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Tag: Gabbar is Back

  • FY-16: Eros International Media revenue up

    FY-16: Eros International Media revenue up

    BENGALURU: The Sunil Lulla led Eros International Media Limited (Eros) reported 11.4 percent increase in total revenue including other income (TR) for the fiscal ended 31 March 2016 (FY-16, current year, current fiscal) as compared to the previous year. Eros reported TR of Rs 1,603.45 crore in FY-16 as compared to Rs 1,441.03 crore in FY-15.

    The company’s Total Income from Operations (TIO) in the current year increased 11.3 percent to Rs 1,582.58 crore in the previous fiscal. Profit after Tax (PAT) after minority interest in the current year declined 13.5 percent to Rs 214.15 crore (13.4 percent PAT margin of TR) as compared to Rs 247.06 crore (17.1 PAT margin of TR) in the previous year.

    Eros says that revenue for FY-16 saw a significant growth on account of global releases of Bajrangi Bhaijaan, Bajirao Mastani, TanuWeds Manu Returns, Welcome Back, Srimanthudu amongst others across theatrical, overseas and satellite revenues, and overseas releases of Dil Dhadakne Do, Singh is Bling and Gabbar is Back reinforcing the portfolio and film mix strategy

    Note: The unit of currency in this report is the Indian rupee – Rs (also conventionally represented by INR). The Indian numbering system or the Vedic numbering system has been used to denote money values. The basic conversion to the international norm would be:
    (a) 100,00,000 = 100 lakh = 10,000,000 = 10 million = 1 crore.
    (b) 10,000 lakh = 100 crore = 1 arab = 1 billion.

    Earnings before Interest and Tax in FY-16 declined 6.6 percent to Rs 337.36 crore from Rs 361.19 crore in the previous year.

    The breakup of revenues in FY-16 was: Television and others 30 percent; Theatrical 43.8 percent; Overseas 26.1 percent. The comparative breakup of revenues in FY-15 was: Television and others 31.3 percent; Theatrical 38 percent; Overseas 30.7 percent.

    Total Expenditure in the current year increased 17.2 percent to Rs 1,266.09 crore (80 percent of TIO) from Rs 1,079.84 (76 percent of TIO) in FY-15.

    Direct Costs during FY-16 stood at Rs 1,144.8 crore, including Rs. 617.8 crore of content amortization (Rs 940 crore of direct costs including content amortization of Rs 497.6 crore in FY-15) and overflow accrued to Producers on account of hit films.

    For the period ending March 31, 2016, the company generated free cash flow of Rs 300 crore as compared to negative Rs 50 crore in FY-15. As on 31 March 2016, total receivables stood at Rs. 428.2 crore as compared to Rs. 525.7 crore as on 31 March, 2015.

    Films released in FY-16

    In FY-16, of the 63 films released by Eros, 6 high budget, 16 medium and 41 low budget films were released in as against 6 high budget, 11 medium and 47 low budget movies in FY-15. In FY-16, of the 63 films that were released 33 were Hindi and 30 were Regional films as compared to 64 films during FY-15, which included 45 Hindi and 19 regional films.

    In the quarter ended 31 March 2016 (Q4-16, current quarter) Q4-16, only 6 medium and 6 low budget films were released as against 1 high budget, 4 medium and 17 low budget movies in Q4-15. During the quarter, 12 films were released consisting of 3 Hindi and 5 Tamil/Telugu films and 4 Regional films as compared to 22 films during Q4-15, which included 17 Hindi and 5 Tamil/Telugu films.

    Company speak

    Eros executive vice chairman and managing director Lulla said, “Fiscal 2016 clearly proved to be one of the best year for our films at the Box Office demonstrating the quality and robustness of our content green-lighting strategy, a strong competitive edge for Eros. This is possible as over the years, we have built scale and expertise with the help of an experienced management team which has constantly set new benchmarks in the industry. Continuing this momentum, we had an excellent start to FY17 with Sardaar Gabbar Singh in Telegu, ‘Ki & Ka’ in Hindi and 24 in Tamil delivering splendid performances and together with ‘Housefull 3’ scheduled to open next week, we are looking at a blockbuster first quarter.

