Tag: Frozen

  • Betting racket whacked for Rs 307 crore as ED strikes in Dubai

    Betting racket whacked for Rs 307 crore as ED strikes in Dubai

    NEW DELHI: India’s financial crimes enforcers have seized Dubai property and domestic bank deposits worth Rs 307 crore in a crackdown on an online betting operation centred around the Fairplay platform, according to a PTI report. 

    The Enforcement Directorate froze land, villas and flats in the Gulf emirate alongside Indian bank accounts under anti-money laundering laws, the agency said on Monday. The haul represents one of the largest asset seizures in India’s escalating war against illegal online gambling.

    The probe stems from a complaint filed by Viacom18 Media with Mumbai Police’s cyber wing, alleging the betting platform had inflicted revenue losses exceeding Rs 100 crore through violations of information technology and copyright laws.

    Investigators subsequently bundled together multiple cases against Fairplay and its associates for illegal online betting operations. The web of connected entities suggests a sophisticated money-laundering network spanning domestic and international jurisdictions.

    The seizures underscore how Indian authorities are pursuing betting operators’ offshore assets with increasing vigour. Dubai has emerged as a favoured destination for parking proceeds from India’s booming but largely illegal online gambling sector.

    The Fairplay case highlights the complex interplay between broadcasting rights violations and betting operations, with platforms allegedly using pirated content to drive traffic to gambling sites.
    India’s regulatory crackdown on online betting has intensified as authorities grapple with the sector’s explosive growth and its links to money laundering and tax evasion.

  • Audible and Disney launches new kid-focused audio originals: Frozen, Cars & Star Wars

    Audible and Disney launches new kid-focused audio originals: Frozen, Cars & Star Wars

    Mumbai: Audible, Inc., the creator and provider of premium audio storytelling, and Disney Publishing released three new Audible Originals today from Disney’s Frozen, Disney & Pixar’s Cars, and Star Wars, in addition to 60 audiobooks featuring stories including Finding Dory, Marvel’s Avengers, Monsters, Inc., Mulan, and Toy Story. All of these offerings are available today exclusively on Audible at audible.com.

    Today’s three Audible Originals feature multiple Disney character voices and immersive sound design. The titles include:

    1   Star Wars: Padawan’s Pride

    Jedi Knight Obi-Wan Kenobi and his Padawan Anakin Skywalker star in this thrilling galactic adventure set three years after the events of Star Wars: The Phantom Menace. When a Republic spy goes missing on the Moons of Varl, the Jedi Council asks Obi-Wan and Anakin to infiltrate an underground podracing circuit run by a crime boss believed to be holding the spy prisoner. Master and apprentice must use all their Jedi skills in this action-packed tale of cutthroat competition, deadly deception, and, ultimately, what it means to be a Padawan. Recommended for ages 8–12. Written by Bryan Q. Miller.

    2   Disney Frozen: Olaf’s Quest

    Olaf, Arendelle’s adorable snowman, loves to read. One day, an unexpected message leads Olaf and his friends Anna, Kristoff, and Sven on a quest for a place known as Haus Biblio, described as a “sea of stories.” Join the group’s journey as they cross over mountains, search for monsters under bridges, and have conversations with friendly sheep. Recommended for ages 6–8. Written by Suzanne Francis.

    3   Disney Pixar Cars: The Legend of the Crystal Hubcap

    Best friends Lightning McQueen and Mater are on the road to attend Mater’s sister’s wedding across the country when they accidentally find themselves at the legendary Cave of the Crystal Hubcap. Legend has it, that whoever gazes into this hubcap becomes the luckiest racer in the world. Mater thinks the hubcap would make the perfect wedding gift and heads into the cave in search of it with Lightning—when it comes to treasure hunting, sometimes friendships are the greatest treasures of all. Recommended for ages 3–5. Written by Steve Behling.

    Rachel Ghiazza, Chief Content Officer at Audible, said: “As a customer-obsessed company, we know our devoted listeners want to share their love of audio with the children in their lives. We believe imagination is at the core of family entertainment, which Disney has championed as an industry leader for generations. We’re honoured to collaborate with Disney to bring smiles to kids’ faces when they hear the swoosh of Obi-Wan Kenobi’s lightsaber or the squeal of Lightning McQueen’s tires. New audio adventures begin today, and we can’t wait to share what’s in store over the next few years.”

    Disney Publishing’s Tonya Agurto, Senior Vice President of New IP and Global Business Development said, “Kids-targeted audio experiences connect families, spark imagination, and foster a life-long love of storytelling. Disney Publishing is delighted to bring original and enchanting stories to Audible listeners which span beloved franchises and characters across Disney Frozen, Pixar and Star Wars.”

    This new content follows Audible’s global launch of Kids Profiles. In this new, kid-friendly listening space on Audible, parents can easily share audio titles with children, delighting their little ones while ensuring that audio content can be enjoyed in a parent-controlled environment right from the Audible app. Children will only be able to see and listen to titles shared with them. For instructions on how to create a Kids’ Profile and additional information, click here.

