Tag:  FICCI Frames 2025

  • Meta maps India’s digital evolution from creators to AI and micro dramas

    Meta maps India’s digital evolution from creators to AI and micro dramas

    MUMBAI: At the 25th edition of Ficci Frames, Meta’s top leadership: Sandhya Devanathan, vice president, Meta India, and Meta India managing director and country head Arun Srinivas, laid out a comprehensive view of how India’s digital, entertainment, and creator ecosystems are evolving at breakneck speed. 

    From the rise of Gen Z as the dominant consumer force to the explosion of short-form video, AI-driven content, and micro-dramas, both leaders stressed on how India is not just adapting to global digital trends, it is carving them. 

    “India’s growth is unique and inevitable,” Devanathan said, opening her session on New Age Tech Platforms: Redefining Access, Innovation and Scale. “One trillion dollars of our future economy will be driven by digital.”  

    With over four billion reels shared globally every day, she noted, India stands out as both the largest creator market and a leader in the innovation of content. 
    That digital drive, she explained, rests on India’s growing online base of over 650 million social media users and 270 million online shoppers. Yet, she noted that to make prosperity more inclusive, more small businesses need to come online. Only about five million of India’s 65 million SMEs are currently digitally enabled.
    “The Indian creator economy is among the most vibrant in the world,” Devanathan noted. “Creators here aren’t just entertainers, they are entrepreneurs, cultural catalysts, and small businesses rolled into one.”

    Meta, she explained, continues to invest heavily in tools that empower creators to monetise their craft: from performance insights and AI-powered production aids to immersive advertising formats that help brands connect authentically with their digital-native audiences. 

    Devanathan also highlighted the versatility of “many Indias”: the digitally savvy India, the vernacular-first India, and the emerging India Each requires its own approach to content, access and engagement. “Winning in India,” she said, “means understanding these layers of India and building for all.”
    Meta, she noted, sits at the heart of this digital revolution. India is now home to the largest community of Instagram creators and the biggest user base for Meta AI worldwide. The country also boasts one of the world’s largest Whatsapp communities, with over 200,000 small businesses using “Click to Whatsapp” to drive sales every month.
    Beyond platforms, Meta is investing in digital infrastructure, from the Project Waterworth subsea cable (a subsea cable network that will span 50,000 kilometres and will reach depths of up to 7000 metres) to supporting data centres that fuel AI innovation. Devanathan also spoke about Meta’s work with the Nudge Institute and Pragati AI for Impact, which harnesses artificial intelligence for social good. 

    Building on that foundation, Arun Srinivas focused on the behavioural shifts defining media and entertainment consumption in India today, particularly among Gen Z and gen Alpha audiences.

    “Gen Z isn’t the future; they’re the present,” he exclaimed. “They are already shaping how content is discovered, processed, and shared.”

    According to Srinivas, the average Gen Z consumer processes information three times faster than previous generations and takes less than 1.5 seconds to decide whether to engage with a piece of content. “They need less attention, but more repetition,” he noted, explaining how frequency, rather than single exposure, now drives brand recall and conversions.

    He also pointed to India’s massive short-form video boom, with 97 per cent of Indians watching short videos daily, surpassing television viewership. “Linear TV time is declining month on month,” he said, adding that this isn’t limited to urban India, “rural and small-town audiences are consuming just as much, if not more.”

    Among the new frontiers Srinivas spotlighted was the rise of micro dramas: serialised short videos running between one and five minutes per episode.

    “This is storytelling redesigned for the mobile-first world,” he said. “India’s short-form drama market could touch 10 billion dollars by 2030, driven by vernacular content and tier-II and tier-III audiences.”

    Startups and creators are already experimenting with dubbed Korean and Chinese mini-series adapted for Indian viewers, marking a new phase in the fusion of entertainment and digital innovation.

    Both Devanathan and Srinivas emphasised the transformative role of artificial intelligence across Meta’s platforms, from content creation and personalisation to ad optimisation and discovery.

