Tag: Gaana

  • Sony Sports Network launches new Tamil Cricket Podcast – ‘Cricket Petta’

    Sony Sports Network launches new Tamil Cricket Podcast – ‘Cricket Petta’

    Mumbai: Sony Sports Network  announced its latest initiative, Cricket Petta, a Tamil podcast dedicated to cricket fans, a first by a sports broadcaster in India. “Cricket Petta” – translating to Cricket Locality, aims to engage Tamil-speaking cricket enthusiasts by providing entertaining and insightful discussions on various aspects of the game with a local touch. Hosted by the versatile Tamil multi-sports commentator, Arun Venugopal, the five-episode podcast offers a refreshing take on cricket’s rich legacy and beyond.

    The first episode will be released on 30 October 2024, with new episodes airing every Wednesday until 27 November 2024. The podcast will be available on all leading Podcast platforms including YouTube, JioSaavan, Apple Podcasts, Spotify, Amazon Music, Gaana, and Hungama.

    The inaugural episode, titled “Is Ashwin the Greatest Player from Tamil Nadu to Represent India?”, features a lively discussion with former India Women’s Coach as well as India and Tamil Nadu player W.V. Raman, alongside current Puducherry and Tamil Nadu cricketer Arun Karthik. They share hilarious anecdotes and insider stories from their time with Ashwin, offering fans rare glimpses into dressing room dynamics.

    Each episode will spotlight expert discussions on trending cricket topics, bringing the sport’s greatest moments and personalities to life. For instance, L. Sivaramakrishnan will compare the captaincy styles of M.S. Dhoni, Virat Kohli, and Rohit Sharma in one episode. Another will feature R. Sridhar and Vidyut Sivaramakrishnan debating iconic cricket venues such as Eden Gardens versus Wankhede Stadium.

    Sony Pictures Networks India chief revenue officer – distribution & international business and head – sports business, Rajesh Kaul said, “We are proud to launch Cricket Petta, marking our first Tamil- language podcast aimed at bringing the local flavour and rich cricketing narratives to regional audiences. Tamil Nadu has a rich cricketing history and at Sony Sports Networks we are constantly looking to bring out the stories sporting heroes to the Indian sports fans and the five-part series will only serve in fulfilling our objective of bringing communities closer through innovative sports programming. This is the first of many podcasts we intent to roll out, across sports and multiple languages in our ongoing endeavour to bring more stories to sports fans across India and the globe.”

    Venugopal said, “With Cricket Petta, we’re offering an authentic look into Tamil Nadu’s cricket culture. Each episode explores unique perspectives, fascinating stories, and deep insights into the game we all love. Whether it’s discussing Ashwin’s remarkable journey or revisiting classic cricket moments, this podcast will resonate with fans who are passionate about the sport. I’m thrilled to be a part of this initiative and bring these conversations to the Tamil-speaking audience.”

  • Motivational cricket anthem ‘Bolo Bharat Mata Ki Jai’ on Ultra Music for cricket lovers

    Motivational cricket anthem ‘Bolo Bharat Mata Ki Jai’ on Ultra Music for cricket lovers

    Mumbai: The anthem aims to infuse immense enthusiasm among Indian cricket lovers & citizens. It will be available in Hindi in both video & audio formats from 6 October 2023. This anthem is to invigorate the spirits of every Indian & instil a sense of excitement & pride in our Indian Cricket team.

    The anthem will showcase the Cricket fever in India in its complete frenzy. It will have crowds cheering & praying for their team, fans hysteria in the stadium, Players celebrating each other & many more enchanting moments. The motivating lyrics for this anthem are penned by Deepak Chauhan & the resounding music has been composed by the dynamic duo Neel & Nataraj. Neel is also the lead vocalist for the same.

    The music video will be streamed on the Ultra Music YouTube channel and will also be simultaneously streamed on: Gaana, Spotify, JioSaavn, Amazon Music, iTunes, Wynk Music  & other leading music streaming platforms.

