Tag: FD

  • Maximizing Your Fixed Deposits: How to Choose the Best Rates

    Maximizing Your Fixed Deposits: How to Choose the Best Rates

    Fixed deposits (FDs) have long been a preferred savings option for risk-averse investors looking to secure steady returns. With the promise of guaranteed returns, FDs provide peace of mind and predictability, which is especially valuable during volatile market conditions. However, maximizing the benefits of your fixed deposits requires careful attention to fixed deposit rates. Selecting the right bank or financial institution offering competitive FD rates can significantly impact the maturity amount. Additionally, tools like the FD calculator can help you make more informed decisions. In this article, we’ll explore how to choose the best FD rates and maximise your returns.

    1. Understanding Fixed Deposit Rates

    Fixed deposit rates refer to the interest rate offered by banks or financial institutions on your FD investment. This rate determines how much your investment will grow over a specific tenure. Typically, these rates are fixed for the tenure of the deposit, meaning your returns are locked in, making FDs a stable investment.

    FD rates vary based on factors such as:

    ● The tenure of the deposit (short-term, medium-term, or long-term)   
    ● The financial institution offering the FD   
    ● The investor’s age (senior citizens often receive higher rates)   
    ● Economic conditions and regulatory factors

    Banks and non-banking financial companies (NBFCs) regularly update their fixed deposit rates, often influenced by changes in the Reserve Bank of India (RBI) policies. Understanding the factors affecting these rates will help you choose an option that provides the highest returns for your specific needs.

    2. Factors to Consider When Comparing Fixed Deposit Rates

    When aiming to maximize your returns from fixed deposits, there are several factors to keep in mind beyond just the interest rate:

    a) Tenure of the Deposit

    One of the most critical aspects of selecting an FD is determining the appropriate tenure. Short-term FDs, generally ranging from 7 days to 12 months, may offer lower fixed deposit rates than long-term deposits. Typically, the longer the tenure, the higher the interest rate offered. However, it’s crucial to match the tenure with your financial goals.

    b) Financial Institution

    Different banks and NBFCs offer varying FD rates. While public sector banks often provide safety and reliability, private banks and NBFCs may offer slightly higher interest rates. It’s essential to evaluate the credibility of the institution before investing, as some NBFCs may carry higher risks despite offering attractive rates.

    c) Senior Citizen Benefits

    If you are a senior citizen (aged 60 or above), you may be eligible for preferential rates. Many banks offer an additional 0.5% to 0.75% interest to senior citizens on their FDs. This is a great way for retirees to maximise their income while keeping their investments safe.

    d) Premature Withdrawal Penalties

    While FDs are known for their fixed tenure, emergencies may force you to withdraw your funds before maturity. In such cases, premature withdrawal penalties could reduce your overall returns. Some institutions may offer flexible withdrawal options with lower penalties, so it’s worth considering these factors while choosing your FD.

    e) Interest Compounding Frequency

    The frequency with which interest is compounded (monthly, quarterly, half-yearly, or annually) can impact your total earnings. FDs that compound interest more frequently (e.g., monthly) can help you earn more over time. It is advisable to use an FD calculator to understand the impact of different compounding intervals on your returns.

    3. Using an FD Calculator to Compare Returns

    An FD calculator is an essential tool for anyone looking to invest in fixed deposits. It allows you to calculate the maturity amount based on the interest rate, tenure, and principal amount. By entering these details, you can easily compare different FD schemes and find the one that offers the best returns for your investment.

    a) How to Use an FD Calculator

    Using an FD calculator is simple. You need to input:

    ● The principal amount (the money you wish to deposit)   
    ● The fixed deposit rates offered by the bank or institution   
    ● The tenure (in months or years)   
    ● The interest compounding frequency (monthly, quarterly, annually, etc.)

    The FD calculator will then show you the maturity amount and the interest earned during the tenure. This tool is incredibly helpful in comparing multiple FD options and deciding which one will give you the maximum returns.

    b) Benefits of Using an FD Calculator

    Quick Comparison: Instead of manually calculating the returns on different FDs, the calculator instantly provides results, allowing you to compare offers from various banks and NBFCs.   
    Precision: By factoring in the compounding frequency, the FD calculator gives accurate results, making it easier to assess which institution offers the best deal.   
    Financial Planning: It helps you plan for the future by showing you how much you can expect to receive at the end of your FD term.

