Tag: filmmaker

  • Sai Paranjpye donates personal archives to Archives of Contemporary India

    Sai Paranjpye donates personal archives to Archives of Contemporary India

    Mumbai: Filmmaker and theater artist Sai Paranjpye has donated her collection of original handwritten drafts and screenplays to Ashoka University’s Archives of Contemporary India. This collection includes drafts and screenplays from her notable films, such as Sparsh (1980), Chashme Buddoor (1982), Katha (1983), Disha (1992), Papeeha (1993), and Saaz (1997). The director’s papers will be accessible to researchers and scholars studying her work and its influence on Indian cinema.

    Additionally, the collection features her books like Aal Bel, Sakkhe Sezari, Manjhe Khel Mandu De, and Jaswandi, as well as children’s plays including Nana Phadnavis, Jaducha Shankh, Haravalelya Khellyanche Rajya, Shepticha Shap, and Patte Nagrit. Paranjpye is the first filmmaker to donate her personal collection to the archives, which already includes papers from various researchers, scholars, and professors.

    Her papers offer insights into her development as a director and screenwriter, tracing the evolution of her ideas and serving as a valuable resource for those studying film history and the evolution of Indian cinema.

    Ashoka University vice-chancellor Prof Somak Raychaudhury said, “It is a great honour to have Sai Paranjpye’s collection as part of our Archives of Contemporary India. Her work represents a pivotal chapter in Indian cinema, and having access to her personal papers will allow future generations of scholars to study and appreciate her profound impact on storytelling and cinema.”

    To celebrate the addition to the archives, Ashoka University hosted an event on 17 October 2024, bringing together students, faculty, and cinema enthusiasts to honor Sai Paranjpye’s contributions to Indian filmmaking. The event included an interactive session with Paranjpye, where she shared her journey, creative inspirations, and insights into her career. The discussion provided a glimpse into her storytelling techniques and views on the evolution of Indian cinema.

    The event featured a screening of Ābhāḷālā Gavasni (The Sky is the Limit), a Marathi film with English subtitles, based on a play/film envisioned by Paranjpye for the 80th birthday of astrophysicist Prof. Jayant Vishnu Narlikar in 2018. The celebration concluded with a screening of Disha (The Immigrants, 1990), one of Paranjpye’s award-winning films that examines the challenges faced by rural migrants adapting to urban life. The film’s narrative and themes resonated with attendees, underscoring Paranjpye’s focus on social issues in her works.

    Paranjpye added, “When Ashoka University’s Archives of Contemporary India requested the manuscripts, I looked at it as an opportunity. What greater honor than to be represented in this prestigious university’s archives, to have one’s work so beautifully cataloged? It’s an unimaginable opportunity for me—truly my honor. To be cataloged alongside icons like Girish Karnad, Dilip Padgaonkar, and Suresh Kohli is a privilege beyond words. It’s wonderful to join that list.”

    As the first major woman filmmaker of contemporary India, Sai Paranjpye is recognized for her contributions to cinema and theatre, particularly with films like Chashme Buddoor (1981) and Sparsh (1980). Her work combines humor, social insight, and empathy, addressing complex themes across various genres. Throughout her career, Paranjpye has received numerous accolades, including four National Film Awards and two Filmfare Awards. In 2006, she was honored with the Padma Bhushan by the Government of India for her contributions to Indian cinema.

    Paranjpye said, “My advice to students would be to study the life around them and watch good films, both from India and abroad, as it provides a valuable learning experience.”

    Sai Paranjpye’s collection, now part of the Archives of Contemporary India, includes original drafts of both released and unreleased works, providing a comprehensive view of her creative evolution. The collection will serve as a valuable resource for researchers, scholars, and film history enthusiasts, offering a learning platform for aspiring filmmakers to master essential filmmaking skills, including direction, screenplay, and storyboarding.

