Tag: Fox Star Studios

  • M S Dhoni: The Untold Story…Makings of a hit, but targets big

    M S Dhoni: The Untold Story…Makings of a hit, but targets big

    M S Dhoni: The Untold Story’ is one biopic that has caused enough curiosity in the trade circles as well as amongst moviegoers. While most biopic come years after the person and his/her heroics have faded from the public memory, this one comes just in time. Even as Indian cricketer Dhoni probably now is closer to calling it a day, the legend and excitement is still very much alive.

    The first half is all about the untold part of Dhoni’s life: his dreams and struggles. Something that few have known or cared to know as long as their idol was excelling on the field.

    The coach of the school cricket team, Rajesh Sharma, is at his wits end as the lad he counted on as the team’s wicket-keeper has ditched him. It is only two months to exams and his parents think studies are more important than cricket. Can’t blame the parents since, till then, cricket had remained more a metro-centric game. At least, as far as team selections and spotting new talents were concerned. Cricket as a career had no future for small town lads.

    Sharma happens to watch the school football team practicing and the goalkeeper catches his eye. The lad does not let a single shot get through to the post. But, Dhoni, (Sushant Singh Rajput) would have none of it: playing with a small ball is not his idea of sport. Also, when it comes to cricket, he would rather bat than field. Finally, when Rajput agrees, his father, Anupam Kher, is reluctant. As he grows, Dhoni, keeps on improving his skills and makes progress locally moving from a Rs 600/ pm stipend to Rs. 1500 and, finally, landing a job with the Railways as a ticket checker.

    Dhoni keeps taking big strides but local authorities’ negligence results in him missing a chance to be selected for the Under-19 Indian team. The budding cricketer is depressed as his career is stuck as a ticket checker.

    Dhoni’s luck seems to brighten up eventually. The chairman of the Indian cricket board (late ex-Chairman Jagmohan Dalmia lookalike) decides to spot talent from the hinterlands of India instead of just concentrating on big towns. Dhoni’s skills are noticed. But, there are four other contenders for the wicket-keeper’s job. Finally, it is Dhoni’s batting, coupled with his wicket-keeping abilities, which earns him a spot in the national team.

    After failing badly in initial matches, Dhoni makes his presence felt with a century and, for him, there is no looking back thereafter. He is selected to lead Team India and scales glories as his team wins both the One-Day as well as T20 world championships.

    The long first half is all about Dhoni’s struggles and the ultimate rise to the top.

    The second half deals mainly with a celebrated cricketer’s life beyond the game. Dhoni comes across his first love, Disha Patani, at a time when he has failed on his debut. While Dhoni is in Pakistan playing for the country, Disha, out to buy a Valentine’s Day gift for him lost in the thoughts, meets with a fate that alters the love narrative.

    Dhoni meets Sakshi (Kiara Advani), a trainee with a 5-star Kolkata hotel who has no knowledge about cricket. Taken in by her innocence, love happens to Dhoni again.

    The film attempts to go too much into the details of Dhoni’s life and takes its own time doing so. In the process, its run time extends to three hours and five minutes. The film misses out on the vital junctures of his life like his appointment as the captain bypassing many senior players of the time.

    Rather than showcase the cricketer’s prowess as a wicket-keeper, which was his forte, most of the footage is devoted to his batting capabilities and how it often helped India win. All that should have come in the latter part of the film that lacks in cricket and concentrates more on his love life. The matches and crowd footage acquired by the makers from various TV networks saves the film from shoddy crowd scenes seen in most cricket-oriented films. The film has songs in the background that are soothing.

    Replicating a living and still active cricket legend is tough, but Sushant Singh Rajput slips into the role easily within few scenes into the film. He has done an able job. Disha Patani and Kaira Advani are good in small roles. Anupam Kher and Bhumika Chawla lend good support, while Rajesh Sharma, Mukesh Bhatt and Brijendra Mishra impress as usual.

    `M S Dhoni: The Untold Story’ generated enthusiasm during pre-release period and is now getting positive response from the audience, thanks to the popularity of Dhoni. The film has all the makings of a hit were it not for its high cost of production.

    (The film is being released simultaneously in Hindi, Marathi, Tamil and Telugu versions.)

