Tag: Festival

  • Wiggles says #NoToNoise, urges all to have a pet inclusive Diwali

    Wiggles says #NoToNoise, urges all to have a pet inclusive Diwali

    Mumbai: In continuation with its efforts to promote a pet inclusive and animal safe festive season, D2C preventive pet care brand Wiggles.in is encouraging people to include animals and pets in celebrations and festivities this Diwali.

    Making way for a festive season that is free from anxiety, stress, and aggression for pets and animals, Wiggles.in has launched its #NoToNoise Diwali campaign that focuses on ensuring that our pets and animals equally enjoy a festive season filled with cheer, positivity, and happiness. #NoToNoise is currently live on digital and social media platforms. The campaign also engages with customers and stakeholders through an experiential outreach.

     

     
     
     

     
     
     
     
     

     
     

     
     
     

     
     

    A post shared by Wiggles (@wiggles.in)

     

    Wiggles.in founder and CEO Anushka Iyer said, “What may seem like a celebration to us is certainly not a celebration for our pets. Diwali is generally the toughest period of the year for animals. #NoToNoise is an extension of our belief that our pets deserve as much affection and care just like anyone of us. Our aim through this campaign is to introduce a matchbox that doesn’t light up, which is a metaphor to remove the instrument that people generally use to burst crackers. This, in turn, will help light up the world for street animals and pets while bringing about a positive change in behavior and outlook towards our pets not just for Diwali, but holistically.”

    Based on a well-known fact that we often forget, animals have extremely sensitive hearing abilities. If they can hear a bag of treats being opened from the next room, imagine what happens when a loud firecracker is lit. According to research, dogs can hear sounds four times stronger and louder than we can. And while we have the ability to protect ourselves from such noises, they often don’t.

    The #NoToNoise campaign by Wiggles.in was ideated with the intention of increasing awareness of the fact that though there has been a reduction in the bursting of crackers, it hasn’t ceased completely and that our voiceless friends still need to be protected from such loud noises & the pollution that accompanies it.

  • This Diwali, Amazon Prime urges viewers to log out and spend time with family

    This Diwali, Amazon Prime urges viewers to log out and spend time with family

    Mumbai: Amazon Prime Video has launched a unique campaign to celebrate the festive season, urging its customers & fans to reconnect with their loved ones. In a year that saw people turning to streaming platforms like Prime Video as their preferred entertainment destination, the campaign urges viewers to press pause on the world of Prime Video, and instead celebrate with their family and friends, following all necessary health and safety precautions.

    “Over the last four years, we have had the amazing privilege of entertaining our customers with a slate of compelling Amazon Originals and movies across multiple languages. Especially over the last 18 months, as the country went into lockdowns, Prime Video has become the go-to entertainment destination for customers across the country and we are truly humbled by this. At the same time, we want to encourage our customers to take a moment to reconnect and rediscover the joy of togetherness – in real life or virtually,” said Amazon Prime Video (India) director marketing Sushant Sreeram.

    The streaming platform is reminding customers that Prime Video and the world of their favourite stories and characters are always going to be around, but they shouldn’t miss the beautiful opportunity to celebrate the festive season with their loved ones. “We couldn’t think of a better way to say this than have some of our iconic characters do it for us! We hope customers enjoy many joyous moments and create some amazing new memories this festive season and we can’t wait for them all to be back to their favourite world of Prime Video,” added Sreeram.

    Led by two of Prime Video’s iconic characters, Kaleen Bhaiyya (“Mirzapur”) and Siddhi (“Four More Shots Please!”), the campaign features two films that will run on digital platforms and TV. The films were conceptualised in-house and created and directed by Big Momma Productions founder Sohini Dasgupta.

