Tag: Festival de Cannes

  • Ayush Shukla to make his debut at Cannes Red Carpet

    Ayush Shukla to make his debut at Cannes Red Carpet

    Mumbai: At the age of 24, Ayush Shukla, the founder of the creative agency Finnet Media, will make his red carpet debut at the Festival De Cannes, making history as the youngest creator economy entrepreneur.

    The pandemic gave birth to Finnet Media in 2021. The journey started with just two creators in the year 2021 to currently managing India’s finance and infotainment creators of India like Sharan Hegde, Anushka Rathod, Think School, Shreyaa Kapoor, to name a few, and have collaborated with over 1000 creators and established partnerships with more than 300 brands.

    Reflecting on his upcoming appearance at Cannes Film Festival, Shukla said, “It’s truly humbling to represent the creator economy and our country on the global stage of Cannes. This journey is not just about personal achievements but about showcasing the incredible talent and potential that India holds. We at Finnet Media feel very proud and blessed that one of our talents, Sharan Hegde is honouring the stage. I never envisioned, hailing from a tier 3 city, that I would one day attend such a renowned global festival like Cannes. I am deeply honoured to play a small part in promoting our rich cinematic heritage and fostering meaningful connections with fellow creators and industry leaders.”

    In addition to his entrepreneurial endeavors, Ayush is known for his efforts behind the scenes, working tirelessly to bring creators into the spotlight and amplify their voices. He also runs a podcast “Restless”, featuring insightful conversations with industry stalwarts such as Anupam Kher, Anupam Mittal, Aman Gupta, and more, further contributing to the dialogue surrounding Indian cinema and entrepreneurship.

  • RJ Karishma is all set to make her red carpet debut at the Cannes Film Festival 2024

    RJ Karishma is all set to make her red carpet debut at the Cannes Film Festival 2024

    Mumbai: Formerly a popular RJ, Artist Karishma Gangwal is all set to make her red carpet debut at this year’s Festival de Cannes, in support of the Indian Film industry and the country.

    Hailing from a Kashmiri family from Jammu and representing India, Karishma’s journey from the Valleys to Radio to now Cannes is a true example of sheer dedication and hardwork. Being one of the very few Indian artists at a global event like Cannes is another huge achievement unlocked for Karishma.

    Growing up, she has always been inspired by watching legendary actresses like Priyanka Chopra Jonas and Aishwarya Rai walk the prestigious red carpet for years now. Given her debut, she is being styled by ace celebrity stylist Ayesha Nigam in graceful custom pieces from globally recognised Indian origin designers.

    Sharing her excitement, Gangwal said, “Stepping into the world of entertainment as an artist where I’m able to represent India at such prestigious events, feels surreal. I’m looking forward to exploring international movies and also supporting Indian cinema at the Cannes Film Festival.”

    The global event will be taking place in the second week of May in Cannes, France.

    RJ Karishma 

  • Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    NEW DLEHI: Japanese director Naomi Kawase, whose film Sweet Bean (An), had been the opening film of Un Certain Regard last year, is to preside over the Cinéfondation and Short Films Jury for its 69th edition of the Festival de Cannes. 

    A statement from the Festival said: “There are some directors whose careers are constantly intertwined with the Festival, much to its delight. The story with Naomi Kawase began back in 1997 when aged 27, she became the youngest winner of the Caméra d’or for her film Suzaku (Moe no Suzaku). The promise of this early discovery has since been reaffirmed time and again – as borne out by the selection in Competition of a whole series of her feature films: Shara (Sharasojyu) in 2003, The Mourning Forest (Mogari no Mori) in 2007, Hanezu (Hanezu no tsuki) in 2011 and Still the Water (Futatsume no mado) in 2014. In 2013, as a member of the Feature Film Jury, Naomi Kawase played a key role on the Croisette alongside Steven Spielberg”.

    In her films Naomi Kawase uses limited budgets and prefers non-professional actors – a sign of the director’s beginnings in the documentary genre, which first brought her to prominence after she graduated from the Photography School of Osaka. 

    When her appointment was announced, Naomi Kawase said: “Films enrich people’s lives, and their worlds inspire new possibilities. It is a little over 100 years since the advent of films, and their potential is ever expanding. They are exceptional media that can embody the diversity of world cultures, and their stories are like another life that enchants the audiences who see them. Short films are exceptionally difficult as they face the question of how much of a story can be experienced in their short duration, while they also contain myriad possibilities yet unseen. And among films created by students there will be the discovery of hidden brilliance like a gemstone, which makes me very much look forward to participating in this jury, a journey of adventure.”