    Producers: Arun Pandey, Fox Star Studios.

    Director: Neeraj Pandey.

    Cast: Sushant Singh Rajput, Anupam Kher, Bhumika Chawla, Kiara Advani, Disha Patani, Rajesh Sharma, Mukesh Bhatta, Brijendra Mishra.

  • M S Dhoni: The Untold Story…Makings of a hit, but targets big

    M S Dhoni: The Untold Story…Makings of a hit, but targets big

    M S Dhoni: The Untold Story’ is one biopic that has caused enough curiosity in the trade circles as well as amongst moviegoers. While most biopic come years after the person and his/her heroics have faded from the public memory, this one comes just in time. Even as Indian cricketer Dhoni probably now is closer to calling it a day, the legend and excitement is still very much alive.

    The first half is all about the untold part of Dhoni’s life: his dreams and struggles. Something that few have known or cared to know as long as their idol was excelling on the field.

    The coach of the school cricket team, Rajesh Sharma, is at his wits end as the lad he counted on as the team’s wicket-keeper has ditched him. It is only two months to exams and his parents think studies are more important than cricket. Can’t blame the parents since, till then, cricket had remained more a metro-centric game. At least, as far as team selections and spotting new talents were concerned. Cricket as a career had no future for small town lads.

    Sharma happens to watch the school football team practicing and the goalkeeper catches his eye. The lad does not let a single shot get through to the post. But, Dhoni, (Sushant Singh Rajput) would have none of it: playing with a small ball is not his idea of sport. Also, when it comes to cricket, he would rather bat than field. Finally, when Rajput agrees, his father, Anupam Kher, is reluctant. As he grows, Dhoni, keeps on improving his skills and makes progress locally moving from a Rs 600/ pm stipend to Rs. 1500 and, finally, landing a job with the Railways as a ticket checker.

    Dhoni keeps taking big strides but local authorities’ negligence results in him missing a chance to be selected for the Under-19 Indian team. The budding cricketer is depressed as his career is stuck as a ticket checker.

    Dhoni’s luck seems to brighten up eventually. The chairman of the Indian cricket board (late ex-Chairman Jagmohan Dalmia lookalike) decides to spot talent from the hinterlands of India instead of just concentrating on big towns. Dhoni’s skills are noticed. But, there are four other contenders for the wicket-keeper’s job. Finally, it is Dhoni’s batting, coupled with his wicket-keeping abilities, which earns him a spot in the national team.

    After failing badly in initial matches, Dhoni makes his presence felt with a century and, for him, there is no looking back thereafter. He is selected to lead Team India and scales glories as his team wins both the One-Day as well as T20 world championships.

    The long first half is all about Dhoni’s struggles and the ultimate rise to the top.

    The second half deals mainly with a celebrated cricketer’s life beyond the game. Dhoni comes across his first love, Disha Patani, at a time when he has failed on his debut. While Dhoni is in Pakistan playing for the country, Disha, out to buy a Valentine’s Day gift for him lost in the thoughts, meets with a fate that alters the love narrative.

    Dhoni meets Sakshi (Kiara Advani), a trainee with a 5-star Kolkata hotel who has no knowledge about cricket. Taken in by her innocence, love happens to Dhoni again.

    The film attempts to go too much into the details of Dhoni’s life and takes its own time doing so. In the process, its run time extends to three hours and five minutes. The film misses out on the vital junctures of his life like his appointment as the captain bypassing many senior players of the time.

    Rather than showcase the cricketer’s prowess as a wicket-keeper, which was his forte, most of the footage is devoted to his batting capabilities and how it often helped India win. All that should have come in the latter part of the film that lacks in cricket and concentrates more on his love life. The matches and crowd footage acquired by the makers from various TV networks saves the film from shoddy crowd scenes seen in most cricket-oriented films. The film has songs in the background that are soothing.

    Replicating a living and still active cricket legend is tough, but Sushant Singh Rajput slips into the role easily within few scenes into the film. He has done an able job. Disha Patani and Kaira Advani are good in small roles. Anupam Kher and Bhumika Chawla lend good support, while Rajesh Sharma, Mukesh Bhatt and Brijendra Mishra impress as usual.