    This anthem of pride & glory is an ode to our nation. It’s a call for unity & a reminder of the unified strength that lies in our diversity. It will resonate deeply with every Indian & invigorate their love & trust in our Indian Cricketers & fuel the sportsman spirit of our Indian cricket team as they embark on their journey to conquer the world.

    This Anthem also goes beyond the boundaries of the cricket pitch, it infuses an unparalleled sense of excitement and can be proudly watched & played at any patriotic events & celebrations. All thanks to the energy and positivity it exudes.

    Ultra Media and Entertainment Group director Rajat Agrawal said: “India has performed phenomenally both in Cricket & Asian games recently. We all are just waiting for them to bring in the most coveted title in International Cricket & close this year with a bang. “Bolo Bharat Mata Ki Jai” is a drive to awaken every Indian to the promise that lies in our cricketers & give them the needed boost to put India on the world map & bring in the biggest accolades to our nation in this World Cup”

  • Pritam and Ranveer Singh unveil ICC men’s cricket World Cup anthem

    Pritam and Ranveer Singh unveil ICC men’s cricket World Cup anthem

    Mumbai: With two weeks left until the ICC Men’s Cricket World Cup 2023 kicks off, the event’s official anthem, ‘Dil Jashn Bole’ has been released. This anthem is the result of a fantastic collaboration, starring the internationally acclaimed superstar Ranveer Singh in the lead role with sensational music created by Pritam, one of Bollywood’s most coveted composers.

    The anthem takes fans on an epic journey through India on board the One Day Express, witnessing a never-seen-before celebration ahead of the biggest Cricket World Cup ever.  

    ‘Dil Jashn Bole’ is available on streaming platforms Spotify, Apple Music, Gaana, Hungama, Resso, Wynk, Amazon Facebook, Instagram and YouTube. Fans can soon enjoy listening to the Anthem on radio stations Big FM and Red FM.

    Speaking about the Anthem launch, superstar Ranveer Singh said “As a part of the Star Sports family and a die-hard cricket fan, being part of this anthem launch for the ICC Men’s Cricket World Cup 2023 is truly an honour. It’s a celebration of the sport we all love.”

    Pritam said, “Cricket is India’s greatest passion and composing ‘Dil Jashn Bole’ for the biggest World Cup ever, has been a tremendous honour for me. This song is not just for 1.4 billion Indian fans but for the whole world to come to India and be a part of the biggest celebration ever.”

    The music video encapsulates the emotions of the global fan community, uniting nations and fans across different cultures. The fan-centric anthem represents an epic celebration, designed to resonate with hearts and ignite spirits. The anthem embodies the World Cup combining the unique Indian passion for cricket with the national pride of all competing nations to create an unrivalled global sporting occasion.

    Fans worldwide are also invited to take part by showcasing their creative interpretations of the hook-step in diverse global locations. Whether it’s cricket stadiums, educational institutions, iconic landmarks, or historical monuments, the stage is theirs. Fans need to simply team up with a friend, capture their unique hook-step performance, and share it on Facebook or Instagram with the hashtag #CWC23. The most captivating videos will be curated to craft a collective Fan Anthem, showcasing the world’s enthusiasm for all to witness.

    ICC general manager of marketing and communications Claire Furlong said: “The ICC Men’s Cricket World Cup 2023 is set to be the biggest Cricket World Cup ever with hundreds of millions of fans around the world ready to be a part of it. The anthem brilliantly captures the passion and energy of India and the fans that will make this event so special, and we can’t wait for the world to hear it.  This World Cup will put place fans at the centre of the action and the anthem will help bring them closer to the game than ever before, so go listen now and create your own hook-step.”

    Star Sports spokesperson said, “We are delighted to collaborate with the ICC for the official anthem of the World Cup. The anthem is an expression of the cornucopia of emotions and waves of energy, which each and every day of the tournament promises to deliver to more than a billion viewers around the world.”

