Tag: FAST

  • Swift TV & Hoichoi Partner to Redefine Regional Streaming

    Swift TV & Hoichoi Partner to Redefine Regional Streaming

    Swift TV, India’s rapidly growing Free Ad-Supported Streaming Television (FAST) platform, has partnered with Hoichoi, the leading destination for Bengali and Hindi entertainment, to deliver premium regional content absolutely free.

    With 800K+ downloads and 130+ live channels in 12+ languages, Swift TV offers an extensive catalog of movies, shows, and live entertainment. This collaboration brings Hoichoi’s acclaimed Bengali and Hindi originals, movies, and series directly to the Swift TV app, at no extra cost.

    A major highlight is the exclusive Hoichoi Live Channels—a first-of-its-kind innovation in FAST streaming. The Bengali Hoichoi Live Channel is available internationally (except India), while the Hindi channel is accessible worldwide, including India. This positions Swift TV as the go-to destination for regional entertainment across India, the US, and Canada.

    “We’re thrilled to bring Hoichoi’s exceptional content to our audiences,” said a Swift TV spokesperson. “Our bespoke Hoichoi Live Channels set new benchmarks for free, high-quality regional entertainment.”

    For Hoichoi, the partnership opens doors to the FAST ecosystem, expanding its reach beyond SVOD audiences while staying true to its mission of celebrating Bengali narratives.

    With top partners like Viacom18, Zee, Pitaara, Republic TV, and Bloomberg Originals, Swift TV continues to strengthen its premium content lineup.

    Download the Swift TV app today Swift Tv and enjoy Hoichoi’s world-class Bengali and Hindi entertainment—free, accessible, and tailored for every mood, in your language, on your terms. 
     

  • Vidaa partners with RunnTV to launch free streaming service in India

    Vidaa partners with RunnTV to launch free streaming service in India

    MUMBAI: Vidaa, the global smart television operating system powering millions of connected devices worldwide, has struck a strategic partnership with India’s RunnTV to launch TV Channels, its free ad-supported streaming television (Fast) service, across the subcontinent this September.

    The collaboration marks Vidaa’s most significant push into one of the world’s fastest-expanding streaming markets, where ad-supported platforms are experiencing meteoric growth as viewers increasingly abandon traditional pay-television models in favour of free, on-demand content.

    TV Channels will offer Indian audiences an extensive lineup of premium international content alongside carefully curated regional programming spanning entertainment, films, music, lifestyle, children’s shows and infotainment—all delivered at zero cost to viewers through Vidaa-powered smart televisions.

    RunnTV, the streaming technology platform founded by Manish Sinha, brings crucial local market intelligence to the venture. The company will leverage its deep understanding of India’s complex linguistic and cultural landscape to help Vidaa localise its offering, secure partnerships with top regional content creators and maximise advertising revenues through sophisticated programmatic integrations and precision-targeted campaigns.

    The partnership extends far beyond simple content aggregation. Both companies will collaborate extensively on technology integration, distribution strategies and advanced monetisation models designed to capture and retain audiences in a market where free, advertiser-supported content is rapidly displacing subscription-based services.

    Industry observers note that India’s Fast ecosystem has reached an inflection point, with viewership patterns shifting dramatically as consumers embrace connected television experiences. The entry of established global players like Vidaa signals growing confidence in the market’s potential, particularly as smartphone penetration and affordable broadband access continue expanding across tier-two and tier-three cities.

    For advertisers, the platform promises unprecedented reach and sophisticated targeting capabilities, enabling brands to connect with specific demographic segments through data-driven campaign optimisation. Content creators and channel partners, meanwhile, gain access to new revenue streams through Vidaa’s established global advertising network.

    Viewers can expect a premium experience featuring seamless channel switching, intuitive navigation and high-quality streaming performance—all integrated directly into their smart television interface without requiring additional subscriptions or hardware investments.

    The launch comes as traditional broadcasting models face increasing pressure from streaming alternatives, with Fast services emerging as a compelling middle ground between expensive subscription platforms and conventional linear television. Industry analysts predict the segment could capture a substantial share of India’s entertainment consumption within the next two years, driven by rising data affordability and changing viewer preferences.

    Vidaa’s decision to partner with a local technology specialist rather than launching independently reflects the complexity of India’s media landscape, where success often depends on nuanced understanding of regional content preferences, regulatory requirements and advertiser expectations across diverse markets.

    The collaboration positions both companies to capitalise on what many consider the next major wave in India’s digital entertainment evolution, as millions of households transition from traditional cable and satellite services toward internet-connected viewing experiences that offer greater choice, convenience and cost savings.

