Tag: Film

  • Content Tokyo 2016 sees 1,530 exhibitors covering all genres of content

    Content Tokyo 2016 sees 1,530 exhibitors covering all genres of content

    MUMBAI: At Content Tokyo 2016, a record number of 1,530 exhibitors will gather from across Japan and the world to showcase their latest, most creative and innovative products and technologies. They are dealing with all genres of content such as music, game, animation, TV, film, technology in expression, AI, and publishing, etc. It causes chemical reactions not only between exhibitors and visitors, but also among all the participants, so the venue will be filled with excitement and creativity.

    Exhibitors are both content creators & production companies and companies dealing in the solutions for content business Content Tokyo consists of 6 specialised shows. At Production Companies Expo, Creators’ Expo, and

    Licensing Japan, you will meet from major production companies to up-and-coming creators and unique licensors. At the other 3 shows, Advanced Content Technology Expo, Content Solutions Expo, and Content Marketing Expo, you will find the solutions for your business.

    Industry front-runners will speak at Conference (free admission)

    At conference, industry leaders will reveal their secrets to make attractive content. David Lee from Netflix will talk about useful factors for when making original films and Netflix’s objectives for Japanese and Asian markets. Ms. Sandra Karpman, a camera operator of PIXAR, will reveal how the magical world of PIXAR is created through their camera techniques. Katsuro Onoue, the film director of “Attack on Titan”, will speak focusing on SFX/VFX. Access the website for the information on the other speakers and details on the sessions. These sessions are free of charge specially for visitors coming from outside of Japan.

    Visitors from Around the World

    38,000 professional visitors of the content industry are expected to gather from all across Asia. If you belong to content industry, you have no choice but to join this exciting 3 day event!

  • UNICEF India launches ‘Fair Start’ for Every Child

    UNICEF India launches ‘Fair Start’ for Every Child

    Mumbai:  UNICEF India today unveiled the ‘Fair Start’ film as part of a (social) media campaign that will focus on persisting inequities that large groups of children in India face, affecting their survival, growth and development. A series of impactful films will give an insight into the lives of millions of children from various backgrounds, who are full of potential but less likely to grow up healthy and safe, less likely to attend school , less likely to learn, and more likely to be married as children. 

    Introducing the film, UNICEF India chief, advocacy & communication Caroline Den Dulk, said, “Every child deserves a fair start in his/her life and deserves adequate nutrition, education, sanitation, protection and health care. The campaign draws attention to the lives of many children who are deprived of these basic rights, often at times determined simply by where they are born. Every child should have a fair and equal chance in life, irrespective of their caste, ethnicity, gender, poverty, region or religion.” 

    UNICEF works closely with the Government of India and many other partners to curb the situation of the most vulnerable and deprived children, ensuring that each child born in this vast and complex country gets the best start in life, thrives and develops to his or her full potential. 
    Every Child deserves a #FairStart.  Currently, 6.1 million children in India are out- of -schoool; around 10 million children are engaged in work in India; close to 3500 children die every day before reaching age 5; 42 per cent of tribal children in India are stunted in their growth and development; and almost half the population of India, about 564 million people still practice open defecation.Girls in India deserve an equal chance in life too, but on an average 2.22 million girls marry early every year in India, and 23% girls between 15-19 years of age experience physical or sexual violence. 

    “Often the issues faced are immensely complex in nature and cut across all layers of society”, said Mrs. Den Dulk. “To make change happen a mind-shift is required. The #FairStart campaign aims at engaging the larger public in a debate and for everyone to see they have a role to play to make sure every child can have a fair chance in life”. 

    The ‘Fair Start’ films were produced with the participation of a group of children who brought their own daily reality to the film set. 

    “We have made this film with a lot of love and we hope you like it. Help us get a fair start, life. We deserve a #FairStart” 

    “The #FairStart campaign was quite a remarkable and prestigious project to work on for me, as well as the entire team. at Avant Garde Films. The most memorable thing was working with such wonderful kids from ‘Bigger Than Life’ NGO. They played cast and crew really well. For me, and I am sure for everyone who was a part of this project, it would be the most memorable experience and will be close to our hearts forever” – Abhishek De, Avant Garde Films. 