    Cricket fans are invited to be part of this celebration as the ICC Men’s Cricket World Cup 2023 gets underway from 5 October – 19 November. 

  • In partnership with Ideabrew Studios, Asian Paints brings special podcast ‘Madhur Smriti’

    In partnership with Ideabrew Studios, Asian Paints brings special podcast ‘Madhur Smriti’

    Mumbai: Paint and décor major Asian Paints on Thursday announced its association with Ideabrew Studios to launch ‘Madhur Smriti,’ a podcast series highlighting Durga Puja and commemorating the international recognition bestowed on the festival by Unesco as an intangible cultural heritage of humanity.  

    The series is part of the Sharad Shamman, the festive initiative by Asian Paints where they felicitate the best and most creative pandals across Kolkata. Sharad Shamman has been associated with Kolkata’s Puja festivities since 1985.

    With Madhur Smriti, Asian Paints collects and shares memorable stories and experiences of people surrounding Durga Puja and its festivities. It takes the listener on a journey through time and commemorates the colourful four decades in the history of Kolkata’s Durga Puja.  

    The podcast series of ‘Madhur Smriti’ will be available on Spotify, JioSaavn, Gaana, Apple Podcast, Amazon Music and BingePods.

    Speaking on the launch, Ideabrew Studios co-founder & CBO Agith G Kuruvilla said, “Madhur Smriti literally means Sweet Memories, and this podcast endeavours to take us through a trip down memory lane as we revisit the last 4 decades of the colourful festivities of Kolkata’s Durga Puja. Asian Paints Sharad Shamman is an institution and has contributed immensely in preserving and encouraging this festival, and it’s an honour to celebrate that.”

  • Indian Performing Right Society targets Rs 60 crore revenue from public performance, says CEO Rakesh Nigam

    Indian Performing Right Society targets Rs 60 crore revenue from public performance, says CEO Rakesh Nigam

    Mumbai: During the past two Covid infected years on-ground events took a severe hit. This had an extremely negative impact on the revenues generated from live events and public performance of music. However, with normalcy returning The Indian Performing Right Society (IPRS) CEO Rakesh Nigam is optimistic about generating revenue of Rs 60 crore from public performance for the current fiscal. The revenue generated will increase from fiscal 2019-2020 (pre-covid), which was Rs 52 crore. The overall revenues generated at IPRS from across verticals for the fiscal are pegged to be above Rs 300 crore.  

    “IPRS has started engaging with a lot of people. We have taken a proactive stand with the users, who are also coming out of the pandemic. We will consider giving them discounts and ask them to pay for music.  People are now positive about taking licences. We have boosted our on-ground team to meet the growing requirement. We have adopted a 360-degree approach and are trying to motivate people to get licences to play music in public. We also try and give discounts to coerce them to take licences.”

    He adds that there is more advertising taking place on digital platforms like YouTube which will benefit the music industry. There is a revenue share and so there will be income growth. However for subscription-driven OTT platforms or music used for television, there won’t be an impact from ad revenue. The festive season has more of an impact on public performance and on anything that is driven by revenue share. “The festive season for us in public performance is a full six-month period. It starts in October and goes on till March. In the summer, things slow down and during the rainy season not much happens. Apart from this, in October corporate events, general events, parties, etc., all start taking place.

    The mood today is very positive. We expect a growth in consumption, which was on a standstill for the past two years.  As malls have opened, footfalls in theatres have increased. Things are looking bullish across the country. Recently, malls had stopped using music to cut down on costs and save every penny. Now they are willing to spend money and take licences. They use music in the background to create the right ambience.,” Nigam points out further.

    “The fervour is across the country. Everyone is waiting to go out and break the shackles, be free and enjoy. So, retail sales are going up. Malls are quite positive. The mood picked up in August. The festive season is Diwali through Christmas.” IPRS, he says, has started engaging with clients. They had asked for discounts in the previous two years which the IPRS had agreed to help during a very difficult period.