  • Fast channels surge 14 per cent this year as news and horror fuel boom

    Fast channels surge 14 per cent this year as news and horror fuel boom

    MUMBAI: Free ad-supported television (Fast) is enjoying a blistering run. The number of Fast channels worldwide has climbed nearly 14 per cent since the start of 2025 and 76 per cent since 2023, according to fresh analysis from Gracenote, the content data arm of Nielsen.

    The firm has expanded its Data Hub to track nearly 1,850 active Fast channels, enabling direct comparisons with subscription video-on-demand (SVOD) catalogues from the likes of Amazon Prime Video, Apple TV+, Disney+, Netflix and Paramount+. The enhanced tool now covers more than 645,000 TV shows, films and sports programmes across SVOD and a further 197,000 across Fast.

    Fast is skewing younger than its subscription rivals. Almost half of its content has been produced in the past five years, compared with only a third for SVOD. Stretching the timeframe to 15 years, Fast jumps to nearly 80 per cent of programming, versus 68.5 per cent for SVOD.

    Television dominates both formats, but especially Fast: 93.1 per cent of its content comprises TV programming by episode count, compared with 88.8 per cent on SVOD platforms.

    Genre trends are diverging. Documentaries make up the largest Fast slice at 16.1 per cent, followed by drama (10.6 per cent) and news (9.9 per cent). Yet it is news and horror that are powering growth, up 37 per cent and 30 per cent respectively. On SVOD, sports led the charge in the past quarter with a 13.2 per cent bump, ahead of films (10 per cent) and TV (9.2 per cent). Sports on Fast dipped 3.7 per cent in the last three months but remain up 14 per cent year to date.

    Among the big streamers, Amazon bulked up most aggressively, expanding its catalogue by 12.6 per cent quarter on quarter. Paramount+ followed with a 6.4 per cent increase. Overall, SVOD offerings grew 9.8 per cent in the same period.

    Gracenote, which covers video content in more than 70 languages and 80 countries, is pitching its Data Hub as a strategic compass for distributors, producers and advertisers eager to map where audiences are headed.

  • Scroll no more RunnTV streams ahead in instant entertainment game

    Scroll no more RunnTV streams ahead in instant entertainment game

    MUMBAI: Stuck in scroll purgatory again? RunnTV says it’s time to run from decision fatigue and straight into effortless binge mode. In a world where OTT fatigue is real and growing, RunnTV is ditching the dilemma with a cheeky new campaign that asks the eternal question: “Kab tak karoge scroll?”

    The digital-first push, launched across platforms, taps into a pain point that every streamer knows too well wasting minutes (sometimes hours) scrolling for something to watch, only to give up or rewatch the same old comfort show. The campaign’s ad films nail the mood: a remote-flipping viewer visibly exhausted by choice paralysis, a mobile scroller stuck in a never-ending loop both rescued by one smart switch to RunnTV.

    As India’s first independent FAST (Free Ad-supported Streaming TV) platform, RunnTV delivers lean-back, linear entertainment without the hassle of choosing. No subscriptions. No painful decisions. No more doomscrolling. Just tap in and zone out.

    The platform features a curated mix of live TV-style channels from movies, music, short films, and kids content to news and infotainment. RunnTV also auto-personalises your viewing experience based on your habits adjusting language, sequencing and channel preferences all while you watch.

    “We wanted to show people what they feel daily,” says the RunnTV marketing team. “The average user spends over 20 minutes daily just trying to decide what to watch. RunnTV is the antidote to that fatigue.”

    The campaign positions RunnTV not just as another app, but as a refreshing fix in an overcrowded OTT landscape. Whether you’re a casual viewer, serial scroller or a full-blown binge beast the message is clear: skip the search, ride the Runn.

    Available across TV and mobile, RunnTV doesn’t require a login but recommends one for a more customised feed. And with its no-subscription, ad-supported model, it’s aiming squarely at OTT-weary users across India who just want to watch something anything now.

    So, next time you find yourself endlessly scrolling through thumbnails, remember: entertainment shouldn’t feel like work. With RunnTV, it’s one tap and done.

  • RunnTV Fast channels make a dash to Airtel

    RunnTV Fast channels make a dash to Airtel

    MUMBAI: RunnTV has hit the fast lane, launching its premium free ad-supported streaming (Fast) channels on Airtel Xstream Play, one of India’s top content aggregation platforms.

