel Sony Aath is set to premiere a new mythological show “Vighnaharta Ganesh” on 25 April. The show will be telecasted every Monday to Friday at 7:30 p.m.

    According to a statement, the show will portray the journey of Lord Ganesha in a never-seen-before avatar in the Bengali language. “The channel is trying to bring a visual delight to its viewers with the addition of ‘Vighnaharta Ganesh’ to its content lineup,” it said.

    Speaking about the new show, Sony Aath’s CMO and business head Tushar Shah said, “At Sony Aath, we pride ourselves in offering diverse and differentiated content to our audiences. The launch of Vighnaharta Ganesh will further strengthen our offering that adds to the quality family time for our viewers. As we step into the new year, I would like to wish everyone Shubho Noboborsho.”

    The show will be an addition to other new launches on the channel like “Aladdin and Baalveer,” which have garnered great responses from the viewers. The channel is also home to everyone’s favourite thriller shows like “CID” and “Crime Patrol” and evergreen classic stories of Gopal Bhar and Nut Boltu.

  • Creativity is major factor behind the popularity of ‘Memsaab No 1’: Makers

    Creativity is major factor behind the popularity of ‘Memsaab No 1’: Makers

    Mumbai: Bhojpuri GEC Zee Ganga’s non-scripted reality show “Memsaab No 1” recently garnered a lot of attention from the audience owing to its unique concept and novel presentation. The latest season of the show is steadily growing in its viewership and has received a thundering welcome from the audience since its launch on 17 January. A marquee property of the regional channel, the tenth season of “Memsaab No 1” has successfully engaged audiences and increased viewership on a week-on-week basis.

    After nine successful seasons, the channel revamped the show for its latest turn. With this strategic move, Zee Ganga has tried to break the monotony and come up with exclusive content to capture the audience’s attention. 

    Speaking about the show’s brand new concept, Zee Entertainment Enterprises Ltd’s (Zeel) chief channel officer for Bhojpuri cluster Amarpreet Singh Saini says the latest season of the show is a giant creative leap in both formatting as well as in content delivery. “Zee Ganga is for a renewed Bhojpuri mindset seeking a high degree of novelty and creativity in its originals,” he remarks.

    On the format of the show

    Saini explains that the show’s new format focuses on three critical parameters of evaluation. This includes areas like personal identity, family identity, and social identity that make a woman complete. The tenth season of “Memsaab No 1” is launched with a creative concept of ‘Chalni Ke Chalal Babuni,’ which is a hunt for showcasing ‘Sarvagunn Sampann’ character of a woman in the current scenario.

    The core format of the show displays interpersonal dynamics, conflicts, relationships, and power plays. The participants are judged at various levels and different types of tasks are given to them, which facilitate deciding on their talents and capabilities. In the process of performing the tasks, the participants are groomed in a manner, which makes them an ideal candidate for winning the title of ‘Memsaab No 1.’ Undoubtedly, the show is providing an intense engagement and portrays the real personality of the participants.

    “This exciting hunt for Sarv Gunn Sampann Babuni, spanned across 13 weeks where the contestants are tested over three stages filled with terrific tasks,” Saini further says. “This true test of their all-round development sees their identity skills (Shubh Mangal Saavdhan, Tip Top Babuni, Rasoi Ki Rani), family identity skills (Aamdani Athani Kharcha Rupaiya, Neg Jog Ke Lekha, Saas Bahu Ke Sangam, Suno Sasoor Ji ) and lastly, the third and final stage – social identity skill (Maai Ka Anchara, Jaagruk Babuni) which makes todays’ woman a complete woman.”

    Catering to the younger audience

    Filmlion Production India’s director and producer Harsha Khanna says Zee Ganga desired to have a major twist in the tail in the latest season of “Memsaab No 1.” The channel wanted to experiment with the format of the show and approached her to plan for a complete makeover. From a simple studio-based set-up focusing on dance and quizzes, the programme has been turned into a hardcore reality show where 16 unmarried girls started showcasing their talent on Bhojpuri television.

    Khanna points out that from Monday to Wednesday, the reality episodes are telecasted and on Thursday, there is the gala round where the contestants get eliminated based on their score. The participants having the lowest scores get evicted.

    She says that the channel is trying to attract a younger audience by bringing reformation and innovation to the show. The viewership is expected to grow in the future as the show is based on ‘sanskar’ and typically focuses on Indian cultural values. 

    “We are looking at a decent rise of 20-25 per cent in the viewership,” Khanna points out.

    It is observed that the channel is witnessing significant growth in viewership during primetime between 6-7 p.m. Referring to the recent data by the Broadcast Audience Research Council (Barc) India, Saini also mentions that “Memsaab No 1” is currently achieving growth on a week-on-week basis. “It’s this complete viewer-centric novel presentation that has led to ‘Memsaab No 1’ achieving a staggering opening of 74 per cent slot jump with 88 per cent reach in growth and 15 per cent jump in time spent over pre four weeks, and on week-on-week, it has witnessed 85 per cent viewership growth in its second week and 112 per cent growth in its third week and more than millions of viewers are watching the show every week which is giving a thumping verdict of viewer engagement to the new format,” he says.

    Saini asserts that the new format of “Memsaab No 1” has received support from advertisers. The segments like personal care, home hygiene, beverages (mostly tea brands) and chocolates are the top categories that are contributing maximum to the top line, and Ultratech cement, Adani fortune and Eyetex Dazller are on-boarded as sponsors of “Memsaab No 1.” “Over the years Bhojpuri category has seen a significant increase in presence of established national brands along with regional ones,” Saini tells.

    Season 10 of “Memsaab No 1” was premiered on Zee Ganga on 17 January and has 65 episodes, which include both semi finale and finale. It is on air from Monday to Friday and is hosted by the Bhojpuri actor Pradeep Pandey (Chintu). 

    The show has a prominent presence of celebrities like Rinku Ghosh, Pakhi Hegde, ChamkiBhauji (Rekha Singh), Kajal Raghwani, Rani Chaterjee, Nissar Khan, and Puspa Verma in various capacities like judge, co-host, inspires, and promoters.