    The Disney titles join a quickly expanding offering of family listening content on Audible including Pottermore Publishing’s complete Harry Potter collection and the forthcoming full-cast audio productions of the original Harry Potter stories; Sesame Workshop’s The Sesame Street Podcast with Foley and Friends (Seasons 1-3) and Ready, Set, Ride with Elmo; Hasbro’s Peppa Pig’s Play-A-Long Podcast; Nickelodeon’s Are You Afraid of the Dark? The Official Podcast; Letters from Camp (Seasons 1-3), produced and performed by Jamie Lee Curtis and an all-star cast; KIDZ BOP Never Stop, from the #1 music brand for kids; and more. Audible’s production and development deals include collaborations with top industry creatives such as President Barack Obama and Michelle Obama’s Higher Ground, Kerry Washington’s Simpson Street, Daniel Dae Kim’s 3AD Productions, Lorne Michaels’ Broadway Video Enterprises, and James Patterson Entertainment.

  • D23 Expo 2022: Disney theme parks announces new additions to Avengers Campus, including ‘King Thanos’ & ‘A Multiverse Battle’

    D23 Expo 2022: Disney theme parks announces new additions to Avengers Campus, including ‘King Thanos’ & ‘A Multiverse Battle’

    Mumbai: At the recently concluded Disney fan convention, D23 Expo, presented by Visa in Anaheim, California, Disney Parks, Experiences and Products chairman Josh D’Amaro shared a look into the future for Disney theme parks and beyond. Highlights included the expansion of Avengers Campus at Disneyland Resort with a third attraction; a first look at the Disney Treasure, the next ship joining the Disney Cruise Line fleet; a closer look at Frozen-themed lands coming to three park destinations around the world; and a behind-the-scenes look at the blue-sky brainstorming of Walt Disney Imagineers.

    “There’s no limit to where we are going. When I look back over our first 100 years, what jumps out at me is how we are just constantly reinventing ourselves, telling new stories for brand-new generations. You all know this: We need those stories more than ever. And that’s a lesson we take straight from Walt. He believed in the power of storytelling,” D’Amaro said.

    New stories coming to Disneyland Resort: D’Amaro was joined on stage by executive producer and Disney Legend Jon Favreau, who shared a first look at the Mandalorian and Grogu, two new characters whom guests will encounter at Star Wars: Galaxy’s Edge at Disneyland Park in Anaheim, California, starting in mid-November.

    Then, Marvel Studios president Kevin Feige shared how the Avengers Campus at Disney California’s adventure park will expand the multiverse with a third attraction, along with the debut of the Incredible Hulk, who will appear in his Quantum Suit at Avengers Campus in California beginning next week for a limited time. The new attraction will allow guests to join in battle with the Avengers, which means facing foes from anywhere and everywhere, including a new threat, King Thanos, a multiverse variant designed specifically for Avengers Campus.

    “The fun thing about Marvel is [seeing] all of the characters, all of the time—and with the multiverse at Avengers Campus, you’re going to be able to do that,” Feige shared, before showing a rendering of King Thanos. “This is a new version of Thanos for the very first time coming into the MCU via this attraction. He’s got a cool white beard, too, and a crown. This is Thanos that won, and the Avengers aren’t too happy about that. And you have to help them,” he explained.

    Just around the corner from Avengers Campus, Pacific Wharf will be re-imagined as San Fransokyo from the Oscar-winning Disney Animation film “Big Hero 6,” complete with a place to meet Baymax as well as new spots to eat and shop.

    Meanwhile, over at Disneyland Park, Mickey and Minnie’s Runaway Railway will invite guests into a cartoon world where toon rules apply, and Mickey’s Toontown will step into a new era of inclusive experiences for families of all ages when it opens in early 2023.

    “We are going to celebrate Mickey, Minnie, and their best pals in a whole new way in ToonTown at Disneyland Park,” D’Amaro said before sharing concept art with the audience.

    D’Amaro also said progress continued on the reimagining of the Paradise Pier Hotel into Pixar Place Hotel, where guests will feel as though they’ve stepped into a Pixar art gallery featuring new interpretations of favourite Pixar pals. Over at the Downtown Disney District, more than a dozen new and reimagined locations will open, including Porto’s Bakery and Café. For running fans, runDisney races will return to the resort in 2024 for the first time since 2017.

    Tiana’s Bayou Adventure at Disneyland Resort and Walt Disney World Resort: Imagineers joined D’Amaro onstage to discuss new story details for the attraction Tiana’s Bayou Adventure and showcase stunning new concept art of the attraction at night. It was revealed that several members of the original film cast will return to lend their voices to the attraction, coming to Disneyland Resort and Walt Disney World Resort in late 2024, including Disney Legend Anika Noni Rose as Tiana, Bruno Campos as Naveen, Michael-Leon Wooley as Louis, and Jenifer Lewis as Mama Odie.