  • “It’s a journey I wouldn’t trade for anything else”: Filmmaker Niddhish Puuzhakkal

    “It’s a journey I wouldn’t trade for anything else”: Filmmaker Niddhish Puuzhakkal

    Mumbai: Niddhish Puuzhakkal, a creative dynamo hailing from Mumbai, has carved an inspiring path in the world of filmmaking that speaks volumes about the power of experience-driven education. While his journey took him through renowned institutions like NYFA, ZIMA, and Washington Film Institute, DC, Niddhish’s true mastery stems from the richness of his hands-on encounters with the art of storytelling, his profound understanding of human psychology and absolutely child-like curiosity.

    With a diverse portfolio spanning TV series, music videos, advertising, and Bollywood, Niddhish is making waves with his gripping narratives. Beyond filmmaking, he’s a thought leader in creativity, performance coaching, and a boundary-pushing contemporary artist.

    In an insightful conversation with multi-faceted Niddhish Puuzhakkal, Indiantelevision.com had a chat on his recent directorial achievement, upcoming projects and more…

    Edited Excerpts:

    On your recent directorial achievement in the Vivo mobile ad film and your upcoming Sprint ad project

    Vivo Mobile Ad Project: The Vivo mobile ad project was an exhilarating opportunity for me as a director. The central product feature of this film is photography, and I wanted to do justice to it. My creative treatment focused on crafting visually stunning imagery that would not only capture the audience’s attention but also leave a profound and lasting impression.

    To achieve this, I delved deep into the details of photography, playing with elements like light, shadow, depth, and composition in each frame. The result was a narrative that transcended the ordinary realm of advertising. Every shot was meticulously curated to evoke emotions and tell a compelling story. I produced this under my banner Light Seeker Films, and it was an absolute pleasure to work on this project, with the great team at FCB Ulka and I’m incredibly proud of the final product.

    Upcoming Sprint Energy Drink Project: Sprint Energy Drink project, is equally exciting. For this endeavor, I took a highly technical approach. I’ve completely embraced virtual production techniques for this one, leveraging my background in 3D and unreal engine.

    The entire project was shot within the virtual production environment. We’ve harnessed the power of VFX to enhance the visuals, and what’s particularly unique is that I’ve personally handled the execution of these visual effects and unreal engine details. This hands-on approach has allowed us to create a visual that pushes the boundaries of traditional advertising.

    While I can’t divulge all the specifics just yet, I can assure you that our creative approach for the project goes beyond the conventional. We’re not merely promoting a product; we’re crafting a narrative that tells a visually distinctive story. Look out for this one – it’s going to be something truly exceptional!

    On approaching different mediums such as TV series, feature films, and advertising within your filmmaking journey in terms of storytelling

    When it comes to feature films, it’s all about my vision as a filmmaker. It’s an opportunity to tell a compelling story where I have complete creative control over every minute detail. As a writer-director, the film is a canvas for my aesthetics and storytelling abilities. I can shape every aspect to reflect my unique style and narrative vision. It’s a deeply personal and immersive experience.

    Whereas TV series offer a different dynamic. Here, I have the luxury of time to develop complex characters and intricate plotlines. It’s an opportunity to delve deeper into the nuances of storytelling, allowing characters to evolve over multiple episodes. The challenge is to keep the audience engaged and invested in the long-term journey of the narrative.

    Advertising: Advertising presents a unique challenge. It requires the ability to distill a message into a short, compelling narrative. It’s a collaborative effort where the creative team conceives ideas based on the brand’s needs. The priority is to meet and exceed the brand’s expectations while delivering a concise and persuasive story.

    On your background in psychology and your specialisation in creativity and performance coaching and this psychological knowledge influencing your approach to filmmaking

    Psychology has truly been a game-changer in my journey as a filmmaker. It’s not just a background; it’s a lens through which I view the world of storytelling. This understanding of human behavior, emotions, and motivations has a profound impact on my approach to filmmaking.

    First and foremost, it allows me to create characters that feel remarkably authentic and relatable. I can delve deep into their psyche, exploring the intricacies of their thoughts and feelings. This depth and complexity make the characters come alive on screen, connecting with the audience on a profound level. It’s about more than just telling a story; it’s about making the audience truly empathize with the characters.

