Tag: factual entertainment

  • Harshit Sahni steps up as senior director at Warner Bros. Discovery

    Harshit Sahni steps up as senior director at Warner Bros. Discovery

    MUMBAI: Big moves, bigger responsibilities—Harshit Sahni has taken on a new leadership role as senior director – cluster revenue head for factual & lifestyle, eurosport, international business – south Asia at Warner Bros. Discovery. With over two decades of experience in media, advertising, and revenue strategy, Sahni is all set to steer the business into new territories of growth and innovation.

    Having already made an impact as cluster revenue head since September 2024, Sahni now takes the reins at a crucial time for the industry. With advertising dynamics shifting and digital transformation accelerating, he aims to push the boundaries of content monetisation and strategic partnerships in south Asia’s evolving media ecosystem.

    His track record speaks volumes. At Warner Bros. Discovery and previously at Discovery Inc., Sony Pictures Networks, and Star News, Sahni has consistently driven advertising revenue, built strategic partnerships, and spearheaded innovative sales models. From launching ad-sales operations in Bangladesh, Sri Lanka, and the Maldives to securing 80 per cent market share in key partnerships, he has been a key player in shaping the industry’s revenue streams.

    A results-driven leader, Sahni has a history of crafting integrated advertising solutions, establishing new revenue streams, and pioneering business models that redefine commercial success. His ability to forecast trends, optimise advertising strategies, and execute high-impact campaigns makes him a force to reckon with in the world of factual entertainment and lifestyle content.

    The future of factual & lifestyle media in south Asia looks promising, and with Sahni leading the charge, expect innovative advertising models, strategic brand partnerships, and bold revenue strategies that redefine content monetisation.

  • Seven shows to watch on Sony BBC Earth as the channel turns seven

    Seven shows to watch on Sony BBC Earth as the channel turns seven

    Mumbai: Sony BBC Earth is one of the most loved factual entertainment channels that makes viewers feel alive through its breathtaking shows and world-class documentaries. With a content library that ranges from natural history to science and engineering, travel and adventure to people and culture, the channel has something in store for everyone. As Sony BBC Earth celebrates its seventh anniversary, we bring to you a list of must-watch shows on the channel.

    Joanna Lumley’s Spice Trail Adventure: The show takes viewers on a culinary voyage with actor Joanna Lumley as she unravels the mysteries of staple spices. From the remote Banda Islands to the picturesque landscapes of Jordan, Lumley’s journey delves into the rich history and cultural significance of spices that have shaped civilizations for centuries.

    Chasing Monsters: Watch fishing enthusiast and adventurer Cyril Chauquet seek out dangerous creatures in remote corners of the planet.

    Lonely Planet – Stressbuster: Amidst the chaos of modern life, Lonely Planet’s exploration of unconventional stress-relief methods across Asia brings in solace. From adrenaline-pumping activities to serene retreats, it highlights unique ways to rejuvenate the mind, body, and soul.

    Deadly 60: Steve Backshall takes on a thrilling quest to uncover the world’s deadliest creatures. Across six continents, the extraordinary diversity of wildlife is portrayed as Backshall navigates through treacherous landscapes in pursuit of nature’s most formidable predators.

    One Cup, A Thousand Stories: Delve into the captivating tale of tea, from its humble origins in China to its global influence on culture and sustainability. Through stunning visuals and gripping narratives, people can explore the landscapes and traditions that define the world’s favorite beverage.

    Planet Earth II: Captured with ultra-high-definition detail, Planet Earth II takes viewers through the jungles, mountains, deserts, islands, grasslands and cities of the world. It uncovers the extreme forces that shape life in each of these iconic landscapes and the extraordinary survival techniques.

    Earth’s Great Rivers: The show takes viewers on an epic river voyage down the Amazon, Nile, and Mississippi, uncovering the hidden treasures and astonishing wildlife. Through cutting-edge technology and breathtaking cinematography, they can experience the awe-inspiring grandeur of these legendary waterways.

    So, what are you waiting for? Tune in to Sony BBC Earth for a captivating lineup of adventures to ignite your imagination and inspire your sense of wonder.