    Walt Disney World Resort and the transformation of Epcot: In terms of Disneyworld Florida, the next major milestone in Epcot’s multi-year transformation will include the completion of the World Celebration neighbourhood in late 2023. The Journey of Water, Inspired by Moana, will also open in late 2023, inviting guests to follow the story of water on the planet, inspired by Moana’s connection to the ocean. By the end of 2023, fans’ favourite character Figment will also appear live to park guests.

    Over at Magic Kingdom, Tron: Lightcycle Run will invite guests to enter the grid in spring 2023. Popular anthem “Happily Ever After” will play again when an updated nighttime spectacular returns to light up the skies over Cinderella Castle in 2023. At the Haunted Mansion, the Hatbox Ghost will materialise in 2023.

    Three frozen-themed lands highlight expansions at Disney Parks around the world: Inspired by Disney Animation’s stunning films, World of Frozen will open in the second half of 2023 at Hong Kong Disneyland—the first of three Frozen-themed areas coming to international Disney parks. It will blend Arendelle with the park’s natural landscape on Lantau Island.

    At Disneyland Paris, the Frozen-themed land will be the next major milestone in the ongoing transformation of Walt Disney Studios Park. This land will offer a gorgeous lakeside promenade and will immerse guests in the same magical wintry setting from the films. A new Tangled-themed family attraction will join the new gardens leading into the land. Frozen will also be part of the transformation of the Disneyland Hotel, reopening in 2024. As part of the grand finale of the 30th anniversary celebration underway, a new stage show, “Pixar: We Belong Together,” will debut in 2023 in the Walt Disney Studios park.

    At Tokyo Disney Resort, Frozen is one of the stories coming to life as part of the Fantasy Springs expansion at Tokyo DisneySea, joining two other Disney Animation stories, Peter Pan and Tangled, plus a brand-new hotel integrated right into the park. Fantasy Springs will feature several new audio-animatronics figures, including Elsa, who sings in Japanese and whose movements sync with the rhythms of the language.

    D’Amaro then shared a first look at the transformation of space mountain at Tokyo Disneyland, showcasing how the attraction will transition from day to night. “With a nod to the original architecture, this reimagined space mountain will anchor a new plaza and will be completed by 2027,” he said.

    Shanghai Disney Resort will be the first Disney resort to bring the world of the Oscar-winning Disney Animation film Zootopia to life. At Zootopia Central Station, guests will find animals going about their daily lives. At the Zootopia Police Department, which doubles as the entrance to the land’s new family attraction, guests will be greeted by an Audio-Animatronics figure of fan-favorite Officer Clawhauser.

    Mickey’s favourite teddy bear, Duffy, is a fan favourite in all three Disney resorts in Asia. D’Amaro shared that Duffy & Friends will star in their very own six-episode, stop-motion animated series on Disney+ next year.

    New Horizons for Disney Cruise Line and the Disney Treasure: The sixth ship in the Disney Cruise Line fleet, the Disney Treasure, will set sail in 2024. The Imagineers have dreamt up a new design concept inspired by the theme of adventure, celebrating Walt Disney’s lifelong love of exploration. The Grand Hall—the magnificent three-deck-tall atrium that welcomes guests on board—is inspired by the grandeur and mystery of a gilded palace, drawing on real-world influences from Asia and Africa and paying homage to the far-off land of Agrabah. At the center, the signature statue will feature Aladdin, Jasmine, and their Magic Carpet.

    For the first time, Disney Cruise Line will bring the magic of a Disney vacation to families and fans in Australia and New Zealand during limited-time cruises that immerse guests in Disney, Pixar, Marvel, and Star Wars stories beginning in late October 2023. Additionally, repositioning cruises for the Disney Wonder will be the first South Pacific voyages for Disney Cruise Line, giving guests the chance to experience destinations like Fiji and Samoa.

    In the Bahamas, progress continues on a new island destination at Lighthouse Point, which will bring the natural beauty and rich culture of the Bahamas to life for Disney Cruise Line guests and be powered 90 percent by solar energy.

    What’s Next: A highlight of the morning included a look at what’s possible when Walt Disney Imagineers and their collaborators dream big. Disney Animation chief creative officer Jennifer Lee, the Academy Award-winning writer and director of “Frozen” and “Frozen 2,” shared how the studio is working with Walt Disney Imagineering on concept explorations for Dinoland USA at Disney’s Animal Kingdom park and potential expansion opportunities at Magic Kingdom park, both at Walt Disney World.

    WDI creative portfolio executive Chris Beatty offered a glimpse of what could lie “beyond Big Thunder Mountain” through concept art, citing two recent Disney Animation hits, as well as “what if” renderings of a land of Disney Villains. “Imagine what if we could pass over those fires in Big Thunder Mountain? Maybe there’s a little valley in front of us with the little town of Santa Cecilia [from Coco] and celebrate Encanto. And what if we could… fly into the land of the dead with our friend Miguel, just like the Riveras [from Coco]?  That’s what could be out there,” Beatty said.