    Moreover, my psychological knowledge becomes a powerful tool on set. When working with actors, it’s not just about giving them lines to recite; it’s about helping them become the character. I use psychological and even hypnotic methods to immerse actors in the character’s mindset and emotional state. It’s a transformative process that brings out genuine and captivating performances. I don’t get to use it as much in advertising as most scripts don’t need such depth of character – I use that more in long form content – I always look forward to doing advertising content with stronger character sketches and emotions as well .

    Beyond the actors, it influences how I foster a collaborative and creative environment on set. Understanding the psychology of teamwork and motivation allows me to lead a crew that is passionate, dedicated, and inspired. It’s about creating an atmosphere where everyone feels valued and invested in the project. You will find that energy of creative focus in my set, you will never find loud screaming matches or other such conflicts in my set no matter what challenges, or exhausting and how long a schedule may be. I ensure everyone is engaged and driven as a team.

    So,yeah, psychology is not just a part of my background – it’s a driving force that shapes the way I approach storytelling, character development, and the entire filmmaking process. It’s the secret ingredient that adds depth, authenticity, and impact to my work as a filmmaker.

    On your debut as a writer-director in Bollywood and your upcoming projects, including a web series and Bollywood and Malayalam films, and what can the audiences anticipate from these projects

    My journey into Bollywood as a writer-director was nothing short of exhilarating. It was a project that allowed me to collaborate with an exceptionally talented ensemble cast, including Arshad Warsi, Juhi Chawla, Divya Dutta, Anirudh Tanwar, Jitendra Joshi, Prakash Belawadi and Gauhar Khan, in a psychological thriller. This film delves deep into the fascinating realms of psychology and guilt, delivering a narrative that’s both distinctive and gripping. Viewers can brace themselves for an intellectually stimulating and emotionally charged cinematic experience. Arshad Warsi’s portrayal of a character like never before in Bollywood is a standout performance that will leave audiences in awe.

    As for what lies ahead, I’m currently immersed in the creation of a web series that promises to be a rollercoaster ride of emotions, sprinkled with humor and a unique slice of life. It’s a project close to my heart, and I can’t wait to share it with the world.

    In addition, I am also working on an exciting one of its kind Malayalam cinema. While I can’t reveal too much at this stage, I can assure audiences that these films will continue to push boundaries, challenge conventions, and offer a fresh take on storytelling. Expect the unexpected!

    On your approach to contemporary, abstract, and digital art as an accomplished artist alongside your filmmaking career and the intersection of your artistry your work in filmmaking

    My artistic journey began much like many others, as an outlet for expressing abstract inner feelings. Over the years, it has taken various forms, including filmmaking, design, and traditional art. I’ve even dabbled in music, so you might see something exciting on that front in the near future.

    My artistry and filmmaking often intersect in intriguing ways. They both rely on storytelling, albeit through different mediums. My experiences as an artist inform my visual style as a filmmaker, giving my work a distinct and captivating aesthetic. It’s all about finding new ways to engage audiences, whether through a canvas or a screen.

    On balancing roles as a filmmaker, psychologist, author, and artist and finding any common threads or influences that connect these diverse aspects of your career

    Well, the journey doesn’t stop there; I’ve recently ventured into e-commerce with a contemporary clothing brand, Just Younger, where I personally design the captivating collections. I’ve also launched a wellness organics store, VibeVeda, and I’m on the cusp of launching a creative community app in the coming month. And in the process of publishing my third book.  So, yes, it’s quite a balancing act, but it’s incredibly fulfilling.

    What ties all these roles together is the thread of creativity and human connection.

    It’s about resonating with their thoughts, feelings, and aspirations. And most importantly it also enriches my creativity in the process, constantly opening more creative neural pathways – allowing me to think in interesting ways.