    From Hindi cinema  blockbusters to foot-tapping music, breezy short films, and kid-friendly content, RunnTV’s bouquet of channels promises something for every taste — all delivered without a subscription fee.

    “Expanding our distribution with Airtel Xstream Play is a major milestone,” said Runn TV founder Manish Sinha. “As India’s first independent Fast-based platform, we are defining this space with our curated, ad-supported content.”

    With this partnership, RunnTV further has solidified its presence across mobile and connected TV environments, offering millions of Airtel users instant access to its entertainment buffet.

  • LG research: viewers keen to spend and shop through the connected TV screen

    LG research: viewers keen to spend and shop through the connected TV screen

    MUMBAI: The humble television has evolved from mere entertainment box to potential shopping portal, as new research from LG Ad Solutions reveals viewers are itching to flex their purchasing power from the comfort of their sofas. A whopping 62 per cent of connected TV viewers fancy interactive advertisements, with 56 per cent wishing they could splash cash directly through it.

    The February 2025 survey of 1,210 American screen-gazers paints a picture of consumers increasingly susceptible to what flickers before their eyes. Among connected TV viewers, an impressive 79 per cent admit to being influenced by adverts in their shopping decisions, while 63 per cent regularly discover new brands through the box. Nearly half have actually followed through with a purchase after seeing a TVC in the past quarter.

    “The days when people merely absorbed adverts passively are gone with the wind,” says a marketing guru. “Today’s viewers reach for their wallets almost as quickly as they reach for the remote—particularly when offered a discount.”

    LG television owners appear especially vulnerable to advertising’s siren call, showing influence rates a stunning 28 per cent higher than their counterparts. These same viewers are 20 per cent more likely to wish they could shop through their screens—statistics guaranteed to make marketing directors drool into their expense accounts.

    When it comes to actually parting with cash after seeing an advert, mobile phones remain the weapon of choice, with 60 per cent of viewers grabbing their handsets to complete purchases. Laptops and in-store visits follow at 41 per cent and 35 per cent respectively. Connected TVs themselves account for 22 per cent of purchases—a figure that jumps by 20 per cent among LG TV owners specifically.

    Perhaps unsurprisingly, 71 per cent of connected TV viewers confess to keeping their mobiles within arm’s reach whilst watching—creating what industry types call a “second-screen opportunity” and what everyone else calls “modern life.”

    The research also reveals surging interest in free ad-supported television (FAST) services, with 77 per cent of connected TV users regularly tuning into these platforms. LG’s own service—rather blandly christened “LG Channels”—now offers over 350 live channels and 7,000 on-demand options for the discerning viewer who prefers not to pay.

    With nine in 10 consumers in the US now using an internet-connected TV and 60 per cent preferring free streaming with adverts, Fast platforms have become fertile ground for shoppable innovation. Regular Fast users show 12 per cent higher purchase rates after viewing adverts than the general population.

    The report reveals multiple methods viewers are open to using for purchasing through their televisions:
    * 70 per cent fancy saving products to a wish list directly on the TV
    * 67 per cent would send a text for more information or discount codes
    * 62 per cent are willing to scan QR codes to checkout on mobile devices
    * 62 per cent would use voice commands to add items to their cart
    * 60 per cent would save shipping/payment details for quick checkout on the TV
    * 54 per cent are open to an AI assistant contacting them via email, text or social media

    Younger viewers aged 18-34 show particular enthusiasm, with 21 per cent higher interest in interactive TV adverts than the general population.

    For brands looking to capitalize on this trend, the report suggests a three-pronged approach: test creative variations, leverage Fast platforms, and utilize custom landing pages for a seamless shopping experience.

    When it comes to persuading viewers to part with their cash, discounts and promotions prove most effective, with 57 per cent of viewers citing offers as their primary purchase driver. Product features (42 per cent) and attractive visuals (32 per cent) also factor into purchasing decisions, while one in four viewers are influenced by the ability to click through to learn more.

    The creative elements of adverts significantly impact engagement levels:
    * Time-sensitive offers showed a staggering 12.4x higher purchase intent
    * Click-to-landing page functionality delivered 8.1x higher purchase intent
    * Special offers generated 5.6x higher purchase intent
    * Concise messaging resulted in 5x higher brand consideration
    * Clear calls-to-action produced 4x higher brand consideration
    * Dynamic creative animation yielded 2x higher purchase intent

    A case study highlighted in the report showed a major quick service restaurant chain achieving 2.5x more QR code scans and 10 per cent lower cost per reach by following these best practices during a 24-day holiday campaign.