    Renowned producer and director Gilles Jacob added: “From her Japanese roots, Naomi Kawase (Caméra d’or 1997) takes her extreme delicateness, refined manners and moral elegance. Her pointillist talent has helped generate a cinematic intelligence and a subtle art full of poetic mystery and graceful simplicity, conveyed through the great emotions of life and the tiny gestures of everyday existence. This year she will join a long line of great presidents of the Cinéfondation and Short Film Jury, from Martin Scorsese and Abbas Kiarostami, to Jane Campion, Hou Hsiao Hsien, John Boorman and the Dardennes brothers.”

  • Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    Naomi Kawase to preside over Cinéfondation and Short Films Jury for Festival de Cannes

    NEW DLEHI: Japanese director Naomi Kawase, whose film Sweet Bean (An), had been the opening film of Un Certain Regard last year, is to preside over the Cinéfondation and Short Films Jury for its 69th edition of the Festival de Cannes. 

    A statement from the Festival said: “There are some directors whose careers are constantly intertwined with the Festival, much to its delight. The story with Naomi Kawase began back in 1997 when aged 27, she became the youngest winner of the Caméra d’or for her film Suzaku (Moe no Suzaku). The promise of this early discovery has since been reaffirmed time and again – as borne out by the selection in Competition of a whole series of her feature films: Shara (Sharasojyu) in 2003, The Mourning Forest (Mogari no Mori) in 2007, Hanezu (Hanezu no tsuki) in 2011 and Still the Water (Futatsume no mado) in 2014. In 2013, as a member of the Feature Film Jury, Naomi Kawase played a key role on the Croisette alongside Steven Spielberg”.

    In her films Naomi Kawase uses limited budgets and prefers non-professional actors – a sign of the director’s beginnings in the documentary genre, which first brought her to prominence after she graduated from the Photography School of Osaka. 

    When her appointment was announced, Naomi Kawase said: “Films enrich people’s lives, and their worlds inspire new possibilities. It is a little over 100 years since the advent of films, and their potential is ever expanding. They are exceptional media that can embody the diversity of world cultures, and their stories are like another life that enchants the audiences who see them. Short films are exceptionally difficult as they face the question of how much of a story can be experienced in their short duration, while they also contain myriad possibilities yet unseen. And among films created by students there will be the discovery of hidden brilliance like a gemstone, which makes me very much look forward to participating in this jury, a journey of adventure.”

    Renowned producer and director Gilles Jacob added: “From her Japanese roots, Naomi Kawase (Caméra d’or 1997) takes her extreme delicateness, refined manners and moral elegance. Her pointillist talent has helped generate a cinematic intelligence and a subtle art full of poetic mystery and graceful simplicity, conveyed through the great emotions of life and the tiny gestures of everyday existence. This year she will join a long line of great presidents of the Cinéfondation and Short Film Jury, from Martin Scorsese and Abbas Kiarostami, to Jane Campion, Hou Hsiao Hsien, John Boorman and the Dardennes brothers.”

  • Aishwarya Rai Bachchan to walk the Cannes red carpet for L’Oréal Paris

    Aishwarya Rai Bachchan to walk the Cannes red carpet for L’Oréal Paris

    MUMBAI: L’Oréal Paris has confirmed that Aishwarya Rai Bachchan will now walk the red carpet for the brand at Festival de Cannes on 20 and 21 May. After missing her first appearance due to the ATC strike in France, L’Oréal Paris India along with the team at Cannes have worked together to confirm her presence. She will walk the red carpet for the premiere of the film Deux Jours, Une Nuit, by Jean Pierre and Luc Dardenne.

     

    L’Oréal Paris India general manager Manashi Guha said, “We’re happy to announce the new dates for Aishwarya’s appearances at Cannes. While the flight delay was unexpected, we ensured that an alternative date was arranged for her, so that she can proudly represent the L’Oréal Paris and India at the festival.”

     

    Aishwarya Rai Bachchan has been associated with L’Oréal Paris for over a decade and this will be her thirteenth year representing the brand at the prestigious Cannes Film Festival. Aishwarya will be sporting looks inspired by the L’Or Lumi?re theme for L’Oréal Paris.