    4. Strategies to Maximize Fixed Deposit Returns

    To get the most out of your FD investment, consider the following strategies:

    a) Laddering Your Fixed Deposits

    FD laddering involves splitting your investment into multiple deposits with varying tenures. For instance, instead of investing ₹3,00,000 in a single FD, you could invest ₹1,00,000 each in FDs of one year, two years, and three years. This strategy allows you to benefit from potentially higher fixed deposit rates as they rise over time while maintaining liquidity. As each FD matures, you can reinvest at a better rate if the market conditions are favourable.

    b) Opt for Auto-Renewal

    Many banks offer an auto-renewal option where your FD is automatically renewed at the prevailing interest rates upon maturity. This ensures that your money continues to earn interest without any delay. However, check the rates at the time of renewal, as they may differ from the initial rates.

    c) Invest in Corporate FDs

    While corporate FDs typically carry higher risk than bank FDs, they often offer more attractive fixed deposit rates. Investing in corporate FDs from reputed companies can provide higher returns. It’s essential, however, to assess the company’s credit rating before opting for such an investment.

    d) Tax-Saving Fixed Deposits

    Tax-saving FDs are a great option for individuals looking to save on taxes while earning decent returns. These FDs come with a lock-in period of five years and are eligible for deductions under Section 80C of the Income Tax Act. While the interest earned is taxable, the initial investment amount is deductible, making it a good choice for tax-saving and wealth-building purposes.

    5. Evaluating Risk and Returns

    While FDs are generally considered low-risk investments, it’s still important to evaluate the financial health of the institution where you are investing. Higher fixed deposit rates may be attractive, but they could come with increased risk if the institution is less stable. Credit ratings can provide a useful indicator of the institution’s reliability. Also, ensure that your deposit is insured under the Deposit Insurance and Credit Guarantee Corporation (DICGC), which offers insurance coverage of up to ₹5 lakh per depositor.

    Conclusion

    Maximizing your returns on fixed deposits involves more than simply choosing the highest fixed deposit rates available. Consider factors such as tenure, the financial institution’s credibility, premature withdrawal penalties, and interest compounding frequency. Tools like the FD calculator can help you make informed decisions by comparing different FD options and calculating potential returns. Additionally, employing strategies like FD laddering, opting for tax-saving deposits, or considering corporate FDs can enhance your overall earnings. By taking a comprehensive approach, you can ensure that your fixed deposits work effectively towards achieving your financial goals.   
     

  • A Centenary of experimentation through cinema is highlight of FD festival

    A Centenary of experimentation through cinema is highlight of FD festival

    NEW DELHI: This weekend, Mumbaiikars will see a feast of experimentation through a Retrospective of Indian Cinema and Video over the last one hundred years.

    The Retrospective from 28 to 30 June has been curated by Ashish Avikunthak & Pankaj Rishi Kumar and will be screened at the Films Division in Mumbai.

    The prints of the films have been acquired from the Directorate of Film Festivals, the Film and Television Institute of India in Pune and the Satyajt Ray FTI in Kolkata, and the National Film Archives of India in Pune.

    The retrospective is a celebration of the spirit of experimentation in Indian cinema; from the moment of its mythic birth in 1913 with D G Phalke’s Raja Harishchandra to the innovative and challenging moving images produced and exhibited today. The films brought together chart the transformation of experimentation, from early celluloid spectacle to contemporary digital adroitness. The curatorial impetus of this retrospective is marked by an emphasis on tracing the chronology of experimentation through the history of Indian cinema. The idea of ‘experimentation’ rather than the experimental or avant-garde drives the films put together in this retrospective.

    These films challenge modernity by generating a contemplative dialogue with Indian history, tradition, culture and religion. They are not driven by the desire to just produce an aesthetic artifact, but rather to create a discursive field. 