    Crew:

    Sahil: Camera man – Sahil is a 14 year old enthusiastic boy who is interested in sports and music. He is an avid cricket fan and wants to pursue cricket as his profession. He has a mother and a sister who love him. His father passed away 3 years back. He helps his uncle in laundry work. Sahil goes to an English medium school.

    Suraj: Art Director – Suraj is 10 years old. He has 3 sisters and 2 brothers. His mother works very hard selling corn. He helps his mother at her work. His father is an alcoholic and fights at home. Suraj wants to become a scientist when he grows up. 

    Shawn: Camera Man / Director – Shawn is 15 years old. He has 6 siblings. Since his father has left home and mother keeps unwell he has taken up the responsibility to work and earn money for his home. So he goes everyday to clean gutters. He does not go to school but wants to. He is good at football. He is very helpful and caring by nature.

    Belinda: Costume – Belinda is 13 years old. She goes to a municipal school. She is Shawn’s sister. She works at home after school hours. She is a very shy girl but aspires to become an office accountant when she grows up.

  • UNICEF India launches ‘Fair Start’ for Every Child

    UNICEF India launches ‘Fair Start’ for Every Child

    Mumbai:  UNICEF India today unveiled the ‘Fair Start’ film as part of a (social) media campaign that will focus on persisting inequities that large groups of children in India face, affecting their survival, growth and development. A series of impactful films will give an insight into the lives of millions of children from various backgrounds, who are full of potential but less likely to grow up healthy and safe, less likely to attend school , less likely to learn, and more likely to be married as children. 

    Introducing the film, UNICEF India chief, advocacy & communication Caroline Den Dulk, said, “Every child deserves a fair start in his/her life and deserves adequate nutrition, education, sanitation, protection and health care. The campaign draws attention to the lives of many children who are deprived of these basic rights, often at times determined simply by where they are born. Every child should have a fair and equal chance in life, irrespective of their caste, ethnicity, gender, poverty, region or religion.” 

    UNICEF works closely with the Government of India and many other partners to curb the situation of the most vulnerable and deprived children, ensuring that each child born in this vast and complex country gets the best start in life, thrives and develops to his or her full potential. 
    Every Child deserves a #FairStart.  Currently, 6.1 million children in India are out- of -schoool; around 10 million children are engaged in work in India; close to 3500 children die every day before reaching age 5; 42 per cent of tribal children in India are stunted in their growth and development; and almost half the population of India, about 564 million people still practice open defecation.Girls in India deserve an equal chance in life too, but on an average 2.22 million girls marry early every year in India, and 23% girls between 15-19 years of age experience physical or sexual violence. 

    “Often the issues faced are immensely complex in nature and cut across all layers of society”, said Mrs. Den Dulk. “To make change happen a mind-shift is required. The #FairStart campaign aims at engaging the larger public in a debate and for everyone to see they have a role to play to make sure every child can have a fair chance in life”. 

    The ‘Fair Start’ films were produced with the participation of a group of children who brought their own daily reality to the film set. 

    “We have made this film with a lot of love and we hope you like it. Help us get a fair start, life. We deserve a #FairStart” 

    “The #FairStart campaign was quite a remarkable and prestigious project to work on for me, as well as the entire team. at Avant Garde Films. The most memorable thing was working with such wonderful kids from ‘Bigger Than Life’ NGO. They played cast and crew really well. For me, and I am sure for everyone who was a part of this project, it would be the most memorable experience and will be close to our hearts forever” – Abhishek De, Avant Garde Films. 

    Crew:

    Sahil: Camera man – Sahil is a 14 year old enthusiastic boy who is interested in sports and music. He is an avid cricket fan and wants to pursue cricket as his profession. He has a mother and a sister who love him. His father passed away 3 years back. He helps his uncle in laundry work. Sahil goes to an English medium school.