  • EPIC’s new philosophy- ‘Soch Se Aage’- keep the creators going

    EPIC’s new philosophy- ‘Soch Se Aage’- keep the creators going

    Mumbai: IN10 Media Network’s infotainment channel EPIC started its journey in 2014 with content focusing on Indian history, folklore, and mythology. And since then the channel has continued to recognize the opportunity for differentiated content and experimented with it.

    Despite endless challenges due to the pandemic and subsequent lockdowns, EPIC unveiled its brand new look on 16 December. Along with a fresh look, feel and a new tagline- ‘Soch Se Aage’, the channel announced a fresh programming line-up with the aim to rebuild the Indian infotainment space. From ‘Lakshya 1971- a story of 1971 war’ to ‘Raja Rasoi Aur Anya Kahaniyaan’- a show about the history and flavors of regional Indian cuisine, the platform has brought a host of news shows for its audiences.

    In this exclusive interview with Indiantelevision.com, the two production houses, Rangrez/FOODlooking founder Ashraf Abbas and MASS Studios creative director Richa Pant shared the process of producing content for EPIC, and how they overcame the challenges posed by the pandemic during the period. EPIC AVP – content and strategy Nisha Thakkar also joined the chat to share how the new content resonates with ‘Soch Se Aage’ philosophy.

    On exploring new territories and producing infotainment content

    Talking about her experience, MASS Studios creative director Richa Pant said that the year was a bit rocky for her. While the Delta wave left a devastating impact on people’s lives, Pant said she found consolation in work.  “One of my highlights this year has been ‘Lakshya 1971: Vayu Sena Ke Veer Yoddha’.  A documentary that showcases the stories of Air Force heroes and the seminal work they did in the 1971 war, a war that changed the face of the subcontinent,” she said while talking about her journey with EPIC.

    After working with EPIC, she feels she has explored different territories as a professional with the variety of new content offered on the platform. “I have been making documentaries for the last decade and channels as well as audiences are constantly pushing you to innovate.  With ‘Lakshya 1971’ we have delved into military history and this is a first for me as a Creative Director,” she said.

    On new shows and integrating the philosophy of ‘Soch Se Aage’

    “To think of it, the legacy shows such as ‘Raja Rasoi Aur Anya Kahaniyaan’ and ‘Lost Recipes’ formats were themselves ‘Soch Se Aage’ when launched. ‘Raja Rasoi Aur Anya Kahaniyaan’ beautifully presents history & food together while ‘Lost Recipes’ is re-living the long-lost traditions and recipes which were once very popular,” explained Thakkar. “In the past, many documentaries & movies have been made on the 1971 War, but our show, ‘Lakshya 1971: Vayu Sena Ke Veer Yoddha’ is the first of its kind made from the perspective of IAF.”

    On The Challenges & Limitations of Production During Pandemic

    Shooting and producing new shows during the pandemic was challenging. While the whole entertainment industry bore the brunt, EPIC managed to present fresh content to its audience, but the production team did face various challenges and limitations while shooting. Abbas shared that the risk of getting a virus was high. “To ensure a smooth production, our idea was to identify and isolate the people who are at risk,” he said, “But it became difficult when the cast and crew got infected. But we had hired formal agencies to take regular temperature checks and comply with other safety measures. At the same time, we had to reduce the number of people on the set due to social distancing.

    On What Kept Them Motivated to Produce Unique Content for Epic

    “In times of distress it is always art that becomes the food for the soul, our passion for ‘Raja Rasoi aur Anya Kahaniyaan’, the beautiful history of food in our country, drove us to keep working,” said Abbas.

    On the other hand, for Pant, it was her personal connection with the Defence and the freshness of ‘Lakshya 1971’ that kept her motivated throughout. She shared that her father was in the Army and she has done a large number of defense-related documentaries before. “This time I wanted to focus on the Air Force heroes. Many of them are in their eighties. It was the last chance to meet them and record their version of history. The team at EPIC heard my pitch and were excited too and backed me to the hilt to make this documentary,” she said.

