Tag: fun

  • Interactive Television introduces CAM for brands in India

    Interactive Television introduces CAM for brands in India

    Interactive Television (A WPP Group Company), one of the leading cinema advertising company which works with over 9,000 screens across India, has announced the launch of a third party monitoring tool – Cinema Audit Monitoring (CAM) which is being carried out in collaboration with Ipsos-media ct. This monitoring will be carried out in top eight cities covering 200 screens which contribute approximately 70 per cent of the cinema adex in a given week. The selected screens include key multiplex chains like PVR, Big Cinema, Cinemax, Inox, Fame, Fun, DT, SPI and Wave Cinemas.

     

    The country’s film entertainment industry is the largest in the world in terms of the number of films produced (approx. 900) and its theatrical admissions (approx. three billion).

     

    The film industry has evolved over time and technology has played a major role in the way cinema is presented to audiences in theaters. Movies which were previously released on just 200-300 screens are now screened in over 2,000 on day one. This has significantly improved the probability of every movie to make money and ensure profitability. The Rs 100 crore plus box office collections movie club has thus come into existence and is growing every year.

     

    The year 2012 was an exciting year for the Indian film industry with footfalls returning to the big screen. The domestic theatrical segment grew at a CAGR of 23.8 per cent y-o-y contributing 76 per cent to the Rs 112.4 billion film Industry and it is expected to continue its growth trajectory and be worth Rs 193.3 billion by 2017.

     

    According to Interactive Television founder and CEO Ajay Mehta, “Interactive’s proprietary tool CAM is a game changer for brands investing in cinema advertising in India. The results of the monthly audit will help our existing and potential clients recognise the growth opportunities for their brands whilst choosing cinema as an advertising medium. With this audit, we aim to provide transparency and visibility to our set of clients to assist them in result oriented media planning and buying.”

    Ajay Mehta believes Interactives proprietary tool CAM will be a game changer for brands investing in cinema advertising in India

     

    Cinema in India is big, but cinema advertising is not that great. Cinema advertising in India varies between Rs 200-250 crore; which is less than a per cent of the adex of overall media spends. Even UK has more than two per cent of their overall media industry, but India is not even one per cent claims Interactive Television’s report.

    The report goes on to explain: the key reason is that there is no monitoring system is in place. Because of which the clients always question the measurability and ROI of the medium and therefore are not sure if their ads are playing or not and thus remain wary of including cinema in their media plan. Interactive Television tackles this issue through its proprietary tool CAM as it claims.

     

    The findings of the first round of monitoring, which was conducted in August 2013, is already out. And the report captures all the brand ads screened before the movie and during the interval. It also includes the order in which they were played. The report also highlights the product categories, top spenders and their presence across eight cities.

     

    The other key information areas which this report includes are – total numbers of brands present in cinema during the audit period, occupancy details before and during interval, commercial duration, commercial position, number of times each ad was played, total number of ads being played and average number of ads played with big movies.

     

    CAM reporting will be done on a monthly basis and monitoring is done with big releases in that particular month. The August 2013 report indicates that the F&B category is leading in cinema, followed by personal care.

  • Yahoo to unveil a new logo soon

    Yahoo to unveil a new logo soon

    MUMBAI: Yahoo chief marketing officer Kathy Savitt has announced that it will be introducing a new logo next month.

    From 7 August onwards Yahoo will post new logo on its homepage throughout its network in the US for 30 days on Tumblr, @Yahoo (#dailylogo) and on the official Facebook page as well.

    Yahoo will be revealing its official logo on 4 September at 9 pm PST (Pacific Time).

    Savitt wrote in a press statement that “The new logo will be a modern redesign that’s more reflective of our re imagined design and new experiences, We also want to preserve the character that is unique to Yahoo! – fun, vibrant, and welcoming – so we’ll be keeping the color purple, our iconic exclamation point and of course the famous yodel. After all, some things never go out of style.”

