Tag: Features

  • YouTube launched a new content system tools for Indian creators

    YouTube launched a new content system tools for Indian creators

    Mumbai: YouTube announced good news for podcasters and content creators in India. YouTube launches some new features for the customisation of content creation. YouTube made a new user-friendly UI with digital infrastructure to provide a new-age customer experience.

    For that matter, YouTube rolled out new features that inculcate attractive features like stories, opinions, and insights with podcast enthusiasts. Creators can easily roll out content through YouTube Studios and YouTube Music. It will allow users to have direct engagement with podcasters and consume content at per convenience. The podcast will be available on YouTube Music.

    Podcasters also get benefits out of ad revenue by podcasting monetisation. It will also be available for on-demand, offline, and background listening; this will benefit podcasters through subscription plans.Google plans to close the Google podcast in April 2024.

    YouTube also provides a platform to collaborate with sponsored content. Despite a plan to close Google Podcast, Google will build a music and podcast ecosystem with one single app.

    Google-backed YouTube has been running successfully in India for many years and is contributing to the economy significantly.As per Oxford Economics, YouTube said that more than 7 lakh creators and partners collaborated with them.

    YouTube additionally introduced the feature ‘ Podcast Shelves’ on YouTube music for better navigation access.

     

  • ABP News launches a new daily show ‘2024 Taiyari Shuru’

    ABP News launches a new daily show ‘2024 Taiyari Shuru’

    MUMBAI: In keeping with its commitment to bringing its viewers a detailed analysis of the political developments of the country, in the run-up to the 2024 general elections, ABP News has started a new daily show ‘2024 Taiyari Shuru’.

    The show will air from 6-7 pm, Monday to Sunday. It aims to explore questions surrounding the upcoming Lok Sabha elections of 2024. Further, the show features debates, stories and interactive presentation of data to understand the emerging trends and public opinion when viewed from the lens of the 2024 elections.

    The show has a special focus on the daily news and events which are relevant in the bigger picture of the general elections and will have a daily opinion poll feature for the latest news and events relevant to the elections. The show is anchored by Romana Isar Khan who will highlight critical issues as they come up in the run-up to the 2024 elections.

  • This friendship day, stay connected with friends with these unique features by Facebook!

    This friendship day, stay connected with friends with these unique features by Facebook!

    NEW DELHI: International Friendship Day is here! This is the perfect occasion to let your friends know how precious and loved they are!

    In the era where social distancing is a must, we are lucky to be a part of a generation where technology has enhanced so much, giving us plentiful online forums for social interactions. 

    Here’s how you can celebrate Friendship Day on Facebook this year – 

    Messenger Rooms

    Spend quality time with friends through group video calls with Messenger Rooms. Create a room right from Messenger or Facebook, and invite anyone to join your video call, even if they don’t have a Facebook account. Host celebrations, or just hang out on the couch with friends. 

    If you have the Messenger app, you can also be creative and explore various AR effects like bunny ears, and new AI-powered features including immersive 360 backgrounds and mood lighting, for a more interactive and fun experience.

    Start a Watch Party

    Instead of sending your friends that funny video you saw on Facebook, watch it with them by starting a Watch Party. This feature lets you watch videos on Facebook together in real time. Tap “Write post” and select “Watch Party”. Search for your videos, add to queue, and tap done. Now sit back and bring out the popcorn.

    Facebook Groups

    One step away from bringing friends together, Facebook Group helps you create memories and stay connected.

    To create a Group:

    Click the three lines on the bottom right of your mobile and select Groups.

    Tap the plus sign on the top right and set your group privacy settings to Secret

    Invite your friends to join!
    Connect with Friends on Facebook Live

    Facebook Live enables you to share your experiences and perspectives in real time, with the people who matter to you – whether you’re someone who wants to broadcast to friends and family, or connect across continents. Do away with the distance and, connect in real time with your friends on Facebook Live. 

