Tag: FPRWI

  • Celebrating 100 years of Bengali cinema, Viacom18 and Film Heritage Foundation bring the 4th Film Preservation & Restoration Workshop to Kolkata

    Celebrating 100 years of Bengali cinema, Viacom18 and Film Heritage Foundation bring the 4th Film Preservation & Restoration Workshop to Kolkata

    Kolkata: In line with the centenary celebration of the Bengali Film Industry, and with a purpose to encourage and give an impetus to film preservation and restoration, the 4th edition of Film Preservation & Restoration Workshop India (FPRWI) 2018 was today inaugurated at Kolkata’s Rabindra Sadan. Supported by Viacom18, this initiative of Film Heritage Foundation (FHF) and International Federation of Film Archives (FIAF) is being held in association with the Kolkata International Film Festival. The workshop will be held from 15th to 22nd, November 2018 at ICCR Kolkata. 

    With this edition of the workshop, a program to restore 100 Bengali films such as Tapan Sinha’s Kabuliwala, P.C. Barua’s Devdas and Ajoy Kar’s Saat Paake Bandha, amongst others will be initiated. Eminent actor Shri Soumitra Chatterjee, who was the Chief Guest, inaugurated the workshop in the presence of Shri Aroop Biswas, Hon’ble Minister, Public Works Dept., Sports & Youth Dept. and Chairman, West Bengal Film Academy; Shri Indranil Sen, Hon’ble Minister of State, Information and Culture Dept. & Tourism Dept., Govt. of West Bengal; and esteemed members of the film fraternity such as Smt. Madhabi Mukherjee, Shri. Buddhadeb Dasgupta, Shri Goutam Ghose, Shri Prosenjit Chatterjee, Smt. Rituparna Sengupta, and Shri. Jawahar Sircar. Also present at the inauguration were Sudhandhu Vats, Group CEO and Managing Director Designate, Viacom18 and Shivendra Singh Dungarpur, Founder & Director of Film Heritage Foundation and David Walsh, Training and Outreach Coordinator, FIAF.

    Speaking at the occasion, Sudhanshu Vats, Group CEO and MD Designate, Viacom18, said, “At Viacom18 we believe in the power of synergies and the way our association has shaped up over the past three years is an apt example of harnessing the ability of the collective for the greater good. With collaboration of Government bodies, film fraternity, the international community of film restoration experts and cinema enthusiasts, we have been able to create an ecosystem that understands the importance of cinema as a cultural relic and is equipped to preserve and archive it, for future generations. With the past three editions of the workshop in Mumbai, Pune and Chennai, we are proud to now have created a pool of about 200 individuals who are aware and equipped to preserve films across India.”

    The week-long intensive program will train a total of 58 students from Sri Lanka, Myanmar and India in preservation and restoration techniques for celluloid film and photographic material like posters, lobby cards, song booklets and photographs. FPRWI covers every aspect of film preservation making it one of the most comprehensive workshops for preservation and restoration across the world. Global experts like David Walsh – FIAF, Camille Blot-Wellens – FIAF, Kieron Webb – British Film Institute, Marianna de Sanctis  –  L’Immagine Ritrovata, Dawn Jaros – Academy of Motion Picture, Dana Hemmenway – Centre for Creative Photography, among others, are a part of the esteemed faculty. The 4th edition of the workshop introduces a new format allowing students to select a specialization of their interest. The program will also have practical sessions for scanning archival films with the latest and world class ARRISCAN XT scanner.

    Shivendra Singh Dungarpur, Founder & Director, Film Heritage Foundation, further added, “Film preservation is a highly specialized field that requires trained archivists. The goal of these annual intensive workshops has been to create awareness about the urgent need to save our film heritage as well as to create a resource of trained archivists who can take this forward. After the success of the first three editions, we are thankful to the Government of West Bengal for their support towards bringing FPRWI to the Kolkata and we are encouraged by their decision to make the preservation of their film heritage a priority.”

    On inaugurating the 4th Film Preservation & Restoration Workshop India 2018, legendary actor and Chairman of KIFF, Prosenjit Chatterjee said, “Saving and showcasing Bengali cinema is of utmost importance and we are glad that such concerted efforts are being made to ensure that our cinematic heritage is being preserved. I am grateful to Viacom18 and the Film Heritage Foundation for bringing the FPRWI workshop to Kolkata.” 

    At the opening ceremony of the workshop, Veteran actor Shri Soumitra Chatterjee said, “Bengali cinema has got international accolades to India and we are in dire of need of saving this heritage. Works of these legendary actors, directors, musicians and cinematographers need to be saved and hence, I am glad that we are today taking an initiative that will inspire the youth to preserve Bengali cinema.”

    FPRWI 2018 is supported by globally renowned industry bodies like The Film Foundation’s World Cinema Project, The Academy of Motion Picture, Arts & Sciences, L’Immagine Ritrovata, Fondazione Cineteca di Bologna, British Film Institute, The Criterion Collection, the Irish Film Institute, the Austrian Film Museum, Eye Film museum, Bundesarchiv (German Federal Archives), the Indiana University Libraries Moving Image Archive, Centre for Creative Photography, University of Arizona, ARRI and Media Inventions.  Previous editions of the workshops have been conducted in Mumbai in 2015, Pune in 2016 and in Chennai in 2017.