    “We have a very exciting film slate for the upcoming quarters, which include films such as ‘Rock On 2’, ‘Dishoom’, ‘Baar Baar Deko’, ‘Shivaay’, Banjo, Singham 3 together with a diversified slate of other regional releases. On the whole, FY 2017 will be seeing an exciting movie repertoire of over 65 content driven Eros films in Hindi and other regional languages, making it the biggest future slate by any studio in India. The slate would also be aided by compelling films from our franchise production arm, Trinity Pictures. To further demonstrate our portfolio and de-risking strategy, I am happy to announce that a substantial part of the above mentioned slate is already pre-sold for satellite rights with the major television networks.”

    “I am happy to report that we ended the year with record revenues of Rs. 16,036 million and healthy profitability. Further, we generated Rs. 3,000 illion free cash flow in FY16 and strengthened our balance sheet by bringing about working capital efficiencies. We are confident that we will continue to maintain
    our market leadership position in the years to come.”

  • FY-16: Eros International Media revenue up

    FY-16: Eros International Media revenue up

    BENGALURU: The Sunil Lulla led Eros International Media Limited (Eros) reported 11.4 percent increase in total revenue including other income (TR) for the fiscal ended 31 March 2016 (FY-16, current year, current fiscal) as compared to the previous year. Eros reported TR of Rs 1,603.45 crore in FY-16 as compared to Rs 1,441.03 crore in FY-15.

    The company’s Total Income from Operations (TIO) in the current year increased 11.3 percent to Rs 1,582.58 crore in the previous fiscal. Profit after Tax (PAT) after minority interest in the current year declined 13.5 percent to Rs 214.15 crore (13.4 percent PAT margin of TR) as compared to Rs 247.06 crore (17.1 PAT margin of TR) in the previous year.

    Eros says that revenue for FY-16 saw a significant growth on account of global releases of Bajrangi Bhaijaan, Bajirao Mastani, TanuWeds Manu Returns, Welcome Back, Srimanthudu amongst others across theatrical, overseas and satellite revenues, and overseas releases of Dil Dhadakne Do, Singh is Bling and Gabbar is Back reinforcing the portfolio and film mix strategy

    Note: The unit of currency in this report is the Indian rupee – Rs (also conventionally represented by INR). The Indian numbering system or the Vedic numbering system has been used to denote money values. The basic conversion to the international norm would be:
    (a) 100,00,000 = 100 lakh = 10,000,000 = 10 million = 1 crore.
    (b) 10,000 lakh = 100 crore = 1 arab = 1 billion.

    Earnings before Interest and Tax in FY-16 declined 6.6 percent to Rs 337.36 crore from Rs 361.19 crore in the previous year.

    The breakup of revenues in FY-16 was: Television and others 30 percent; Theatrical 43.8 percent; Overseas 26.1 percent. The comparative breakup of revenues in FY-15 was: Television and others 31.3 percent; Theatrical 38 percent; Overseas 30.7 percent.

    Total Expenditure in the current year increased 17.2 percent to Rs 1,266.09 crore (80 percent of TIO) from Rs 1,079.84 (76 percent of TIO) in FY-15.

    Direct Costs during FY-16 stood at Rs 1,144.8 crore, including Rs. 617.8 crore of content amortization (Rs 940 crore of direct costs including content amortization of Rs 497.6 crore in FY-15) and overflow accrued to Producers on account of hit films.

    For the period ending March 31, 2016, the company generated free cash flow of Rs 300 crore as compared to negative Rs 50 crore in FY-15. As on 31 March 2016, total receivables stood at Rs. 428.2 crore as compared to Rs. 525.7 crore as on 31 March, 2015.

    Films released in FY-16

    In FY-16, of the 63 films released by Eros, 6 high budget, 16 medium and 41 low budget films were released in as against 6 high budget, 11 medium and 47 low budget movies in FY-15. In FY-16, of the 63 films that were released 33 were Hindi and 30 were Regional films as compared to 64 films during FY-15, which included 45 Hindi and 19 regional films.

    In the quarter ended 31 March 2016 (Q4-16, current quarter) Q4-16, only 6 medium and 6 low budget films were released as against 1 high budget, 4 medium and 17 low budget movies in Q4-15. During the quarter, 12 films were released consisting of 3 Hindi and 5 Tamil/Telugu films and 4 Regional films as compared to 22 films during Q4-15, which included 17 Hindi and 5 Tamil/Telugu films.