    Suraj: Art Director – Suraj is 10 years old. He has 3 sisters and 2 brothers. His mother works very hard selling corn. He helps his mother at her work. His father is an alcoholic and fights at home. Suraj wants to become a scientist when he grows up. 

    Shawn: Camera Man / Director – Shawn is 15 years old. He has 6 siblings. Since his father has left home and mother keeps unwell he has taken up the responsibility to work and earn money for his home. So he goes everyday to clean gutters. He does not go to school but wants to. He is good at football. He is very helpful and caring by nature.

    Belinda: Costume – Belinda is 13 years old. She goes to a municipal school. She is Shawn’s sister. She works at home after school hours. She is a very shy girl but aspires to become an office accountant when she grows up.

  • Digi Osmosis unique campaign for ‘Ki & Ka’

    Digi Osmosis unique campaign for ‘Ki & Ka’

    MUMBAI: Digi Osmosis has crafted a unique campaign for R Balki’s latest production Ki &Ka from the T-Series Films stable by creating a special app for the Ki & Ka facebook page. Once the viewer has watched the trailer on Facebook, a question pops up asking the viewer ‘Who are you in your life, Ki or Ka?’. It further asks  viewers if they are the independent, career-oriented, outspoken Ki or the homely, loving and caring Ka. 

    After the viewer answers and clicks the share button, the trailer is shared on the user’s timeline on Facebook with another caption – ‘I’m Ka in real life but you know, ??????ling (Feminine) and ???ling (Masculine) means the same thing!’

    Commenting on the campaign Digi Osmosis founder Manish Kumar said, “For this trailer, the strategy was simple; there are thousands of people who identify with Ki&Ka on a very personal level. They will find it to be a very interesting activity and in turn share it with their friends. Their friends in turn, find it a quirky and engage with the trailer, repeating the process. This encourages share-ability, a factor crucial for social media and creates a simple viral chain garnering the reactions required. ”

    Ki & Ka director and producer R Balki mentioned that “It has been a terrific learning experience for me working with the Digi Osmosis team. I gave them the trailer of Ki & Ka and they just had a few hours to convert it into an active engagement piece rather than a passive experience. They developed an app embedded in the trailer to make the viewer see herself/ himself as the characters in the story and respond. Simple. Innovative. And really on the ball.”

  • Digi Osmosis unique campaign for ‘Ki & Ka’

    Digi Osmosis unique campaign for ‘Ki & Ka’

    MUMBAI: Digi Osmosis has crafted a unique campaign for R Balki’s latest production Ki &Ka from the T-Series Films stable by creating a special app for the Ki & Ka facebook page. Once the viewer has watched the trailer on Facebook, a question pops up asking the viewer ‘Who are you in your life, Ki or Ka?’. It further asks  viewers if they are the independent, career-oriented, outspoken Ki or the homely, loving and caring Ka. 

    After the viewer answers and clicks the share button, the trailer is shared on the user’s timeline on Facebook with another caption – ‘I’m Ka in real life but you know, ??????ling (Feminine) and ???ling (Masculine) means the same thing!’

    Commenting on the campaign Digi Osmosis founder Manish Kumar said, “For this trailer, the strategy was simple; there are thousands of people who identify with Ki&Ka on a very personal level. They will find it to be a very interesting activity and in turn share it with their friends. Their friends in turn, find it a quirky and engage with the trailer, repeating the process. This encourages share-ability, a factor crucial for social media and creates a simple viral chain garnering the reactions required. ”

    Ki & Ka director and producer R Balki mentioned that “It has been a terrific learning experience for me working with the Digi Osmosis team. I gave them the trailer of Ki & Ka and they just had a few hours to convert it into an active engagement piece rather than a passive experience. They developed an app embedded in the trailer to make the viewer see herself/ himself as the characters in the story and respond. Simple. Innovative. And really on the ball.”