    In terms of the growth in the number of artists and music publishers, the growth has been over 50 per cent, he says. “During the lockdown, we made everything digital. We made the online application process as smooth as possible. Only the signature on the statutory documents has to be done offline. We have also held digital seminars and campaigns to reach out to music creators and publishers to tell them that IPRS is a society to extend support. We also reached out to music authors and composers who felt the brunt of Covid. We gave financial support. This sent out a positive message that we are an organisation that does not just collect royalties. We also help when it is required. As a society, we help the less privileged members. We gave financial relief to a lot of members during the pandemic. As a result of all our initiatives to help and support we have also grown in numbers. From 4,000+ we are now a community of over 9000 songwriters, composers and music publishers from across the country. We have seen this growth in the past three years. During seminars, we focused on the fact of learning and earning. We educated people on the new things that are shaping the music industry and careers of those associated with it. How can they be at par with things happening around beyond music creation? What is happening on platforms like Youtube? What is metadata? And all that is relevant for them to reap the best benefits as a creator and publisher.”

    IPRS also aims to educate music users through our campaign that speaks about fair pay and fair play of music. #LicenseLiyakya? is the message. “Why not pay fairly for the usage of music? This encourages creativity. 90 per cent of people online listen to music. We are bullish. Why not ensure that you subscribe and pay for music? That is how we have come up with the campaign. If there is no music at your event, how will it sound? Please help us serve you better by paying for the music. This will encourage authors and composers to create better music for them.” In terms of IPRS members, he said that they can play their role by letting copyright societies like IPRS know where their music is being played. “They also have to push to see that those places obtain a licence as that will only benefit the music creators and publishers.”

  • Turn up the volume! Podcast marketing becomes brands’ new favorite

    Turn up the volume! Podcast marketing becomes brands’ new favorite

    Mumbai: Covid-19 disruptions and months-long lockdowns hampered the marketing industry for the last two years. While some mediums became irrelevant during the pandemic, others witnessed enormous growth. One leading example of the latter is podcast! Experts feel that with the restriction on movement during the pandemic, podcast emerged as a screen-free comfortable medium to deliver content to the listeners and consumers are increasingly inclining toward passive entertainment leading marketers to invest more in audio advertising.

    According to a KPMG study, podcast consumption increased by 29.3 per cent in the first year of the pandemic. A survey by Spotify and YouGov says that as of 2021, 50 percent of Indians prefer listening to at least one episode of a podcast every week. In 2018, PWC estimated that among 500 million internet users in India, only 40 million ever listened to a podcast. But the number changed dramatically during the pandemic as the listener base increased to 57.6 million monthly listeners, revealed another PWC report of 2020. The PWC Global Entertainment & Media Outlook 2020 study also predicted that India’s podcast listening market, the third-largest globally, is expected to reach Rs 17.61 crore by 2023, growing at a CAGR of 34.5 per cent.

    By offering advertising opportunities, the podcast is emerging as an influential platform. The key reason behind brands’ interest and increasing spending on podcast advertising is that it works, and it works more effectively compared to the traditional advertising mediums that have become increasingly less effective. It is a popular medium especially among millennials and gen-Z as the medium lets them learn more about self-love, discover something new, cope with anxiety, or simply entertain themselves.

    Surge in ad sales 

    Spotify, which is believed to be the largest music streaming app in India, recorded a surge in ad sales from a big investment in newer services such as podcasts while recording a 16 per cent increase in paid subscribers in the fourth quarter of last fiscal year. According to reports, Spotify has recorded major growth in the regional market, leading them to launch 30 new podcasts with local creators.

    Local creators tapped into the trend by understanding the need of the time. While the pandemic brought unavoidable challenges to life, podcasts made content consumption easier.

    As digital players are moving back to the traditional way of storytelling, open mics and sharing content through audio, audio platforms expect even bigger growth numbers in the upcoming years. Gaana.com, another leading music streaming app, is also eying to improve its marketing efficiency by 50 per cent by the end of 2022, tells Gaana head of marketing Shashwat Goswami. 