    Company speak

    Eros executive vice chairman and managing director Lulla said, “Fiscal 2016 clearly proved to be one of the best year for our films at the Box Office demonstrating the quality and robustness of our content green-lighting strategy, a strong competitive edge for Eros. This is possible as over the years, we have built scale and expertise with the help of an experienced management team which has constantly set new benchmarks in the industry. Continuing this momentum, we had an excellent start to FY17 with Sardaar Gabbar Singh in Telegu, ‘Ki & Ka’ in Hindi and 24 in Tamil delivering splendid performances and together with ‘Housefull 3’ scheduled to open next week, we are looking at a blockbuster first quarter.

    “We have a very exciting film slate for the upcoming quarters, which include films such as ‘Rock On 2’, ‘Dishoom’, ‘Baar Baar Deko’, ‘Shivaay’, Banjo, Singham 3 together with a diversified slate of other regional releases. On the whole, FY 2017 will be seeing an exciting movie repertoire of over 65 content driven Eros films in Hindi and other regional languages, making it the biggest future slate by any studio in India. The slate would also be aided by compelling films from our franchise production arm, Trinity Pictures. To further demonstrate our portfolio and de-risking strategy, I am happy to announce that a substantial part of the above mentioned slate is already pre-sold for satellite rights with the major television networks.”

    “I am happy to report that we ended the year with record revenues of Rs. 16,036 million and healthy profitability. Further, we generated Rs. 3,000 illion free cash flow in FY16 and strengthened our balance sheet by bringing about working capital efficiencies. We are confident that we will continue to maintain
    our market leadership position in the years to come.”

  • Panorama & Pen buy theatrical distribution rights of PNC’s ‘Mastizaade’

    Panorama & Pen buy theatrical distribution rights of PNC’s ‘Mastizaade’

    MUMBAI: Panorama Studios and Pen Movies have acquired the all India rights of theatrical distribution of Pritish Nandy Communications’ upcoming films Mastizaade. 

     

    The film stars Sunny Leone, Tusshar Kapoor and has a special appearance by Ritesh Deshmukh. It has been directed by Milap Zaveri. 

     

    Panorama Studios has recently distributed films like Pyaar Ka Punchnama 2, Gabbar Is Back, Aloneand Singham Returns. The company has produced films like Special 26, Drishyam and the Pyaar Ka Punchnama franchise.

     

    Panorama Studios managing director Abhishek Pathak said, “2015 has been a great year for us at the box office. Acquiring Mastizaade for all India theatrical distribution is going to be great start for us in 2016.”

     

    Pen Movies managing director Dhaval Gada added, “We are very happy to be associated with this film. It is a sure shot box office success and I am sure that Sunny Leone will make a big brand of Mastizaade, which till date would be her biggest.”

  • Amitabh Bachchan & Deepika Padukone win Big Star Entertainment Award for ‘Piku’

    Amitabh Bachchan & Deepika Padukone win Big Star Entertainment Award for ‘Piku’

    MUMBAI: At the sixth edition of the Big Star Entertainment Awards, Amitabh Bachchan and his co-star Deepika Padukone bagged the top honours for Best Actor of the year (Male) and (Female) respectively for their performance inPiku.

     

    The audience witnessed Varun Dhawan bag the most honors with two awards under different categories for his work in Badlapur.

     

    Salman Khan won the award for Bajrangi Bhaijaan under Big Star Most Entertaining Actor in a Social Role (Male). 

     

    The 92.7 Big FM ‘Hit Thhe Hit Rahenge’ award went to evergreen sensation Anil Kapoor, while Alia Bhatt won the award for Big Star Most Entertaining Dance for her moves in the song ‘Gulabo’ from her recent film Shaandar. 

     

    Laughter sensations Bharti Singh and Manish Paul played host to the awards ceremony.

     

    Bajrangi Bhaijaan child artist Harshali Malhotra received her first ever award for her work in the film.

     
    Salman Khan dazzled the audience with his moves on recent tracks like ‘Aaj Ki Party Meri Taraf Se,’ ‘Selfie Le Le Re,’ ‘Prem Ratan Dhan Payo’ and ‘Prem Leela.’ This was followed by Alia Bhatt, who took the entertainment quotient to another level with her performance on songs like ‘Gulabo,’ ‘Shaam Shandaar’ and others.

     

    Sonam Kapoor was awarded the Big Star Most Entertaining Actor in a Romantic Role (Female) for her performance in Prem Ratan Dhan Payo while Ranveer Singh was awarded Big Star Most Entertaining Actor in a Romantic Role (Male) for his work in Dil Dhadakne Do.