    `M S Dhoni: The Untold Story’ generated enthusiasm during pre-release period and is now getting positive response from the audience, thanks to the popularity of Dhoni. The film has all the makings of a hit were it not for its high cost of production.

    (The film is being released simultaneously in Hindi, Marathi, Tamil and Telugu versions.)

    Producers: Arun Pandey, Fox Star Studios.

    Director: Neeraj Pandey.

    Cast: Sushant Singh Rajput, Anupam Kher, Bhumika Chawla, Kiara Advani, Disha Patani, Rajesh Sharma, Mukesh Bhatta, Brijendra Mishra.

  • ‘Miss Tanakpur Haazir Ho’…Gayee bhens paani mei!

    ‘Miss Tanakpur Haazir Ho’…Gayee bhens paani mei!

    MUMBAI: The genres for film stories have become limited after television took over some of them, such as family dramas, mythological and to some extent, horror.  In a quest to find newer themes away from regular genres, filmmakers have been trying to experiment. While a few of them do find interesting themes that result in films like Dirty Picture, Queen, Vicky Donor and Piku, most come out as a poor spectacle resulting in the ‘No Audience, No Show’ genre. Miss Tanakpur Haazir Ho falls into an entirely new genre called ‘Bizarre.’

     

    Tanakpur, a small town in UP, has this annual best bhains (buffalo) contest. And the winner is… Annu Kapoor’s bhains, who has come to him as part of dowry from the family of Hrishita Bhatt, his wife. She is crowned Miss Tanakpur. Kapoor is the town head with a sidekick in Ravi Kissen. Kapoor has problems related to sex life and tries various remedies prescribed by a quack he finds at a local fair.

     

    Kapoor is much older to Hrishita and suspects his wife of having an affair with someone younger. For all such problems and others, the town has a kind of black magic man in Sanjay Mishra who is reputed to have turned a perfectly virile man into a eunuch and vice versa, among other such miracles. Kapoor seeks his help to find who his wife is having an affair with.

     

    Mishra is a full blown fraud tantric who mumbles some mumbo jumbo and asks his patron to perform weird and filthy rituals. (That’s the maker’s idea of comedy besides being obsessed with human faeces and animal dung. The film is generously peppered with reference to these substances.)

     

    Finally, Kapoor catches Hrishita’s sympathiser, Rahul Bagga, red-handed with her in his bedroom. Kapoor and his goons beat him to a pulp, with a crowd gathering to witness the scene. But now Kapoor and his men are not sure how to explain this beating of Bagga. Telling everyone that Kapoor’s wife was having an affair with him would ruin Kapoor’s reputation. After all, he was the town head and aspiring for an MLA ticket.

     

    Kapoor finds a way out. Bagga is accused of raping Kapoor’s bhains. The story gets weirder. With Om Puri as the local cop who is easy to bribe and a vet who is too weak to protest, reports of rape are generated and a case filed. The court case begins with finally the magistrate wanting to interrogate the ‘victim’. In the process, some more poorly conceived comic scenes are force-fitted in the film.

     

    There is an institution called Khap, active in parts of North India, whose help Kapoor seeks. Khap considers itself above the law. The Khap sits on a judgements on Bagga and issues a diktat that he marry the bhains for his misdeed. The marriage is being solemnised, when the bhains plays the role of a runaway bride, taking to the highway as fast as she could. Having run out of corny ideas, the makers call it quits. There is no climax as such. You are just told that the wrongdoers, Puri, Kapoor, Kissen and Sharma are booked and punished by the law. Bagga and Hrishita live happily ever after.

     

    With a poor conception, poorer scripting and amateur handling, this purported satire turns into an inane farce. The film has some good capable artistes in Puri, Kapoor, Sharma and Kissen but all are at sea here. Hrishita is in a few scenes and all of them seem to have been taken in one go even before she could change her expressions. Bagga wears a lost look through the film and one can’t blame him for that.

     

    Miracles don’t happen at the box office and none expected for Miss Tanakpur Haazir Ho.

     

    Producers: Crossword Films Production, Fox Star Studios’

    Director: Vinod Kapri.

    Cast: Om Puri, Annu Kapoor, Ravi Kissen, Hrishita Bhatt, Rahul Bagga. 