    “AI isn’t replacing creativity; it’s amplifying it,” Devanathan said. “It’s enabling creators to produce higher-quality work faster, and helping brands find the right audiences with precision.”

    Srinivas added that more than four million advertisers globally used AI-generated creatives last quarter, producing over 15 million ad assets  and achieving double-digit ROI improvements compared to campaigns created by humans. 

    Outlining Meta’s larger ambition, he noted that the company aims to make Meta AI the world’s most widely used personal assistant. “With more than 100 billion dollars invested in AI in just four years, we’re building systems that make digital creativity more accessible and intelligent for everyone,” he said.
    Bringing that vision to life, Devanathan closed her session with an AI-generated video: a vivid cascade of colours that unfolded into the words, “Change is the canvas from which opportunity paints its masterpiece.” 

    Both leaders saw eye to eye on one message, that India’s digital future will be built at the intersection of creators, commerce, and connection.

    Srinivas highlighted how Meta’s latest tools, such as the Edits app for easy video production and new AI-powered creative platforms, are enabling India’s vast creator base to thrive. Meanwhile, Devanathan emphasised Meta’s partnerships with brands, small businesses, and policymakers to foster a sustainable, inclusive digital ecosystem.

    “Our goal,” she said, “is to ensure that India’s creative economy doesn’t just grow in size, it grows in diversity, opportunity, and global influence.”

    Concluding the session, Srinivas offered a peek into Meta’s newest innovation, the Ray-Ban Meta smart glasses, designed to merge content, communication, and AI assistance in one device.

    “These glasses are a glimpse of a future where connection becomes truly immersive,” he said.

    As both Devanathan and Srinivas made clear, India’s digital landscape is entering a new chapter, one driven by speed, creativity, and intelligence. With the next generation of consumers redefining how content is created and consumed, Meta’s vision is not just to keep pace, but to help build the infrastructure of tomorrow’s digital culture. 

     

  • Moscow rolls out the red carpet for Indian filmmakers

    Moscow rolls out the red carpet for Indian filmmakers

    MUMBAI: Lights, camera, Moscow! Indian filmmakers now have a blockbuster reason to pack their cameras and head to Russia’s capital. At FICCI Frames 2025, Moskino unveiled the Moscow Film Cluster, offering a fully integrated ecosystem and up to a 45 per cent international rebate for productions.

    Designed as a one-stop shop, the Film Cluster streamlines the filmmaking process with sound stages, backlots, post-production facilities, and a central operational platform. From pre-production to premiere, Moskino ensures producers can focus on creativity, not logistics.

    The incentives are compelling: 30 per cent cash rebate on expenses, plus an additional 15 per cent value in services, visas, and accommodation discounts. And with the Moscow Film Commission providing free services: location scouting, permits, street closures, and dynamic filming support, shooting in Moscow has never been easier.

    Legendary Gorky Film Studio, the sprawling Film Park, and the futuristic Film Factory (home to Russia’s largest LED virtual production pavilion) ensure filmmakers have every tool at their fingertips. Moskino even operates 13 cinemas, offering built-in exhibition potential for completed films.

    From the Kremlin’s iconic spires to Moscow City’s sleek skyline and sprawling parks, the city doubles as multiple European or Asian capitals while retaining its own cinematic grandeur. With world-class crews and infrastructure, Moscow is positioning itself as Asia’s next major production hub for Indian cinema.

    Producers attending FICCI Frames 2025 can visit the Moscow Film Cluster booth to explore collaborations and discover how Moscow can turn their next project into an international success story.
     

  • Music licensing firm Broma 16 taps Indian veteran to crack subcontinent gold rush

    Music licensing firm Broma 16 taps Indian veteran to crack subcontinent gold rush

    MUMBAI: Broma 16, a Dutch music licensing outfit, has hired Sunnyy Vyas from India’s streaming wars to spearhead its assault on the subcontinent’s booming digital music market. The Amsterdam-based firm, which specialises in maximising royalty collections online, appointed Vyas as head of India as it seeks to capitalise on the country’s explosive streaming growth.