    To share live video, simply tap “What’s on your mind?” at the top of News Feed and select the Live Video icon. You can write a quick description and select the audience before going live. During your broadcast, you’ll see the number of live viewers, the names of friends who are tuning in, and can respond to comments in real time,

    Follow Tellychakkar for the consumer facing news & entertainment

  • Population First launches Awards for Gender Sensitivity; signs MoU with Colors

    Population First launches Awards for Gender Sensitivity; signs MoU with Colors

    MUMBAI: Population First, the communication and advocacy initiative working towards gender sensitivity, today launched the 8th edition of the Laadli Media and Advertising Awards for Gender Sensitivity (LMAAGS) 2015-16 in partnership with Colors These awards recognize and celebrate the efforts of the media and advertising community to promote gender sensitivity in India.

    The MoU signed with Colors as the exclusive Cause Partners is in keeping with the channel’s vision to highlight a woman’s strength and gumption in the society-at-large. The last date for receiving entries is 15th December 2016, and the awards will be announced soon thereafter.

    Colors CEO Raj Nayak said, “Gender equality and empowerment are tangible issues faced by the Indian population today. As we steadily move towards adopting Western cultural themes, there is a section of the media and advertising industry that is working diligently towards rehabilitation of various strata in our society.”

    According to Population First director Dr. A. L.Sharada, “From a mere 100 entries in 2007 to more than 1500 entries in 2015, Laadli Media Awards have come a long way in acknowledging the media’s contribution in women empowerment and gender issues. The increasing volume of discussion in public domain on gender issues is an indication that we are witnessing the beginnings of change.”

    The Laadli Media and Advertising Awards for Gender Sensitivity have been instituted to acknowledge, highlight and celebrate the commendable efforts undertaken by Print and Electronic media (TV, Radio and Web) and Advertising Agencies, to promote gender sensitivity as an integral part of their work.

    Criteria for Eligibility:

    An entry to the Laadli Media and Advertising Awards for Gender Sensitivity should emphasize or highlight one or more of the following:

    • Analyze policies, programs and laws from a gender perspective

    • Highlight influence of gender perceptions on the functioning of police, judiciary, administrators and other service providers in the implementation of laws and programs

    • Challenge gender stereo-types by focusing on men and women who are redefining their gender equations e.g. changing work participation patterns of men and women, changing work distribution at home between men and women, etc.

    • Analyze the social, religious and economic factors that promote gender inequality and gender violence

    • Report on current events from a gender perspective e.g.: disasters, communal riots, elections, sports events, etc.

    • Create awareness about pre-birth sex selection and other acts of gender discrimination and violence

    • Interpret research and other reports/documents from a gender perspective e.g. census, economic survey, budgets etc.

    • Voice the experiences of survivors of gender violence

    Entries Are Invited from:

    1) Advertising: Single Advertisements and Campaigns for Print/ TV /Radio /OOH/ Digital/ Direct Mail under the categories of Services, Products and Public Services
    Categories:

    Single Advertisements and Campaigns (Though entries are invited at Regional level the Awards are given at National level)

    2) Print Media:From journalists writing for Newspapers and Periodicals in the individual category and Media Houses undertaking media campaigns on gender issues in the group category
    Categories:

    • Journalism – Print– News Reports, Features, Investigative Stories, Editorials, Op-Eds, Columns and Campaigns

    • Journalism – Electronic– News Reports, Features, Investigative Reporting, Documentaries, Topical or Issue Based Programs and Campaigns

    3) Electronic Media:

    TV and Radio: From TV Channels and Radio Stations (including Community and University Radio, Radio Plays, etc.)

