Tag: Film

  • Jaideep Ahlawat’s birthday special: Six breakthrough audio & web shows and films

    Jaideep Ahlawat’s birthday special: Six breakthrough audio & web shows and films

    Mumbai: As we celebrate the birthday of Jaideep Ahlawat, a distinguished actor renowned for his exceptional acting prowess and brilliant screen presence, here’s a specially curated list of audio, web series and films that you can listen to or watch featuring the versatile actor. In recent years, Jaideep Ahlawat has carved a niche in the entertainment industry, having garnered awards and recognition for his exceptional performances. Join us as we countdown the top OTT shows and films featuring this powerhouse performer, guaranteed to make your streaming experience truly unforgettable!

    Marvel’s Wastelanders: Hawkeye

    Platform: Audible

    Thirty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye voiced by Jaideep Ahlawat is now a sideshow freak, re-living the worst day of his life for paying audiences. He’s surly, broken, and losing his sight, but there’s still that fire in him to be a hero, to avenge his friends. Hawkeye gets an unexpected visitor, his estranged 17-year-old daughter Ash (Prajakta Koli) on her quest for vengeance after losing her best friend. She insists on following him on his secret mission: killing every last person responsible for the deaths of those he loved the most. Tune into this gripping Hindi Audible Original podcast series to experience Jaideep Ahlawat’s stellar performance as Hawkeye!

    Baby doll

    Platform: Audible

    Baby Doll is a thrilling podcast series, starring Jaideep Ahlawat and Richa Chadha. Richa Chadha portrays Baby, a wounded and disgraced sex worker, on a mission to seek vengeance against the formidable underworld figure, Balwant Rana, played by Jaideep Ahlawat, for the brutal demise of her friend. As Baby seeks revenge, things get chaotic in this tough story set in the countryside. The characters face challenges, and winning is rarely an easy feat for the vulnerable. This intriguing revenge drama resonates with women who bravely stand up for themselves despite facing adversity, making it a must-listen.

    Paatal Lok

    Platform: Amazon Prime

    Discover the dark underbelly of Indian society to the corridors of power in this intense drama series as Hathi Ram Chaudhary, played by Jaideep Ahlawat unravels a complex web of crime surrounding an assassination attempt on a prominent journalist. Little does he know, the case is a twisted puzzle where appearances are deceiving. The series dives deep into society’s flaws, revealing corruption, caste biases, and moral uncertainty, reflecting on systemic injustices and the delicate line between right and wrong in a society on the brink.

    Gangs of Wasseypur

    Platform: Amazon Prime

    Set in the hinterland of India in Wasseypur, this Anurag Kashyap directorial spans decades and intricately weaves the turbulent lives and shocking fates of two influential families in a relentless battle for dominance in the coal-rich slums of Eastern India. Inspired by the true stories of local gangs, brace yourselves for a blood-soaked saga with raining bullets, crumbling alliances, and the thirst for power becomes a game of survival!

    Jaane Jaan

    Platform: Netflix

    Written and directed by Sujoy Ghosh, dive into the enigmatic world of ‘Jaane Jaan’, where Kareena Kapoor Khan takes the lead as a single mother entwined in a murder mystery, alongside Jaideep Ahlawat and Vijay Varma. As the suspense unfolds, a genius math teacher (Jaideep), her neighbour, steps in to assist, while an unwavering cop unravels the case. Jaideep Ahlawat’s exceptional portrayal of a teacher in ‘Jaane Jaan’ sets the stage for a unique kind of hero, earning him widespread acclaim from critics.

    Three of Us

    Platform: Netflix

    Directed by Avinash Arun, ‘Three of Us’ features Shefali Shah as Shailaja Desai, who is diagnosed with dementia. Swanand Kirkire plays her husband, and Jaideep Ahlawat takes on the role of her childhood sweetheart. The storyline unfolds as Shailaja, accompanied by her husband, revisits her hometown, unearthing buried memories and rekindling a former love, creating a poignant journey through her past. Indulge in a nostalgic journey as this film takes you back to the sweetness and simplicity of first love, offering viewers a heartwarming experience.