    Vyas arrives with battle scars from 19 years in India’s cutthroat music and broadcasting industry. Most recently, he served as head of Wynk Studio at Airtel Digital, where he shepherded community engagement and podcast distribution for the telecom giant’s music platform. Before that, he led music promotions for ByteDance’s original content push and founded Music Plus, billed as India’s first dedicated music business portal.

    The appointment comes as international music companies scramble for a slice of India’s digital pie. With smartphone penetration soaring and data costs plummeting, the country has become a critical battleground for streaming supremacy.

    Vyas cut his teeth in traditional radio, working his way up from radio jockey at Radio City to cluster manager at Radio One, where he managed celebrity campaigns across four cities. His early career included stints as programming head at 94.3 MY FM in Nagpur, where he helmed an eight-strong team and chased ratings gold.
    The new hire will debut Broma 16’s Indian ambitions at All About Music in Mumbai later this month, where the company’s team will court potential partners and clients. For a firm with just 11 to 50 employees, landing a market veteran of Vyas’s calibre signals serious intent in a region where rights management remains fragmented and undermonetised.

    Whether Broma 16 can navigate India’s labyrinthine music licensing landscape remains to be seen, but with Vyas at the helm, it has secured a guide who knows where the bodies are buried.

  • Ganguly pads up for second innings at ICC cricket committee

    Ganguly pads up for second innings at ICC cricket committee

    MUMBAI:Cricket’s global governing body has tossed the ball back to Sourav Ganguly, reappointing the former Indian captain as chairperson of the ICC men’s cricket committee for another term. The 52-year-old, affectionately known as “Dada” by fans, will continue in the role he first took guard at in 2021 after replacing spin wizard Anil Kumble.

    Ganguly’s longtime batting partner VVS Laxman, known for his very, very special wristy flicks, has also been retained on the panel—ensuring India’s continued heavyweight presence at cricket’s administrative crease.

    The refreshed committee features a who’s who of cricket luminaries. Afghanistan’s Hamid Hassan and West Indies legend Desmond Haynes have been drafted in alongside South Africa’s current test and one-day international captain Temba Bavuma and former England batsman Jonathan Trott.

    Meanwhile, in the women’s pavilion, former New Zealand off-spinner Catherine Campbell has been elevated to chairperson of the ICC women’s cricket committee. She’ll be joined in the middle by ex-Australian player Avril Fahey and Cricket South Africa’s Pholetsi Moseki.

    The ICC’s commitment to inclusivity was bowled up by secretary Jay Shah, who announced a special task force and support fund for displaced Afghan women cricketers. “We are deeply committed to fostering inclusivity and ensuring every cricketer has the opportunity to shine, regardless of their circumstances,” Shah declared from the non-striker’s end.

    This support will be backed by a “comprehensive high-performance programme” designed to keep Afghan women’s cricket dreams alive despite challenging political conditions back home—proving that when it comes to cricket diplomacy, the ICC is determined not to be caught out.

     

  • Disney’s ‘Star Wars: The Force Awakens’ crosses $2 billion global box office mark

    Disney’s ‘Star Wars: The Force Awakens’ crosses $2 billion global box office mark

    MUMBAI: Star Wars: The Force Awakens has crossed the $2 billion mark worldwide on 6 February, which was its 53rd day of release, thus becoming only the third film ever to do so and just the second to do it in original release. 

    Additionally, the movie also crossed the $900 million mark at the North American box office and is the only film in history to reach this milestone.

    “This is a historic moment for Star Wars, for Lucasfilm, and for Disney, and all of us here are extremely gratified to be a part of this journey with fans around the world who have made Star Wars: The Force Awakens such an extraordinary success. The film’s achievements are truly astounding, and it’s our great honor to relaunch this cinematic galaxy not only for all the devoted decades-long fans but for a new generation who will keep the Star Wars legacy alive for many years to come,” said The Walt Disney Studios chairman Alan Horn.