    My background in psychology plays a pivotal role in understanding human behavior and emotions, which is crucial in all my endeavors. Ultimately, my diverse career allows me to explore different facets of creativity and storytelling, enriching each aspect along the way. It’s a journey I wouldn’t trade for anything else.

  • Weekend Unwind’ with: BYJU’S senior director of Film Crew Bhupinder Pal Singh Raina

    Weekend Unwind’ with: BYJU’S senior director of Film Crew Bhupinder Pal Singh Raina

    Mumbai: With another weekend upon us, it is time to unwind with the latest Q&A edition of Indiantelevision.com’s Weekend Unwind — a series of informal chats that peek into the minds of corporate executives through a fun lens in an attempt to get to know the person behind the title a little better.

    In this week’s session, we have BYJU’s senior director of film crew, Bhupinder Pal Singh Raina, opening up the windows to his thoughts.

    Bangalore-based filmmaker, actor, and tutor Bhupinder leads the direction pod at BYJU’S and is involved in setting production processes and quality benchmarks when a new product is conceived. He also tutors teachers, actors, and directors in the art of using film as a medium to better educate.

    Having graduated from an Australian university-affiliated film school in 2010, Bhupinder took up an acting course with The Actor’s Truth in Mumbai in 2018. He has been a part of a variety of audio-visuals, ranging from corporate to educational films to feature films like 777 Charlie, Sarvasva, and commercials with multiple brands. 

    So without further ado, here it goes…

    • Your mantra for life

    Don’t count the days. Make the day count.

    •     A book you are currently reading / plan to read

    I am currently reading “Ride of a Lifetime,” a memoir by the ex-CEO of Disney, Bob Iger. I highly recommend it to anybody who’s in the creative business field.

    •     Your fitness mantra, especially during the pandemic

    Theatre training and playing cricket twice a week kept me active and occupied throughout the pandemic.

    •     Your comfort food

    I enjoy a variety of foods. I just feel blessed to find edible food when I need it.

    •     When the chips are down a quote/ philosophy that keeps you going

    I firmly believe in the famous Hindi saying, “neki kar, dariya mein daal,” which loosely translates to doing everything with a good heart and expecting nothing in return.

    •     Your guilty pleasure

    I’ve had a sweet tooth since forever, so much so that I am genuinely worried about my health now.

    •     When was the last time you tried something new?

    I have recently learnt to swim, well, float to be honest, from a teammate at BYJU’S.

    •     A life lesson you learnt the hard way

    Being nice is cool, being naive isn’t.

    •     What gets you excited about life?

    The prospect of new experiences gets me excited. Like learning something new, meeting new people, hearing a good story and many more such things.

    •     What’s on top of your bucket list?

    I am a simple-minded man who likes to live in the moment, so I haven’t really set any goals for the future. 

    •     If you could give one piece of advice to your younger self, what would it be?

    I wish I had learnt how finance and investment work early in my life, so I’d not have to worry about survival. I am convinced that one can truly start living only when your key motivation is not money.

    •     One thing you would most like to change about the world

    Aahh… There are way too many things. I am glad I am able to contribute to one of those actively through my work at BYJU’S, by enabling better education for the next generation.

    •     An activity that keeps you motivated / charged during tough times

    I wouldn’t know how to define “tough times.” I guess I’ll just give my best without really worrying about the circumstances or consequences. That has really helped keep things calm inside.

    •     What lifts your spirits when life gets you down?

    Kindness Somehow, spotting even the smallest acts of kindness around me has always managed to refill my cup of positivity.

    •     Your go-to stress buster

    My cricket sessions and an engaging movie or series do the job.

  • HBO US to air documentary on Joe Biden’s first year as US President

    HBO US to air documentary on Joe Biden’s first year as US President

    Mumbai: In the recently released trailer, HBO announced a documentary, Year One: A Political Odyssey, which chronicles Biden’s first year as US president.