  • PVR INOX to re-release Subhash Ghai’s directorial ‘Karma’

    PVR INOX to re-release Subhash Ghai’s directorial ‘Karma’

    Mumbai: PVR INOX Ltd, India’s premier multiplex chain, is re-relasing the iconic Subhash Ghai’s directorial film ‘Karma’ from 2 to 8 February 2024. The movie will be screening in 43 cinemas in 19 cities across the country. Ticket prices for this cult movie begin at ₹112, and bookings can be made through the PVR INOX app or website and BMS and PayTM platforms. The film, known for its iconic dialogues and mesmerising songs, features a stellar cast of Bollywood icons such as Anil Kapoor, Jackie Shroff, Dilip Kumar, Sridevi, and Naseeruddin Shah, among others.

    Expressing his excitement on the re-release of Karma at PVR INOX, director, Subhash Ghai said, “Let me start by expressing my heartfelt appreciation for PVR INOX, as they have decided to re-release an iconic movie like ‘Karma’ from my filmography. I would love to invite our new audiences to connect and watch this movie on the big screens for a larger-than-life cinematic experience, showcasing the beautiful depiction of characters in this action-drama genre, along with the use of the iconic song ‘Aye Watan Tere Liye,’ which touched millions of hearts. It was specially designed for big screens in the 80s when audiences turned their faces away from small video screens. We have received a lot of unconditional love and support in a big way from north to south in bringing back the larger-than-life movie experience. Please do enjoy Karma, a motion picture from my heart as a filmmaker. A heartfelt thank you to PVR INOX once again. See you at the cinemas!”

  • Runwal Group unveils a heart-warming film this Christmas

    Runwal Group unveils a heart-warming film this Christmas

    Mumbai: Embracing the true spirit of the season, Runwal Group unveils their brand new film which brings alive a wonderful story about Christmas magic. The film takes the viewer on a sweet journey, highlighting the importance of being together with family and enjoying happy moments. The brand’s promise of providing an all-encompassing lifestyle through their projects shines through in this well-creative campaign.

    In a world filled with the twinkle of lights and festive decorations, Runwal Group’s Christmas-themed brand film goes beyond the visual spectacle to delve into the warmth and love that characterise the holiday season. The film, a celebration of joy and togetherness, beautifully encapsulates the magic that comes alive not just in the decorations but in the heartfelt embrace of loved ones.

    The film, crafted with meticulous attention to detail, weaves a narrative that resonates with the audience on a personal level. Through evocative storytelling and visually stunning scenes, Runwal Group invites viewers to immerse themselves in the spirit of Christmas and reflect on the importance of creating lasting memories with those who matter most.

    As a company committed to creating not just homes but lifestyles: Runwal Group’s Christmas-themed brand film aligns with its core values of community, warmth, and familial bonds. The film is a heartfelt expression of the company’s dedication to building not just structures, but spaces where meaningful moments are shared and cherished.

    Runwal Group CMO Palak Mansotra said,” A home should bring you closer to your loved ones. Our brand film is a testament to the fact that the true magic of Christmas lies in the connections we share with our family and loved ones.”

    The brand film is now available for viewing on social media platforms and it getting an overwhelming response from viewers.

  • STB & MX Player partner to present interactive film ‘Lost and Found in Singapore’

    STB & MX Player partner to present interactive film ‘Lost and Found in Singapore’

    Mumbai: Singapore Tourism Board (STB), in partnership with MX Player’s content arm, MX Studios is set to unveil the interactive film on an Indian OTT platform. Titled ‘Lost and Found in Singapore’, this innovative film introduces a choose-your-own path approach that invites viewers to actively shape the unfolding narrative against the backdrop of Singapore.

    A first-of-its-kind initiative by an NTO in India, this film captures and blends the elements that define Singapore’s character, creating an immersive exploration. Seamlessly integrating triggers for engagement, the interactive component promises a captivating experience. This collaboration caters to evolving preferences, especially among young Indian travelers. As audiences seek innovative ways to engage with travel content, ‘Lost and Found in Singapore’ offers fresh, firsthand inspiration. Through active involvement, viewers connect with Singapore’s attractions, weaving entertainment and exploration. Just as the film empowers viewers, Singapore transforms ordinary moments into extraordinary experiences, showcasing the destination’s unparalleled essence. The film encourages repeat viewing to explore alternate storylines and facets of Singapore.