  • Committed to Saving India’s Cinematic Heritage, Viacom18 partners with Film Heritage Foundation for the 4th Film Preservation & Restoration Workshop India 2018

    Committed to Saving India’s Cinematic Heritage, Viacom18 partners with Film Heritage Foundation for the 4th Film Preservation & Restoration Workshop India 2018

    MUMBAI: Celebrating a century of Bengali cinema, Viacom18 and Film Heritage Foundation (FHF) announces the 4th Film Preservation & Restoration Workshop India 2018 (FPRWI) in Kolkata. After successfully partnering with the FHF for the past 3 years, supporting the workshop in Mumbai, Pune and Chennai, the objective of FPRWI 2018 is to create awareness on the urgent need to preserve the moving image heritage in the Bengali film industry thereby, making it accessible to global audiences. Applications for the week-long workshop are currently open on http://filmheritagefoundation.co.in/film-preservation-restoration-workshop-india-2018/  

    Speaking about the Film Preservation & Restoration Workshop, Sudhanshu Vats, Group CEO and Managing Director Designate, Viacom18 said: “India is a country of epic tales that weave through every aspect of our life. Our cinema has been one of the foremost tools of bringing these stories to form our nation’s collective consciousness, across regions and languages. For close to two and a half decades, starting circa 1950, Bengali cinema moulded this collective conscious as it saw a galaxy of talented directors, actors and musicians shape not only the region’s cinema but also setting the narrative for progressive Indian cinema. Personalities like Satyajit Ray, Ritwick Ghatak, Mrinal Sen, Uttam Kumar, Aparna Sen, Sharmila Tagore et al not only were revered throughout the world as film personalities but also shaped the discourse of socio-political culture both within and outside of India. Their works define our times and as such it is imperative that we preserve and restore them so that the generations to come appreciate our rich cultural heritage. It is this single philosophy that prompted us to partner Film Heritage Foundation through the last 3 years and after Maharashtra and Tamil Nadu, bring the Film Preservation & Restoration Workshop to the Bengali film industry.”

    FPRWI will focus on the need to skill and train a resource of archivists to take on the challenge of preserving and archiving film heritage. The workshop will take place in Kolkata, India from November 15 – 22, 2018 at Rabindranath Tagore Center and will have participation from India, Sri Lanka, Nepal, Bangladesh, Bhutan, Myanmar and Malaysia. In addition to the workshop, daily screening sessions of restored classics will take place at Nandan and Rabindra Sadan in Kolkata.

    Speaking about bringing the workshop to Kolkata this year, Shivendra Singh Dungarpur, Founder, Film Heritage Foundation said, “When we conducted the first film preservation and restoration workshop in Mumbai in 2015, people were not aware that films needed to be preserved. I am proud to say that after having conducted these workshops in Mumbai, Pune and Chennai over the last three years in partnership with the International Federation of Film Archives (FIAF), we are already seeing the impact. Selecting Kolkata as a venue for our fourth workshop was a foregone conclusion with Bengal being the jewel in the crown of India’s film heritage. Unfortunately, very little survives of this precious legacy. “Jamai Babu” (1931) is only one Bengali film of the silent era that survives. We hope to change this scenario by creating awareness and building capability. What is truly incredible about this workshop is that 30 students will get to do the course absolutely free of cost.

    If urgent steps are not taken these films will be just faint memories from another time and the generations to come will forget the existence of the great artists who came before and from whom we learned so much.”

    FPRWI 2018 is supported by globally renowned industry bodies like The Academy of Motion Picture, Arts & Sciences, L’Immagine Ritrovata, Fondazione Cineteca di Bologna, British Film Institute, The Criterion Collection, the Irish Film Institute, the Austrian Film Museum, Eye Filmmuseum, Bundesarchiv (German Federal Archives), the Indiana University Libraries Moving Image Archive, Centre for Creative Photography, University of Arizona, ARRI and Media Inventions.

    FPRWI is considered to be the most comprehensive workshop of its kind, and has become a model for the International Federation of Film Archives (FIAF) for its international training programs. The workshop is certified by FIAF and is designed to cover the subject through theory and practical sessions with detailed insight about the best practices of preservation and restoration for films and film-related paper and photographic material. The 2018 edition of the workshop will introduce a fresh format where in the selected participants will be given an opportunity to choose an area of specialization from 4 broad categories including Film Handling and Repair, Digital Preservation and Restoration, Cataloguing and Paper, and Photographic Conservation. The workshop will also have a practical session with the latest and world class ARRISCAN XT giving participants hands-on training on film scanning.

    FPRWI 2018 will be conducted by a faculty of international experts from leading institutions around the world including:

    David Walsh – FIAF – Film and digital technology and preservation strategies
    Camille Blot-Wellens – FIAF – Film identification
    Thelma Ross – FIAF – Documentation and Cataloguing
    Kieron Webb – British Film Institute – Film selection
    Marianna de Sanctis – L’Immagine Ritrovata – Film Repair
    Benjamin Tucker – Film handling
    Mick Newnham – Film in bad condition
    Dawn Jaros – Academy of Motion Picture, Arts & Sciences – Paper conservation
    Dana Hemmenway – Centre for Creative Photography, University of Arizona – Photograph conservation
    Jeroen de Mol – Eye Filmmuseum – Digital preservation
    Dave Rice – Practical digital technology
    Thilo Gottschling – ARRI – film scanning
    Giles Sherwood – The Criterion Collection – Colour Grading
    Cara Shatzman – The Criterion Collection – Digital Restoration
    Oliver Danner – Bundesarchiv – Soundtrack preservation
    Davide Pozzi – L’Immagine Ritrovata – Restoration ethics and practice
    Cecilia Cenciarelli – Fondazione Cineteca di Bologna – Restoration case study
    Lee Kline – The Criterion Collection – Restoration case study
    Jakub Stadnik – Media Innovations – Soundtrack preservation
    Kasandra O’Connell – Archive management policies and business plans
    Jurij Meden – Running a digitization project
    Andy Uhrich – Access presentation and programming

    Applications for the 2018 workshop are open until October 1, 2018. Selected applicants will be notified and scholarships will be presented to deserving local and international candidates.