    Through 4 February, Star Wars: The Force Awakens earned an estimated $899.1 million in North America and $1,095.6 million internationally for a global total of $1,994.7 million. Opening internationally 16 December and in the US on 18 December, Star Wars: The Force Awakens posted the all-time biggest global and domestic debuts with $528.9 million and $247.9 million respectively.

    Over the course of its eight-week run, it has set numerous other records, including:
    – Biggest domestic preview gross ($57 million)
    – Biggest opening day domestically ($119.1 million)
    – Biggest domestic second weekend ($149.2 million)
    – Biggest domestic third weekend ($90.2 million)
    – Biggest opening week domestically ($390.8 million)
    – Biggest opening weekend in 18 territories: UK (4-day), Australia, Russia, Germany, Sweden, Norway, Finland, Austria, Poland (3-day), Denmark (5-day), Romania, Hungary, Bulgaria, Croatia, Ukraine, Iceland, Serbia, New Zealand
    – Fastest film to $1 billion globally (12 days)
    – Biggest film of all time in the US and the UK

    Directed by J.J. Abrams, written by Lawrence Kasdan & Abrams and Michael Arndt, and produced by Kathleen Kennedy, Abrams and Bryan Burk, Star Wars: The Force Awakens was named one of AFI’s top ten films of 2015 and has received five Academy Award nominations, for film editing, visual effects, sound editing, sound mixing, and for series composer John Williams’ original score.

    The Star Wars Saga continues 15 December, 2017, in Star Wars: Episode VIII, picking up in the wake of Star Wars: The Force Awakens. Later this year, Rogue One, a new adventure detailing events prior to Star Wars: A New Hope, will take flight on 16 December, 2016.

  • Disney’s ‘Star Wars: The Force Awakens’ crosses $2 billion global box office mark

    Disney’s ‘Star Wars: The Force Awakens’ crosses $2 billion global box office mark

    MUMBAI: Star Wars: The Force Awakens has crossed the $2 billion mark worldwide on 6 February, which was its 53rd day of release, thus becoming only the third film ever to do so and just the second to do it in original release. 

    Additionally, the movie also crossed the $900 million mark at the North American box office and is the only film in history to reach this milestone.

    “This is a historic moment for Star Wars, for Lucasfilm, and for Disney, and all of us here are extremely gratified to be a part of this journey with fans around the world who have made Star Wars: The Force Awakens such an extraordinary success. The film’s achievements are truly astounding, and it’s our great honor to relaunch this cinematic galaxy not only for all the devoted decades-long fans but for a new generation who will keep the Star Wars legacy alive for many years to come,” said The Walt Disney Studios chairman Alan Horn.

    Through 4 February, Star Wars: The Force Awakens earned an estimated $899.1 million in North America and $1,095.6 million internationally for a global total of $1,994.7 million. Opening internationally 16 December and in the US on 18 December, Star Wars: The Force Awakens posted the all-time biggest global and domestic debuts with $528.9 million and $247.9 million respectively.

    Over the course of its eight-week run, it has set numerous other records, including:
    – Biggest domestic preview gross ($57 million)
    – Biggest opening day domestically ($119.1 million)
    – Biggest domestic second weekend ($149.2 million)
    – Biggest domestic third weekend ($90.2 million)
    – Biggest opening week domestically ($390.8 million)
    – Biggest opening weekend in 18 territories: UK (4-day), Australia, Russia, Germany, Sweden, Norway, Finland, Austria, Poland (3-day), Denmark (5-day), Romania, Hungary, Bulgaria, Croatia, Ukraine, Iceland, Serbia, New Zealand
    – Fastest film to $1 billion globally (12 days)
    – Biggest film of all time in the US and the UK

    Directed by J.J. Abrams, written by Lawrence Kasdan & Abrams and Michael Arndt, and produced by Kathleen Kennedy, Abrams and Bryan Burk, Star Wars: The Force Awakens was named one of AFI’s top ten films of 2015 and has received five Academy Award nominations, for film editing, visual effects, sound editing, sound mixing, and for series composer John Williams’ original score.