    An MX Studios Original “Lost and Found in Singapore” intricately follows the journeys of an introverted solo traveler (Rithvik Dhanjani) and an adventure-seeking girl (Apoorva Arora), who champions friendship. Amidst Singapore’s iconic landmarks and hidden gems, their destinies rest in the hands of the audience. Viewers guide their choices, creating diverse paths and unique viewing experiences. This immersive collaboration caters to younger Indian audiences, blending entertainment with novel travel inspiration. Alongside, curated experiences like the Vespa Sidecar Tour through Joo Chiat and Katong, with its exploration of Nonyas, Babas, and Peranakans, Museum of Ice-Cream, Design Orchard and Bird Paradise at Mandai Wildlife Reserve, offer textured exploration, seamlessly resonating with modern explorers.

    Singapore Tourism Board regional director, India, Middle East, South Asia & Africa, GB Srithar said, “We are pleased to partner with MX Player, bringing a unique experience to audiences across India through this pioneering film. As a leading lifestyle hub in the region today, Singapore is a n ever-evolving destination, and this dynamism is best showcased to discerning Indian consumers through equally innovative means. We believe that this partnership introduces a novel perspective of Singapore, introducing to the young Indian travellers the dizzying array of unique tourism experiences it offers. The interactive format deeply resonates with Indian viewers seeking innovative travel engagement, inspiring personalised journeys. Just as the film empowers viewers, Singapore transforms ordinary moments into extraordinary experiences, emphasizing our commitment to showcasing offerings that uniquely define the destination.”

    MX Player spokesperson said, “Our viewers are always looking for dynamic and game changing storytelling on MX Player. This collaboration with the Singapore Tourism Board in creating the interactive short film, ‘Lost and Found in Singapore’ is one of its kind and introduces a new dimension to storytelling. We’re excited to bring audiences an engaging cinematic experience as it will allow viewers to actively select the narrative of their choice and will also showcase Singapore’s extraordinary trove of rich destination experiences through this film.”

    Guided by the experienced hand of director Harsh Dedhia and the creative vision of writer Kanishka Singh Deo, this film promises an unforgettable experience. “Lost and Found in Singapore” stands out for its interactive element, inviting the audience to actively engage with the narrative.

    From 25 August 2023, enjoy free streaming of “Lost and Found in Singapore”, only on MX Player!

  • Liam Neeson & Nimrod Antal discuss Lionsgate’s Retribution ahead of theatrical release

    Liam Neeson & Nimrod Antal discuss Lionsgate’s Retribution ahead of theatrical release

    Mumbai: Tick, tick, BOOM! Matt Turner must fight for his kids’ life in Lionsgate’s Retribution starring the iconic Liam Neeson. When a mysterious caller threatens to blow his family, it forces Matt Turner to abandon all that he knows and loves and begin a wild goose chase to get to the truth. Helmed by director Nimrod Antal, this action thriller will see Liam Neeson go through a range of emotions as he is stuck in a sticky situation, one that he must fight tooth and nail to get out of. Surrounded and backed into a corner, Liam must find a way to protect his kids and save his own life. With the clock ticking, can he find a way out?

    Talking about the film, Liam Neeson said, “The concept of it is so immediate and engaging. It’s got themes that really resonate, like money and greed.”

    Further adding on, Neeson said, “For me, that’s it. What’s really important is sometimes you need to remember to take the time to smell the roses, to sit back and enjoy things. So that’s my advice on this. Sit back and enjoy it.”

    Also talking about the film, director Nimrod Antal said, “It really is a rollercoaster ride, and all of the actors elevate the story and take it to a whole other level. You see how vulnerable these characters are and what they’re dealing with beyond what’s happening in the car.”

    Catch Liam Neeson star in Lionsgate’s Retribution on 25 August in theaters near you.

  • adidas celebrates Messi’s World Cup career; presents ‘The Impossible Rondo’

    adidas celebrates Messi’s World Cup career; presents ‘The Impossible Rondo’

    Mumbai: To commemorate the career of football player Lionel Messi, adidas releases “The Impossible Rondo,” the newest chapter in its “Impossible is Nothing” story, ahead of the FIFA World Cup Qatar 2022.

    Football fans worldwide will be excited to see Messi pitted against himself in the movie, complete with his haircuts, Argentina shirts, and adidas boots over 18 years and five tournaments.

    The film was created using the most recent advances in artificial intelligence and visual effects to bring the magic of Lionel Messi’s World Cup career to life. Messi’s historical and current footage were used to create different, de-aged versions of him. This was then applied to body doubles, allowing us to create Messi versus Messi, in which he prepares for the World Cup alongside versions of himself from 2006, 2010, 2014, and 2018.

    adidas will continue to celebrate its global football family throughout the tournament with iconic player moments, global social media activations, and the creation of the ‘Al Rihla Arena,’ an official adidas fan zone on-the-ground in Qatar, having already shared its “Family Reunion” film and “The Impossible Rondo” with fans.