    On Efforts For Keeping The Realism Alive In Content

    To make the shows look and feel compelling for the audience, they partnered with the Air Force. “We double-checked all our research with Air HQ. The film combined eyewitness accounts from our Air Force heroes, archive footage from that era, recreations at air bases, and 3D graphics to bring alive each of the battles we focussed on. We decided to keep the entire film black and white, with just the eyewitness accounts in colour and I think that worked very well,” she shared.

    Abbas, who is the founder of Rangrez / Foodlooking, said that theirs is a very selective production house and therefore they try to always pick shows that we will enjoy working on.

    On What Made The Channel Look For New Genres

    The new content lineup is a mix of legacy shows which have new seasons of ‘Raja Rasoi, Regiment Diaries’ & ‘Lost Recipes’, and new shows like ‘India Post – Dhaage Jo Desh Jode’, ‘Jugaad Mania’, and ‘The Homecoming – A Nation’s fight for its people’, shared Thakkar.

    Thakkar noted that EPIC’s ‘Soch Se Aage’ journey has taken its first few steps with an oath to think beyond imagination and like it said “journey of a thousand miles begins with a step”.  Sharing what made the channel look for these genres, Thakkar said that EPIC has a loyal audience base. “Viewers strongly resonate with EPIC’s content. From Food & History genres, which have a loyal set of audience, we are now reaching out to a new set of audiences with genres like Travel & History, Rescue missions, Innovations, etc,” she said.

    On Their Personal Favorite Shows On The Platform

    Talking about his personal favorites, Abbas said that ‘Raja Rasoi aur Anya Kahaniyaan’, ‘The Great Escape’ and ‘Adrishya’ are really close to his heart.

    Way back in Jan 2013, the EPIC channel signed it’s very first production agreement with Rangrez and the show was, ‘Raja Rasoi aur anya Kahaniyaan’ so we go back a long way. ‘Adrishya’ followed soon after and we’ve then had a great journey together. ‘Raja Rasoi with Ranveer Brar’ and ‘Tyohaar ki Thaali with Sakshi Tanwar’ too were hugely memorable for us, he shared.

    He also shared how after a point, the team felt exhausted as they covered all the significant food stories of India. But it is the EPIC’s dedication to always go “Soch Se Aage” that forced them to explore another dimension in the show. “We were forced to rethink the narrative and come up with the current season of ‘Raja Rasoi aur Anya Kahaniyaan’…we really do think this is our best so far, it’s poetic, has a greater emotional connect, and a lot more time with the Royal families,” he concluded.

  • National Geographic India brings new adventurous series – ‘Snakes SOS: Goa’s Wildest’

    National Geographic India brings new adventurous series – ‘Snakes SOS: Goa’s Wildest’

    Mumbai: National Geographic in India has announced its new adventure series – ‘Snakes SOS: Goa’s Wildest’ which is all set to premiere on 10 January.

    Keeping with the channel’s philosophy, the latest series focuses on the rescue efforts of two Indian wildlife activists – Benhail Antao and Louise Remedios. The two are luxurious wedding planners by profession, but wildlife rescuers by passion, and the show will follow their exciting lives, taking the viewers on an immersive journey through the city of Goa.  The 10-part series promises to show the duo in action and give an up-close and personal experience of their techniques and contributions in rescuing the varied snake species and other undomesticated animals through the city of Goa. The series also focuses on informing and enhancing the knowledge of viewers on the rich and diverse wildlife present in Goa the city and breaking the myths and misconceptions that people have come to believe about snakes in particular.

    “At National Geographic in India, we believe in showcasing purpose-driven narratives to help deepen engagement and drive meaningful conversations among our viewers. With adventure and entertainment as a backdrop, we wanted to bring a local narrative of two very inspiring individuals and challenge the myths and pre-established beliefs around snakes and reptiles. We hope that our efforts inspire viewers to care about the magnificent wildlife we have in our country and encourage them to play their part in preserving and protecting it,” said Star and Disney head of entertainment Kevin Vaz.