    Web: E-Magazines, Blogs, Features, Social Media Campaigns

    Entry Requirements:

    • All entries should have been published/ displayed/ broadcast or telecast between July 1, 2015 to June 30, 2016

    • All entries (except from freelancers and from those applying under the web category) must include a declaration from the Editor/ Direct Supervisor or commissioning organization

    • Multiple entries in more than one category are allowed

    • All entries to be sent on laadlimediaawards@gmail.com

    Languages and States:

    Northern Region: English, Hindi, Urdu & Punjabi (Chandigarh, Chhattisgarh, Delhi, Haryana, Himachal Pradesh, Jammu & Kashmir, Madhya Pradesh, Punjab, Uttar Pradesh and Uttarakhand)

    Southern Region: English, Hindi, Urdu, Tamil, Telugu, Kannada and Malayalam (Andaman & Nicobar, Andhra Pradesh, Karnataka, Kerala, Lakshadweep, Puducherry, Tamil Nadu and Telangana)

    Eastern Region: English, Hindi, Urdu, Bengali, Assamese and Oriya (Arunachal Pradesh, Assam,Bihar, Jharkhand, Manipur, Meghalaya, Mizoram, Nagaland, Odisha, Sikkim, Tripura and West Bengal)

    Western Region: English, Hindi, Urdu, Gujarati and Marathi. (Daman and Diu, Goa, Gujarat, Maharashtra and Rajasthan)

    The winners will be chosen by a jury comprising of eminent personalities both from the media and social sector. All the entries should be original and comply with copyright requirements and have been published/ displayed/ broadcast or telecast between July 1, 2015 to June 30, 2016. The last date for receipt of entries is 15thDecember 2016.

    The Laadli Media Awards were instituted in March 2007 as a Mumbai centric event and were subsequently taken to the National level with the support of the UNFPA.

    Laadli,a term of endearment meaning ‘cherished daughter’ in Hindi, is a campaign by Population First, a Mumbai-based NGO is a communications and advocacy initiative for a balanced, planned and stable population. Laadli is a comprehensive communication campaign aiming to promote a positive image of women and girls in society by changing the stereotypical mindsets that undervalue women. Laadli Campaign works with communities, colleges and media towards breaking gender barriers and bringing about gender equality in society. Laadli media advocacy includes a number of activities viz., Media fellowships, gender sensitization workshops for working and student journalists, interactive sessions with Creative Directors of TV Channels, Ad analysis with advertising professionals.

    For detailed Guidelines and Entry Form please log on to www.populationfirst.org

  • Population First launches Awards for Gender Sensitivity; signs MoU with Colors

    Population First launches Awards for Gender Sensitivity; signs MoU with Colors

    MUMBAI: Population First, the communication and advocacy initiative working towards gender sensitivity, today launched the 8th edition of the Laadli Media and Advertising Awards for Gender Sensitivity (LMAAGS) 2015-16 in partnership with Colors These awards recognize and celebrate the efforts of the media and advertising community to promote gender sensitivity in India.

    The MoU signed with Colors as the exclusive Cause Partners is in keeping with the channel’s vision to highlight a woman’s strength and gumption in the society-at-large. The last date for receiving entries is 15th December 2016, and the awards will be announced soon thereafter.

    Colors CEO Raj Nayak said, “Gender equality and empowerment are tangible issues faced by the Indian population today. As we steadily move towards adopting Western cultural themes, there is a section of the media and advertising industry that is working diligently towards rehabilitation of various strata in our society.”

    According to Population First director Dr. A. L.Sharada, “From a mere 100 entries in 2007 to more than 1500 entries in 2015, Laadli Media Awards have come a long way in acknowledging the media’s contribution in women empowerment and gender issues. The increasing volume of discussion in public domain on gender issues is an indication that we are witnessing the beginnings of change.”

    The Laadli Media and Advertising Awards for Gender Sensitivity have been instituted to acknowledge, highlight and celebrate the commendable efforts undertaken by Print and Electronic media (TV, Radio and Web) and Advertising Agencies, to promote gender sensitivity as an integral part of their work.

    Criteria for Eligibility:

    An entry to the Laadli Media and Advertising Awards for Gender Sensitivity should emphasize or highlight one or more of the following:

    • Analyze policies, programs and laws from a gender perspective

    • Highlight influence of gender perceptions on the functioning of police, judiciary, administrators and other service providers in the implementation of laws and programs

    • Challenge gender stereo-types by focusing on men and women who are redefining their gender equations e.g. changing work participation patterns of men and women, changing work distribution at home between men and women, etc.