  • Earlier, there was a creative courage to be roughly right, rather than precisely wrong: CII The Big Picture Summit 2022

    Earlier, there was a creative courage to be roughly right, rather than precisely wrong: CII The Big Picture Summit 2022

    Mumbai: The Big Picture Summit 2022, organised by the Confederation of Indian Industry (CII) on 16 & 17 November saw the presence of various senior executives and officials from the advertising, film, TV, marketing, and OTT fraternities.

    On a panel discussion on 17 November, Madison World chairman and managing director Sam Balsara brought to the fore that advertising has been through a lot of changes. Opening the conversation, he said, “I started work in 1972, and advertising was a few thousand crores, and there was a time advertising was merely about announcing product availability and making a manufacturer’s statement – that I am the best – this was considered a good advertising approach probably for decades.”

    He added that everything has changed, but on another level, you can argue that not much has changed. He looks back at his favourite definition of advertising, which was given by a humorist – called Stephen Leacock – “Advertising is the science of arresting human intelligence long enough to get money from it.”

    Balsara goes on, “I haven’t come across any definition that, ideally, more accurately describes advertising. The fundamentals of what we try to achieve in advertising haven’t changed all that much. Sure, volumes have changed. Advertising cost a few hundred crores, which was the total outlay of AdEx. It is currently worth around Rs 90,000 crore. Global AdEx, just for perspective, is now $880 billion. So surely advertising works for marketers, and I think there is widespread acceptance that advertising is indeed the gas that fuels the entire economy or the machinery that keeps the wheels of the economy moving.”

    Taking the discussion further about how advertising has changed, columnist and Counselage India founder and managing partner Suhel Seth expressed, “I think advertising has changed for the worse. Earlier advertising was about civility and about creating things in partnership with clients, and the relationship was both mutually beneficial and one of respect. Sadly, nowadays, agencies are treated by clients like vendors, and the relationship by and large has become unequal.”

    He understands that previously, there were times in advertising when they sat and co-created campaigns, but those were created on the basis of deep consumer insight and a rigorous approach to consumer behaviour learnings and insights that one could then weave and work into the narrative of the creativity that was produced.

    He discussed, “We don’t get the kind of people we used to get in advertising in the good old days, and the reason is we don’t pay enough. When you pay peanuts, you get monkeys – and the tragedy is that advertising agencies are paying peanuts because clients are monkeying around with advertising agencies who don’t have the courage to tell the clients that they don’t know what they’re talking about.”

    “In the good old days, when the client asked us to jump, you would say ‘why’- today you ask ‘how high’. When the relationship dramatically alters and changes and becomes a master-servant or a master-slave relationship, advertising and creativity suffer,” pointed out Seth.

    He also reminisced about how earlier liberal arts people also staffed client offices. “I have no grouse against MBAs, but MBA has been the worst disaster for advertising agencies because people who have done management by rote, who have no idea of Shakespeare or Tagore, who have no idea about the sensitivities of music, are asked to produce advertising that is bereft of sensitivity,” he states.

    Seth went on to say that he has a different definition of advertising. For him, the purpose of advertising is to invent desire. “It is not to inform – for that you got to go to Google, Yellow Pages or Wikipedia. What I think advertising was all about – is that it was all about creating magic. It was about engaging the consumer with the brand through the medium of creativity.”

    He also shed light on the proliferation of media. In the previous days, the clients would ask about hoardings, TV, and cinema – that’s about it. Today’s spread is massive—it’s digital. India has changed dramatically. It is no longer consuming advertising that is English-speaking; it is consuming advertising that is vernacular. It is regional to the point where the regional influxes are actually carried forward pan India.

    Expressing his views, Seth said, one of the dramatic changes is that, due to the rush that everybody seems to be in, less time is spent on strategy and agencies are becoming more tactical. That’s not advertising; that’s salesmanship.

    “They also don’t prepare for brands with the rigour that we used to. For example, there were partnerships between Madison’s creative and media agencies. “Now, rather than partnering communication, I see media agencies as a post box or an amplifier for disseminating communication,” he said.

    Seth also put forth his concern, saying that the advertising industry has stopped being inventive and innovative. “We have become more and more risk averse. Because you are talking about billions of dollars being spent, and no one wants to take the risk,” he said.