    Goswami says that their efforts are dedicated to diversification and personalisation. Revealing the marketing strategy for the year, he states, “Our major focus is non-music content for the year because the growth trajectory in the future will be led by podcasts.” 

    On being asked why is so hopeful about the growth of podcasts, he explains that podcasts are highly personalised and getting hyper-local. “Podcasts are becoming increasingly popular among local communities, if it goes at the same pace, we can expect growth in tier 2 and 3 cities,” he asserts. 

    Brands are all up to leverage the medium 

    This change in numbers attracted many brands to invest in the medium. If we see the trends, brands like Oppo, Netflix, HDFC Life, Unacademy, Cadbury’s, and many more started investing in the medium a long time ago. 

    The Man Company, an ultimate solution to becoming a gentleman, is soon launching a very exciting show with a significant modern gentleman as the host and an amazing lineup of guests, reveals The Man Company director-brand marketing Rumi Ambastha. 

    Ambastha feels that this becomes a platform that’s worth exploring both from an education and entertainment perspective. 

    QuackQuack founder and CEO Ravi Mittal says, “The usage of podcasts is going up in India. Our observation shows people who were listening to music are now also switching to podcasts for entertainment, knowledge and inspiration. We are finding this concept interesting for marketing our products.” 

    “Podcasts should see continuous growth in India for now as people opt to get more productive with their free time and consume more audio-based content. Audio-based marketing has a tremendous scope from a sponsorship point of view if done in the right manner leading to a win-win for the podcast and the brands,” he adds, while evaluating the future of podcast marketing. 

    The popular dating app Bumble also collaborated with JioSaavn during the pandemic to spread the message of being together among young adults. With a highly-engaged and young user base, JioSaavn was the perfect destination for Bumble to build a community to foster safe, meaningful, and true connections. 

    Dairy Milk Silk also launched a campaign with Spotify to bring lovestruck couples together. The campaign was targeted toward the couples who couldn’t meet during the lockdown. According to Spotify official data, the campaign reached five million+ listeners and eight thousand Spotify users opted to gift a Dairy Milk Silk to their loved ones. 

    Supertails, an online vet consultation platform, also invests in podcast marketing. Supertails co-founder Varun Sadana says, “We definitely see podcasts as an interesting brand building tool and are working in this direction. Our initiatives for the medium are still in the works and we’re excited to see how our community takes it when we launch.”

    Well! Not just the mainstream brands but other industry players are also investing in the medium. Scenic Communication, a leading communication agency, has invested in the medium by collaborating with leading podcasters. 

    Scenic Communication co-founder Anindita Gupta says, “We invest in the medium by collaborating with leading podcasters.” She added, “as a communication agency we are aware of how significant this platform is going to be in the future of brand engagement and we are working towards a strategy to involve most of our clients to create a presence on this platform.” 

    The relevance of podcast: Explained by experts 

    Gupta feels podcast as a medium has rapidly evolved over the last five years, mainly as an alternative to video, as it allows people to reduce screen time, multi-task, and still consume content of their choice. 

    “Over a period of time, podcasts also became a source of knowledge, entertainment and news, helping both podcasters and brands to engage with a fast-evolving audience willing to ‘Listen’ instead of being attached to an ‘immersive viewing’ experience all the time. This is how podcasts started as a marketing medium and are now used as a tool for brands to showcase their products and services,” affirms Gupta. 

    Adding to it, The Man Company’s Ambastha says, “podcast emerged as an interesting respite from all other video streaming platforms. So one can say podcasts literally and figuratively found their space and voice during the pandemic.”

    “Podcast is a welcome change from the erstwhile omnipresent mobile phones. Gives you the liberty to watch and do other household chores or workout all while listening to your favorite personalised podcasts,” she explains.