    The report offers tailored advice for different retail categories based on analysis of TV advertising patterns throughout 2024:
    * Clothing and apparel brands should increase connected TV spending during peak periods (Q2 and Q4) to counter higher traditional TV spending from competitors
    * Electronics brands should maintain consistent connected TV spending throughout the year, with increased investment during holiday and post-holiday periods
    * Grocery and consumer packaged goods companies should maintain steady levels all year, with some increase during summer months
    * Appliance brands should boost connected TV presence during summer to compete for share of voice ahead of Labour Day sales
    * Restaurant brands should increase spending towards the end of each month and create special offers to drive engagement

    As one retail executive put it: “The living room is becoming the new shopping centre, and the remote control is the new credit card.”

    For those concerned about a dystopian future where white goods join the sales pitch, prepare yourselves—14 per cent of consumers expressed interest in shopping through their refrigerator, while 10 per cent fancy making purchases via their car dashboard or washing machine. One wonders if one day the toilet might suggest a particular brand of paper.

    LG Ad Solutions recommends advertisers implement the following strategy:
    1. Test various creative variations and calls-to-action for optimal results
    2. Leverage connected TV native ads and custom landing pages for immersive experiences
    3. Capitalise on the shift to free ad-supported streaming services to find new audiences

    The message for retailers is crystal clear: American armchair shoppers are poised with their plastic—and all they need is the right button to press. 

    Are there any lessons in this for Indian advertisers and for Indian platforms? 

    Indeed. 

    Most Indian connected TV owners are international travelers who have been exposed to Fast channels during their travels, but have been loathe to reach for the purchase button because fulfilment can take longer in markets like the US than in India where goods can be delivered in 10 minutes. By consistently following some of these best practices and adapting them to Indian nuances, advertisers on connected TVs can get a better bang for their buck. 

  • Amagi to showcase AI-powered cloud broadcast innovations at NAB 2025

    Amagi to showcase AI-powered cloud broadcast innovations at NAB 2025

    MUMBAI: Amagi, will showcase its latest cloud broadcast solutions at NAB 2025. From April 6 to 9 at booth [W1721], Amagi will unveil key innovations designed to enhance operational efficiency, monetisation, and AI-driven automation in the media and entertainment industry.

    Amagi’s smart scheduler harnesses AI and machine learning to automate scheduling, minimising manual workload and boosting efficiency. By analysing historical viewing patterns and audience engagement, the system enables Fast channel owners to make data-driven programming decisions and optimise content scheduling.

    To cater to increasing demand for master control operations in the United States, Amagi has expanded its Network Operations Centre (NOC) with a new facility in New Jersey. This addition will provide hands-on support for live sports and news broadcasts, complementing Amagi’s existing NOCs in Bengaluru, London, and New Delhi.

    “Broadcasters and content owners need agile, AI-driven solutions to streamline operations, enhance monetisation, and deliver seamless viewing experiences,” said Amagi co-founder & chief revenue officer Srinivasan KA. “With our expanded NOC in New Jersey and advancements in cloud-based automation, Amagi is empowering customers to optimise workflows, maximise ad revenue, and scale their streaming businesses.”

    Amagi continues to innovate with solutions that enhance content distribution and maximise advertising revenue,

    The upgraded Amagi Dynamic for single live events now features Electronic Programme Guide (EPG) integrations, advanced ad insertion via Amagi Thunderstrom, and comprehensive recording options to ensure seamless audience experiences.

    Amagi Analytics offers deep performance insights, enabling content owners to refine ad strategies and improve viewer engagement, ultimately driving higher returns on investment.

  • Horror havoc terror films aligns with Panic TV

    Horror havoc terror films aligns with Panic TV

    MUMBAI: Terror Films Releasing (TFR) has forged a strategic alliance with Cape May Studios’ newly launched horror channel, Panic TV, it was announced today. TFR has initiated this partnership by licensing a substantial collection of horror and thriller films from its catalogue to Panic TV, with plans to expand the content offering as the channel grows.

    “Terror Films continues to be trusted by filmmakers and fans alike with some of the best and most diverse indie horror content in the streaming space. Our job is to continue to secure new platform relationships in order to bring these films to a wider audience and this new partnership is what it’s all about,” stated TFR CEO Joe Dain.

    Based in New Jersey, Cape May Studios is developing a global network of FAST and AVOD channels, catering to niche audiences with strong, passionate fandoms whose content preferences are currently underserved. Their inaugural brand, Panic TV, offers a unique content proposition, addressing the demand for ‘recreational fear’ entertainment, with the brand promise ‘Fear Comes Home’.