    Actor Pankaj Tripathi who returns as Mirzapur’s Kaleen Bhaiyya in one of the films, said, “I want to tell my fans that Kaleen Bhaiyya would love for them to spend time with their families. Diwali gives us the opportunity to connect with our loved ones and the time spent with them adds to the joy of the festival. Kaleen Bhaiyya and the many characters that you love will be there on Prime Video tomorrow and every other day, but Diwali should be all about family and friends.

  • WOW Skin Science encourages eco-friendly Ganesh Chaturthi in new campaign

    WOW Skin Science encourages eco-friendly Ganesh Chaturthi in new campaign

    Mumbai: Personal care brand WOW Skin Science has launched a new campaign “Celebrate Responsibly, Be WOW, Naturally” for the Ganesh Chaturthi festival in an endeavour to encourage everyone to get closer to nature and celebrate festivals responsibly. Through the campaign that features Bollywood couple Ritiesh Deshmukh and Genelia D’souza, the brand reiterates the value of living a sustainable lifestyle.

    The film throws light on how while the onset of Ganesh Chaturthi brings enthusiasm and exuberance, as the days pass by, the sadness of visarjan sets in. 

    In the film, the star couple highlights an initiative by the WOW Skin Science brand, whereby we can let the good luck stay and grow within our homes by planting the eco-friendly Ganesha with seeds inside in any pot during the visarjan. 

    While talking about the campaign, WOW Skin Science co-founder and CEO Manish Chowdhary said, “Ganesha is the lord of auspicious beginnings and with this brand film, WOW Skin Science urges consumers that this is the right time to adopt an eco-friendly lifestyle, thus embracing this green and clean initiative. This is just the beginning of many more upcoming natural initiatives that the brand plans to undertake in the future, thus encouraging people to Be WOW, naturally.”   

  • Digital boom spells out recovery for the industry during festive season

    Digital boom spells out recovery for the industry during festive season

    MUMBAI: As the world adapts to the post-pandemic world, there’s been a significant shift in the way people shop, eat and look for entertainment among other things. With the festive season around the corner, there are massive expectations riding on digital media as brands experiment and figure out ways to reach their consumers effectively within the online space.

    The rapid expansion of the digital advertising space in India has opened up a promising avenue for businesses and brands amid the pandemic. According to Dentsu’s Ad Spend Report from June 2021, the digital ad spend in India has grown from 20 per cent in 2019 to 29.4 per cent in 2021. And while television remains the most popular medium for advertising, its growth was just 7.7 per cent, which goes to show that the digital advertising ad spend is fast catching up with TV.

    Advertising Standards Council of India (ASCI’s) ‘Trust in Advertising’ report interestingly revealed that it is not just the metro cities that are viewing ads online. The viewership of digital ads in rural centers, too, was found to be at par with the metros.

    “The consumer today is looking out for convenience, everything at the press of a button,” says Madison Media Ultra COO Jolene Fernandes Solanki. “Digital advertising is expected to be the driver for growth across businesses during festivals. With online being the only medium that has grown during Pandemic, digital ad-ex will gain momentum and further grow during this festival. With this significant growth, digital will maintain its second position and contribute a share of 32 to 35 per cent.”

    The online market is also seeing an upsurge in Direct-to-consumer players. D2C brands have seen a nearly 200 per cent growth in categories such as beauty, personal care, nutrition, and small electronics, as per industry experts.  Brands such as Mamaearth, MyGlamm, SUGAR Cosmetics, Lenskart, Licious, Zivame, Epigamia, BoAt, Wow Skin Science, Country Delight, among others are establishing a strong presence in the D2C arena, fulfilling customer demands despite the challenges thrown in by the Covid-19 pandemic.

    With the digital revolution that is connecting customers and businesses across the country, the rise of the usage of social media, apps, and instant messaging platforms has been witnessed. According to Admitad Affiliate India, head, eCommerce vertical Abhijit Banerjee, a lot of brands will be experimenting with digital platforms, which will not just be limited to promotion but will also be the preferred point of purchase. “Each year, brands are leveling up with different marketing strategies and choosing ROI driven marketing channels, coupon codes, deals, and discounts for their consumers,” he says.