  • After ‘Zakhm,’ ‘Hamari Adhuri Kahani’ loosely based Mahesh Bhatt’s parents story

    After ‘Zakhm,’ ‘Hamari Adhuri Kahani’ loosely based Mahesh Bhatt’s parents story

    NEW DELHI: Hamari Adhuri Kahani directed by Mohit Suri under the banner of Vishesh Films, is the last of a three-film contract between the production house and Fox Star Studios signed in October 2013.

     

    Interestingly, the film being released globally on 12 June is reported to be based on the love story of Mahesh Bhatt’s parents, Nanabhai Bhatt, Shirin Mohammad Ali and his stepmother. 

     

    Earlier, Mahesh Bhatt’s Zakhm was also said to be loosely based on the same story.

     

    The film stars Vidya Balan and Emraan Hashmi in the main roles apart from Rajkummar Rao, Sara Khan, Madhurima Tuli and Amala Akkineni in a cameo appearance.

     

    Written by Mahesh Bhatt along with Shagufta Rafiq, the film has music by Raju Singh and songs by Mithoon, Ami Mishra and Jeet Ganguly. 

     

    It is being distributed by Fox Star Studios.

  • Fox Star Studios inks nine film production & distribution deal with Karan Johar

    Fox Star Studios inks nine film production & distribution deal with Karan Johar

    MUMBAI: In one of the biggest deals in recent times, Fox Star Studios has inked a nine-film deal with Karan Johar’s Dharma Productions.

     

    As per the deal, which will run over the next three years, the two companies will jointly produce and distribute films, which will be helmed by directors like Johar, Ayan Mukerji and Karan Malhotra amongst others. The films are also likely to stars names like Ranbir Kapoor, Aishwarya Rai Bachchan, Shahid Kapoor and Alia Bhatt to name a few.

     

    Under the terms of this deal, while some films will be co-produced by the two companies, others will be for distribution only.

     

    Star India CEO Uday Shankar said, “The Indian film industry is an important market for us and this strategic partnership offers us an excellent opportunity to fundamentally change the content quality paradigm. This venture is the natural step in our progression to create entertaining and eclectic content for a global audience and to grow the business through game-changing innovation in content, marketing and distribution.”

     

    Johar added, “Movies for me have always been a blend of artistic and commercial resources. Dharma Productions has always endeavored to attain the highest form of celluloid excellence and entertain simultaneously. I am glad we have found a partner in Star India and Fox Star Studios for a visionary nine films alliance. This partnership will not only be the coming together of two forces who understand the need of the cinematic hour but also work as a unit to increase the footfall strength at the movies and empower other verticals. It’s a new age of cinema and this association is a glorious reflection of the times.”

     

    Fox Star Studios CEO Vijay Singh said, “This strategic alliance is path-breaking as it envisages the stakeholders pooling in their collective strengths and thereby chalking a new path for Bollywood, specifically in the way in which films are marketed and distributed. Consolidation through strategic alliances is the way forward in the film industry.”

     

    Dharma Productions CEO Apoorva Mehta added, “It is by far the biggest collaboration that the Indian film Industry has ever seen. With this strategic deal, Dharma has entered into a new phase of movie business, which will provide a disruptive growth model for all the parties involved. This landmark decision will bring on board the most visionary and astute leaders together who will drive the overall strategy for making, promoting and distributing movies. I am happy to say that Dharma is excited and geared up for these new opportunities in the coming years and it definitely looks like the beginning of a game-changing era for the industry.”

  • Zee Music Company acquires music rights of UTV-Disney & Balaji’s films

    Zee Music Company acquires music rights of UTV-Disney & Balaji’s films

    MUMBAI: Zee Music Company (ZMC), which completes a year of operations, has acquired the music rights of UTV-Disney and Balaji Motion Pictures’ upcoming movies for the year 2015-16.

     

    ZMC will be releasing the music for Disney’s ABCD2, UTV’s Fitoor and Katti Batti and Balaji Motion Pictures’ Flying Jatt and Kya Super Kool Hai Hum 3.