    Disney 100 Years of Wonder: D’Amaro concluded the presentation with a first look at how Disney Parks, Experiences and Products will mark Disney 100 Years of Wonder (Disney100). This is the biggest celebration in the history of the company. New décor, specialty food and beverages, character experiences, and more will come to parks around the world, with the heart of the celebration rooted at Disneyland Resort.

    Two new nighttime shows, World of Colour—One and the new fireworks show Wondrous Journeys, will debut at Disneyland Resort in late January. World of Colour—One at Disney California Adventure will celebrate the storytelling legacy started by Walt a century ago. It’s going to be World of Colour like guests have never seen it before, with an all-new inspiring story told through characters. Wondrous Journeys at Disneyland Park will ignite the wonder in everyone and feature nods to all 60 Walt Disney Animation Studios films to date, taking viewers on a journey filled with artistry, music, storytelling, and heart. Special entertainment moments will also pop up across the resort, including the long-awaited return of the Magic Happens parade this spring.

    A brand-new nighttime spectacular will come to the World Showcase Lagoon at Epcot in late 2023 as part of the Disney100 Celebration. Hong Kong Disneyland will also unveil a new statue of Walt and Mickey near Cinderella’s Carousel as part of the Disney100 Celebration. Fans were given a keepsake rendering at the presentation’s conclusion.

  • Star World to air Jimmy Kimmel Live on 20 April

    Star World to air Jimmy Kimmel Live on 20 April

    MUMBAI: The beautiful Emily Blunt appeared on the latest episode of Jimmy Kimmel Live! promoting her upcoming fantasy film, The Huntsman: Winter’s War. During her chat with popular host Jimmy Kimmel, Blunt spoke about her special Frozen connection, her little admirer, riding an imaginary animal and her panic attack during her husband’s on-stage fashion disaster.

    The show will air on 20 April 2016 at 11 pm.

    With her character Freya, the Ice Queen in her upcoming film strongly resembling Elsa from Frozen, Kimmel pointed the striking similarities out to the actress, to which the actress revealed he wasn’t the only one. She said, “Charlize’s son was on set a lot and he’s obsessed with Frozen so he really thought I was Elsa,” Blunt said. “And then he got really disappointed because he saw me in my sweatpants one day with the white hair on, and he just looks at me and goes, put on your dress. Like, he was really bummed about it. Put it on now.”

    But that’s not all, according to Kimmel, the actress looked like a lump on a golf cart while shooting for the film, all thanks to the imaginary wolf-bear! Thecharacter Freya rides a wolf-bearinto battle, but since it actually doesn’t exist, Emily was required to ride a green contraption to give the same effect.

    Blunt had to mimic a swaying movement while riding side-saddle in the golf cart, which she hilariously replicated for Kimmel. She revealed, “So I’m just like this on it, driving at a glacial pace towards the other actors, and I just remember coming towards Jessica Chastain and she was like this, trying not to laugh ‘cause she knew if she made me laugh, the whole shot would be ruined,” Blunt said. “You’re talking about 50 horses, 100 extras. The reset takes an hour.”

    Blunt also spoke about a panic attack she got thanks to her husband’s recent fashion disaster while onstage for his play. She told the host, “John came out for his first scene, and his suit jacket was tucked into his pants… like, really tucked… wedged… I heard myself say, oh my God, no. And I just knew that everyone was gonna see… everyone’s gonna get the right angle at some point… I was panicking.” The actress felt a sense of gratitude towards the savior Hank Azaria, her husband’s co-star who came behind and removed the jacket before too many audience members noticed. “

  • Star World to air Jimmy Kimmel Live on 20 April

    Star World to air Jimmy Kimmel Live on 20 April

    MUMBAI: The beautiful Emily Blunt appeared on the latest episode of Jimmy Kimmel Live! promoting her upcoming fantasy film, The Huntsman: Winter’s War. During her chat with popular host Jimmy Kimmel, Blunt spoke about her special Frozen connection, her little admirer, riding an imaginary animal and her panic attack during her husband’s on-stage fashion disaster.

    The show will air on 20 April 2016 at 11 pm.

    With her character Freya, the Ice Queen in her upcoming film strongly resembling Elsa from Frozen, Kimmel pointed the striking similarities out to the actress, to which the actress revealed he wasn’t the only one. She said, “Charlize’s son was on set a lot and he’s obsessed with Frozen so he really thought I was Elsa,” Blunt said. “And then he got really disappointed because he saw me in my sweatpants one day with the white hair on, and he just looks at me and goes, put on your dress. Like, he was really bummed about it. Put it on now.”