    The spending skew in digital is growing steadily this time around since it is getting increasingly cluttered on traditional media to get consumer attention, feel industry executives. Apart from that, brands agree that it is much more efficient to tap into new geographies with digital rather than TV. Even as major players already dominate the online space, now smaller, regional players are realising the importance of the medium. Brand advocacy on digital has become quite important; brands are not hesitating to opt for the influencer marketing route like last year as their brand advocates in their campaigns.

    The gap between ad spends on TV and digital is narrowing every year. Digital at 35 per cent market share has overtaken print at 16 per cent and is closing the gap with television which stands today at 45 per cent, as per estimates by media agency GroupM. 

    According to Voiro founder and CEO Kavita Shenoy, online spending is on a steady upward trajectory and digital-first businesses are leaning on this trend to encourage customer consumption. This will see advertisers explore new ways of addressing target segments, across media inclusive of music apps, gaming, contextual commerce, and of course live events.

    “Marketing spends will be performance focussed and largely be focussed online as the world is still in lockdown and consumers are still wary of stepping out of home, but prefer to transact online, for everything from groceries to luxuries,” Shenoy says, adding, “The spends indicate that the addressable advertising audience is far more engaged online and that it is easier for brands to measure effectiveness and see ROI in real-time.”

    With e-commerce driving consumption, online advertising spends are likely to see a significant uptick this festive season. According to e-retailer Myntra, the adoption of digital channels for shopping continues to accelerate, and there is a continuous increase in the number of categories a customer purchases. The festive sales season which started last week will go on till Diwali and later Christmas and New Year’s, driven by purchases from tier 3 and 4 cities. 

     As per a recent study conducted by the HI + AI research division, ‘Gipsi’, eCommerce/ Online shopping now has become a habit and will continue to see a rise in spends during the festive season. Even the digitally-hesitant audiences who used to prefer digital shopping only during offers and sales are now shopping online as a convenient option, says Tonic Worldwide’s Unmisha Bhatt.

    While digital spends have been consistently rising for the past many years, the pandemic accelerated it to another level. Coupled with the issues with deliveries of newspapers during the extended lockdown, the percentage share of digital spends has spurted in the last year and a half, with digital spends now second only to TV.

     “This year, we are slowly seeing things going back to normal but changes in the marketing landscape might stay, ” says DViO Digital founder and CEO Sowmya Iyer.  “Brands see a good return on ROI with digital marketing and with the advanced technologies we have at our disposal today, it opens up a wide range of possibilities right from gamification to user-generated content. A lot of brands were seen collaborating with the OTT and gaming platforms for integrating their products and advertising purpose. Here, the targeting is very specific and we see more and more brands wanting to allocate their marketing budgets for OTT collaborations,” she adds. 

    Pandemic has indeed turned out to be a catalyst for digital transformation. “The non-adaptors of digital media (laggards and e-payment skeptics) were also forced to bite the bullet since physical shopping/ consumption was practically impossible during the lockdown. Digital has already taken a larger share in the media ad spend pie overtaking Print. It can now, in fact, be termed ‘mainstream,” says Havas Media India managing partner Saurabh Jain.

  • Cadbury Celebrations launches its special campaign #MyFirstRakhi

    Cadbury Celebrations launches its special campaign #MyFirstRakhi

    MUMBAI: This Raksha Bandhan, Cadbury Celebrations-the much-loved chocolate brand has decided to celebrate the festival by making a meaningful difference to a child’s life through its special campaign – #MyFirstRakhi.

    Many children with physical disability in the country miss celebrating this festival, among other crucial life experiences. To truly bring a meaningful difference to the lives of these children and help them celebrate this moment of joy in the most fulfilling way possible, Cadbury Celebrations has partnered with Social Hardware- an organisation working towards providing assistive devices and rehabilitation services to underserved communities- to develop a unique sensor-based prosthetic arm that will let these children feel the sense of touch, an integral part of growing up.