     

    ZMC head Anurag Bedi said, “It has been a phenomenal year for us and we are very happy with our decision to enter the music space. We are elated to be associated with two of the finest studios – UTV Disney and Balaji Motion Pictures – who have consistently delivered successful movies and music over the years. Meanwhile, we continue to work towards a fantastic year ahead with an exciting line-up of movies starting this summer. Among our new titles are Gabbar is Back, Piku, Kuch Kuch Locha haiBombay Velvet, Ishqedarriyaan, Singh Is Bling, Tina And Lolo, and Jazbaa. In addition to that, 30 new projects will be announced soon.”

     

    Disney India VP and head, marketing and distribution studios Amrita Pandey opined, “We are happy to associate with Zee Music Company on our movies. Our upcoming slate has highly anticipated movies, like Disney’s ABCD 2 and UTV’s Fitoor and Katti Batti and with these movies we will deliver on our promise of providing audiences with great stories and music.”

     

    Balaji Motion Pictures group CEO Sameer Nair added, “Music is a key driver for audiences across, as a studio we believe this creative synergy will be productive. The aim has always been to entertain, entertain and only entertain. We’re looking forward to this enthralling journey with Zee Music Company.”

     

    Last year, ZMC bagged the rights to films like Holiday, Mary Kom, Humshakals, Bang Bangand Shaukeens amongst others. In all, the company acquired music rights to more than 40 Hindi movies from studios like from Viacom18 Motion Pictures and Fox Star Studios as well as 15 Marathi films in 2014.

  • ‘Bombay Velvet’ song to premiere on Hotstar

    ‘Bombay Velvet’ song to premiere on Hotstar

    MUMBAI: One of the most anticipated releases of Bollywood this year, Anurag Kashyap’s Bombay Velvet starring Ranbir Kapoor and Anushka Sharma, will be premiering one of its song on Star India’s video on demand (VOD) platform hotstar.

     

    In what is seen as a first for cinema anywhere in the world, Fox Star Studios will premiere the song titled ‘Mohabbat Buri Bimari’ on hotstar during the Indian Premier League (IPL).

     

    The song will play out at 7.45 pm on 17 April on hotstar, just before the Pepsi IPL 2015 match between Mumbai Indians and Chennai Super Kings.

     

    With the increasing popularity of the hotstar platform, the song premiere is likely to attract a few million fans and give a dramatic fillip to one of Fox Star Studios’ biggest movie releases of 2015.

     

    With a million downloads in the first six days and nearly 15 million downloads since launch, hotstar has seen one of the fastest adoption of any digital service anywhere in the world.

     

    Fox Star Studios India chief marketing officer Shikha Kapur said, “We are excited about this premier. We believe this innovation will be a trailblazer for Indian cinema and an example of how it can engage with an audience that is young and on a mobile phone. We live in times where the digital doorway is omnipresent and is fast becoming the most effective and astute way to reach out to consumers. Bombay Velvet is a special film. And its song is being launched on a special platform, hotstar.”

  • Rentrak to launch box office tracking service in India

    Rentrak to launch box office tracking service in India

    MUMBAI: Rentrak recently announced the launch of its India box-office tracking service, aiming to bring independently verified box-office data in the country. The announcement was made at the ongoing Mumbai Film Festival.

    Talking to the Hollywood Reporter, Rentrak’s vice present for Europe, the Middle-East and Africa, Arturo Guillen said, “This can be a win-win situation for all parties involved — producers, distributors and exhibitors.”

    Even with almost 11,000 screens in the country, the box-office data is still largely based on figures reported by distributors and producers rather than being directly sourced from cinema locations. The company will collect and analyze data from cinemas directly, according to media reports.

    According to industry estimates, India clocks around 3.5 billion admissions per year with total revenues touching $1.5 billion. With the demand for Indian films getting huge overseas as well, Rentrak is already tracking Bollywood titles in 44 countries while the company’s India client base will include local arms of Hollywood studios that have become active in local productions such as Disney, Fox Star Studios and Viacom18, in addition to Indian banners, the report added.

     “As we have seen in other markets, cinemas benefit from our data as it helps them track footfalls, which is helpful for in-cinema advertising and programming decisions,” said Rentrak India MD Rajkumar Akella, in an interview to The Hollywood Reporter.