    But that’s not all, according to Kimmel, the actress looked like a lump on a golf cart while shooting for the film, all thanks to the imaginary wolf-bear! Thecharacter Freya rides a wolf-bearinto battle, but since it actually doesn’t exist, Emily was required to ride a green contraption to give the same effect.

    Blunt had to mimic a swaying movement while riding side-saddle in the golf cart, which she hilariously replicated for Kimmel. She revealed, “So I’m just like this on it, driving at a glacial pace towards the other actors, and I just remember coming towards Jessica Chastain and she was like this, trying not to laugh ‘cause she knew if she made me laugh, the whole shot would be ruined,” Blunt said. “You’re talking about 50 horses, 100 extras. The reset takes an hour.”

    Blunt also spoke about a panic attack she got thanks to her husband’s recent fashion disaster while onstage for his play. She told the host, “John came out for his first scene, and his suit jacket was tucked into his pants… like, really tucked… wedged… I heard myself say, oh my God, no. And I just knew that everyone was gonna see… everyone’s gonna get the right angle at some point… I was panicking.” The actress felt a sense of gratitude towards the savior Hank Azaria, her husband’s co-star who came behind and removed the jacket before too many audience members noticed. “

  • Zee Studio lines up movies for festive December

    Zee Studio lines up movies for festive December

    MUMBAI: Zee Studio is all geared up to premiere blockbuster movies for the month of December.

     

    The first in line is Last Knights, which will premiere on 13 December, 2015 at 9 pm. The film stars Morgan Freeman and Clive Owen and portrays the adventures of a fallen warrior who rises against a corrupt and sadistic ruler to avenge his dishonoured master. 

     

    The next on the line is the blockbuster animated movie Frozen, which will be aired on 20 December at 9 pm. The film depicts the adventures of Anna, the fearless princess, who sets off on an epic journey to find her estranged sister Elsa.

     

    The channel’s Battleground Zero will enthral the viewers with movies like Thor: The Dark World, War Of The Worlds, Transformers Part – 2 and 3, World War Z amongst others from 4 to 19 December on Fridays and Saturdays at 9 pm.

     

    With Christmas around the corner, the channel will also air movies like Kung Fu Panda, Madagascar 3, G-Force, Honey I Blew Up The Kids, Toy Story and How To Train Your Dragon on 25 December, 2015 from 9 pm onwards. 

     

    On 31 December, 2015 for the New Year’s binge evening, the channel will stream movies like Pirates of the Caribbean: Curse of the Black Pearl, National Treasure and Eagle Eye from 11 am onwards.

  • Get ready for the Season 4 of Once Upon a Time with Star World and Star World HD

    Get ready for the Season 4 of Once Upon a Time with Star World and Star World HD

    MUMBAI:  Star World and Star World HD is back with a new story-line for Season 4 of Once Upon a Time. Once Upon a Time is a unique show where fairy tale legends collide with some characters from the earth. The show will premiere on 21 November 2015 at 12 pm and will be telecasted on 22, 28 and 29 November 2015.

     

    Expect more magic and excitement this season, with elements from the movie Frozen and new characters like Elsa, Princess Anna, Kristoff, the Sorcerer’s Apprentice, Little Bo Peep and Poseidon.

     

    The channel also offers the audience to watch the Season 4 at one go, on Star World Weekend Binge.

     

    The show has added two new adventurous elements to it for this season. The first half of the season will portray characters from the movie Frozen uniting with people in the world while the second half will observe an exiled Gold with Ursula, Cruella De Vil and Maleficent. The anti-heroes will be seen entering Storybrooke to get the happy ending that has eluded them since long.

     

    Speaking about the show, Jennifer Morrison, who plays the role of Emma Swan says, “I need you to believe in Magic! We talk about magic in a very literal way on the show and part to what people relate to on the show is that in certain moments magic means love and in certain moments magic means adventure and in certain moments magic means loving your child or discovering your passion in life. I think we all sort of deal with magic in a metaphorical sense because I think it represents bigger things in life on Once Upon a Time whereas in the real world it wouldn’t be the same.”

  • FY-2015: Disney revenue up 7.5%; net income up 11.7%

    FY-2015: Disney revenue up 7.5%; net income up 11.7%

    BENGALURU: The Walt Disney Company Inc reported 7.5 per cent YoY increase in consolidated revenue at $52,465 million for the year ended 3 October, 2015 (FY-2015, current year) as compared to the $48.813 million reported for the year ended 27 September, 2014 (FY-2014, previous year). Net income in the current year increased 11.7 per cent YoY to $8.382 million from $7,501 million.

     

    “We had a strong quarter, with adjusted EPS up 35 per cent, completing our fifth consecutive year of record performance. In Fiscal 2015 we delivered the highest revenue, net income and adjusted EPS in the Company’s history, reflecting the power of our great brands and franchises, the quality of our creative content, and our relentless innovation to maximize value from emerging technologies,” said Disney chairman and CEO Robert A Iger.