    The documentary is directed by Emmy-winning filmmaker John Maggio, executive produced by Pulitzer Prize-winning New York Times journalist David Sanger, and produced by Caroline Cannon and Caroline Pahl. HBO’s Nancy Abraham and Lisa Heller serve as executive producers, while Tina Nguyen is the senior producer. It is set to debut on 19 October on HBO and HBO Max.

    Bookended by Inauguration Day 2021 and the state of the union speech of March 2022, this is a front-seat account of the Biden administration’s tense first year, marked by security threats both at home and abroad. Assuming office only two weeks after the 6 January 2021 attack on the Capitol, Biden’s presidency entered the maelstrom of an ongoing global pandemic, renewed conflicts with Russia and China, and America’s international standing in decline.

    The documentary follows the US President’s inner circle, taking viewers inside the White House, the State Department, the CIA, and the Pentagon, while it dives deep into America’s response to a number of unfolding historical events: the effort to immunise a nation against an ever-morphing pandemic; continued divisiveness following 6 January; the withdrawal from Afghanistan; the rise of autocratic regimes across the globe; and increasingly adversarial relations with two nuclear superpowers: Russia and China. Russia’s invasion of Ukraine in February of 2022 became the crucible by which America’s fragile alliances were measured-and created new forms of nuclear menace. The documentary explores each developing situation with chronological immediacy and intimate, unprecedented access to Biden’s cabinet members, tracing history as it happens.

    It combines archival news footage with revealing insider interviews with key players from Biden’s cabinet, providing contemporaneous accounts of history in the making. Participants include secretary of state Antony Blinken; national security advisor Jake Sullivan; secretary of defence Lloyd Austin; CIA director William Burns; White House chief of staff Ron Klain; special presidential envoy for climate John Kerry; White House press secretary Jen Psaki; counsellor to the president Jeff Zeints; representatives Adam Schiff and Jim Jordan; senator Chris Coons; journalists; global ambassadors; and covid-19 advisors. David E. Sanger of The New York Times guides the interpretation of the fast-moving events in global politics.

  • McCann appoints Sabyasachi Sengupta as national chief of films and content

    McCann appoints Sabyasachi Sengupta as national chief of films and content

    MUMBAI: Sabyasachi Sengupta popularly known as Zap has joined McCann Worldgroup India as National Chief of Films and Content effective from July 2016. Working from McCann Delhi he will have a national responsibility.

    On the appointment McCann India CCO and CEO and Asia Pacific chairman Prasoon Joshi commented, “Zap is from a rare breed of professionals who have integrity and unmatchable work ethic. He’s an exceptional creative mind and has also explored multiple disciplines of Advertising. He will add another dimension to McCann’s client offerings especially in today’s complex media world where he need for such layered talent is high.”

    Zap is a highly respected name in the Indian creative Industry. He began his career in Delhi two decades back, working at agencies like JWT and O&M and created some of the most famous work of the times- Pepsi- Nothing official about it, Adidas, Kit Kat- Have a break, Seagram’s -100 Pipers etc.

    Zap expressed his excitement for this new chapter “Films are the most powerful narratives of the contemporary world, and McCann has acquired a creative edge with its own unique signature. I look forward to further stimulating, synchronizing and streamlining the whole process within an expanded McCann framework.”

    He has been “Copywriter of the year” and won many other accolades. Zap in his second avatar became an Advertising Film maker and launched Gingerwater Films. He went on to direct some of highly significant work for brands like Nescafe, Saffola, Vaseline, Maggi, Bajaj, Carat lane, Stayfree etc.

  • McCann appoints Sabyasachi Sengupta as national chief of films and content

    McCann appoints Sabyasachi Sengupta as national chief of films and content

    MUMBAI: Sabyasachi Sengupta popularly known as Zap has joined McCann Worldgroup India as National Chief of Films and Content effective from July 2016. Working from McCann Delhi he will have a national responsibility.

    On the appointment McCann India CCO and CEO and Asia Pacific chairman Prasoon Joshi commented, “Zap is from a rare breed of professionals who have integrity and unmatchable work ethic. He’s an exceptional creative mind and has also explored multiple disciplines of Advertising. He will add another dimension to McCann’s client offerings especially in today’s complex media world where he need for such layered talent is high.”