     

    The award for Big Star Entertaining comedy film was won by Anand L Rai for Tanu Weds Manu Returns, while Meghna Gulzar won Big Star Most Entertaining Thriller for Talvar. Sooraj Barjatya won Big Star Most Entertaining Romantic Film for Prem Ratan Dhan Payo.

     

    Bhumi Pednekar won her first ever award for her work in Dum Laga Ke Haisha under Big Star Most Entertaining Actor in a Social Role (Female), while the Big Star Most Entertaining Social Film went to ABCD 2.

     

    The Big Star Most Entertaining Actor in a Thriller Role (Female) went to Tisca Chopra for Rahasya and Big Star Most Entertaining Action Film went to Gabbar Is Back.

     
    Indian cinema’s new entrants Omkar Kapoor, Akshara Hassan and Sana Kapoor were praised for their debut performances and collected awards in the debut categories, while Palak Mucchal and Armaan Malik bagged an award each as the Big Star Most Entertaining Singer (Female and Male) for ‘Prem Ratan Dhan Payo’ and ‘Tumhe Apna Banane Ka’ respectively.

     

    The Big Star Most Entertaining Music award went to Prem Ratan Dhan Payo and Big Star Most Entertaining Song went to ‘Chittiyan Kalliyan’ from Roy.

     

    Saina Nehwal bagged the honour for the Big Star Most Entertaining Sportsperson of the Year.

     

    Among television shows Yeh Hai Mohobbatein (Star Plus) and Kum Kum Bhagya (Zee TV) won the highest honours as Big Star Most Entertaining Series TV – Fiction.

     

    Mohammad Nazim and Vishal Singh of Saath Nibhana Saathiya (Star Plus) fame won Big Star Most Entertaining Actor TV – Fiction – Male while Bharti Singh and laughing sensation Krushna Abhishek won Big Star Most Entertaining Jury/ Host (TV)- Non Fiction for the humorous show Comedy Nights Bachao (Colors).

     

    The Big Star Most Entertaining Series TV – Non Fiction also went to laugh-riot show Comedy Classes (Life OK). 

  • Box Office: ‘ABCD 2’ collects Rs 45.5 crore in opening weekend

    Box Office: ‘ABCD 2’ collects Rs 45.5 crore in opening weekend

    MUMBAI: Youth and the growing fan following for young stars, Varun Dhawan and Shraddha Kapoor, earned a positive welcome to ABCD 2 with a Rs 14.4 crore opening day. The film maintained similar figures on Saturday, not improving but also not dropping. With figures being the best at over Rs 17 crore, the film ended its opening weekend with Rs 45.5 crore. The film will have to sustain well through the week to justify its high cost. It has the advantage of three small films as oppositions next week.

     

    Hamari Adhuri Kahaani pays for being a depressing film with a poor script. Not designed to be an entertainer, the film does not even tug at one’s emotions. Having opened to a weak response, it stays that way to collect Rs 26.65 crore in its first week. The film dropped drastically in its second weekend.

     

    Dil Dhadakne Do has made the most of poor opposition and has managed to have some hold at the box office to collect Rs 15.5 crore in its second week to take its two week total to Rs 69.9 crore.

     

    On the other hand, Tanu Weds Manu Returns maintains a strong trend holding its own with collection figures of Rs 8.25 crore in its fourth week to take its three week tally to Rs 146.38 crore.

     

    Piku collected Rs 15 lakh in its sixth week to take its six week total to Rs 79.92 crore, whereas Gabbar Is Back collected Rs 17 lakh in seventh week to take its seven week total to Rs 80.22 crore.

  • BO: ‘Hamari Adhuri Kahani’ disappoints with Rs 15.8 crore opening weekend

    BO: ‘Hamari Adhuri Kahani’ disappoints with Rs 15.8 crore opening weekend

    MUMBAI: Vishesh Films and the men behind the banner, Mahesh and Mukesh Bhatt are known to follow this sequence of one hit after a couple of flops. And, on that count as well as for the reason that Mahesh Bhatt had penned the script after a gap of almost a decade and a half, expectations were aplenty.

     

    However, Hamari Adhuri Kahani has come as a big disappointment with the film’s main culprits being the story and the scripting.

     

    What’s more, it is a totally regressive film for no reason and at an unjustifiable cost. For a change, critics as well as the audience seem to be on the same side on this one. The film has managed to collect Rs 15.8 crore for its opening weekend.