    Ben and Louise, said they were thrilled to bring their story to a large base of audiences through the channel. “We both have been extremely passionate about wildlife. Every day presents us with a new adventure and we have truly been enjoying the process of rescuing snakes; sometimes in the most unexpected circumstances. But more importantly, we have managed to rescue people from the perceptions they carry about these beautiful creatures. We hope that our stories inspire more people to change their attitude towards snakes by highlighting and showcasing how important they are to our ecosystem,” 

    ‘Snakes SOS: Goa’s Wildest’ will premiere on National Geographic Channel in India at 8.00 pm on 10 January. The episodes will be aired every Monday and Tuesday and will be available across Hindi, Tamil, Telugu, Bengali, and Kannada.

  • Discovery+ bolsters content portfolio, changes pricing

    Discovery+ bolsters content portfolio, changes pricing

    KOLKATA: Discovery+ on Wednesday announced its largest content portfolio expansion to make it the go-to app for viewing families. Starting from June, over 100 new shows for Kids and library content from A+E Networks (including from History TV18) will be added to its content slate.

    The platform has also changed its pricing. The old rate of Rs 299 will be available only till 8 June 2021, post which subscription will be priced at Rs 399.

    With the largest addition to its content library across sub-genres like reality, sports, kids, learning, food, travel, history et al since its inception, discovery+ will be a one stop destination for wholesome a family viewing experience across seven languages, to include English, Hindi, Tamil, Telugu, Kannada, Malayalam and Bengali, the company stated.

    Covering shows from a wide array of genres, audiences across different age groups and interests will now have access to diverse exciting, informative and entertaining content. From fresh weekly episodes of key acquisitions like Hell’s Kitchen featuring  Gordon Ramsay, the chef with a cult following, live races from thrilling 2021 FIM MotoGP World Championship, to highly appreciated motoring television series, Top Gear America hosted by Dax Shepard, Rob Corddry, and Jethro Bovingdon.      

    Be it walking with migrating elephants in Walking with Elephants ft. Levison Wood, or navigating love under overbearing mothers’ eyes in I Love A Mama’s Boy, along with new episodes of the most loved franchise Undercover Billionaire: Comeback City, the discovery+ audience is assured of entertainment in more ways than one.

    The plaform will be expanding its library even further with the acquisition of global and local titles from the A+E Networks’ (including from History TV18) library. From top-rated reality TV series like Pawn Stars based on a family-owned pawn shop to America’s favourite treasure hunters, Storage Wars to OMG! Yeh Mera India, the longest-running and most successful History TV18 franchise hosted by Krushna Abhishek and Kumbh: Among The Seekers based on a famous religious festival amongst other enthralling titles, users will have world-class content available at their fingertips. 

    Adding to the delight, a special curated kids content slate including exciting and appealing new shows like Mr. Bean, Little Singham, Kids Baking Championship, My Little Pony, Hanuman, Mister Maker among other fun titles are to be introduced. Children will be able to immerse into the world of fantasy and never-ending adventure while increasing their knowledge through informative titles like How Do Animals Do That, MythBusters Jr, to name a few.

    Expanding its local original production in 2021, with standout titles including Star vs. Food, Secrets of Sinauli: Discovery of the Century, Mission Frontline, Ladakh Warriors and Vande Bharat Flight IX 1344: Hope To Survival, the app has become home, to strong locally differentiated content in the real-life entertainment and learning space. 

    Discovery Inc South Asia managing director Megha Tata said: “We at discovery+, have always strived to provide world-class infotainment content to our users. Our partnership with A&E is a testament of how innovation for consumers remains core to discovery+ and reinforces our commitment to our audience by bringing to them content they like consuming under one platform. While we have our broad and engrossing portfolio for adults from varied genres, with the addition of kids we now have more content catering to the entire family. She also added, “We are confident that these additions will further strengthen our family, facts & fun premises that bring us close to our aspiration of being an aggregate platform catering to every member of the family.”