    “Another thing is that people are wanting to manage not the consumer, but the client. When you start managing the client, you immediately forget the consumer. Nowadays, it’s very important for the CEO and his wife to be happy, rather than the other way round,” he said.

    “Today, we are also fraught with a lot of social tensions in our society. Religion, which was in the background, is now in the foreground. You have discrimination; you have political grandstanding. People using social media are bullying and trolling clients and companies to withdraw advertising, which is actually an attempt at conveying something creatively,” Seth went on to say.

    Ogilvy India head of strategic planning Rohitash Srivastava feels that in an ideal scenario, advertising has become complete. “Earlier we were worried about changing people’s thoughts and beliefs. And the behaviour part was kind of missing, you change a person’s mindset and then you leave him to behave the way he wants to. Now with digital and technology coming in, the promise of technology was that we are going to change behaviour, we are going to drive behaviour change. So that was the ideal scenario. And that’s why I’m saying that now advertising in an ideal world is not just about thinking and feeling; it’s also about thinking, feeling, and doing,” he pointed out.

    He goes on to explain that, in reality, the advertising industry has become more schizophrenic than ever. And there is a lot of speed, but there is no velocity.

    Srivastava adds, “There’s no sense of direction; you’re trying to do a lot, but there is no bigger plan. And this whole short-termism thing is really killing the industry. And I’ve seen so many marketers behave like salespeople. Now, marketing’s role is to create a facilitated environment, so that the scalability of the product goes up, not the sales themselves. But today’s marketers are so worried about that very moment. And when sales happen, they forget the larger tasks of marketing and advertising to create conditions for scalability over weeks of marketing. That is exactly what I mean by ‘short-termism.’”

    Also, information is being confused with knowledge, he said. “There’s a lot of data out there, and it’s called dumb data because you have to look for the right meaning to make sense of it. And then within that, there is data that is readily available, and then there is long-term data, equity studies, and all of that amounts to a lot of hard work. This whole desire to go through spreadsheets and excel sheets is blinding us to the human stories that are happening and what people are really thinking. So whatever data comes in, you want to react to it,” he said.

    Srivastava revealed, “The discernment is going away. And this whole thing about people being more precisely wrong than roughly right—before, being roughly right was such a big gift—In fact, we were paid so much because we could make decisions in grey areas, and there was a creative courage to be roughly right. But this whole obsession, to be precise, is making us precisely wrong.”

    TAM Media Research CEO LV Krishnan commented on the creative aspect of advertising, “The things have changed so much in the last 50 years that we’ve seen advertising kick start in India. And the interesting thing is the fact that the one thing that hasn’t changed between the first year of advertising and today is that nobody knows that the 50 per cent that I spend on advertising is a complete waste.”

    He explained further that until and unless the whole industry puts a finger on it, testing in terms of advertising will continue.

    Krishnan added, “Earlier, for every piece of communication, there was a brand and an advertising positioning strategy, and once they were done, one would know exactly what kind of execution needed to be done. But today, even if those two definitions are not thought through, execution is already happening on the ground to create communication effectively.”

    He is of the opinion that, now that everything is digital, it’s no longer a strategy. There is simply a local influencer using a brand and attempting to showcase it to his or her followers in order to demonstrate that this is the brand that they use. These influencer and social media marketing campaigns are not aligned with the national campaign that is run on television or in national print. So it’s becoming more tactical. Most of the campaigns we’re seeing now are more tactical sweatshop in nature.

    Balsara went on to reveal that out of the $880 billion, 60 percent of all advertising money today is spent on digital, and not on print, television, or any other medium. He believes that the arrival of digital has actually killed the big idea, which we all used to crave, and big production budgets are now a thing of the past.

    Srivastava agreed that digital is a big part of the clients’ spends, and even within digital, the performance part, which is called performance marketing, is really becoming significant. And to that extent, the role of the big idea sometimes gets compromised.

    Seth said, “Clients and agencies want one particular campaign idea and then try to force potential into several other media options, whether it is YouTube or Twitter.”

    “It is tactical; advertising is no longer about the consumer. It’s about the client. And when advertising becomes about the client, advertising suffers because the consumer is sidestepped and disregarded,” he wraps up.