  • Steven Spielberg, Jury President of the 66th Festival de Cannes

    Steven Spielberg, Jury President of the 66th Festival de Cannes

    “My admiration for the steadfast mission of the Festival to champion the international language of movies is second to none. The most prestigious of its kind, the festival has always established the motion picture as a cross cultural and generational medium.”

    Taking over the reins from the Italian Nanni Moretti, American director and producer Steven Spielberg agrees to head up the jury of the 66th Cannes Film Festival taking place May 15-26 this year.

    “As they say across the Atlantic”, said Gilles Jacob, President of the Festival de Cannes, “Steven Spielberg is a Cannes ‘regular’: Sugarland Express, Color Purple. But it was with E.T. that I screened as a world premiere in ‘82 that ties were made of the type you never forget. Ever since, I’ve often asked Steven to be Jury President, but he’s always been shooting a film. So when this year I was told “E.T., phone home”, I understood and immediately replied: “At last!”

    “Steven Spielberg accepted in principle two years ago”, declared Thierry Frémaux, General Delegate of the Festival. “He was able to make himself available this year to be the new Jury President and when meeting him these last few weeks it has been obvious he’s excited about the job. Because of his films, and the many causes he holds dear, he’s year-in year-out the equal of the very greatest Hollywood filmmakers. We are very proud to count him among us.”

    “The memory of my first Cannes Film Festival, nearly 31 years ago with the debut of E.T., is still one of the most vibrant memories of my career, Spielberg goes on. For over six decades, Cannes has served as a platform for extraordinary films to be discovered and introduced to the world for the first time. It is an honor and a privilege to preside over the jury of a festival that proves, again and again, that cinema is the language of the world.”

    Steven Spielberg was born in Ohio in 1946. A film enthusiast from a very young age, one of his first shorts, Amblin – got him through the doors of Universal Television which produced his first films. Success came very quickly: Duel (1971), originally made for television, was so well received that a feature length version was released in theatres.

    The first film he made for cinema, Sugarland Express, was selected for the Festival de Cannes in 1974 and won Best Screenplay.

    Following these promising auteur debuts, he had a series of international successes: Jaws (1975); Raiders of the Lost Ark (1981) and E.T. (1982) which was presented as the closing film of the Festival de Cannes and was the very last Festival screening shown in the former Palais Croisette theatre.

    In 1993, Steven Spielberg’s Jurassic Park, like many of his films, beat all records for box-office takings in the United States: his big budget entertainment movies, of great and varied inspiration, brought about a renewal of the Hollywood entertainment genre, creating new ties with the themes of adventure and sci-fi, and are hugely popular with an extremely wide audience of all ages.

    The abundant imagination that characterises Steven Spielberg and has him say of himself “I dream for a living”, is combined with boundless curiosity, a delight in innovation and a virtuoso talent for directing.

    Famous for his commercial successes, he also astonishes with his more intimate and socially engaged works which confront audiences head-on: The Color Purple (1986), Empire of the Sun (1987) and Schindler’s List (1993), which brought him the highest accolades as well as a clutch of Oscars, including Best Director.

    His filmography is a constant to and fro between dream and reality, switching from entertainment films to serious reflections on history, racism or the human condition, testimony to his hope for a peaceful, reconciled world.

    In his 40-year career, he has made 27 films, most of which are important moments in the history of world cinema: everyone has seen, or will one day see Saving Private Ryan (1998), Minority Report (2002), Catch Me If You Can (2002), War of the Worlds (2005), or the recent The Adventures of Tintin: Secret of the Unicorn (2011), his first film in 3D.

    His Lincoln, a captivating portrait of the man who abolished slavery in the United States, is currently a huge success in his own country as well as in France where it has already been seen by over a million people. The film enabled Spielberg to set Daniel Day-Lewis up for his third Oscar as Best Actor (no other actor before having accomplished this feat).

  • Forest Whitaker and Orlando Bloom in Zulu by Jérôme Salle to close the Festival de Cannes

    Forest Whitaker and Orlando Bloom in Zulu by Jérôme Salle to close the Festival de Cannes

    The 66th Festival de Cannes will close on 26th May with a screening of the thriller Zulu, shot entirely on location in South Africa by Jérôme Salle and adapted from the novel of the same name by Caryl Férey.