    Zap is a highly respected name in the Indian creative Industry. He began his career in Delhi two decades back, working at agencies like JWT and O&M and created some of the most famous work of the times- Pepsi- Nothing official about it, Adidas, Kit Kat- Have a break, Seagram’s -100 Pipers etc.

    Zap expressed his excitement for this new chapter “Films are the most powerful narratives of the contemporary world, and McCann has acquired a creative edge with its own unique signature. I look forward to further stimulating, synchronizing and streamlining the whole process within an expanded McCann framework.”

    He has been “Copywriter of the year” and won many other accolades. Zap in his second avatar became an Advertising Film maker and launched Gingerwater Films. He went on to direct some of highly significant work for brands like Nescafe, Saffola, Vaseline, Maggi, Bajaj, Carat lane, Stayfree etc.

  • MIB to set up Film Facilitation Offices to aid foreign filmmakers in India

    MIB to set up Film Facilitation Offices to aid foreign filmmakers in India

    NEW DELHI: The Government has cleared proposals for setting up Film Facilitation Office (FFO) in Delhi, Mumbai, Chennai and Kolkata for foreign film producers in assisting them to procure requisite permissions to shoot in India.

     

    Minister of State for Information and Broadcasting Rajyavardhan Rathore told Parliament today that the FFO would be set up with the help of National Film Development Corporation (NFDC).

     

    It would also disseminate information on shooting locations and the facilities available with the Indian film industry for production and post production. 

     

    A total number of 33 requests from foreign filmmakers for shooting in India have been received till date during the current year, Rathore said. The requests include shooting of feature films and television shows.

     

    The Government has already taken several steps to promote India as a filming destination and to promote Indian film industry.

     

    The Ministry has also taken up with Home and External Affairs Ministries, the issues relating to easing of visa norms as well as simplification of procedures for according permission, duly taking into consideration the security concerns and other related issues.

  • India-born American filmmaker bags two awards at Manhattan Filmfest

    India-born American filmmaker bags two awards at Manhattan Filmfest

    NEW DELHI: Emmy-nominated America-based filmmaker Tirlok Malik has been honoured with the special Outstanding Achievement in Multicultural Arts in acting, filmmaking, and immigrant advocacy at the International Film Festival in Manhattan.

     

    The Festival held recently showed films dealing with social issues. The festival has the most diverse selection of world class films and a focus on social issues and advocacy as part of the programming and goals.

     

    Malik has made many films starting from Lonely In America, Khushiyaan, On Golden Years, and many more. They all deal with the effects of migration in America.

     

    Malik, who has given a break to many new faces in his films in front or behind the camera, said, “I am happy to be a part of this festival and I feel honored for this awards.”

     

    Malik also received an award for best film award for On Golden Years.

     

     Luis Pedron, co-founder of the festival, said the film On Golden Years deals with social issues of retirement that millions of first generation immigrants face in their lives.

     

    Films from many countries, including Israel, Australia, Philippines, Sweden, Singapore, and the United States were shown at IFFM.

     

    Malik accepted the award on the behalf of the team of On Golden Years and said, “It was team work making this film.”

     

    The film is produced by Golden Movies. The idea of the story is inspired by the book Seeking Roots by Iggy Ignatius who is also the co-director of the film. The film stars among others Ranjit Chowdhry, Jyoti Singh, Reeves Lehmann, Shetal Shah, Noor Naghmi, Tirlok Malik, among others.

     

    The film has been shot at the Indian retirement community Shantiniketan in Florida.

     

    Meanwhile, Malik recently launched a website for streaming Indian-American movies www.nritvfilmclub.com. The website seeks to promote new talents as Malik wants to create what he calls ‘NRI-wood’ just like Hollywood and Bollywood. 