  • Discovery pays tribute to the Armed Forces with Republic Day special line-up

    Discovery pays tribute to the Armed Forces with Republic Day special line-up

    MUMBAI: Discovery Channel, India’s leading destination for factual entertainment, will celebrate Republic Day with a special line-up of shows dedicated to Indian Armed Forces. The channel will air best of shows from Breaking Point franchise– Indian Air Force Academy, High Altitude Warfare School, Indian Submariners as well as Revealed franchise – National Defense Academy and Siachen. The 5 hour long special line-up, offering unprecedented access to the intense, grueling training programs of all wings of Indian Armed Forces, will premiere on Republic Day, January 26, starting 12:00 noon

    Breaking Point: The Indian Submariners:

    The special show will give viewers a window into the world of complex, high-technology platform like the Submarines who acquire their strength from stealth in a very colloquial manner through the eyes of a common man, and anchor, Harman Singha, who will take audiences into a world which has never been explored before – a journey to live the life of an Indian Submariner; from the classroom to the officers Mess through Escape Training School; to diving to the depths of the seas on board the INS Sindhukirti.

    Breaking Point: Indian Airforce Academy:

    The show offers a never seen before look into the training imparted at India’s premier Air Force training institution – Air Force Academy located at Dundigul, Hyderabad which is instrumental in shaping the future Air Warriors. Breaking Point: Indian Air Force Academy, packed with emotions including grit, pride, fear and utmost patriotism, captures the life of 4 cadets – Mudit Tewari, Priya Sharma, Amogh Bhandralia and Kartik Thakur – who are in various stages of their training at the Academy.

    Breaking Point- High Altitude Warfare School:

    Located in Gulmarg, HAWS is a globally acclaimed institution which trains Indian soldiers and attracts soldiers from friendly countries for high & super-high-altitude warfare. The show is first of its kind on Indian Television detailing the rigors of training at HAWS.  It will give viewers a glimpse of how the soldiers learn the art of mountain and winter warfare; HAWS is the training ground for all High-Altitude Warfare. Each moment of the show takes the viewer a step closer to how the soldiers are transformed into glorified mountain warriors of the Indian Army. 

    Revealed- National Defence Academy:

    One of the most reputed training academies globally, the National Defence Academy, popularly known as the NDA, holds the distinction of being the first tri-services academy in the world. This show will take viewers inside this fascinating and enigmatic institution, to understand what makes the NDA so exceptional. Steeped in tradition and lore, the one-hour long film delves into the academy’s focus of instilling the qualities of a soldier into a young cadet who in the future will go onto serving his nation with courage and pride and covers the three-year journey of cadets as they make their way through the course.

    Revealed- Siachen

    The Siachen glacier located in the Karakoram range in the Himalayas is the world’s highest and coldest battleground with army posts at over 21,000 feet. To stay atop on this 77 km long glacier at 5,400 meters altitude means the Indian soldiers have to defy all their physical, mental and emotional limits to safeguard the motherland. The special show will take viewers through the extreme frontline and what it takes to keep the Siachen glacier secure. It will present the remarkable chronicles of the soldiers and their formidable challenges to manage the battlefield where temperatures reach minus 60 degrees.

  • Kareena is Sony BBC Earth ambassador

    Kareena is Sony BBC Earth ambassador

    MUMBAI: The soon-to-be launched factual entertainment channel Sony BBC Earth has roped in the vivacious and versatile Kareena Kapoor Khan as its ‘Feel Alive’ Ambassador. This is the first time that the actress has become part of a factual entertainment channel.

    Kareena is known to have a spirited, ‘full-of-life’ personality both on and off-screen. Her vibrant persona coupled with her love for the natural world were the key factors in opting for Kareena to represent the most awaited channel of 2017.

    Sony Pictures Networks India EVP and business head – English cluster Saurabh Yagnik said, “Kareena Kapoor Khan’s personality perfectly resonates with our brand proposition and channel content, which will be revealed soon. I am confident that this unique association will take the factual entertainment experience to a whole new level for our viewers in India.”