  • Arora urges FTII to strengthen its activities, attends P K Nair condolence meet

    Arora urges FTII to strengthen its activities, attends P K Nair condolence meet

    New Delhi, 6 March: Information & Broadcasting Secretary Sunil Arora said today that the Film and Television Institute of India should strengthen its activities and improve on its functioning to become an Institute of Excellence in the country.

    Arora, who was in Pune to attend the concluding function of the National Film Archives of India Workshop on Film Preservation and Restoration, also planted a sapling at the Kothrud site of FTII wherein 32 new staff quarters are being constructed. He also visited the legendary Prabhat Studios at the Law College campus of FTII. He met the dean (Films) Kedar Awasthi, Dean (Television) and the faculty members as well as the staff.

    Director Prashant Pathrabe and Awati shared with him the details of the activities conducted by the Institute in the past four months.

    In the morning, he attended the condolence meeting at NFAI arranged on the demise of film archivist and former NFAI Director P.K.Nair who passed away two days ago.

    Arora said “P K Nair’s contribution was big in setting up the film archive. I hope his work would inspire and help build up larger momentum in the film archiving and preservation movement of the country.”   He said there was no greater tribute to Nair than to hold this workshop and carry on diligently with preservation/restoration work.

    Around sixty persons were present at the meeting including NFAI director Prakash Magdum, filmmaker Amol Palekar and former director Suresh Chabria. Ashay Film Club on behalf of FFSI hoped a scholarship in the name of Nair would be instituted.

     

  • Arora urges FTII to strengthen its activities, attends P K Nair condolence meet

    Arora urges FTII to strengthen its activities, attends P K Nair condolence meet

    New Delhi, 6 March: Information & Broadcasting Secretary Sunil Arora said today that the Film and Television Institute of India should strengthen its activities and improve on its functioning to become an Institute of Excellence in the country.

    Arora, who was in Pune to attend the concluding function of the National Film Archives of India Workshop on Film Preservation and Restoration, also planted a sapling at the Kothrud site of FTII wherein 32 new staff quarters are being constructed. He also visited the legendary Prabhat Studios at the Law College campus of FTII. He met the dean (Films) Kedar Awasthi, Dean (Television) and the faculty members as well as the staff.

    Director Prashant Pathrabe and Awati shared with him the details of the activities conducted by the Institute in the past four months.

    In the morning, he attended the condolence meeting at NFAI arranged on the demise of film archivist and former NFAI Director P.K.Nair who passed away two days ago.

    Arora said “P K Nair’s contribution was big in setting up the film archive. I hope his work would inspire and help build up larger momentum in the film archiving and preservation movement of the country.”   He said there was no greater tribute to Nair than to hold this workshop and carry on diligently with preservation/restoration work.

    Around sixty persons were present at the meeting including NFAI director Prakash Magdum, filmmaker Amol Palekar and former director Suresh Chabria. Ashay Film Club on behalf of FFSI hoped a scholarship in the name of Nair would be instituted.

     

  • Broadcast expenditure 4x that of MIB’s information, film & secretariat sectors

    Broadcast expenditure 4x that of MIB’s information, film & secretariat sectors

    NEW DELHI: Expenditure on the broadcasting sector alone in the past three years up to March 2015 has been more than three to four times the total expenditure on the other sectors covered by the Ministry of Information and Broadcasting (MIB): secretariat, film and information.

    An audit of the Ministry’s accounts has revealed that during 2014-15, a total of Rs 2467.4 crore (including Rs 2004.41 crore as non-plan expenditure) as was set aside for broadcasting alone, while the expenditure on the information sector was Rs 466.4 crore (including Rs 269.84 non-plan); Rs 176.33 crore (including Rs 97.16 crore non-plan) on film and Rs 48.4 crore (including Rs 46.35 crore non-plan) on secretariat expenses.