     

    For the quarter ended 3 October, 2015 (Q4-2015, current quarter), consolidated revenue increased 9.1 per cent YoY to $13.512 million as compared to $12,389 million in the quarter ended 27 September, 2014 (Q4-2014). Net Income in Q4-2015 increased 7.3 per cent to $1,609 million as compared to $1,499 million.

     

    Segment Results

     

    Four of the five Disney’s segments – Media Works, Parks and Resorts, Studio Entertainment and Consumer Products reported growth in revenue in FY-2015 and Q4-2015 as compared to FY-2014 and Q4-2014 respectively, while the fifth segment – Interactive – reported decline in revenues. However, all the five segments reported growth in segment operating income in the current year and quarter as compared to the previous year and year ago quarter respectively.

     

    Media Networks

     

    Media Networks revenue in FY-2015 increased 10 per cent to $23,264 million from $21,152 million in the previous year. Segment Operating income increased 6.4 per cent in the current year to $7,793 million as compared to $7,321 million in FY-2014.

     

    The segments revenue in the current quarter increased 11.7 per cent YoY to $5,286 million from $5,217 million. Operating income for the segment increased 26.6 per cent YoY to $1,819 million from $1,437 million.

     

    Disney says that Operating income growth at Media Networks was driven by higher affiliate fees, increased advertising revenue at ESPN and the ABC Television Network and higher operating income from program sales. These increases were partially offset by an increase in programming and production costs at ESPN and, to a lesser extent, the Disney Channels and the ABC Television Network.

     

    Two sub-segments contribute to Disney’s Media Networks – Cable Networks and Broadcasting.

     

    Cable Networks

     

    Cable Networks revenue in FY-2015 increased 9.7 per cent to $16,581million from $15,110 million in the previous year. Segment Operating income increased 4.9 per cent in the current year to $6,787 million as compared to $6,467 million in FY-2014.

     

    The sub-segments revenue in the current quarter increased 12.4 per cent YoY to $4,245 million from $3,776 million. Operating income for the sub- segment increased 29.8 per cent YoY to $1,655 million from $1,275 million.

     

    For Q4-2014, Disney says that Operating income at Cable Networks increased due to an increase at ESPN and, to a lesser extent, A&E Television Networks (A&E) and the Disney Channels. The increase at ESPN reflected higher affiliate and advertising revenues, partially offset by an increase in programming costs. Affiliate revenue growth was driven by contractual rate increases and an increase in subscribers. The increase in subscribers was due to a full quarter of the SEC Network, which launched in August 2014, partially offset by a decline in subscribers at certain of Disney’s networks.

     

    Growth in advertising revenue reflected higher units sold, partially offset by lower ratings. Higher programming costs reflected a full quarter for the SEC Network, additional rights for the US Open Tennis tournament and contractual rate increases for Major League Baseball and NFL rights, partially offset by the absence of rights costs for NASCAR.

     

    Higher equity income from A&E was due to lower programming and marketing costs, partially offset by lower advertising and affiliate revenue. The increase at Disney Channels was driven by higher affiliate revenues, partially offset by higher programming costs. Affiliate revenue growth reflected contractual rate increases domestically and subscriber growth internationally. The programming cost increase was driven by higher costs for original programming, including more hours of new series in the current quarter.

     

    Broadcasting

     

    Cable Networks revenue in FY-2015 increased 10.6 per cent to $6,683 million from $6,042 million in the previous year. Segment Operating income increased 17.8 per cent in the current year to $1,006 million as compared to $854 million in FY-2014.

     

    The sub-segments revenue in the current quarter increased 9.7 per cent YoY to $1,581 million from $1,441 million. Operating income for the sub-segment was flat YoY to $164 million from $163 million.

     

    For Q4-2014, Disney says that growth in advertising and affiliate revenue was offset by higher programming costs, lower operating income from program sales, an equity loss from Hulu and higher marketing costs for the fall season launch. The increase in advertising revenue reflected higher units sold, including the benefit of the extra week of operations, and higher rates. Affiliate revenue growth was due to contractual rate increases and new contractual provisions. Higher programming costs reflected the impact of an additional week of operations. Lower operating income from program sales was driven by an increase in cost amortisation and lower sales. Program sales reflected decreases for My Wife and Kids and America’s Funniest Home Videos, partially offset by the sale of How to Get Away with Murder in the current quarter. The equity loss from Hulu was due to higher content and marketing costs.

     

    Parks & Resorts

     

    Parks and Resorts segment revenue in the current year increased seven per cent to $16,162 million as compared to the $15,099 in FY-2014. Segment Operating income increased 13.8 per cent in the current year to $3,301 million as compared to $2,663 million in FY-2014.

     

    The segments revenue in the current quarter increased 10.1 per cent YoY to $4,361 million from $3,960 million. Operating income for the segment increased 7.4 per cent YoY to $738 million from $687 million.