    “A leading Indian producer once told me that data is the basis to define reality,” added Guillen, referring to how data can also help in tracking consumer tastes.

    This is Rentrak’s second attempt at entering India after its now-defunct 2007 pact with Mumbai-based Bigtree Entertainment, which provides entertainment ticketing applications and solutions.

     

  • Bang Bang…. Just half a bang for your money..

    Bang Bang…. Just half a bang for your money..

    MUMBAI: Don’t try to relate the title with what is going in the film. It’s a film about a man on a mission and being a Hindi film there has to be a pretty woman accompanying him so that they can fit in some song and dance routine.

     

    Hrithik Roshan’s assignment is to steal the Kohinoor diamond from under the nose of the British authorities. The word spreads and Danny Denzongpa and Pawan Arora, who were planning to steal it too, find out about his mission. They think since now it is with Hrithik, it would be easier for them to lay their hands on the diamond.

     

    But the job is not as easy as Danny thought it would be. After all, Hrithik is an ex-army man and proficient in Kung Fu as well as gunfighting. Besides, he is an ace swimmer and knows every stunt in the book and then some more. As usual, Danny’s goons chase him in dozens on roads as well as in the sea. Hrithik finishes them all.

     

    Katrina Kaif, Hrithik’s companion, has no alternative but to stay with Hrithik because the villains have seen her with him and may use her as a bait to lure him.

     

    Hrithik was serving in Kargil when his brother, Jimmy Shergill, was killed by Danny. He leaves the army to join the Indian secret service. He knows Danny’s informers are in the service. The story of Kohinoor is concocted with the help of British secret service, MI6. That way Danny would come to find Hrithik rather than the other way around.

     

    But, Danny, who makes an appearance in the beginning, vanishes until much later leaving the task of finishing Hrithik to his goons. Pawan Arora is also involved and plants a device to see where Katrina meets Hrithik. That turns out to be exactly what Hrithik wanted. When the cops arrive with Pawan and his goons, Hrithik, though shot, escapes after leaving the diamond on the spot. Katrina is kidnapped and Danny is livid because the Kohinoor he got from her is a fake.

     

    Hrithik traces Katrina to Danny’s den. He has come equipped with enough material to blow up Danny’s palace.  Danny escapes to felicitate a final chase, first on road and later in water when Danny is escaping in a sea plane. Hrithik fells the sea plane with harpoon shots. The plane is on fire. Hrithik enters to save the handcuffed Karina and leaves Danny to die the same way he killed Shergill.

     

    There is nothing about the film one has not watched in recent past. In fact, it can be called a bad version of Ek Tha Tiger. There is not much happening in the first half. Second half is aboutchases and gun fights. The script is weak. Direction is passable. Cinematography is good. Couple of songs have appeal. Hrithik and Katrina make an attractive pair. It is nice to see Danny and Pawan after some time. 

     

     

    Producer: Fox Star Studios.

    Direction: Siddharth Anand.

    Cast: Hrithink Roshan, Katrina Kaif, Danny Denzongpa, Pawan Arora, Jaaved Jaffrey, Jimmy Shergil, Dipti Naval, Kanwaljit Singh.

     

    Haider …. RIP Shakespeare!

    Vishal Bhardwaj is a man who sources his films from Shakespeare. For him, it works well because there is no copyright and no price to pay and he can pretend to be intellectual. Sadly, his intellectualism costs crores to unqualified corporate houses, that want to be in the film business. In Haider, Bhardwaj adapts Shakespeare’s Hamlet. To say that he does no justice to the original and road rolls it would be an understatement.

     

    It is hard to call when the last film that was based on a regional problem worked at the box office. Haider is about a family’s Kashmir problem—and yet it has nothing to do with Kashmir. It is in fact about a family feud, sex, disloyalty and incest. It is a film with little by way of script. Haider takes all sorts of liberties, twists the script to its convenience and, in the process, and makes a joke of its writer, director and actors.

     

    Terrorism is the rule of the land in Kashmir and the young Haider, Shahid Kapur, is already embroiled in it when his mother, Tabu, discovers a pistol in his school bag, a way to show that Shahid has been initiated into terrorism. That too without a cause or a reason—those follow only much later when his father, whom he adores, is killed for being an accomplice of terrorists.