     

    Dil Dhadakne Do, a pretentious movie about a Delhi Punjabi family trying to put up a show of affluence despite dire situation, does not go well with the audience in general. The film finds patronage in few metros at select multiplexes. The film has many flaws and takes it audience for granted. It creates a number of tracks of various characters including a parallel love story but fails to sum them up in the end. The film has managed to put together Rs 54.4 crore for its first week thanks to lack of any challenging opposition and increased admission rates (which the distributor planned to continue throughout the week instead of the opening weekend as is the practice with major films but relented after the response to the film, which was weak). The film will scrap the bottom after its second weekend.

     

    Tanu Weds Manu Returns is the flavor of the season and the reason is Kangana Ranaut, the force behind the film with her captivating performance in a dual role. While the comparison to the first version may be unfair, which many feel was much better, this one will be five times bigger hit at the box office as things stand. Finally, the figures speak; opinions may differ. The film has an amazing third week befitting a Salman Khan starrer (or better) adding Rs 20.18 crore in its third week to take its three week tally to Rs 138.13 crore for three weeks.

    Piku adds Rs 1.05 crore in its week to take its five-week total to Rs 79.77 crore, whereas Gabbar Is Back collects Rs 30 lakh in its fifth week thus taking its five-week total to Rs 80.05 crore. 

  • ‘Tanu Weds Manu Returns’ on a barrier-breaking spree; collects Rs 69.85 crore

    ‘Tanu Weds Manu Returns’ on a barrier-breaking spree; collects Rs 69.85 crore

    MUMBAI: Tanu Weds Manu Returns is on a barrier-breaking spree. Riding solely on Kangana Ranaut’s petite shoulders playing her double roles, the film is slated to set new benchmarks at the box office.

     

    This is Ranaut’s hat trick after Tanu Weds Manu and Queen, all three being her personal triumphs and rewards of her outstanding talent. The film had a sort of tepid opening day but went on to consolidating over the weekend as well as taking a solid grip on the box office to end its first week with Rs 69.85 crore.

     

    Welcome To Karachi, yet another attempt to launch Jackky Bhagnani in a home production, comes as a cropper. A poorly selected, mundane subject, unimaginative treatment and patchy making take their toll. Rather overconfidence of opening the film on Thursday evening for paid previews marred the film’s Friday prospects as the bad reports spread instantly. Resultantly, the film failed to attract viewers on Friday ending it with poor collections even as the following Saturday and Sunday could not lend any respectable figures to the opening weekend tally of Rs 5.55 crore.

     

    P Se PM Tak, a script Kundan Shah had been working and reworking on for eons, released post undergoing a slaughter at the Censors and lack of promotion, fails miserably.

     

    Ishqedarriyaan, a comeback vehicle for Mahakshay Chakraborty, son of Mithun Chakraborty, fails to find audience to avail of screenings. An also ran.

     

    Bombay Velvet drops to about Rs 1 crore in its second week after a miserably devastating first week of Rs 21.65 crore. The film rates as the biggest disaster in last few decades and will lose almost all of its investment and some.

     

    Piku managed to hold its own during its third week despite the Tanu Weds Manu Returns onslaught to put together a decent Rs 9.65 crore to take its three-week total to Rs 74.87 crore.

     

    Gabbar Is Back collects Rs 1.45 crore in its fourth week taking its four-week total to Rs 79.25 crore and marginalizing its deficits.

  • Box Office: ‘Tanu Weds Manu Returns’ shines; ‘Piku’ marches forward

    Box Office: ‘Tanu Weds Manu Returns’ shines; ‘Piku’ marches forward

    MUMBAI: Tanu Weds Manu Returns has braved two vital IPL matches to put up decent weekend figures. The film, while not finding much favour as it went from A to B to C class screens, however, performed well at elite multiplexes improving over Saturday and Sunday over its comparatively weak opening of Friday. The film collected Rs 38.7 crore in its opening weekend and will need to continue the good run to break even.

     

    Anurag Kashyap’s Bombay Velvet met with total rejection from day one by moviegoers. The film ended its opening Friday with pathetically poor collections and failed to improve over the next two days. Monday onwards it was a free fall, collections deteriorating each day to put together a lowly Rs 21.65 crore for its first week. Earlier, when people in the trade cited a high-priced disaster, it was Razia Sultan. For this generation, it is Bombay Velvet. At least, Razia Sultan enjoyed some shelf value and curiosity, thanks to its music and popularity of stars.Bombay Velvet is utterly forgettable.