  • MS Sathyu gets Fellowship, Ustad Iqbal Ahmed Khan among Sangeet Nataka Akademi awardees

    MS Sathyu gets Fellowship, Ustad Iqbal Ahmed Khan among Sangeet Nataka Akademi awardees

    NEW DELHI: Veteran filmmaker M S Sathyu and musicians Vijay Kumar Kichlu, Tulsidas Vasant Borkar, and SR Janakiraman were awarded the fellowship of the Sangeet Natak Akademi for 2014 from President Pranab Mukherjee here.

    Hindustani classical singer Ashwini Bhide Deshpande, flautist Ronu Majumdar, and tabla player Nayan Ghosh were among nine persons awarded for their contribution to music. 

     

    Others awarded for music were: Hindustani vocalists Iqbal Ahmed Khan and Nath Neralkar, Carnatic vocalist R Santhanagopalan, Carnatic instrumental (thavil) exponent Thiruvalaputhur T A Kaliamurthy, Sukanya Ramgopal for Ghatam, and Dwaram Durga Prasad Rao for violin.

     

    Awards were also given for folk music to Puran Shah Koti (traditional Punjabi), Abdul Shah Hafiz of Jammu and Kashmir, and Thanga Darlong of Tripura.

     

    Awards were also presented for theatre and various classical dance forms.   

     

    Meanwhile, a delegation of artistes from the Akademi called on the Prime Minister Narendra Modi today. Pt. Birju Maharaj, Pt. Vishwamohan Bhatt, Pt. Ajoy Chakravarty, Ms Aruna Sairam and Atul Tiwari were part of the delegation. Akademi Chairman Shekhar Sen was also present.

     

    The purpose of the meeting was not disclosed, but comes against the backdrop of artistes returning their awards to protest ‘growing intolerance.’

  • Shyam Benegal to head jury for Asia Pacific Screen Awards

    Shyam Benegal to head jury for Asia Pacific Screen Awards

    NEW DELHI: Famed filmmaker Anurag Kashyap’s Ugly has been shortlisted in the features in competition of the 7th Annual Awards of the Asia Pacific Screen Awards.

    Other films from acclaimed filmmakers include Hong Kong’s Wong Kar Wai (The Grandmaster), Japan’s Hayao Miyazaki (The Wind Rises) and Hirokazu Kore Eda (Like Father, Like Son), as well as Kim Ki Duk (Moebius) from the Republic of Korea and Asghar Farhadi (The Past) from the Islamic Republic of Iran. First timers competing with them include Singapore’s Anthony Chen (Ilo, Ilo) and Australia’s Kim Mordaunt (The Rocket).

     

    The International Nominations Council is currently deliberating in Brisbane ahead of the 2013 nominations announcement this month. The 2013 Asia Pacific Screen Awards ceremony will be held in Brisbane’s historic City Hall on 12 December at a glittering event, with nominees and industry luminaries in attendance. Films are submitted to the awards across four categories; Feature Film, Documentary Feature Film, Animated Feature Film and Children’s Feature Film.

     

    The 2013 International Nominations Council are currently in Brisbane to determine the nominees in the six feature film categories of Best Feature Film, Achievement in Directing, Best Screenplay, Achievement in Cinematography, Best Performance by an Actress and Best Performance by an Actor.

     

    The awards are the Asia Pacific region’s highest accolade in film, recognising and promoting cinematic excellence and cultural diversity of the world’s fastest growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world’s film output.

     

    With an incredibly strong line-up of over 230 films from 41 countries and areas, including Academy Award Best Foreign Language Film submissions from an unprecedented 19 countries, the 2013 competition reinforces the award’s position as the region’s highest accolade in film, recognising and promoting the cinematic excellence and cultural diversity of the vast Asia Pacific.

     

    Features in competition for 2013 include films not only awarded within their own countries and areas, but also at the world’s leading film festivals beyond Asia Pacific, with the line-up including multiple award winners from Cannes, Berlin, Toronto, Sundance, Venice and Tribeca.