    The action takes place in Cape Town, in a South Africa still overshadowed by apartheid, where destitute townships rubs shoulders with affluent neighbourhoods. Two cops on the beat, Orlando Bloom (Pirates of the Caribbean by Gore Verbinski, Lord of the Rings by Peter Jackson) and Forest Whitaker (The Last King of Scotland by Kevin McDonald, Ghost Dog, La Voie du Samoura? by Jim Jarmush) are caught up in a suspenseful search which combines elements of political film noir and social study.

    Co-written by Julien Rappeneau, Zulu was produced by Richard Grandpierre (Eskwad), coproduced with Pathé, Lobster Tree and M6 Films and is to be distributed in France by Pathé, who will also handle the film’s international distribution. The score was composed by Alexandre Desplat.
    In 1988, Forest Whitaker won Best Male Actor at Cannes for his role in Clint Eastwood’s Bird.

    The 66th Festival de Cannes opens on Wednesday 15th May with Baz Luhrmann’s The Great Gatsby and with Steven Spielberg as President of the Competition Jury. The full list of films for Selection will be announced on Thursday 18th April at the traditional press conference and published online towards noon at www.festival-cannes.com

  • Kim Novak, Guest of Honour at the 66th Festival de Cannes

    Kim Novak, Guest of Honour at the 66th Festival de Cannes

    To mark the restoration of one of the masterpieces of world cinema, Alfred Hitchcock’s Vertigo, the Festival de Cannes has invited its heroine, Kim Novak, to grace the event with her presence.

    Novak will attend the screening of Vertigo, filmed in 1958, which will be shown in its restored form as part of Cannes Classics.

    She will also take part in the closing ceremony for the 66th Festival de Cannes where she will award one of the Prizes on Sunday 26 May 2013.

    Novak first attended the Festival in 1959 for the presentation of Middle of the Night by Delbert Mann (Palme d’or 1955 for Marty).

    Her most memorable roles included the prostitute with a big heart in Kiss Me, Stupid by Billy Wilder, the witch in Richard Quine’s Bell Book and Candle and the adulteress in another Quine film, Strangers When We Meet. But Kim Novak’s greatest performance was surely as the disturbing heroine of Vertigo, 1958 – Hitchock’s finest film, which he described as “a love story with a strange atmosphere.”

    Of her role, Kim Novak said, “What was interesting was that the scene reflected what I was going through at the time: it was the story of a woman who was forced to be someone she wasn’t.” Unwilling to accept the iron rule of the studios, she left Hollywood prematurely in order to devote herself to painting.

  • A Head-Turning Poster

    A Head-Turning Poster

    The original photo

    To grace the poster for its 66th edition, the Festival de Cannes has chosen a couple who embody the spirit of cinema like no other: Joanne Woodward and Paul Newman, photographed during the shooting of the aptly named A New Kind of Love, by Melville Shavelson (1963).

    For the Festival it is a chance both to pay tribute to the memory of Paul Newman, who passed away in 2008, and to mark its undying admiration for Joanne Woodward, his wife and most favoured co-star.

    They were honoured at the Festival de Cannes in 1958 – the year of their marriage – with the selection In Competition of Martin Ritt’s The Long Hot Summer, the first film in which they appeared together. The links between their story and that of the Festival continued with a series of films directed by Newman, who cast Woodward in unforgettable roles in The Effect of the Gamma Rays on Man-in-the-Moon Marigolds (Competition – 1973) and The Glass Menagerie (Competition – 1987).

    The 2013 Festival Poster

    The photograph from the shoot was isolated, remastered and redesigned by the Bronx agency, who added a kinetic element, toying with the impression of movement and depth in order to enhance the cinematographic effect.

    The poster evokes a luminous and tender image of the modern couple, intertwined in perfect balance at the heart of the dizzying whirlwind that is love. The vision of these two lovers caught in a vertiginous embrace, oblivious of the world around them, invites us to experience cinema with all the passion of an everlasting desire.

    The ? Bronx agency (Paris) was responsible for all the graphics of the 2013 Festival.

    It also created an animated film for the poster, to the soundtrack of a remixed version of the Festival’s musical theme. Arrangements: Olivier Huguenard – Emmanuel Plégat / Sismic Music

    ? Bronx (Paris), tel.: 01 47 70 70 00 www.bronx.fr