     

    That moment comes when Shahid returns from studies in Aligarh. He finds his family devastated: his father has been killed and he realises that his mother has been sleeping with his Chahcha who actually got his father killed.

     

    But instead of taking out his anger on his mother or uncle, he conveniently becomes a terrorist. In this cock and bull story, if you are angry with your mother, you take it out on your motherland, dig? Because Shahid’s mother, Tabu, sleeps around with his uncle, Kay Kay Menon, he becomes a terrorist only to kill them. No matter that terrorism means killing your own countrymen.

     

    Sadly, nowhere does the film match Indian sensibilities. The script is such a chalta-hai kind it changes tone with every scene. It takes the viewer to be a total moron. The Indian army has been shown in bad light throughout. The Kashmiris are shown in bad light with no sense of their priorities.

     

    With this kind of a story, the actors have little to work with. Shahid is totally at loss with whatever he is doing. Most of the time, he is made to act like a lunatic. Shraddha Kapoor appears at the whim and fancy of the director. Tabu’s character is ill-defined. That you don’t know if she is in love or is a nymphomaniac; she even kisses her son on the lips. As for Tabu and Menon’s relationship, it is still not okay with the Indian audience especially since he keeps referring to her as ‘Bhbhijaan’.

     

    As for the script, Haider is poor; its adaptation of Hamlet is pathetic. There is no direction worth its name. The musical score is poor. Editing does not exist. The background score is monotonous. Dialogue, for a Shakespeare drama, is a let-down.

     

    Haider is a big let-down commercially.

     

    Producers: Vishal Bhardwaj, UTV Motion Pictures.

    Director: Vishal Bhardwaj.

    Cast: Tabu, Shahid Kapoor, Shraddha Kapoor, Kay Kay Menon, Irrfan Khan, Narednra Jha, Aamir Bashir. 

  • Nazara Technologies launches ‘Bang Bang’ mobile game

    Nazara Technologies launches ‘Bang Bang’ mobile game

    MUMBAI: Nazara Technologies, one of the leading mobile game developer and publisher, has launched a game based on the much anticipated action romance of the year ‘Bang Bang’ releasing on 2 October. The game was officially launched by actor Hrithik Roshan in the presence of Nazara Technologies CEO Nitish Mittersain.

     

    The third-person action adventure game features both the lead actors and follows the storyline of the film, where the protagonists Rajveer (Hrithik Roshan) and Harleen (Katrina Kaif) fight the enemy to retain the Kohinoor, the world’s most expensive diamond, stolen by Rajveer. The game is available to download for free on the Google Play store and soon it will be available on all other major stores too.

     

    Mittersain said, “India has witnessed an unprecedented surge in subscribers using internet on mobiles with the number crossing 100 million last year. This clearly makes it one of the largest and most effective medium for brands to reach out to consumers, or fans in the case of movies.” He further added, “Hrithik Roshan and Katrina Kaif are undoubtedly among the top actors in the country today, in fact they have gone beyond being just actors and are brands in themselves. This initiative will allow fans to step into Hrithik and Katrina’s shoes, giving them an opportunity to get closer to their favourite stars.”

     

    Fox Star Studios chief marketing officer Shikha Kapur added, “Bang Bang is an action entertainer like no other. It’s replete with thrilling chases and audacious stunts that will be a first for Indian audiences. It gives us great pleasure to translate some of this action of the film to the mobile screen in the form of the Bang Bang mobile game. This is our endeavour to give users a taste of the thrill and adventure of the film through engaging gameplay and vibrant graphics. As a studio, we have always believed in the expansion of platforms so that our content reaches out to maximum users in varied ways, and bringing the Bang Bang game to the mobile screen, fits right into our strategy.”

     

    The mobile gaming industry is at an inflection point and according to a report by KPMG and FICCI, it is expected to touch Rs 19.6 billion by 2018 largely due to the growing smartphone market in India and the improved connectivity offered by telecom operators. The Indian film industry too has been growing at a phenomenal pace with multiple films breaking the Rs 100 crore barrier over the last couple of years. Given these two factors, movie-based mobile gaming should be an exciting space to watch out for.