     

    Piku continued to maintain strong trends in its second week, too. Being a wholesome entertainer, it holds appeal to all which reflects on its box office collections. The film has added Rs 23.8 crore to its first week figure of Rs 41.42 crore and takes its two-week total to Rs 65.22crore. Adding another Rs 6.5 crore for its third weekend, the film’s 17-day tally stands at Rs 71.22 crore.

     

    Gabbar Is Back has managed to collect Rs 4.3 crore in its third week to take its three-week total to Rs 78.8 crore.

  • ‘Bombay Velvet’ collects Rs 15.8 crore in opening weekend; ‘Piku’ picks up

    ‘Bombay Velvet’ collects Rs 15.8 crore in opening weekend; ‘Piku’ picks up

    MUMBAI: Bombay Velvet has turned out to be the disaster it was predicted to be. From casting Ranbir Kapoor as a Tommy gun totting criminal to the way the film’s promotion was handled, especially the publicity material, went against it. From the film’s posters to promos, nothing inspired viewer confidence or curiosity.

     

    The film’s opening weekend collections are a terribly poor at Rs 15.8 crore. Kapoor has his fan following and, to an extent, so does Anushka Sharma, yet the film failed to garner decent footfalls on its opening day. The emerging word of mouth publicity from those who caught the movie early happened to be so negative that the film failed to better its Friday figures even on Saturday, which is a normal trend howsoever bad a film may be. It is strange that thanks to social media discussions, those who still went to watch the film thereafter did so mainly out of curiosity as to what was so wrong with this film?

     

    On the other hand, Piku is going great guns. Having had a lukewarm response with the opening day reporting a mere Rs 5.32 crore, the film went to double its opening day figures with Rs 11.2 crore on its first Sunday and continued the good run through the rest of the week till Thursday to put together a first week tally of Rs 41.42 crore. The film added another Rs 14.6 crore for its second week to take its 10-day total to Rs 56.02 crore.

     

    Kuch Kuch Locha Hai saw poor collections of Rs 3.55 crore for its opening week.

     

    Gabbar Is Back held well in face of little opposition and managed to collect a handsome Rs 18.1 crore in its second week to settle at Rs 74.5 crore after its second week run.

     

    Margarita With A Straw added about Rs 15 lakh in its fourth week to take its four-week tally to Rs 5.95 crore.

  • ‘Gabbar Is Back’ earns Rs 36.6 crore at BO

    ‘Gabbar Is Back’ earns Rs 36.6 crore at BO

    MUMBAI: Akshay Kumar’s oft repeated theme of anti-establishment Gabbar Is Back, has benefitted thanks to it being a kind of solo release for the audience starved of  commercial mass film with a popular star this year so far. 

     

    The film will enjoy a four day weekend in many states while it has a three day holiday run in other states (May Day on 1 May and Buddha Purnima on 4 May). The film opened to average response, dropping further on Saturday. 

     

    The collections got better on Sunday ending its first three days with Rs 36.6 crore. The negative word of mouth seems to have caught up with the film, which will limit its prospects as the week progresses.

     

    The other release of the week, Sabki Bajegi Band, remained a nonstarter with five to 10 occupants in the audience on the opening day.

     

    Jai Ho! Democracy proves to be a major disaster managing to collect just about Rs 18 lakh in its first week.

     

    Ishq Ke Parinde goes unnoticed causing heartburns to both, the makers as well as the exhibitors.

     

    Kagaz Ke Fools, it seems, marks the end of Vinay Pathak kind of comedies. The film manages just about Rs 40 lakh for its first week’s run.

     

    Mr X suffered due to its mediocre script and treatment and dropped to about a little less than 10 per cent of its first week figures in its week two. The film managed a bare Rs 2.4 crore to take its two week tally to Rs 20.95 crore.

     

    Margarita With A Straw sustains on the lower side, though. The film collects Rs 1.75 crore in its second week, taking its two week tally to Rs 5.25 crore. 

     

    Ek Paheli Leela adds Rs 30 lakh in its third week to take its three week total to Rs 21.14 crore.

     

    Dharam Sankat Mein has added Rs 25 lakh in its third week taking its three week tally to Rs 9 crore.

     

    Detective Byomkesh Bakshy has collected Rs 40 lakh in its fourth week to take its four week total to Rs 27.08 crore.