Tag: folklore

  • Engaging content: Akbar Birbal folklore completes 500 episodes

    Engaging content: Akbar Birbal folklore completes 500 episodes

    MUMBAI: Big Magic is all set to create a new benchmark with the completion of 500 episodes of its marquee show Har Mushkil Ka Hal Akbar Birbal.

    The flagship show which features famous actors Kiku Sharda and Vishal Kotian in the titular roles of Akbar and Birbal, respectively, gained popularity within a short span of time and won the hearts of millions. India’s first-ever historical comedy aired its 500 episode on 26 September 2016.

    The show, launched in 2014, presents the folklore of Akbar and Birbal in the most humorous way. Through its interesting and engaging content, the show has not only redefined the comedy genre, but also pioneered a new genre in itself – historical comedy.

    On the successful completion of 500 episodes, a Big Magic spokesperson said, “It is a moment of pride for the entire Big Magic family, as we thank the audience for showing so much love and appreciation towards Har Mushkil Ka Hal Akbar Birbal and its characters. The achievement is a result of the combination of great teamwork, and more importantly great content. With every passing episode and season, we strive to formulate engaging content which ensures an enjoyable experience for the viewers. Through ‘Har Mushkil Ka Hal Akbar Birbal’, we hope to continue catering to the entertainment needs of a large and steadily growing audience base in future as well.”

  • Engaging content: Akbar Birbal folklore completes 500 episodes

    Engaging content: Akbar Birbal folklore completes 500 episodes

    MUMBAI: Big Magic is all set to create a new benchmark with the completion of 500 episodes of its marquee show Har Mushkil Ka Hal Akbar Birbal.

    The flagship show which features famous actors Kiku Sharda and Vishal Kotian in the titular roles of Akbar and Birbal, respectively, gained popularity within a short span of time and won the hearts of millions. India’s first-ever historical comedy aired its 500 episode on 26 September 2016.

    The show, launched in 2014, presents the folklore of Akbar and Birbal in the most humorous way. Through its interesting and engaging content, the show has not only redefined the comedy genre, but also pioneered a new genre in itself – historical comedy.

    On the successful completion of 500 episodes, a Big Magic spokesperson said, “It is a moment of pride for the entire Big Magic family, as we thank the audience for showing so much love and appreciation towards Har Mushkil Ka Hal Akbar Birbal and its characters. The achievement is a result of the combination of great teamwork, and more importantly great content. With every passing episode and season, we strive to formulate engaging content which ensures an enjoyable experience for the viewers. Through ‘Har Mushkil Ka Hal Akbar Birbal’, we hope to continue catering to the entertainment needs of a large and steadily growing audience base in future as well.”

  • Epic’s marketing mantra: Digital innovations

    Epic’s marketing mantra: Digital innovations

    MUMBAI: One of the oldest civilisations in the world and thousands of stories to tell; Epic, the latest entrant in the Hindi entertainment channel space, is all about ‘Kahaniyaan Hindustan Ki’.

    Different from the rest, the channel which wants to be categorised as the country’s first genre specific channel, is taking a different approach when it comes to not only content, but marketing as well.

    Imagine a standard bus stop transformed into a royal seating chamber, equipped with fan bearers and thrones. Yes, to give a taste of yesteryears the channel has taken the conventional as well as unconventional ways to create the buzz around it.

    “We want to create a brand around history and mythology in television and therefore it was very important to have a strategic approach to our marketing efforts,” says Epic Television Networks founder and MD Mahesh Samat.  Apart from focusing on a 360 degree marketing plan, it has put a great deal of focus on digital innovations.

    “Social media is a much underutilised medium which we wanted to explore. We have a three-pronged approach – create relevance, generate meaningful engagement and offer a sense of uniqueness,” says Samat while elaborating on how the channel debuted first on YouTube a month before the launch of the channel and garnered over 1.2 million hits and subsequently, released a promo every week to build some pre-buzz in the market.

    “Our digital initiative, Epicgrams, has been an ongoing property that has helped create the relevant conversations surrounding Indian history, mythology and folklore, before the channel launched,” highlights Samat.

    Other than this, Epic is also being promoted in the traditional ways with radio, print, television and OOH.

    The channel did an in-depth research to create the blueprint of marketing strategy. “Our research suggested that our content appeals more to urban audiences given the contemporary format of storytelling. It also suggested that the content is more gender neutral unlike other entertainment channels. That being said, our content is focused on Indian history and we as Indians have an emotional connection to our past. We have had a longstanding tradition of storytelling that has faded over the last few decades. Urban audiences have turned away from Indian television because there isn’t enough content that caters to their sentimentalities. We felt that this was a space in television that was untapped and we wanted to bring audiences back to Indian television in a way that suits their consumption patterns. We felt that leveraging the digital medium would help us reach the intended audience and be an agent to bring them back to television,” he adds.

    The campaigns are season based wherein once the first season is over, the campaigns for the second season of shows will commence.

    Launched on 19 November, after more than a year’s wait, so far the channel has spent upwards of 50 to 60 per cent of its marketing budget.  As per industry sources, the channel is spending around Rs 20 crore to Rs 25 crore on marketing.

    So far, Epic is focusing on cities that have completed phase I of digitisation and the urban audience across the country, including Mumbai and Delhi and as digitisation takes its course across the country, the campaigns will begin there as well.