    Also Read:

    Sony BBC Earth is just an approval away: NP Singh

    Sony BBC Earth gets regulatory approval, to launch in India soon

  • BBC Worldwide’s factual entertainment successful in India

    BBC Worldwide’s factual entertainment successful in India

    MUMBAI: Once in a blue moon or so, a television programme comes along that transfixes a nation and changes the daily routines of its viewers. The Great British Bake-Off is one of those. It airs once a week at 8pm on BBC One.  And every week UK residents rush home to watch whose puddings have got saggy bottoms. In last season’s final episode, 14.49 million viewers tuned in to watch the 30-year-old Nadiya Jamir Hussain take home the crown of the best baker. That episode, on 7 October last year, was the most popular programming in the UK, apart from the sport of football.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/00_15_36MB.jpg?itok=cia-5TOC

    GBBO is a sign of the times. One of the Beeb’s most successful innovations in recent times – though it will be moving to Channel 4 in the next season as its producer Love Productions has struck a deal for it with the former  – it indicates how British and European audiences are lapping up what we in India may call rather tedious factual TV shows  as they deal with more mundane everyday matters. BBC Worldwide has been at the forefront of driving this change with hits such as GBBO.

    Says BBC Worldwide’s Factual Entertainment and Entertainment genre director Tracy Forsyth:  “The audience here is more inclined to enjoy factual entertainment shows about perfecting a hobby or skill. The success story of The Great British Bake Off is a good example of this.”

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/GBBO%20Series%207_02.jpg?itok=qtLVmSJB

    This  BAFTA-winning British television baking competition that first aired on BBC Two in 2010 is already on to its season seven this year

    Extreme sports have also emerged as a favourite in other European, American and Australian markets. “Shows like Special Forces – Ultimate Hell Week, SAS: Who Dares Wins on Channel 4, are doing exceptionally well,” says Forsyth.

    She notes that imbibing digital and social media into storytelling has added new dimensions to factual entertainment content leading to BBC Worldwide taking chances with several experimental formats.

    “In Stupid Man, Smart Phone’ we asked the simple question – Can we survive the most remote locations in the world using only our mobile phones? Apart from this we have also roped in YouTube stars in our shows to leverage their fan base in the social media,” Forsyth explains.
    Being a pioneer in the sector globally puts BBC Worldwide is in a comfortable position to leverage its rich international format library and devise relatable local content off it for the Indian market.

    Forsyth’s Indian counterpart, BBC Worldwide India SVP and General Manager Myleeta Aga has been pushing the UK powerhouse’s fortunes in the Indian market. To date, the production house has produced innovative factual formats like the three seasons of Asian Paints HarGharKuchKehta Hai or ‘The House That Made Me ‘for Sony Entertainment Television and ColorsTV,  two seasons of Epic Ke Dus  on Epic TV, Inside Out for Discovery Channel, My Big Decision on Channel V and Wife Bina Life (The Week The Women Went) on Star Plus. Most recently BBC’s show Real Two States Couples featuring the best selling author Chetan Bhagat has aired on new factual entertainment channel FYI.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/image009.png?itok=c0vcfU1w

    While keeping an eye on global trends helps understand where India stands in terms of content consumption behaviour, Aga reinforces the fact that the key to getting more eyeballs and ad revenues flowing in the genre in India is to catch the pulse of local content.

    “Ours is a local content market – audiences want to see content that is relevant to them,” she states, confident of her team’s skill sets to meet the market’s ever growing need for quality content.

    “Factual entertainment is just a step away from pure factual content where BBC Worldwide is a global leader,” adds Aga. Barring the genre leaders like Discovery, National Geographic Channel and HistoryTV18, newer channels like Travel XP, FYi, Insight Channel, Living Foodz have popped up in BARC India’s infotainment category. Additionally, channels like Sony BBC Earth are also waiting to launch and further expand the genre, as reported earlier by indiantelevision.com.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/Myleeta-Aga.jpg?itok=IwD400kT
    BBC Worldwide India SVP and General Manager Myleeta Aga

    Going by the FICCI KPMG M&E report 2015, the genre commanded a viewership share of 1.3 per cent of the total market, higher than both English Entertainment and English News, while it’s AdEx share stood at two per cent of Rs 175 billion. Since then the sector has seen an upward trajectory both in terms of volume of content produced, and advertising revenue earned. 