     

    Winners in the feature film categories will be determined by the 2013 APSA International Jury, headed by esteemed Indian screenwriter and director Shyam Benegal, who will lead a group of accomplished Jury members including Korean screenwriter and director Kim Tae-yong, “Queen of Sri Lankan Cinema” actress of stage and screen Hon Dr Malani Fonseka, Turkish actor Tamer Levent, Swiss director Christoph Schaub and Hong Kong producer Albert Lee. The International Jury can also, at its discretion, present a further prize: the Jury Grand Prize, for which nominated feature films are eligible.

     

    Winners of the Documentary Feature Film, Animated Feature Film and Children’s Feature Film categories will be peer-voted by the APSA Academy members.

     

    The Middle Eastern countries encompassed by the Asia Pacific region have a particularly strong number of entries this year, from countries and areas including Iraqi Kurdistan, Afghanistan, Saudi Arabia, the United Arab Emirates, Turkey and the Palestinian Territories. The Islamic Republic of Iran alone sees no less than four grand masters of cinema in the competition, APSA Academy members Asghar Farhadi (The Past), Jafar Panahi (Closed Curtain), Mohammad Rasoulof (Manuscripts Don’t Burn) and also Mohsen Makhmalbaf (The Gardener).

     

    APSA Director of Awards Competition, Maxine Williamson is thrilled by the final competition: ‘It’s extremely satisfying to see the competition line up get even stronger year after year, and what is particularly rewarding in 2013 is the healthy number of entries received from the thriving APSA Academy, testament to the ever-growing strength of the awards.’

     

    In addition to the many entries from APSA Academy members, the completed 2011 MPA APSA Academy Film Fund project, Maryam Ebrahimi’s documentary feature film No Burqas Behind Bars, is also entered in competition, and is the third completed film fund project to enter the competition.

     

    Brisbane’s Lord Mayor Graham Quirk said of the close of competition: “This is a very exciting part of the Awards process, and I looking forward to announcing the 2013 nominees. It will be our great pleasure to welcome the nominees to Brisbane in December for this extremely prestigious international event.”

     

     The chairman of the 2013 International Nominations Council is South Korea’s Professor Hong-Joon Kimwhi is a published author, award-winning director and screenwriter, Professor Kim is also a former Commissioner of the Korean Film Council and is a Film Professor at the Korean National University of Arts.

     

    Members include India’s Meenakshi Shedde, an independent film curator, film festival consultant, film critic, film director and journalist who is the India Consultant to the Berlin and Dubai Film Festivals; Jeanette Paulson Hereniko (Hawaii), the founder of the Hawaii International Film Festival, a founding board member of the Network for the Promotion of Asian Cinema (NETPAC), and a former film festival juror at Berlin, Rotterdam, Busan, Singapore and Mumbai; Kathryn Weir (Australia), head curator of the Australian Cinémath?que and also Head Curator of International Contemporary Art at Queensland’s Gallery of Modern Art (GoMA); producer Peggy Chiao (Taiwan), the former chairperson of the prestigious Golden Horse Film Festival, and the pioneer who cultivated the co-production of films among China, Hong Kong, and Taiwan; Philip Cheah (Singapore), film critic, Vice-President of NETPAC and program consultant for the Jogja-NETPAC Asian Film Festival, Cinema Digital Seoul Film Festival, South-east Asian Film Festival, Shanghai International Film Festival, Dubai International Film Festival and the Asia Pacific Films website; and APSA Film Competition Director Maxine Williamson (Australia).

     

    Two additional major awards for outstanding achievement will be presented at the ceremony. The UNESCO Award for outstanding contribution to the promotion and preservation of cultural diversity through film, and the FIAPF Award for Outstanding Achievement in Film which celebrates a film practitioner from the region whose career and actions contribute strongly to the development of the film industry. The APSA NETPAC Development Prize of $ 5,000 will also be awarded.

     

    The Asia Pacific Screen Awards are managed by economic development board Brisbane Marketing in a unique collaboration with Paris-based UNESCO and FIAPF-International Federation of Film Producers Associations.