  • Chris Rock will make history as the first artist to perform live on Netflix

    Chris Rock will make history as the first artist to perform live on Netflix

    Mumbai: OTT platform Netflix has announced that comedian, writer, director and actor Chris Rock will be the first artist to perform live on Netflix for the company’s first-ever live, global streaming event. The comedy special is set to stream in early 2023. Additional details will be announced at a later date.

    “Rock is one of the most iconic and important comedic voices of our generation. We’re thrilled the entire world will be able to experience a live Chris Rock comedy event and be a part of Netflix history. This will be an unforgettable moment and we’re so honored that Rock is carrying this torch” said Netflix vice president stand-up and comedy formats Robbie Praw.

    This is Rock’s second Netflix stand-up special. His first, Chris Rock: Tamborine, debuted in February 2018.

    The live event builds on Netflix’s live comedy slate. It said that Netflix is a Joke: The Festival was the biggest live, in-person event in Netflix history, taking place in Spring 2022. The unprecedented event sold more than 260,000 tickets, featuring more than 330 comedians performing 295 shows across more than 35 venues in Los Angeles. The festival also featured the first ever stand-up show at Dodger Stadium.

    Netflix says that it is the definitive home for all things comedy. Live events are one facet of Netflix’s unmatched ecosystem for comedic talent, as the entertainment company continues to invest in scripted comedy for TV and film, stand-up, sketch, comedy formats, and animation.

  • CSAFF kicks off with a star-studded and diverse line-up

    CSAFF kicks off with a star-studded and diverse line-up

    Mumbai: In its 13th edition, the Chicago South Asian Film Festival (CSAFF) opened on 22 September  with a brilliant line-up of film and talent for the increasingly popular event to be held through 25 September. A kick-off curtain raiser for the festival took place on 16 and 17  September .

    The festival, the largest of its kind in the Midwest, will present over 80 carefully curated independent films, shorts and documentaries in Downtown Chicago, at the Columbia Film Row and at DePaul University’s School of Cinematic Arts. Over 125 film makers and artists have made their way to Chicago for this annual event which will further showcase 27 World Premieres, 23 US Premieres and 30+ Chicago Premieres at this year’s festival.

    “Chicago is developing as a big film production hub,” stated CSAFF festival director Jigar Shah. “Our festival is creating awareness of South Asian diversity here in the Midwest while also bringing this international talent to Chicago to produce this unique, exciting experience.”

    A stellar grand opening to the festival took place on 23 September at the Columbia Film Row. Walking the red-carpet were renowned talents such as Yami Gautam Dhar and Rahul Khanna from India, director Aniruddha Roy Chowdhury, Mostofa Sarwar Farooki, Samiya Mumtaz, Dananeer, Jugal Hansraj along with numerous other filmmakers and talent.

    The opening night feature film in its World Premiere was “Lost” by Aniruddha Roy Chowdhury, starring Yami Gautam and Rahul Khanna. Chowdhury’s previous film, “Pink”, with Amitabh Bachchan and Taapsee Pannu made a mark in Indian mainstream cinema and created discussions around women’s consent.

    Additionally, Mostofa Sarwar Farooki was recognized and presented with the South Asian Film Award (SAFA), for his contribution to cinema. There was a special mention of the documentary “Barefoot Empress” by filmmaker and Michelin star chef, Vikas Khanna and Oscar-winning filmmaker, Doug Roland. The opening night also highlighted the short film, “Gray” by Sakshi Gurnani and Nikhil Taneja, starring actor Dia Mirza and Shreya Dhanwanthary.

    The festival showcased the World Premiere of the Marathi film “Vaalvi” by Paresh Mokashi, and also screened “Powai” by Kuldip Patel and “Pedro” by Natesh Hegde. The kick-off curtain raiser held on 16 and 17 September featured “A Night of Knowing Nothing” by Payal Kapadia, which won the best documentary at Cannes Film Festival in 2021, “Awakash” by Chittaranjan Giri, “Manikbabur Megh (Cloud & the Man)” by Abhinandan Banerjee and Kekee Manzil, and “House of Art” by Dilesh Korya.

    On Saturday, 24 September , there will be the Centerpiece film – “No Land’s Man”, by Mostofa Sarwar Farooki and Shrihari Sathe, starring Nawazuddin Siddiqui, Megan Mitchell and Eisha Chopra and music by A.R. Rahman.

    “Four Samosas” by Ravi Kapoor will be the closing night film on Friday, 25 September, with the filmmakers in attendance. The film, which recently made a splash at the Tribeca Film Festival, features a popular and talented ensemble cast led by Venk Potula (“Veep”) and Karan Soni (“Deadpool”).