     

    Growth at Parks and Resorts was driven by Disney’s domestic operations due to higher average guest spending, attendance and occupancy, partially offset by increased costs driven by inflation and volumes. Results at Disney’s international parks and resorts operations reflected lower attendance and occupancy at Hong Kong Disneyland Resort and higher pre-opening expenses at Shanghai Disney Resort.

     

    Studio Entertainment

     

    Studio Entertainment segment revenue in the current year increased 1.2 per cent to $7,366 million as compared to the $7,278 in FY-2014. Segment Operating income increased 27.4 per cent in the current year to $1,973 million as compared to $1,549 million in FY-2014.

     

    The segments revenue in the current quarter was flat (increased 0.3 per cent) YoY to $1,783 million from $1,778 million. Operating income for the segment more than doubled (2.09 times) YoY to $530 million from $254 million.

     

    At Studio Entertainment, operating income growth was due to a higher revenue share with the Consumer Products segment reflecting the success of Frozen merchandise, an increase in television distribution revenue and higher domestic theatrical results. This growth was partially offset by a decline in home entertainment units sold reflecting the success of Frozen in the prior year.

     

    For Q4-2015, Disney says that Operating income growth was due to increased TV/SVOD distribution results, lower film cost impairments, improved theatrical results and a higher revenue share with the Consumer Products segment. These increases were partially offset by lower home entertainment results.

     

    The increase in TV/SVOD distribution was driven by a lower average production cost amortisation rate, the timing of title availabilities in international pay and domestic free television markets as well as SVOD revenue growth internationally. Lower production cost amortisation reflected a higher sales mix of catalogue titles in the current quarter.

     

    Operating income growth in theatrical distribution was driven by the performance of Inside Out and Ant-Man in the current quarter compared to Guardians of the Galaxy, Maleficent and no Pixar title in the prior-year quarter. Theatrical distribution revenues were lower in the current quarter as the prior-year quarter also included Planes: Fire and Rescue and The Hundred-Foot Journey, whereas the current year included no Disney feature animation or DreamWorks titles in release. Increased revenue share was due to the performance of Frozen merchandise in the current quarter.

     

    The decrease in home entertainment was due to lower net effective pricing and unit sales reflecting the prior-year quarter performance of Frozen internationally and Marvel’s Captain America: The Winter Soldier worldwide, partially offset by Marvel’s Avengers: Age of Ultron and Cinderella in the current quarter. These decreases were partially offset by lower per unit costs as well as decreased marketing spending in the current quarter.

     

    Consumer Products

     

    Consumer Products segment revenue in the current year increased 12.9 per cent to $4,499 million as compared to the $3,985 in FY-2014. Segment Operating income increased 29.2 per cent in the current year to $1,752 million as compared to $1,356 million in FY-2014.

     

    The segments revenue in the current quarter increased 11.5 per cent YoY to $1,195 million from $1,072 million. Operating income for the segment increased 9.8 per cent YoY to $416 million from $379 million.

     

    Consumer Products operating income growth was due to higher merchandise licensing revenue reflecting the strength of Frozen, Avengers and Star Wars Classic merchandise.

     

    Interactive

     

    Interactive segment revenue in the current year reduced 9.6 per cent to $1,174 million as compared to the $1,299 in FY-2014. Segment Operating income increased 13.8 per cent in the current year to $132 million as compared to $116 million in FY-2014.

     

    The segments revenue in the current quarter reduced 4.1 per cent YoY to $347 million from $362 million. Operating income for the segment increased 72.2 per cent YoY to $31 million from $18 million.

     

    Interactive growth was driven by the ongoing success of the Tsum Tsum mobile game and lower product development and marketing costs, primarily at Disney’s mobile businesses, partially offset by lower operating income from Disney Infinity console games.

  • Disney’s Q2-2015 revenue up 7%, income up 10%

    Disney’s Q2-2015 revenue up 7%, income up 10%

    BENGALURU: The Walt Disney Company Inc reported an increase of seven per cent in its revenue in Q2-2015 (quarter ended 28 March, 2015, current quarter) to $12461 million from $11649 million in the corresponding year ago quarter. Net income during the current quarter improved 10 per cent to $2108 million from $1917 million reported for the quarter ended 27 March, 2014 (Q2-2014).

     

    Of the five segments that add to Disney’s numbers, three – Media Networks, Parks & Resorts and Consumer Products showed improvement in revenue, while the other two – Studio Entertainment and Interactive segments showed decline in revenues. Segment Operating Income from three – Parks and Resorts, Consumer Products, and Interactive increased, while segment operating income from Media Networks and Studio Entertainment declined in Q2-2015 as compared to Q2-2014.

     

    “Our second quarter performance, marked by increased revenue, net income and EPS of US 1.23, demonstrates the incredible ability of our strong brands and quality content to drive results. The power of this winning combination is once again reflected in the phenomenal worldwide success of Marvel’s Avengers: Age of Ultron, which has opened at number one in every market so far,” said Disney chairman and chief executive officer Robert A Iger.