    Panic TV will provide viewers with access to award-winning and genre-bending movies and TV content from contemporary storytellers, seamlessly blending genres such as action, thriller, mystery, crime, paranormal, science fiction, horror, and creature features.

    Targeting young millennials and Gen Z (18-40 years old), Panic TV aims to deliver authentic, thought-provoking content that resonates with their hyper-digital world.

    Panic TV is launching globally in English, Spanish, and Hindi over the coming weeks, with further language localisations planned for international markets.

    Cape May Studios founder & CEO Sachin Gokhale said, “We are beyond thrilled to partner with Terror Films, whose catalog of gripping horror and thriller titles aligns perfectly with our audience’s appetite for high-quality, innovative, adrenaline-fueled content. This agreement strengthens our content library and enhances our ability to provide a compelling and immersive ‘Fear’ centric viewing experience to our consumers.”

  • Cape May Studios inks deal with Indie Rights for global streaming venture

    Cape May Studios inks deal with Indie Rights for global streaming venture

    MUMBAI:  Independent film distributor Indie Rights has struck a landmark content licensing agreement with Cape May Studios, the fledgling streaming venture founded by former Zee Entertainment executive Sachin Gokhale.

    The partnership will see a curated selection of critically acclaimed indie films appear on Cape May’s upcoming free ad-supported streaming television (Fast) and advertising-based video-on-demand (AVOD) channels, set to launch next month.

    Gokhale, who established Cape May Studios in August 2024 after serving as executive vice president and territory head for the Americas at Zee Entertainment, is building a network of genre-focused channels targeting global “fandom” audiences.

    “This collaboration is a key milestone as we prepare to launch our channels,” said Cape May Studios. founder & CEO Gokhale. “With access to Indie Rights’ compelling films, we’re excited to deliver content that challenges, inspires, and resonates with a global audience.”

    The content deal focuses heavily on horror, thriller, sci-fi and mystery genres – with titles including I Survived a Zombie Apocalypse and Shadows of Bigfoot set to terrify viewers in English, Hindi and Spanish initially, with plans for further language expansions.

    Indie Rights chief executive Linda Nelson noted: “This is an exciting moment as we expand our global reach with Cape May Studios. Their innovative streaming platforms will provide our filmmakers with new opportunities to connect with audiences who crave original, meaningful stories.”

    The agreement represents Cape May’s first major content acquisition since Gokhale launched the venture after an extensive career spanning major media companies including Viacom18, where he spent over 12 years in senior leadership roles across multiple territories.

    Industry observers note the partnership shrewdly targets millennial and Gen Z viewers between 18-40 years old, a demographic increasingly abandoning traditional subscription services in favour of free, ad-supported alternatives.

    As one streaming analyst quipped: “In the bloodbath of global streaming wars, this horror-focused partnership might just give audiences something to actually scream about – in a good way.”

  • Nascar launches FAST channel in partnership with Tubi

    Nascar launches FAST channel in partnership with Tubi

    MUMBAI: The National Association for Stock Car Auto Racing (Nascar)   announced on 16 January the upcoming launch of the Nascar Channel, a free ad-supported television (FAST) channel set to go live on  29 January in partnership with Tubi. This channel will provide fans with 24/7 access to Nascar  content at no subscription cost or registration.

    The Nascar channel will feature a diverse lineup of programming, including classic races, replays of the current season’s events, documentaries, original content from Nascar studios, and video podcasts.

    Key highlights of the launch include exclusive live coverage of the Nascar  Hall of Fame Induction Ceremony on 7 February and the Cook Out Madhouse Classic from Bowman Gray Stadium in Winston-Salem, North Carolina, on 1 February. 

    The channel will also delve into its archives to showcase iconic races from the Daytona 500 and The Cook Out Clash, alongside delayed replays of the 2025 season’s races. Additionally, fans can look forward to timely programs such as Nascar  Daily with Shannon Spake, race highlights, and popular series like Radioactive, Refuse to Lose, and Hall of Fame Biographies.

    Nascar senior vice president of content  John Dahl stated: “Fans now have a free, easily accessible 24/7 Nascar destination that not only explores our archives but also delivers the latest news and original storytelling.”

    Tubi SVP content acquisitions ad partnerships Samuel Harowitz  emphasised that Nascar  is the perfect addition to Tubi’s vast content offering, enhancing the viewer experience as it gears up for its 2025 season.