    It was more than 50 years later after Phalke’s experiments that the first experimentation occurred within the bureaucratic confines of the postcolonial Films Division in the late 1960s. These films challenged the formidable account of the sturdy developmentalist state and shattered its edifying edifice. These were the first cinematic critiques of the nation – forthright, trenchant and angry. S. Sukhdev, Pramod Pati, S.N.S Shastry and K.S. Chari among others, radically altered the possibilities of cinematic representation in India.

    Soon the films funded by Film Finance Corporation (later NFDC) ushered the much-celebrated rise of the Indian New Wave. Mani Kaul’s Uski Roti (1969) and Kumar Shahani’s Maya Darpan (1972) spearheaded profound experimentation in this period. However, the foundation of this continued experimentation was first established in the venerable FTII under the tutelage of Ritwik Ghatak. The section “Experiment in School” is a small curatorial gesture towards the pioneering works produced in its confines along with the later established SRFTI.

    This retrospective is conceptualised as a conversation with cinema, cinematic experience and cinematic thought.

    Screening Schedule
    Day One — 28 June, 2013, Friday
    28 June, 2013, Friday: 10.00-12.30 pm
    Session 1: Experiments with Gods 
    A collection of early films made by D.B. Phalke between 1913 and 1935. 
    Raja Harishchandra (20 mins, 35mm, 1913)
    Lanka Dahan (9 mins, 35mm, 1917)
    Shree Krishna Janma (6 mins, 35mm, 1918)
    Kaliya Mardan (50 mins, 35mm, 1919)

    28 June, 2013, Friday: 1.15- 3.45 pm
    Session 2: Experiment in the State 
    The earliest robust experimentation in India begins under the imaginative tutelage of Jean Bhownagary while he headed the Films Division in 1965. 
    Explorer – Pramod Pati (7 mins, 35mm, 1968)
    Claxplosion – Pramod Pati (2 mins, 35mm, 1968)
    Trip – Pramod Pati (4 mins, 35mm, 1970)
    Koodal – Tyeb Mehta (16 mins, 35mm, 1970)
    Abid – Pramod Pati (5 mins, 35mm, 1972)
    Child on a Chess Board – Vijay B. Chandra (8 mins, 35mm, 1979)
    India ’67 – S. Sukhdev (57 mins, 35mm, 1968)
    28 June, 2013, Friday 4.00- 6.45 pm
    Session 3: Experiment in the School 
    FTII became the centre of experimentation soon after it was headed by Ritwik Ghatak. Since then, along with SRFTI, it has continued to be a space where experimentation in cinema occurs on a regular basis.
    Bodh Vriksha – Rajan Khosa (27mins, 35mm, 1987)
    In Short – Kuntal Bhogilal (18 mins, 35mm, 1996)
    Repentance – Rajeev Raj (22 mins, 35mm, 1997)
    Chinese Whisper – Raka Dutta (27 mins, 35mm, 2006)
    Airawat – Renu Savant (10mins, 35mm, 2011)
    Moon Stars Lovers – Jessica Sadana (10 mins, 35mm, 2012)

    28 June, 2013, Friday, 7.00- 9.00 pm
    Session 4: Feature Film 1- Kanchan Seetha (87 mins, 35mm, Malayalam, 1977)
    by G. Aravindan
    Ending the first day with Malayali Filmmaker Aravindan’s masterpiece Kanchan Seetha – an invigorating reworking of the Ramayana, which opens up a new discourse on Indian cinema and its interpretation of religion. This film is located here to be in direct conversation with Phalke’s cinema of religiosity.

    Day Two
    29 June, 2013, Saturday
    29 June, 2013, Saturday, 10.00- 12.30 pm
    Session 1: Experiment with the Documentary 
    Documentary has been a formidable cinematic form in India. Although most innovation has occurred in world of the political, it has also has seen serious experimentation. 
    I am Twenty S.N.S. Sastry (20 mins, 35mm, 1967)
    Tales from Planet Kolkata – Ruchir Joshi (38 mins, 16mm, 1993)
    Brahma, Vishu, Shiva – R.V. Ramani (19 mins, video, 1999)
    Presence – Ekta Mittal & Yashaswini B. R.- Behind the Tin Sheets Project (18 mins, HD, 2012 )
    Nayi Kheti – Pallavi Paul (11 mins, HD, 2013)