    The Star Wars Saga continues 15 December, 2017, in Star Wars: Episode VIII, picking up in the wake of Star Wars: The Force Awakens. Later this year, Rogue One, a new adventure detailing events prior to Star Wars: A New Hope, will take flight on 16 December, 2016.

  • India News – Haryana to cedit Haryana police with ‘Shaurya Samman’

    India News – Haryana to cedit Haryana police with ‘Shaurya Samman’

    MUMBAI: The security and the well-being of a democracy largely depends on the valor of the bravehearts who enforce law and order to ensure the safety and all-round development of the society. Our nation would not have been this promising, had it not been for the ‘unsung heroes’ of our Police force putting their lives on the line every single day to protect us and make our society a better place to live in.

     

    To acknowledge the contribution of these men in uniforms who have shown exemplary courage and devotion in protecting our society, India News Haryana of iTV Network, one of the fastest growing news network in India, introduces ‘Shaurya Samman’, presented by RAS and co-presented by Su-Kam. Through this unique platform, the channel will pay homage to the individuals from the Haryana police force whose efforts have made not just Haryana but also India proud and have changed the lives of millions.

     

    The awards will adhere to a stringent selection process and the nominees will be further accredited by an eminent jury panel consisting of noted personalities like DGP, Haryana Y.P. Singhal, Senior Journalist Vineet Narayan, Retired Judge of Punjab and Haryana High Court Justice R.C. Gupta, Social Worker & Philanthropist Arvind Kr. Goel and India News Editor-in-Chief Deepak Chaurasia,.

     

    Award categories:

    • Outstanding Act of Bravery – Male
    • Outstanding Act of Bravery – Female
    • Award for Bravery (posthumous)

     

     

    • Outstanding Contribution in solving Case
    • Outstanding Effort to Save Human Lives
    • Outstanding Effort in Traffic Management
    • Outstanding Effort in Community Building
    • Outstanding Effort in Training and Research
    • Outstanding Expert of Cyber-Crime Solutions
    • Lifetime Achievement Award
    •  

    India News Haryana will felicitate these winners at a grand ceremony in Chandigarh on 21st May, 2015 in the presence of many dignitaries, leaders and celebrities from the Haryana region. Honorable Chief Minister of Haryana, Shri Manohar Lal Khattar will grace the ceremony as the Chief Guest.

     

    Speaking on this initiative, iTV Network managing director Kartikeya Sharma said, “The nation must not forget the supreme sacrifices made by our policemen who put the society before the self. This award by India News Haryana is an endeavor to express our gratitude to our policemen, who are seldom recognized by our society.”

     

    Adding to that, Deepak Chaurasia said, “We are delighted to acknowledge these unsung heroes of our country who relentlessly ensure the safety and security of the citizens. ‘Shaurya Samman’ is a tribute to their extraordinary contribution and unconditional support towards the welfare of the society.”

  • ‘Avengers – Age of Ultron’ to release in India ahead of US

    ‘Avengers – Age of Ultron’ to release in India ahead of US

    MUMBAI: The next installment of Marvel’s Avengers franchise – Avengers – Age of Ultron will release in India on 24 April, 2015, which is a week earlier than its North American release.

     

    This sequel to one of the highest grossing Hollywood film of all times The Avengers (2012), will be released in Hindi, Tamil and Telegu versions simultaneously along with the English version.

     

    The movie stars Robert Downey Jr.(Iron Man), Chris Hemsworth (Thor), Mark Ruffalo (Hulk), Chris Evans (Captain America), Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Don Cheadle (James Rhodes/War Machine), Cobie Smulders (Agent Maria Hill), Stellan Skarsg?rd (Erik Selvig) with James Spader (Ultron) and Samuel L. Jackson (Nick Fury).

     

    The movie will also see two mysterious and powerful newcomers, Pietro Maximoff, played by Aaron Taylor-Johnson, and Wanda Maximoff, played by Elizabeth Olsen and meet an old friend in a new form when Paul Bettany becomes Vision.

     

    Avengers: Age of Ultron has been written and directed by Joss Whedon and produced by Kevin Feige.