    During 2013-14, expenditure on broadcasting was Rs 2157.19 crore (including Rs 1733.38 crore non-plan) as against Rs 474.73 crore (including Rs 247.83 crore non-plan) on information; Rs 153.99 crore (of which Rs 90.32 crore was non-plan) on film; and Rs 42.31 crore (including Rs 41.47 crore non-plan) on Secretariat expenses.

    The expenditure on broadcasting in 2012-13 was Rs 2069.09 crore (of which Rs 1654.33 crore was non-plan), as against Rs  381.22 crore (including Rs 234.75 crore non-plan); Rs 133.02 crore (including Rs 83.72 crore as non-plan); and Rs 41.93 crore (including Rs 40.36 crore non-plan) on Secretarial expenses.

     

  • Broadcast expenditure 4x that of MIB’s information, film & secretariat sectors

    Broadcast expenditure 4x that of MIB’s information, film & secretariat sectors

    NEW DELHI: Expenditure on the broadcasting sector alone in the past three years up to March 2015 has been more than three to four times the total expenditure on the other sectors covered by the Ministry of Information and Broadcasting (MIB): secretariat, film and information.

    An audit of the Ministry’s accounts has revealed that during 2014-15, a total of Rs 2467.4 crore (including Rs 2004.41 crore as non-plan expenditure) as was set aside for broadcasting alone, while the expenditure on the information sector was Rs 466.4 crore (including Rs 269.84 non-plan); Rs 176.33 crore (including Rs 97.16 crore non-plan) on film and Rs 48.4 crore (including Rs 46.35 crore non-plan) on secretariat expenses.

    During 2013-14, expenditure on broadcasting was Rs 2157.19 crore (including Rs 1733.38 crore non-plan) as against Rs 474.73 crore (including Rs 247.83 crore non-plan) on information; Rs 153.99 crore (of which Rs 90.32 crore was non-plan) on film; and Rs 42.31 crore (including Rs 41.47 crore non-plan) on Secretariat expenses.

    The expenditure on broadcasting in 2012-13 was Rs 2069.09 crore (of which Rs 1654.33 crore was non-plan), as against Rs  381.22 crore (including Rs 234.75 crore non-plan); Rs 133.02 crore (including Rs 83.72 crore as non-plan); and Rs 41.93 crore (including Rs 40.36 crore non-plan) on Secretarial expenses.

     

  • Box Office: ‘Dilwale’ leads with Rs 96.3 crore; ‘Bajirao Mastani’ tots Rs 81.8 crore

    Box Office: ‘Dilwale’ leads with Rs 96.3 crore; ‘Bajirao Mastani’ tots Rs 81.8 crore

    MUMBAI: There’s been a media created hype about the box office race between the two big releases of 18 December viz Dilwale and Bajirao Mastani. A film can’t be a hit or a box office success just because it is catching up with another film! The media has no sense of investment versus returns. The media believes in a Rs 100 crore film not realising that even at Rs 200 crore, a film like Prem Ratan Dhan Paayo will not cover its investments. To carry on this count, both Dilwale and Bajirao Mastani are yet far behind their recovery targets.

    Bajirao Mastani is a hugely costly film needing over Rs 300 crore worldwide for recovery. The film’s best performance comes from Western India while, otherwise, it has been faring reasonably well only at select multiplexes. It has a few takers at single screens at B and C town cinemas. The film has ended its first week with Rs 81.8 crore.

    Dilwale, on the other hand, faced a lot of resistance because of the film’s producer and star’s untimely comment on the country’s character. That made bad business sense. Its lack of single screen bookings also marred its prospects to some extent. The film suffered on both counts. There were calls for boycott by various organisations. Yet, the film got a respectable opening but could not gather pace thereafter. The movie has been sold to local distributors for a huge consideration. Delhi Punjab, for instance for Rs 35 crore; CP for Rs 7.5 crore and such guys tend to lose badly.

    While the attention was being diverted to the race between two films, the fact remains that, even with its tally being a little ahead of Bajirao Mastani, Dilwale does not amount to much on its own either. The film opened with fair collections on Friday with Rs 22 crore and ended its first week run with Rs 96.3 crore.