    Building on the same sentiment is the campaign film that beautifully captures the story of a sister and her physically disabled older brother, Shubham who yearns to experience the feeling of a Rakhi tied around his wrist. The feeling is brought to life as the brother’s wish is fulfilled with a low-cost sensor enabled prosthetic hand advised by his doctor. The story sees a sweet ending as the older brother enthusiastically prepares to experience his first Rakhi, tied onto his wrist by his equally excited little sister. The brother, for the very first time in his life, is able to actually feel the sensation of the thread symbolising the bond they share, through his sensor-enabled prosthetic arm.

    While these children often opt for prosthetic hands to help them build their lives, the journey for them is a long one, where as the child grows up, the prosthetic arms recommended change, based on various factors. They typically start with basic prosthetic arms which lack the sense of touch, a very important sensation in their formative years. The chocolate brand has pledged to provide these low-cost sensor-based hands to many children across the country by continuing to partner with Social Hardware in the coming year.  

    Mondelez India senior director – marketing, Anil Viswanathan said, “For years now Mondelez India has been an innate part of festivals and occasions like Raksha Bandhan, and has redefined the joy of gifting and shared moments with Cadbury Celebrations. Through #MyFirstRakhi, we wanted to make a meaningful difference to the lives of these kids who don’t get to experience festivals like we do. To celebrate Rakhi you need to feel the touch of its threads and hence we provided a solution to give them a sense of touch. With the focus on spreading happiness and banking on the proposition of ‘Kuch Achha Ho Jaaye, Kuch Meetha Ho Jaaye’, the campaign promises a new start for children who have missed experiencing the joy of celebrating this festival in its truest sense.”

    Commenting on the campaign, Ogilvy India chief creative officer Sukesh Nayak, said, “Raksha Bandhan is a very special festival celebrated across the country. With #MyFirstRakhi we are helping ensure that every brother who has so far missed experiencing the joy of celebrating this festival, can now feel the bonds of this beautiful relationship on his hand.”

    The campaign will be led with a digital film and further amplified through social activations along with innovative OOH advertising.

  • Festival season will be the golden quarter for ecommerce players: Criteo Report

    Festival season will be the golden quarter for ecommerce players: Criteo Report

    New Delhi: Criteo has released its Holiday Report 2020 highlighting key trends in the online e-commerce industry in the much-awaited festive season including Rakshabandhan, Big Billion days and Diwali. The report highlights the top trends observed for the highly thriving e-commerce market in India. Criteo regards this as the ‘Golden Quarter’ of 2020 as e-commerce clocks significantly high growth. 

    Overcoming such unprecedented times, online retail is back to pre-Covid2019 numbers, and steadily growing upwards since then. As 2020 sales are increasing progressively; 2019 data provides relevant  context and describes the strong seasonality expected in the coming weeks. According to the report, there has been a 28 per cent year-on-year increase in the overall online retail sales.

    Criteo MD southeast Asia and India Taranjeet Singh said, “During these trying times, the Indian e-commerce industry has been on a steady upward growth trajectory showcasing a gradual shift of consumers towards e-commerce websites for purchases. Consumers have moved onto a stage where purchasing online has become their daily routine in order to fulfil all their demands for food, beverages and festive gifting. Expanding businesses on e-commerce platforms is the need of the hour. This golden quarter signals a revival in demand and consumer sentiment at large on ecommerce platforms.”

    Read more news on ecommerce industry

    With the festive season around the corner, the daily sales of flowers, gifts, food and beverages increase manifold. Individually flowers and gifting categories witness a boost in their numbers by more than 343 per cent in August 2019, compared to its average in July.

    Additionally, statistics according to Criteo Holiday report reveal 70 per cent increase in sales in the food & beverage category observed during the festival of Raksha Bandhan.