  • Yeh Jawaani Hai Deewani: Fun, frolic and a bit of love

    Yeh Jawaani Hai Deewani: Fun, frolic and a bit of love

    MUMBAI: One of the tried and tested genres of film, acceptable to just about all kind of audience is a feel good love story with music to back it if one knows how to. This ‘how to‘ involves the romance to be plausible, clean and emotional. Yeh Jawaani Hai Deewani is only the second outing for writer-director Ayan Mukerji. His first was a coming of age film, Wake Up Sid, which was also with Ranbir Kapoor. While Kapoor has since done almost a dozen films, Mukerji, to his credit, has not only come of age, he has matured into an accomplished writer-director.

    Producers: Hiroo Yash Johar, Karan Johar.
    Director: Ayan Mukerji.
    Cast: Ranbir Kapoor, Deepika Padukone, Kalki Koechlin, Aditya Roy Kapoor, Kunaal Roy Kapoor, Poorna Jagannathan.

    Yeh Jawaani Hai Deewani has no side characters, no comedians or villains and no distractions. To make up for all that, it has been shot extensively on pleasant outdoor locales and generally carries a positive flavour throughout. And, during these parts, the film carries that whiff and charm of those Nasir Hussain romances.

    The clique of school backbenchers, Kapoor, Kalki Koechlin and Aditya Roy Kapoor, decide to go on a track with a group of 25 others when a top ranker, scholarly, bespectacled Deepika Padukone, bored of her bookworm life, decides to join in. She has none of the traits of the three and is an odd one out in the group. They believe in enjoying each moment, something she has never had the inclination or the time to do in pursuit of her studies, earlier for school and now medical. But everybody is enjoying and it does not take her long to join in. The trek outing is all about having fun, drinking, games and bonhomie. There are two one-sided romances happening: Padukone is gradually drawn to the charm and youthfulness of Kapoor while Koechlin loves Aditya; why the latter is indifferent is not known while Kapoor does not agree with the concept of love, marriage and being tied down to one girl or one place.

    The outing is over. Kapoor proceeds to the US with the scholarship he has been offered and takes to travel photography. Just the dream he nourished, roaming places and meeting people. He has no intentions of returning to India, having lost his father, Farooq Shaikh, while having no communication, and has no ties with stepmother, Tanve Azmi. His contact with his friends is almost negligible. He has been busy filling his scrapbook with notes on places he visits. Now, he has been offered a dream posting, an assignment in Paris. That is when he receives a message from Koechlin asking him to attend her wedding, a five day affair in Udaipur.

    The four friends come together again. Koechlin is marrying Kunal Roy Kapoor, Aditya runs a bar which he is about to lose having incurred heavy losses (It seems he is never without alcohol in his hand, and he probably drank up his bar!). Padukone is a doctor running her own clinic and Kapoor, of course, is a TV host of international repute now. Elaborate weddings being a favourite with filmmakers, this part is all about fun and dances and every Indian identifies with it. There is no melodrama but, yes, the buried romance is rekindled in Deepika‘s heart and, unwittingly though, this time Kapoor too succumbs. It is time for the film to head for its happy ending.

    The feeling is that the film stretches its length at least by 15 minutes; this becomes more evident as there are just two able artistes to carry it through its 161 minutes marathon duration in Kapoor and Padukone. As the film begins, for some time the proceedings are dull, the Madhur Dixit item number is unnecessary and is not even good. Otherwise, the first half of the film passes smoothly. The second half becomes slow towards the latter portions, as one expects some drama towards the end.

    For positives, the film has a well written script and competent direction from Mukerji. Pritam‘s music is a definite plus with almost all songs having appeal, while Amitabh Bhattacharya has provided perfect lyrics to blend with the theme of the film. Filmed mostly outdoors, between snow-capped mountains and picturesque Udaipur, it makes for a pleasant viewing. Kapoor is getting better with each film; he is a natural. Padukone is a perfect foil and justifies her lovelorn look throughout. Aditya carries on with the glass he picked up in his earlier film; no idea what he would have done with his hands otherwise. Koechlin has a limited range. Kunaal is okay.

    Yeh Jawaani Hai Deewani has opened reasonably well, especially at multiplexes and, with its positive reports, is sure to get better over the weekend.