    Pulp Strategy founder and MD Ambika Sharma shares that podcasts are a great way to reach hyper-targeted audiences. “Podcasts can be information, and engagement on-demand while audiences are on the go, they are easy to tune into and offer the advantage of repetitive engagement if the content is great. It is a very useful medium for new-age brands that are majorly targeted to millennials and gen-Z and if we deep dive into the demographics of the users of audio platforms, we realise that 75 per cent of their consumers are from these age groups. Hence, audio streaming platforms become relevant for dating applications,” she further says. 

    4AM Worldwide chief creative officer Anand Nair thinks that audio-based content has certain transparency and intimacy to it. “The beauty of listening to a well-conducted podcast as it transports the listener to the room where the host and the guest are conversing makes it feel like a personal experience. Whether from entertainment or from a learning perspective, this kind of engagement is remarkable in the times we live in where distractions abound,” asserts Nair. 

    “Podcasts make more sense for a certain type of brand targeting a certain type of audience thanks to the level of intimate and extensive engagement it offers. It makes the speaker appear as an authority thus inducing trust which is the precursor to most purchase decisions,” he further says, adding that, “If used strategically as part of a larger media plan, it can help build recall and become a channel to build more evangelists for the brand since the audience listening are likely to be among the influencers of their social circles.” 

    Moreover, podcasts appeal to the mass audience as it has the added advantage of less attention span which does not require any extra screen time making them an ideal option for consuming productive content even in a busy schedule. 

    Grapes Digital CEO and co-founder Shradha Agarwal thinks that podcasts as a platform show a great affinity for story-telling. Explaining further, she said, “The sector has always shown significant growth, which in the past two years got the desired mileage with the onset of a pandemic that necessitated a reduction in the screen time which worked in favour of podcasts.”

    “However, the listenership for podcasts is growing, but on a small base because in the end, it’s difficult to define how many listeners have actually tuned in for how many minutes but there is an immense scope in the industry to grow.”

    “In recent times, various categories of brands have started advertising audio marketing. The brands usually tap the millennials or people in the age bracket of 20-40 years. With the rising popularity of podcasts and the wide reach it exercises, diverse brands are foraying in this platform where e-commerce, fintech, education, food delivery apps etc are highly active on the platform,” Agarwal attests.

  • Podcast consumption on Gaana jumped 40 % YoY in 2021: CMO Shashwat Goswami

    Podcast consumption on Gaana jumped 40 % YoY in 2021: CMO Shashwat Goswami

    Mumbai: If the digital revolution paved the way for the OTT boom, it also provided a fresh impetus to the audio industry to evolve with the changing times. As the habit of consuming content on the go became a lifestyle for people, audio emerged as the most convenient option to keep one entertained and informed without any hassles.

    According to the data released by the UK-based agency MIDia Research, worldwide music streaming subscriptions grew 26.4 per cent in the second quarter of 2021. The total number of subscribers currently stands at 521.3 million – an increase of 109.5 million from the year before.

    The rise of podcasts

    “Not just the musical content, but we saw a massive traction on our non-music content,” said Gaana head of marketing Shaswat Goswami in an exclusive conversation with Indiantelevision.com. Launched in 2010, the Times Internet-owned platform currently has around 180 million active listeners and finds its place among the top three streaming platforms in the country. The platform aspires to double its growth numbers by the end of 2022.

    Discussing the increasing popularity of podcasts, Goswami said, “The overall consumption of podcasts on Gaana increased by ~40 per cent YoY, while we expanded our library to nearly 40K podcasts. This not only includes exclusive Gaana Originals but also a catalogue of national and international podcasts hosted in collaboration with different associations to keep pace with the rising demand.”

    As people’s appetite for screen-free entertainment grew during the pandemic, the demand for podcasts also rose, especially from regional markets which witnessed a jump of 32 per cent in 2021. Podcasts of diverse genres such as music, motivation, stories and devotional ruled the non-music content. 

    Competition heats up, as new players jump in

    Audio streaming has seen a global boom with a host of streaming apps flooding the market during the last few years. India too witnessed a surge in popularity of music apps like Gaana, Spotify, JioSaavn, and Amazon music which stamped their impact on the country’s audio streaming scene.