    During the time of Big Billion Days on Flipkart, overall, retail sales were up 39 per cent showcasing an average of 27 per cent for the entire week compared to average in August 2019. As traffic generates more sales the conversion rates remain above usual as sales increase more than traffic during the four weeks leading to Big Billion Days. The report quotes that for every 1,000 visitors to Indian retailers, there are significantly more transactions than usual. The week of Big Billion Days represents e-commerce traffic increased by 19 per cent, followed by a sharp rise in sales (+27 per cent).

    As people spend most of their time at home, especially during the most anticipated festival like Diwali; the share of transactions completed on app increased consistently before and following the festival in  2019, with an acceleration of In-App sales just before the event.

    Read more news on Criteo

    For all retail combined, during the weeks following Diwali, sales remain 6-8 per cent above average in August with a 32 per cent increase in sales in the food & beverage category. This festival of Diwali also marks the onset of the travel season with an uplift of bookings to 16 per cent in the week following Diwali.

  • Social govt ads, toilet soaps most advertised during festival

    Social govt ads, toilet soaps most advertised during festival

    MUMBAI: While spikes in viewership could be fuelled by unplanned happenings and topical events, there are special events where television plays the role of a common entertainer for the entire family through collective television viewing.

    Broadcasters on their part, make these days attractive for the viewers through compelling and clever programming and scheduling. Increase in viewers results in increase in advertisers as well. 

    Festivals form a part of India all through the year, but the September to December period is the euphoric period for Indians when most festivals are celebrated. There is Ganesh Chaturthi in Maharashtra, Durga Puja, Navratri and Dussehra celebrated across the country. Also, Diwali and Christmas have an additional bonus of kids’ vacations in most parts of India. There is a culture of buying new things, gifting to family and friends and communication on latest offerings, deals are welcomed by consumers in these festive months. The advertisers love this spending period and loosen their purse strings too. 

    Advertising volume during some of the important festival days always have more ads than the rest. Festivals which are celebrated at home with family gain more ad duration than the ones which are celebrated outside of home.

    As we step into the festive season, BARC India has launched its report on advertising during festivals that throws light on how the viewers and advertisers have evolved during festivals especially in the high decibel festival season between 2015-2018 for September to December. 

    The report shows that television viewership has been rising over the last three years where the average weekly viewership of ads in India is growing steadily each year. From 2016 to 2018, the advertising impressions have increased by a phenomenal 45 per cent from 521 billion to 755 billion with 2018 yet to witness its festive season.

    The growing viewership has seen endorsement from the advertising fraternity with average weekly advertising volume clocking 31 million seconds from January to August 2018

    The peaks in advertising coincides with planned tentpole events related to sports or national interest topics like budget and elections, or with the festive season.

    There is a definite impact of festivals on weekly advertising duration. India is a land of diversities and this diversity reflects in the way we Indians celebrate festivals too. Some are longer, bigger, brighter, high on fun quotient while others are a tad subtle.There are distinct trends in terms of quantum of advertising as well as viewership emergence depending on various factors like the duration of a particular festival or whether it is celebrated indoors or outdoors with family and friends.

    Online shopping, auto, telecom and chocolates sector continue to be the mainstays of the festival season where contribution of categories like internet services, jewellery, paints grow over the years and jewellery emerged as the close second category for the 2017 festive season, just below online shopping. 

    Online shopping portals now advertise all around the year and hence have reduced dependency on the festive season alone. Consumer durables maintains status quo with not much movement in advertising seconds across all years. 

    With more and more advertisers jostling for viewers' eyeballs, mind space and attention the festive season witnesses more and more action across years and the contribution from the usual suspects of festive advertising is reducing over the years.

    The broadcasters also strategically use the festive period for announcing special programming, blockbusters, festival omnibuses in addition to the regular programme line up. 