     

     

    Segment Results

     

    Media Networks

     

     

    Media Networks revenues for the current quarter improved 13 per cent to $5810 million from $5134 million reported for Q2-2014. Operating Income from this segment declined two per cent to $2101 million in Q2-2015 from $2133 million in Q2-2014.

     

    Two sub-segments – Cable Networks, and Broadcasting contribute to this segment.

     

    Cable Networks reported a growth of 11 per cent in revenue to $4030 million in Q2-2015 from $3633 million in Q2-2014, but reported a drop of nine per cent in Operating Income to $1799 million in Q2-2015 as compared to the $1974 million in Q2-2014. The drop in income was due to a decrease at ESPN, which was driven by higher programming and production costs, partially offset by growth in affiliate and advertising revenues. Programming and production cost increases were due to higher rights costs for college football programming and the addition of an NFL wild card playoff game and the SEC Network, which was launched in August 2014.

     

    Disney says further that the increase in affiliate revenues was due to contractual rate increases, an increase in subscribers, taking into account the new SEC Network, and a reduction in revenue deferrals as a result of changes in contractual provisions related to annual programming commitments. ESPN advertising revenue growth was due to higher rates and units sold.

     

    Broadcasting reported 19 per cent hike in revenue in the current quarter to $1780 million from $1501 million and reported a massive 90 per cent increase in operating income to $302 million from $159 million in the corresponding quarter of last year due to growth in affiliate fees, higher program sales and an increase in advertising revenues. These increases were partially offset by higher marketing costs for the launch of new series.

     

    Parks and Resorts

     

    Parks and Resorts reported a growth of six per cent in revenue to $3760 million from $3562 million in the corresponding year ago quarter and a 24 per cent increase in Q2-2015 operating income to $566 million from $457 million in Q2-2014. Operating income growth for the quarter was due to an increase at Disney’s domestic operations, partially offset by a decrease at its international operations.

     

    Studio Entertainment

     

    Studio Entertainment reported decline in revenue to $1685 million in Q2-2015 as compared to the $1800 million in Q2-2014, and segment operating income decreased 10 per cent to $427 million from $475 million in Q2-2014.

     

    Lower operating income was driven by decreases in domestic home entertainment and international theatrical distribution, partially offset by a higher revenue share with the Consumer Products segment, reflecting performance of Frozen merchandise in the current quarter, and lower film cost impairments. The decreases in domestic home entertainment and international theatrical distribution both reflected the performance of ‘Big Hero 6’ in the current quarter compared to Frozen in the prior-year quarter

     

    Consumer Products

     

    Consumer Products Q2-2015 revenue increased 10 per cent to $971 million from $885 million in Q2-2014 and operating income improved 32 per cent to $362 million from $274 million in Q2-2014.

     

    Higher operating income was primarily due to an increase at Disney’s Merchandise Licensing business due to the performance of merchandise based on Frozen and, to a lesser extent, The Avengers.

     

    Interactive

     

    Revenue from this segment fell 12 per cent to $235 million in Q2-2015 from $268 million in Q2-2014, but segment operating income increased 86 per cent to $26 million from $14 million in Q2-2014.

     

    Improved operating results were due to lower marketing and product development costs and the success of its mobile game Tsum Tsum, partially offset by lower ‘Disney Infinity’ performance and decreased sales of mobile game catalogue titles due to fewer titles in release. Lower marketing and product development costs were driven by fewer mobile game titles in development and the benefit of previous restructuring activities.

  • ‘Frozen’ to make TV debut across Disney’s TV networks in 2016

    ‘Frozen’ to make TV debut across Disney’s TV networks in 2016

    MUMBAI: Walt Disney Animation Studios’ Academy Award-winning animation film Frozen will premiere across the networks of the Disney/ABC Television Group beginning February 2016.

     

    The movie will aired on the following channels – Disney Channel, Disney Junior, Disney XD, ABC and ABC Family. 

     

    The movie, which released in 2013, became the highest-grossing animated feature ever released with more than $1.27 billion in global box office. After its resounding success on the home entertainment platform, Disney is now looking at exploiting the movie’s popularity on television. Frozen’s soundtrack, featuring the Oscar-winning song “Let It Go,” has sold more than 10 million units worldwide.

     

    In Frozen, fearless optimist Anna (Kristen Bell) teams up with rugged mountain man Kristoff (Jonathan Groff) and his loyal reindeer, Sven, in an epic journey, encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf (Josh Gad) in a race to find Anna’s sister, Elsa (Idina Menzel), whose icy powers have trapped the kingdom of Arendelle in eternal winter. Can Anna save her sister and bring sunshine back to their home? Or will Arendelle be frozen forever?

     

    Buoyed by the success of the film, Disney is already working on the sequel of Frozen.