    • Analyze the social, religious and economic factors that promote gender inequality and gender violence

    • Report on current events from a gender perspective e.g.: disasters, communal riots, elections, sports events, etc.

    • Create awareness about pre-birth sex selection and other acts of gender discrimination and violence

    • Interpret research and other reports/documents from a gender perspective e.g. census, economic survey, budgets etc.

    • Voice the experiences of survivors of gender violence

    Entries Are Invited from:

    1) Advertising: Single Advertisements and Campaigns for Print/ TV /Radio /OOH/ Digital/ Direct Mail under the categories of Services, Products and Public Services
    Categories:

    Single Advertisements and Campaigns (Though entries are invited at Regional level the Awards are given at National level)

    2) Print Media:From journalists writing for Newspapers and Periodicals in the individual category and Media Houses undertaking media campaigns on gender issues in the group category
    Categories:

    • Journalism – Print– News Reports, Features, Investigative Stories, Editorials, Op-Eds, Columns and Campaigns

    • Journalism – Electronic– News Reports, Features, Investigative Reporting, Documentaries, Topical or Issue Based Programs and Campaigns

    3) Electronic Media:

    TV and Radio: From TV Channels and Radio Stations (including Community and University Radio, Radio Plays, etc.)

    Web: E-Magazines, Blogs, Features, Social Media Campaigns

    Entry Requirements:

    • All entries should have been published/ displayed/ broadcast or telecast between July 1, 2015 to June 30, 2016

    • All entries (except from freelancers and from those applying under the web category) must include a declaration from the Editor/ Direct Supervisor or commissioning organization

    • Multiple entries in more than one category are allowed

    • All entries to be sent on laadlimediaawards@gmail.com

    Languages and States:

    Northern Region: English, Hindi, Urdu & Punjabi (Chandigarh, Chhattisgarh, Delhi, Haryana, Himachal Pradesh, Jammu & Kashmir, Madhya Pradesh, Punjab, Uttar Pradesh and Uttarakhand)

    Southern Region: English, Hindi, Urdu, Tamil, Telugu, Kannada and Malayalam (Andaman & Nicobar, Andhra Pradesh, Karnataka, Kerala, Lakshadweep, Puducherry, Tamil Nadu and Telangana)

    Eastern Region: English, Hindi, Urdu, Bengali, Assamese and Oriya (Arunachal Pradesh, Assam,Bihar, Jharkhand, Manipur, Meghalaya, Mizoram, Nagaland, Odisha, Sikkim, Tripura and West Bengal)

    Western Region: English, Hindi, Urdu, Gujarati and Marathi. (Daman and Diu, Goa, Gujarat, Maharashtra and Rajasthan)

    The winners will be chosen by a jury comprising of eminent personalities both from the media and social sector. All the entries should be original and comply with copyright requirements and have been published/ displayed/ broadcast or telecast between July 1, 2015 to June 30, 2016. The last date for receipt of entries is 15thDecember 2016.

    The Laadli Media Awards were instituted in March 2007 as a Mumbai centric event and were subsequently taken to the National level with the support of the UNFPA.

    Laadli,a term of endearment meaning ‘cherished daughter’ in Hindi, is a campaign by Population First, a Mumbai-based NGO is a communications and advocacy initiative for a balanced, planned and stable population. Laadli is a comprehensive communication campaign aiming to promote a positive image of women and girls in society by changing the stereotypical mindsets that undervalue women. Laadli Campaign works with communities, colleges and media towards breaking gender barriers and bringing about gender equality in society. Laadli media advocacy includes a number of activities viz., Media fellowships, gender sensitization workshops for working and student journalists, interactive sessions with Creative Directors of TV Channels, Ad analysis with advertising professionals.