    But where does the viewership come from? Hindi! Most of the viewership on festival days comes from major Hindi speaking markets (HSM) across the year where Maharashtra, UP/Uttarakhand followed by Gujarat / D&D / DNH and MPCG and are the biggest contributors to viewership on festival days. Festival viewership is on the rise in 2018 as compared to 2017. For 2018, Holi and Janmashtami viewership in HSM markets have increased by 19 per cent and 29 per cent respectively.

    Hindi is the most preferred choice in the Hindi speaking markets on festival days too with over 70 per cent viewership coming from Hindi channels. But with the growing advent of regional channels, improvement in programming quality and television penetration growing in the bottom of the pyramid, there is an increased focus on regional language channels.

  • Film industry bodies FFI & FWICE to boycott IFFI

    Film industry bodies FFI & FWICE to boycott IFFI

    NEW DELHI: The Film Federation of India (FFI) and the Federation of Western India Cine Employees (FWICE) have jointly decided not to participate in the International Film Festival of India (IFFI) next month “as a mark of protest against the step-motherly treatment meted out” to the organisations.

     

    In fact, the FWICE has issued a missive to cine artistes to not participate in the festival being held from 20 to 30 November and organised by the Directorate of Film Festivals, which is a media wing of the Information and Broadcasting Ministry.

     

    A press note issued by FFI president J P Chowksey said, “The producers, however, will not be restrained from entering their films at the Festival as it is not our intent to hamper the functioning of the festival.”

     

    It added that this “non-cooperation is also to extend moral support to the writers and film makers who have returned their awards. Though some members insisted on totally boycotting the festival, we are only resorting to the Gandhian way of Asahyog Andolan.”

     

    FFI has been the Government’s “umbilical link to the Indian film industry. Ever since one can remember, it has been customary for the Government to consult FFI before taking any decisions that could have adverse repercussions on the existing relationship and the business of film making.”

     

    The released added that till the turn of the 21st century and, perhaps, a major portion of its first decade the Government regularly turned to the Federation in all matters concerning films including festivals and international cultural relations. Inadvertent oversights were quickly seen to and always remedied to mutual satisfaction.

     

    “Unfortunately what was once a strong bond gathering strength for over half a century or so is being severely tested, strained and threatened in the second decade of the 21st century. Today, FFI is either being ignored and sidelined. Without prejudice, it is our belief, that the top echelon in the Government is not fully conversant with the ground realities and is being misguided, or biased by information acquired by superficial research, information and from over-zealous, self-seeking individuals – at times from non film trade bodies,” the note said.

     

    Referring to the present year and “the current heartburn,” the FFI said it had no representation in the IFFI Steering Committee for the first time in history.

     

    This added to the callous, insulting behaviour meted out to the FFI president and vice president at IFFI 2014 has been a great source of embarrassment and shame, the note said. “As if this was not enough, the FFI president’s speech at the inaugural function was subjected to scrutiny. For over four decades FFI has been treated as a partner in IFFI/Filmostsav.”

     

    The Government used to set up various committees – technical, theatrical, function et al – which always included FFI delegates to guide and advise on various activities of the festival. The FFI is unaware of any such committees now, if they exist.

     

    “This smacks of Government’s total apathy towards FFI. A Ministry official took exceptional delight in harassing FFI’s representatives in connection with handing over the invites,” the note said.

     

    In a hurriedly called Film Industry Coordination Committee Meeting by the Festival Directorate on 27 October attended by FFI members, members of the FWICE – an important component of AIFEC, and the Indian Film and Television Directors Association (IFTDA), “ire and resentment was expressed on the Government’s callous attitude towards film industry members which also included cine employees.”

     

    In the last festival, a group of 200 cine employees were taken to attend the festival on invitation of the Festival Director in the Film Industry Coordination Committee Meeting. On landing in Goa, the group was not even given delegate passes to attend the festival. There was no reply to subsequent correspondence sent to the DFF by IFTDA.