    Talking about the increasing competition and entry of new players, Goswami said, “Unlike any other industry, we don’t lose a user simply because they have downloaded a new streaming app. Instead of uninstalling one as against the other new one, they usually continue using both apps. This kind of usage is the ‘new normal’ in music streaming – where there will be multiple apps on the phone.”

    More opportunities for diverse, independent artists

    With an increasing appetite for new content, Indians did not shy away from exploring a plethora of independent and diverse artists. The rise of streaming also empowered artists from all backgrounds to build a new fan base around the world and make successful careers in music. Streaming companies also provided the investment and support needed for the talent to thrive and reach a truly global audience.

    “Gaana too worked closely with regional artists like Deepak Medatwal, Rajnish Kaushik, and Abhay Maheshwari,. We also plan to onboard more content creators including independent artists and established names in 2022 by further expanding our partner network and supporting individual podcasters in content creation and broadcasting,” said Goswami.

    The Gaana CMO also expects regional language music and independent music to pick up in the coming months. “We are working with a lot of artists, and are constantly in touch with our label partners, artist partners for collaborations and to understand what support they are looking for on a new release and helping them,” added Goswami, who joined the audio streamer in October 2021 after moving on from grofers.

    Focus on content marketing

    The audio industry heavily relied on content marketing especially digital, along with traditional media like television, print to connect with their customers. Gaana launched most of its campaigns on digital and has been consistently growing its media spend in line with the business.

    The audio platform’s marketing campaigns have also become more and more contextual and tailored to its user interests. The audio streamer has increasingly moved from mass campaigns to more segmented and personalised campaigns on the basis of language, user profile etc, and reported a 48-50 per cent jump in user retention over the last quarter.

    The ambitious vision is to get to a billion users and ensure that it’s current consumer demographic represents the country’s internet penetrated demographic at large. “You cannot have 180 million users and not be representative of the country’s population,” said Goswami. “So be it in terms of language or metro vs non-metro there’s no conscious targeting on the brand’s part. However, we do see a lot of traction coming from the smaller towns, because that’s where the internet expansion is happening.”

    With the battle of audio streaming apps heating up, Gaana CMO said the brand has been going all out to ensure it stays top of mind for its user base, as well as strengthening its main product – the app. “The bulk of our energies and innovations have been on that product- on how we can give our users an experience that’s glitch-free. Having great music content is our foremost priority, along with having a well-performing, quality product that guarantees a great user experience. That’s one major checkmark in Gaana’s favour, which we are constantly working on to better, along with the brand reach and awareness.”

  • Gaana surprises listeners with new feature ‘AutoQueue’

    Gaana surprises listeners with new feature ‘AutoQueue’

    Mumbai: Music streaming app, Gaana has unveiled its latest product feature ‘AutoQueue’ that promises to offer personalised music listening to its users.

    The newly introduced feature is powered by a machine learning algorithm that factors the probability of songs being heard together (past behavior) as well as similarity of music, tempo/bpm, etc to predict possible songs a user would like to hear after they have manually played one song. The algorithm analyses thousands of signals and data points to come up with personalised song suggestions.

    The feature enables consumers to hit up a song and indulge in seamless streaming while Gaana plays similar songs on its own. The benefit is that it will dramatically reduce the time spent in manual searching & solves the problem of “listener’s block” (where one struggles to think of the next song to play). Autoqueue also makes the discovery of new music easier, as listeners get served apt songs they might not know of on their own.

    Gaana CEO Sandeep Lodha said, “In the last year and a half, audio streaming has played a major role in people’s lives and consumption is on the up. With AutoQueue we are going one step further to hyper-personalise each user’s app experience making it effortless to listen to great music. The feature is born of Gaana’s user research & tech capabilities and gives personalised endless background track to the lives our users live in the foreground.”