    For detailed Guidelines and Entry Form please log on to www.populationfirst.org

  • ESPN announces new film series, 30 for 30: Soccer Stories

    ESPN announces new film series, 30 for 30: Soccer Stories

    WORLD: ESPN Films, creators of the critically-acclaimed 30 for 30 film series, will premiere a new series in April surrounding the 2014 FIFA World Cup on ESPN. 30 for 30: Soccer Stories will include a mix of standalone feature-length and 30-minute-long documentary films from an award winning group of filmmakers telling compelling narratives from around the international soccer landscape. In addition, a collection of 10 vignettes about Brazil’s rich culture will be featured throughout ESPN’s FIFA World Cup programming.

     

    “With ESPN being the home of the 2014 FIFA World Cup, we know that sports fans will be looking forward to high quality content focused on what is perhaps the world’s most revered sport,” said Connor Schell, VP of ESPN Films and Original Content. “We feel this is the perfect time to expand upon the success of our 30 for 30 series by focusing this collection on some of the incredible stories of soccer’s legendary past.”

     

    Two feature-length films:

     

    Hillsborough, Directed by Daniel Gordon

     

    25 years ago, on April 15, 1989, the worst disaster in British football history occurred in an overcrowded stadium in Sheffield, England, 150 miles north of London. 3,000 fans flocked through the turnstiles to head to the area reserved for standing, despite a capacity of less than half of that. The result was a “human crush” that killed 96 people and injured 766.  Initially the police blamed fans for the disaster, but a long investigation revealed that was not the truth. Prior to the disaster at Hillsborough, British football was known for the grime of its stadiums, hooligan fans and inadequate facilities, but great change came after the Hillsborough disaster. What emerged is now known as the most rich and powerful soccer league in the world, the English Premier League.

     

    White, Blue and White, Directed by Camilo Antolini; Produced by Juan José Campanella

     

    Although a large number of Argentinian players have found football success around the world, few have made a name for themselves in England’s top league. One notable exception is Ossie Ardiles. Fresh off Argentina’s victory in the 1978 World Cup, Ardiles and his compatriot, Ricky Villa, joined Tottenham Hotspur later that year, when the notion of overseas players was still new to the English league. Helping lead Spurs to victory in the 1981 FA Cup, the Argentinian stars became cult heroes in England. But on April 2, 1982, everything radically changed as Argentinian troops descended on the British-ruled Falkland Islands, asserting rightful sovereignty. A conflicted Ardiles returned to Buenos Aires two days later, his bright future with Spurs suddenly in question.

     

    Six 30-minute films:

     

    Garrincha: Crippled Angel, Directed by Marcos Horacio Azevedo

     

    In Brazil, Pelé is “The King.” But his teammate, Mané Garrincha, is also remembered as the one of the best soccer players of all time. In a country where the sport grants its protagonists such royal deference, Garrincha is the jester– an entertainer who amused crowds and turned soccer into an irresistible spectacle, all while helping Brazil capture two World Cups. This, despite his legs being so bent that early in his career doctors deemed him unfit to play professionally. Match after match, he proved them wrong. But his unpredictable moves were of little assistance after his playing career came to an end. Abandoned by the soccer establishment, Garrincha died a victim of alcoholism in 1983. But his fans did not forget him. His body was brought to a cemetery, in the outskirts of Rio de Janeiro. Garrincha’s relatives had to borrow a grave, which turned out to be too small for his coffin. Thousands of people flooded the tiny burial ground, much more than the place could accommodate. After 49 years of a brilliant career and tumultuous life, the man who turned soccer into a “Beautiful Game” was memorably laid to rest. His legend lives on.