     

    “A festival that is meant to celebrate film ignores the film makers: inadequate number of invitations for events; sometimes even none. Seating is in far flung corners of the auditorium; while choice seats are given to non-film, administrative and other staff not connected with film making. This has been a sore point for last few years,” the note added.

  • Takkar time on ABP Ananda – the biggest coverage of Bengal’s biggest festival!

    Takkar time on ABP Ananda – the biggest coverage of Bengal’s biggest festival!

    MUMBAI: BIG is the key word for Bengal’s most awaited festival this year.

     

    “Eto boro! Shotti?” (So Big! Really?) cemented itself as the longest running teaser campaign in the market with a cement brand’s innovative Pujo claim hitting the market almost 3 months ahead of the festivities.

     

    The biggest Pujo Committees (Naktala Udayan Sangha, Agradoot Uday Sangha, Santosh Mitra Square) were quick to ambush the campaign and out-shout it through the biggest outdoor blitz seen in Kolkata.

     

    In this melee, Bengal’s biggest news channel has caught on to the Pujo pulse of one-upmanship and spirited rivalry and launched the big-on-attitude ‘Pujor Tokkor’ campaign.

     

    While the full plan covers the biggest foot print of 71 on-ground touch points (56 Pujo tie-ups, 15 societies), the marketing campaign is already on air, on Friends FM, across our web and digital pages and in The Telegraph.

     

    For the first time in our 10 year history we have launched 3 films at one go for Pujo. The films have been shot in Kolkata by the director of this year’s acclaimed Bangla hit Open Tee Bioscope and award winning musician, Anindya Chattopadhyay. The stories bring to life the true mood, color, competitiveness and strive for excellence that embodies the Bengali’s relationship with our beloved Durga Puja.

  • It’s ‘Agility’ for festival of Media Asia Pacific

    It’s ‘Agility’ for festival of Media Asia Pacific

    MUMBAI: The Festival of Media Asia Pacific (FOMAP), the largest gathering of media leaders in Asia Pacific, is back for its third year.

    “The theme of this year’s event is ‘Agility’, and will see influential speakers sharing unique regional perspectives on how businesses can be more ‘agile’ in adapting to the ever-changing media landscape,” said, Founder of Festival of Media and Chairman of C Squared Charlie Crowe. “Attendees will have the opportunity to learn about some of the most topical issues affecting the industry today, whilst getting the chance to network with a broad range of media companies from across Asia.”

    Topics being discussed at the 2014 event include the future of Native Advertising in Asia, virtual media trading, social media in the newly-opened up Myanmar, unlocking the potential of Indian consumers and understanding Bitcoin, among others.
    The Festival will attract over 700 delegates from across 22 countries in Asia, who will be coming together to hear from some of the media industry’s most agile and forward-thinking leaders.

    Charlie Crowe added, “A stellar line-up of exciting industry speakers, excellent awards programs, and thought-provoking content, all within the larger Asian media context, means that FOMAP 2014 is set to be the most exciting yet.”

    Some of the speakers for the event include:

        Linda Yueh, Chief Business Correspondent, BBC World News
        Rita Nguyen, Co-Founder and CEO, SQUAR
        Vipul Chawla, VP and CMO, Yum! Asia
        Mark Laudi, Former CNBC presenter
        Daryl Lee, Global CEO, UM
        Leo Liang, Senior Director of National Business Development, Youku Tudou
        Steve Mosko, President, Sony Pictures Television
        Scott Lamb, VP of International, Buzzfeed
        Lakshmi Pratury, Host and Curator, The INK Conference
        Rose Tsou, Senior Vice President, APAC, Yahoo!
        Peter Vessenes, Founder and CEO, CoinLab, Chairman Bitcoin Foundation
        Manmeet Vohra, Marketing Director, Tata Starbucks
        Jerry Wind, Professor, Wharton Future of Advertising Program

     The festival will take place from 16-18 March at the Capella Singapore.