    Also, featured will be the North America Premiere and Marquee film of the festival, Shiv Shastri Balboa followed by a Q&A session with director Ajayan Venugopalan and actor Jugal Hansraj along with legendary actors Anupam Kher and Neena Gupta. CSAFF will also showcase a heart-touching short film, “Perianayaki”, which centers round the story of a Sri Lankan woman in New Zealand, by Bala Murali Shingade.

    The festival has an amazing collection of films from Pakistan too such as “Fatima Jinnah” by Danial Khan, “Stay Tuned” by Ali Ahmed and Dawa by Ariella Khan. It will showcase daring documentaries that will steer engaging conversation among the audience. There are several films and documentaries by upcoming women directors from Canada such as “Marginalizing Minorities” by Dipti Gupta, “Women Beyond Bollywood” by Rahila Bootwala and “This Stained Dawn” by Anam Abbas.

    CSAFF will also showcase local Chicago filmmakers and their films – “Before After”, “Trek to the Top”, “Propinquity”, “Ozona”, the episodic “Stuck in Reality” and more. In addition, the festival will feature films which center on controversial issues of religious prejudices, sexual orientation and bullying. Featured is “Bully High”, written and directed by Bill McAdams Jr., a coming-of-age drama headlined by an exciting young cast of Hollywood newcomers, Aneesha Madhok, Joseph Baena (son of Arnold Schwarzenegger) among many other films.

    “We are so proud of the caliber of the films and the diversity we will be presenting this year, and it is so powerful to be able to showcase it in the theaters,” pointed out Jigar.

    CSAFF will close on Sunday, 25 September  with a ceremony and awards given for best feature, best short, best documentary and documentary short as chosen by the audience. Throughout the festival there will be several event opportunities including discussions, the Filmmakers’ Lounge Series, a Bollywood dance night and Closing night after-party.

  • Mountain Dew encourages people to be courageous in new TVC

    Mountain Dew encourages people to be courageous in new TVC

    MUMBAI: Mountain Dew brand has always focused on facing one’s fears to achieve exemplary results. Targeted at the youth of India, the beverage brand has unveiled a new campaign that encourages consumers to move beyond their fears and stand victorious in the race of life.

    The new TVC delves into the daily struggles of people across the spectrum – bringing out that each person reacts differently to circumstances and that fear is subjective with no definite scale, measure, or boundary. The film is a reverberation of Mountain Dew’s belief that in case of a challenge, there are only two choices one can make – either give in to fear and turn back or overcome fear and move ahead with courage. It is the choice that one makes that sets the real heroes apart from the rest.

    The film brings together situations and scenarios from the lives of different people in the form of a montage – a boy facing the microphone in front of an audience, a boxer in the boxing ring, a biker at the edge of a cliff, a girl standing at the edge of a diving board, a boy frozen in his steps to paraglide and a girl sending a text to break up with her partner – all these people are hesitating to take their challenges head-on. In comes Mountain Dew – with one sip of the drink, metaphorically, these moments of hesitation and fear are dissolved as the characters take the plunge with faith and courage to face their fears.

    PepsiCo India category director Mountain Dew Vineet Sharma said, “With our ‘Darr Ke Aage Jeet Hai’ philosophy, Mountain Dew has always celebrated the spirit of those who push themselves forward in the face of fear to achieve extraordinary results. The brand acknowledges that fear is universal, and every individual is beset with the feeling of fear. Fear can arise from a myriad of situations that are unique to each one of us and in this film, we have tried to focus on everyday fears that many of us can relate to. We believe that real heroes are those that face the challenge head-on and eventually emerge as winners. We are confident consumers across the country will relate to this touching new film and as always, the philosophy of ‘Darr Ke Aage Jeet Hai’ will resonate strongly with them.”

    Flibbr Consulting managing partner Rahul Jauhari stated, “Speaking of everyday fears yet keeping the ethos, energy and adrenaline rush of the brand was a fine line one had to tread and I’m glad we could deliver on the brief. We are confident that this TVC will help in connecting to a wider audience at a deeper level.”

    The new Mountain Dew campaign and TVC will be amplified across TV, digital, outdoor, and social media with a 360-degree campaign. The beverage is available in single/multi-serve packs across modern and traditional retail outlets as well as on leading e-commerce platforms.