    “While Infotainment in India represents a mere 1.25 per cent of the viewing share, this is still larger than English Entertainment and English Movies. This share of audience has been pretty much stable since 2012 but with platforms offering packaging by content genre there is scope for growth,” points out Aga.  “Factual/infotainment should also index better with advertisers as share of audience grows and we are able to more accurately measure viewership. Well made locally relevant content will be key to growing this category,” Aga said.

    Drawing distinction between factual entertainment with the essence of drama and entertainment in it, and purely informative factual content Aga states that India has a demand supply gap in the latter category, which the production house intends to fill with its high quality content.

    The Indian market provides a great playing field for the content producer in its regional languages as well. “Regional language dubbing makes factual content more accessible.  And because it is often content without ‘dialogue’ it is easy to dub.  However you still need to make an effort to give direction to dubbing artists just as you would to actors in a drama.  Because they are the storytellers,” Aga points out.

    Executives who dabble with content assert that there is a large audience in Tamil, Telugu and other regional languages which respond positively to factual entertainment content being dubbed and provided to them.

    This directly translates to a sizeable business opportunity for content creators and BBC Worldwide India backed by its rich experience of is already on it to make the most of it.

  • BBC Worldwide’s factual entertainment successful in India

    BBC Worldwide’s factual entertainment successful in India

    MUMBAI: Once in a blue moon or so, a television programme comes along that transfixes a nation and changes the daily routines of its viewers. The Great British Bake-Off is one of those. It airs once a week at 8pm on BBC One.  And every week UK residents rush home to watch whose puddings have got saggy bottoms. In last season’s final episode, 14.49 million viewers tuned in to watch the 30-year-old Nadiya Jamir Hussain take home the crown of the best baker. That episode, on 7 October last year, was the most popular programming in the UK, apart from the sport of football.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/00_15_36MB.jpg?itok=cia-5TOC

    GBBO is a sign of the times. One of the Beeb’s most successful innovations in recent times – though it will be moving to Channel 4 in the next season as its producer Love Productions has struck a deal for it with the former  – it indicates how British and European audiences are lapping up what we in India may call rather tedious factual TV shows  as they deal with more mundane everyday matters. BBC Worldwide has been at the forefront of driving this change with hits such as GBBO.

    Says BBC Worldwide’s Factual Entertainment and Entertainment genre director Tracy Forsyth:  “The audience here is more inclined to enjoy factual entertainment shows about perfecting a hobby or skill. The success story of The Great British Bake Off is a good example of this.”

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/GBBO%20Series%207_02.jpg?itok=qtLVmSJB

    This  BAFTA-winning British television baking competition that first aired on BBC Two in 2010 is already on to its season seven this year

    Extreme sports have also emerged as a favourite in other European, American and Australian markets. “Shows like Special Forces – Ultimate Hell Week, SAS: Who Dares Wins on Channel 4, are doing exceptionally well,” says Forsyth.

    She notes that imbibing digital and social media into storytelling has added new dimensions to factual entertainment content leading to BBC Worldwide taking chances with several experimental formats.

    “In Stupid Man, Smart Phone’ we asked the simple question – Can we survive the most remote locations in the world using only our mobile phones? Apart from this we have also roped in YouTube stars in our shows to leverage their fan base in the social media,” Forsyth explains.
    Being a pioneer in the sector globally puts BBC Worldwide is in a comfortable position to leverage its rich international format library and devise relatable local content off it for the Indian market.