     

  • Epic channel set to roll out by end 2014

    Epic channel set to roll out by end 2014

    NEW DELHI: India’s first genre specific Hindi entertainment channel, Epic is all set go on air by the end of the year  and will showcase content based on Indian history, folklore and mythology in a contemporary format. It is the first segmented channel in Indian television.

      

    Mukesh Ambani, Anand Mahindra and Rohit Khattar are the three promoters of the company. Mahindra & Mahindra chairman and managing director Anand Mahindra speaking on the occasion said that the landscape of Hindi entertainment is undergoing a dramatic transformation and in order to appeal to an evolved audience, and to sustain their engagement, there was a need for a revolution in the broadcast space.

     

    “We have all been entertained with the history and mythology of India through books and grandparents’ stories. These stories will now come to life on television in a contemporary manner,” he added

     

    The channel identified fragmentation of audiences as a huge opportunity for differentiated and genre specific content. By integrating India’s rich heritage with the current consumption patterns, the channel is creating original content within the Indian history, folklore and mythology genre and will be using a contemporary story telling format.

     

    Epic Television network founder and managing director Mahesh Samat commented, “The ‘segmented’ content will allow viewers to choose and consume genre-specific content of their liking. Our vision is to create a brand in television that will translate our vibrant past into entertainment with the objective of creating new IPs, strong characters and new heroes that strike a chord with audiences.”

     

    The channel will have action, drama, comedy, supernatural and narrative non-fiction content, set against Indian history and mythology. The stories will be innovative with high production quality and a distinct look that will appeal to both men and women. Most of the content will be shot at real locations with HD cameras. The programming line-up has a mix of fiction shows, narrative non-fiction shows, short form content as well as films at launch.

  • A sigh of relief for Epic

    A sigh of relief for Epic

    MUMBAI: The channel which plans to create a history finally breathed a sigh of relief when after almost a year’s wait has got a licence approval from the Ministry of Information and Broadcasting (MIB).

     

    Mid-last year, Mahesh Samat, a former Disney MD, had announced his plan of his own venture Epic TV channel. Mahindra & Mahindra chairman Anand Mahindra had come on board as a major investor. And then, soon came the news that billionaire industrialist Mukesh Ambani too had joined the venture as the second investor venture capitalist to fund Samat’s Epic Television Networks.

     

    The channel offering segmented content to viewers specifically related to history, folklore and mythology was supposed to debut by August 2013.

     

    Samat had brought in former YRF TV head Ravina Kohli as programming head, apart from business head Aparna Pandey who was earlier associated with Big CBS channels as business head. “Our shows will be different from what India has been watching,” Samat had quoted then.

     

    Amongst the shows being developed is one based on a novel by Indu Sundaresan called The Twentieth Wife which tracks a young widow named Mehrunissa, daughter of Persian refugees and wife of an Afghan commander, who goes on to become the empress of the Mughal Empire under the name of Nur Jahan by getting married to emperor Jehangir.

     

    However, things didn’t progress as planned. The tedious and long procedure to get approvals from the MIB delayed its launch.

     

    “Yes, it comes as a big relief that finally we have got the licence from the MIB. However, we still have to get a nod from Wireless Planning & Coordination wing of the Ministry of Communications and Information Technology. So keeping the fingers crossed,” says Samat.

     

    The channel hopes to get the nod soon and hopes to launch by end of the year.

     

    There will be a few more announcements as well because the channel will make changes to the agencies representing it. Earlier, IContract, a part of Contract Advertising and the WPP Group, was appointed to manage the creative and brand building duties for the channel; while Madison Media was assigned the media buying and planning mandate. Similarly, MSLGroup, a specialty communications and engagement network, has been handling the channel’s Public Relations, while Jack in the Box Worldwide, the content-for-brands arm of Bang Bang Films, had been selected to manage all digital communication for EPIC.

     

    “MSLGroup no longer represents us and there might be a few more changes,” says Samat without revealing much.

  • BBC launches a kids magic reality hunt in the UK

    BBC launches a kids magic reality hunt in the UK

    MUMBAI: UK pubcaster the BBC’s kids chanel CBBC is launching a reality hunt to find The Sorcerer’s Apprentice.

    A boarding school set deep in the heart of the English countryside will become the home of magical adventure.

    14 scholars will be picked from auditions taking place across the UK. The successful applicants are then whisked away to magic school where they will have 18 days of intense training by top professional magicians.

    While the apprentices make the transformation from novice to magician, the children watching will also get to brush up on their own sorcery skills. In an accompanying series the magic mentors will give away some of their hottest secrets in step-by-step guides so children can learn how to perform magic tricks to amaze their family and friends at home.

    The apprentices will be schooled in the history of magic and folklore, the latin for casting spells, chemistry, card tricks and also look after resident magic animals. As their knowledge and skills progress they will be taught the art of illusion.

    At the end of each week, the children will compete, performing their magic in front of a live audience and the Sorcerer himself. The Sorcerer’s Apprentice, being made for CBBC by independent production company Twenty Twenty, will be shown later this year.

    CBBC creative director Anne Gilchrist said, “The Sorcerer’s Apprentice is going to be a great event for CBBC. Children of all ages are fascinated by magic and this show will inspire and amaze in equal measures.”