     

    Barbosa – The Man Who Made All of Brazil Cry, Directed by Loch Phillipps; Executive Producers: Jonathan Hock & Roger Bennett

     

    In 1949, Goalkeeper Moacir Barbosa and his Brazilian national team are on top of the world, having just won the South American championship by a score of 7-0. Barbosa is one of the heroes, widely considered one of the world’s best goalkeepers. But everything changed during the 1950 World Cup, played for the first time in Brazil. Before the final game against neighbor and rival Uruguay, the Brazilian Football Confederation was so confident of victory it had made 22 gold medals with the names of their players imprinted on them. With 11 minutes left, Uruguay shocked the estimated crowd of 200,000 at Marcana and scored the winning goal – a goal that is still considered to be the greatest sporting tragedy to befall Brazil. The blame was mostly pinned on Barbosa for being out of position on his goal line, tantamount to Bill Buckner letting a baseball roll between his legs. The country went into a deep mourning, fans committed suicide, and Barbosa was nationally blacklisted. Barbosa was considered cursed and he never played in another World Cup. He rotted away, practically penniless and alone. On July 13th, the 2014 World Cup Final will again take place at the Maracana, giving the Brazilian team the chance to write a new ending into Brazilian folklore.

     

    Ceasefire Massacre, Directed by Alex Gibney and Trevor Birney

     

    New Jersey, June 18, 1994. Giants Stadium is awash with green as Irish soccer fans arrive to watch Ireland’s opening World Cup match against the mighty Italy. The sense of optimism is infectious. The Celtic Tiger is in its infancy, Bill Clinton’s decision to grant a visa to Irish Republican leader Gerry Adams has propelled the peace process forward and Jack Charlton’s team are walking onto the pitch before 75,000 fervent spectators made up of Irish, Italians and Americans of Irish and Italian decent. Amongst the fans is Irish Prime Minister Albert Reynolds who is sitting with members of an American group who’ve been working behind-the-scenes to end the conflict in Northern Ireland. The electrifying mood is shared by the supporters watching the match in the Heights Bar, a tiny pub in the Northern Irish village of Loughin Island, 24 miles south of Belfast. At the half, the Irish are remarkably ahead 1-0. Shortly after the second half begins, two masked gunmen belonging to a Protestant terror group burst into the Heights Bar. Thirty rounds are fired and six innocent men watching a soccer match were killed. Ceasefire Massacre will reveal how the juxtaposition of the jubilation felt inside Giants Stadium against the horrors of what happened in the Heights Bar, encapsulated the mood of the time. After 25-years of conflict, Ireland and her people longed for peace and prosperity but the brutalities of the violence in the North were never far from the surface. The gunning down of innocent men as they watched a soccer match marked both a low-point and a turning-point in the Northern Ireland conflict; one that would ultimately contribute to the paramilitaries on both sides calling ceasefires just weeks later.

     

    The Opposition, Directed by Ezra Edelman; Co-directed by Jeffrey Plunkett

     

    In the wake of the 1973 military coup in Chile, American-backed dictator Augusto Pinochet transformed Santiago’s National Stadium into a concentration camp where political opponents were tortured and assassinated. Only months later, that same stadium was scheduled to host a decisive World Cup qualifier between Chile and the Soviet Union. Despite protests, FIFA’s own investigation, and the Soviet’s eventual boycott, the Chilean team still played the game as planned, qualifying for the 1974 World Cup on a goal scored against no one.

     

    Mysteries of The Jules Rimet Trophy, Directed by Brett Ratner

     

    Inspired by Nike, the Greek goddess of victory, the Jules Rimet Trophy was awarded to the nation that won FIFA’s World Cup and was among the most coveted prizes in all of sports. It is also the sports prize shrouded in the most intrigue – with the whereabouts of the original trophy unknown to this day. This film focuses on the great prize’s first brush with crime – a Nazi plan to steal the Rimet Trophy from Italy during World War II. The story unfolds like a great caper film, where our hero, Ottorino Barassi, a mild-mannered Italian soccer official, attempts to protect a valued treasure.

     

    Maradona ’86, Directed by Sam Blair; Executive Produced by John Battsek

     

    In the 1986 World Cup, Maradona redefined what is possible for one man to accomplish on the soccer field. Already a figure of notoriety, but with one failed World Cup behind him, Maradona took possession of the international stage in Mexico, the spotlight rarely drifting from him as he wrote an indelible history with his feet and, of course, with a hand from God. Delivered with passion and intelligence, Maradona ‘86 is a fascinating, evocative and operatic portrait of Maradona, revealing his inner complexity and contradictions while basking in the joy and passion of his performance on the pitch as he wrote his name on soccer history forever.