    Forsyth’s Indian counterpart, BBC Worldwide India SVP and General Manager Myleeta Aga has been pushing the UK powerhouse’s fortunes in the Indian market. To date, the production house has produced innovative factual formats like the three seasons of Asian Paints HarGharKuchKehta Hai or ‘The House That Made Me ‘for Sony Entertainment Television and ColorsTV,  two seasons of Epic Ke Dus  on Epic TV, Inside Out for Discovery Channel, My Big Decision on Channel V and Wife Bina Life (The Week The Women Went) on Star Plus. Most recently BBC’s show Real Two States Couples featuring the best selling author Chetan Bhagat has aired on new factual entertainment channel FYI.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/image009.png?itok=c0vcfU1w

    While keeping an eye on global trends helps understand where India stands in terms of content consumption behaviour, Aga reinforces the fact that the key to getting more eyeballs and ad revenues flowing in the genre in India is to catch the pulse of local content.

    “Ours is a local content market – audiences want to see content that is relevant to them,” she states, confident of her team’s skill sets to meet the market’s ever growing need for quality content.

    “Factual entertainment is just a step away from pure factual content where BBC Worldwide is a global leader,” adds Aga. Barring the genre leaders like Discovery, National Geographic Channel and HistoryTV18, newer channels like Travel XP, FYi, Insight Channel, Living Foodz have popped up in BARC India’s infotainment category. Additionally, channels like Sony BBC Earth are also waiting to launch and further expand the genre, as reported earlier by indiantelevision.com.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/Myleeta-Aga.jpg?itok=IwD400kT
    BBC Worldwide India SVP and General Manager Myleeta Aga

    Going by the FICCI KPMG M&E report 2015, the genre commanded a viewership share of 1.3 per cent of the total market, higher than both English Entertainment and English News, while it’s AdEx share stood at two per cent of Rs 175 billion. Since then the sector has seen an upward trajectory both in terms of volume of content produced, and advertising revenue earned. 

    “While Infotainment in India represents a mere 1.25 per cent of the viewing share, this is still larger than English Entertainment and English Movies. This share of audience has been pretty much stable since 2012 but with platforms offering packaging by content genre there is scope for growth,” points out Aga.  “Factual/infotainment should also index better with advertisers as share of audience grows and we are able to more accurately measure viewership. Well made locally relevant content will be key to growing this category,” Aga said.

    Drawing distinction between factual entertainment with the essence of drama and entertainment in it, and purely informative factual content Aga states that India has a demand supply gap in the latter category, which the production house intends to fill with its high quality content.

    The Indian market provides a great playing field for the content producer in its regional languages as well. “Regional language dubbing makes factual content more accessible.  And because it is often content without ‘dialogue’ it is easy to dub.  However you still need to make an effort to give direction to dubbing artists just as you would to actors in a drama.  Because they are the storytellers,” Aga points out.

    Executives who dabble with content assert that there is a large audience in Tamil, Telugu and other regional languages which respond positively to factual entertainment content being dubbed and provided to them.

    This directly translates to a sizeable business opportunity for content creators and BBC Worldwide India backed by its rich experience of is already on it to make the most of it.

  • Discovery channel and tlc ranked as the most attractive factual entertainment & lifestyle brands by Trust Research Advisory

    Discovery channel and tlc ranked as the most attractive factual entertainment & lifestyle brands by Trust Research Advisory

    MUMBAI : Discovery’s flagship networks in India – Discovery Channel and TLC have been awarded the most Attractive Brands in the Factual Entertainment and Lifestyle category, respectively, in the India’s Most Attractive Brands Report 2013, conducted by Trust Research Advisory (TRA).

    Rahul Johri, Senior Vice President and General Manager – South Asia and Head of Revenue, Pan-Regional Ad Sales and Southeast Asia, Discovery Networks Asia-Pacific, said, “This recognition reiterates our unmatched leadership in the factual and lifestyle genres and demonstrates the brands’ nationwide allure. It truly reflects the immense contribution and the continuous ingenuity applied by the Discovery employees.”

    The report is based on primary research conducted with ‘consumer-influencers’ from across 16 cities based on TRA’s proprietary matrix of 36 brand attractive traits. With this report, Trust Research Advisory wants to highlight a critical differentiator for brands in a highly competitive and fragmented market – attractiveness. The report presents concepts to bring forth ‘Brand Attractiveness’ and classifies the top brands across various genres by analysing stakeholder behavior.