    The brand has also released an ad film to communicate the ease & joy of music listening with AutoQueue. The lighthearted commercial shows two girls going for a short drive that turns to a never-ending long drive, as Gaana AutoQueue keeps playing surprisingly apt songs that they love.

  • Gaana brings in Sandeep Lodha as new CEO

    Gaana brings in Sandeep Lodha as new CEO

    Mumbai: Music streaming app Gaana has bolstered its management by naming Sandeep Lodha its new chief executive officer and roped in former Times Internet executives Vivek Pandey as chief operating officer (COO), and Ram Awasthi as chief technology officer (CTO). With this new leadership team in place, the Times Internet-owned streaming service plans to foray into the OTT sector.

    All the three leaders bring with them almost 60 years of rich experience that is poised to provide Gaana with the growth impetus, said the platform in a statement on Tuesday.
    Times Internet, chief executive officer, Gautam Sinha said that the Indian OTT ecosystem is about as “exciting, dynamic, and competitive” as it has ever been and there is “unprecedented interest” from global companies keen to tap into the Indian consumer opportunity. “At Gaana, we are equally excited about our next stage of tech-led relationships with users, content producers, and advertisers,” Sinha added.
    A leader within the media and entertainment industry, Lodha has 22 years of rich experience in scaling brands in hyper-growth sectors with Disney, Bain & Company, Weddingz, and Intel Capital. 

    Pandey has been the vice president of revenue strategy and analytics at Times Internet and also managed TIL’s adtech stack. Previously, he was at the helm of major digital transformations at companies like Tata Cliq, MakeMyTrip, and Indiatimes Shopping.

    Awasthi is a technology leader with experience in envisioning, architecting, and delivering a broad range of distributed, internet-scale, and real-time applications. In his earlier role, he was responsible for leading new business initiatives and setting up high-performance technology teams and evaluating tech stacks for different business units under Times Internet.

    “Our new CEO Sandeep’s experience leading hyper-growth brands like Disney & OYO, Vivek’s 360-degree product, growth and monetisation experience, and Ram’s strong & visionary leadership in technology make us believe we can achieve the audacious goals we have set for the brand in the coming years,” Sinha said.

  • Gaana celebrates classical music with ‘Unwind with Taj’

    Gaana celebrates classical music with ‘Unwind with Taj’

    Mumbai: Audio streaming app Gaana has unveiled ‘Unwind with Taj’ to bring alive the magic of Indian classical music among millennials.

    Hosted in partnership with tea brand Brooke Bond Taj Mahal, the specially curated ‘Unwind with Taj’ caters to millennials to help them discover the splendor of classical music, which showcases our music heritage. The collection features Indian classical maestros such as Ustad Zakir Hussain, Ustad Shahid Parvez, Ronu Majumdar, Hariprasad Chaurasia, Anoushka Shankar among others. According to the company, the playlist has been created to make Indian classical music more accessible and available to millennials and sustain its legacy.

    Coupled with Brooke Bond Taj Mahal’s gourmet Indian flavors, the timed playlist will also change as the day progresses. While the ‘Morning Raga’ will entertain millennials by the day, the ‘Focus Instrumental Music’ will help evoke bouts of serenity amidst a chaotic work–from–home afternoon, said the music streaming app.

    “Gaana constantly looks forward to bringing novelty to the Indian music fan,” said Times Internet, CEO Gautam Sinha. “We believe in the rich legacy and glory of Indian classical music and are thrilled to join Brooke Bond Taj Mahal in initiating a movement to add the timeless aura of this genre. As millennials become more than receptive towards newer genres of music, we are certain they would be mesmerised by the beauty of Indian classical music, and enjoy its changing ragas through the course of the day.”

    Tea & Foods (HUL) vice-president Shiva Krishnamurthy added, “Brooke Bond Taj Mahal has a deep-rooted association with classical music and the brand has always sought ways to champion it. This campaign is an effort to instill an appreciation of Hindustani classical in millennials, by leveraging their listening behavior and giving them the perfect playlists to match their moods.”