    29 June, 2013, Saturday, 1.15- 3.45 pm
    Session 2: Experiments with the Short Film 
    This section focuses on films that were made outside the institutional framework of the state or the school and can be understood as independent experimentations, especially focusing on the short form.
    Nirjan Godhuli – Santosh Gour (10 mins, 16mm, 1993)
    Dust – Ashim Ahulwalia (20 mins, Video, 1993)
    Atreyee – Shumona Goel (17 mins, Video, 2003)
    Straight 8 – Ayisha Abraham (17 mins, Video, 2005)
    Bare – Santana Issar (11 mins, Video, 2006)
    Jan Villa – Natasha Mendonca (20 mins, HD, 2010)

    29 June, 2013, Saturday, 4.00- 6.00 pm
    Session 3: Experiments in the Gallery 
    In the last decade, the Art Gallery has become a vibrant space for exhibiting moving images mostly in the form of video art and installations. This section attempts to grasp with this new space of experimentation. It has been co-curated by Mortimer Chatterjee.
    Record/Erase – Nalini Malani (10 mins, Video, 1996 )
    Flight Rehearsals – Kiran Subbaiah (7: 26 mins, Video, 2007)
    Dance Like Your Dad – Hetain Patel (6:15 mins, Video, 2009)
    There is a spider living between us – Tejal Shah (7 mins, Video, 2009)
    Man Eats Rock – Nikhil Chopra & Munir Kabani (22:11 mins, Video, 2011)
    The First Dance – Hetain Patel (7:44 mins, Video, 2012)
    Forerunner – Sahej Rahal (12:16 mins, Video, 2013)
    File not Found – Jaret Vadera (1 min, Video, 2013)

    29 June, 2013, Saturday, 6.30-8.30 pm 
    Session 4: Feature Film 2- Satah Se Uthata Aadmi (114 mins, 35mm, Hindi, 1980) by Mani Kaul
    Mani Kaul is known mostly for his landmark film Uski Roti. However, the Satah Se Uthata Aadmi is probably his most conceptually rigorous and philosophically penetrating work. Based on the writings on Muktibodh, this film is a deep philosophical articulation on postcolonial modernity.
    Day Three
    30 June, 2013, Sunday
    30 June, 2013, Sunday 10.00- 12.30 pm
    Session 1: Experiments with Animation
    Co-curated by Nina Sabnani, this section examines experimentation in the world of animation. We shall look at the way in which animation directors have pushed the boundaries and expanded its scope in process, materials, concepts and its functions.

    30 June, 2013, Sunday 1.30- 4pm 
    Session 2: Cinema of Prayoga 
    The invocation of “prayoga” from Sanskrit etymology is Amrit Gangar’s radical move of rejecting the Western art historical terminology of experimental and avant-garde to explain the specific nature of experimentation in Indian cinema. This section has been co-curated by Amrit Gangar.
    And now i feel i don’t know anything – Kabir Mohanty (35 mins, 35mm, 2001)
    Egotic World – Vipin Vijay (21 mins, 35mm, 2002)
    Kramasha – Amit Dutta (22 mins, 35mm, 2006)
    Vakratunda Swaha – Ashish Avikunthak (22 mins, HD, 2010)
    21 Chitrakoot – Sambhavi Kaul (9 min, HD, 2012)

    30 June, 2013, Sunday 4.15- 6.30 pm 
    Session 3: Feature Film 2- Kaal Abhirati (120 mins, 35mm Bengali, 1989) by Amitabh Chakraborthy. 
    This is a significant film of this era that explores the complexities of human existence within the confines of Indian philosophy and discourse. This film, along with Kamal Swaroop’s Om Dar Badar, is the link between experimentations by Mani Kaul and Kumar Shahni and contemporary articulations by the ‘Cinema of Prayoga’ filmmakers.

    30 June, 2013, Sunday, 6.45- 8 pm 
    Session 4: Round Table Discussion
    The curators along with filmmakers, discussants and respondents will have a Round Table conversation teasing out and putting on the board the major points/ issues /debates that have been brought out in these three days.