     

    10 Vignettes:

     

    Coraçao, Directed by Jonathan Hock; Executive Produced by Roger Bennett

     

    Brazil’s soccer tradition does not compete with other countries’ teams: it exists on a different level. But aside from soccer success, and despite Brazil’s recent economic boom, most Americans know little about the country, its geographical richness, gripping culture, and complex recent history in which the nation has transformed from a military dictatorship to a thriving, if young, republic. This short vignette series will travel from the beaches and favelas of Rio, to Salvador – the former hub of the slave trade – on a journey of music, dance, and history, to discover the stories that lie behind Brazil’s legend and explore how Brazilian soccer is truly the expression of the soul of its people.

  • NRI filmmaker’s features get global release

    NRI filmmaker’s features get global release

    NEW DELHI: ‘9 Eleven’, a Bollywood feature film by America-based filmmaker of Indian origin Manan Singh Katohora which won the 2012 Rising Star Award at the Canada International Film Festival, has been released in the United States by Databazaar Media Ventures.

    The controversial short film ‘Date 25‘, another film by the same filmmaker, has been globally released by 1takemedia, a leading distributor of alternate content.

    Earlier last year, the film ‘Nine Eleven’ had been given an Adult certificate without any cuts by the Central Board of Film Certification in India.

    The film portrays the life of 10 people who belong to different walks of life. Though each individual has achieved a measure of success in his or her life, their darkest secrets come out in the open when all of them are given some time for introspection, when they meet each other in a bizarre twist of events. They realise that their lives are inter-woven and this literally shakes up their peaceful lives.

    The film 9-Eleven is a fast paced thriller with undertones of terrorism. Terrorism need not be political, “ideologically” generated or xenophobic. Terrorism can also be a great motivator for conflict resolution or revenge.

    Produced by Amar Durga Films in association with JMD Creations, the film stars Devasish Ray, Priya M., Jyoti Singh, Samir Stewart, Sonny Chatrath, Tejash Natali, Nikkitasha Marwaha, Vicki Yung, Homi Irani, Paul Singh, Chinmay Dhamne, Roni Mazumdar, Sonny Suri, Tanuj M., Ripneet Brar, Mandira Mehra, Nilima Mehra, Nitin Verma, , Rashmi Pradhan, Salsabil Malik, Aisha Rasul, Manvi Puri, Shalabh Agrawal, Sumeet Verma, and Vick Krishna. Kashmera Shah features as a guest artiste in an item number composed by Music Director Jatin Pandit. The lyrics are by Sanjay Chel and the choreography is by Amaan Shabana Khan.

    Databazaar Media is an on-demand IPTV/ Internet streaming service that provides users with unlimited streaming of movies, TV shows and music videos in over six Indian languages including Hindi, Bengali, English, and Marathi for a flat monthly rate. The service is accessible on a number of devices and platforms such as Roku, NeoTV, Google TV, iPad, connected TVs and DVD players, and on Boxee.

    The short feature is the story of Nina, a South-Asian woman who is around 30 years, trying to date the right kind of man online since she is under pressure from her traditional parents about marriage. But all she meets are losers, till the 25th date.

    Starring Tina Lee Robles, Taimor Ali, Rita Pahwa, Dr Suresh Khetan, Samir Shah, Vicknesh Krishnaswamy, Venu Nakshathram, Nauman Javaid, Tejash Natali, Achal Dua, Arti Singh, and Jacqueline Lopez., the film’s crew includes Pruitt Allen, Reid Fiester, Vick Krishna, Jay Krishnan, John Pratt, Sommer Long, Jeff Katz, Wajid Ali Syed, Craig Fleming, and Jason Dunmore.