Tag: eyeballs

  • Which TV content grabs south India’s eyeballs?

    Which TV content grabs south India’s eyeballs?

    MUMBAI: When we talk about the television industry, everyone is aware that the Hindi-speaking market is vast. However, a significant part of the industry is concentrated in another part of India — the southern market. Its a highly influential market for advertisers.

    A recent newsletter released by the television ratings body Broadcast Audience Research Council (BARC) India ‘South Special Edition’ seeks to answer all the questions as to how the southern India is different from HSM w.r.t. important audience metrics? How southern states differ from each other in terms of programme theme preferences.

    Avg. Time Spent (ATS) vs Opportunity to See (OTS) and performance of product categories? How does the popular Hindi content dubbed in southern languages perform? And, most importantly, what the southern market watches on its television sets?

    As per the BARC study, south India has a lower share in the movies genre as compared to GEC. On the other hand, its share in GEC and news channels is higher than HSM. Also, within the regions, the relative ranking for most genres remains constant across HSM and South.

    public://barc3.jpg

    Surprisingly, programme themes and channel genres do not show the same trends across HSM and South. Serials, which are the staple of GEC channels (which saw the highest share in terms of channel genre), sees a drop in share for South as compared to the share for channel genre.

    Similarly, while movie channels are viewed lesser than HSM, in South, the trend is reversed when it comes to film-based programs i.e. South has a higher share compared to HSM.

    public://barc4.jpg

    The study also shows that South Indian viewership seems to begin earlier in the day than HSM and also end up earlier. South has a higher viewership than HSM only during  early morning hours (05:00-08:00).

    public://barc1.jpg

    Tile the gap between HSM and South reduces marginally during 18:00-21:00  hrs. South seems to have an earlier prime¬ time than HSM. It is clear that South and HSM do not have the same viewership trends.

    public://barc2.jpg

    BARC studies showed that the Southern Market shows the highest inclination towards film-based content followed by serials driven by AP/Telangana and Kerala, respectively. Kerala watches less movies as compared to other markets.

    public://barc5.jpg

    On the other hand, AP/Telangana watches less serials and more of news than other southern markets. In most of the markets, the most watched TV content is film-based followed by serials. Content based on music and tourism is the least popular in southern markets.

    How different are southern states in terms of rural and urban?

    The urban and rural viewership is comparable throughout the day with both seeing a peak during the prime-time. However, as opposed to the rest of the day, during prime-time hours, it is mainly the rural markets which seem to be driving the viewership and not urban markets.

    public://barc8.jpg

    When we look at states within urban and rural markets,  while rural markets have similar viewership trends across states, it is not the same case with urban markets. In urban markets, the viewership among markets differs between prime time hours and non-prime time hours. During non-prime time hours, AP/Telangana has a maximum viewership. After AP/Telangana, the maximum viewership alternates between TN/Pondicherry and Karnataka markets with Kerala having the lowest viewership for most day parts.

    public://barc9.jpg

    However, during prime time hours, this order is completely changed. Urban Karnataka has the maximum viewership post 21:00 hrs and this lead continues into late night  hours as well.

    What is interesting is that even among the rural markets, Karnataka displays similar behaviour with respect to prime time viewership. During late night  hours, Kerala, which is a relatively smaller market, sees the highest viewership.

    public://barc10.jpg

    Conversely, TN/Pondicherry, which is one of the bigger markets during non-primetime hours, shows the least viewership during prime time hours in both rural and urban markets.

    How is Hindi content dubbed in south languages performing?

    Popular content from Hindi GECs is now being dubbed and shown on southern GECs. This phenomenon is seen across all southern states with the exception of Karnataka. Shows from leading channels such as Star Plus (Diya Aur Baati Hum. Siya Ke Ram. etc.), Colors (Naagin. Sasural Simar Ka, Balika Vadhu, etc.), Zee TV (Gangaa, Kumkum Bhagya, Ek Mutthi Aasman, etc.) and Sony (CID, Bade Achhe Lagte Hai, etc.), have been dubbed.

    Interestingly, in AP/Telangana market, none of the channels sees an increase in viewership for Hindi dubbed content. In the other two markets, viz. Kerala and TN/Pondicherry, Hindi dubbed content sees a mixed response with some channels seeing a higher viewership than the original content in regional language.

    In the Kerala market, the highest spike is seen by Asianet Plus. Similarly, in TN/Pondicherry market, maximum growth is seen by Polimer, where the viewership for Hindi dubbed content is more than double that of the original content. This is on the back of several popular shows.

    public://barc11.jpg

     

  • Which TV content grabs south India’s eyeballs?

    Which TV content grabs south India’s eyeballs?

    MUMBAI: When we talk about the television industry, everyone is aware that the Hindi-speaking market is vast. However, a significant part of the industry is concentrated in another part of India — the southern market. Its a highly influential market for advertisers.

    A recent newsletter released by the television ratings body Broadcast Audience Research Council (BARC) India ‘South Special Edition’ seeks to answer all the questions as to how the southern India is different from HSM w.r.t. important audience metrics? How southern states differ from each other in terms of programme theme preferences.

    Avg. Time Spent (ATS) vs Opportunity to See (OTS) and performance of product categories? How does the popular Hindi content dubbed in southern languages perform? And, most importantly, what the southern market watches on its television sets?

    As per the BARC study, south India has a lower share in the movies genre as compared to GEC. On the other hand, its share in GEC and news channels is higher than HSM. Also, within the regions, the relative ranking for most genres remains constant across HSM and South.

    public://barc3.jpg

    Surprisingly, programme themes and channel genres do not show the same trends across HSM and South. Serials, which are the staple of GEC channels (which saw the highest share in terms of channel genre), sees a drop in share for South as compared to the share for channel genre.

    Similarly, while movie channels are viewed lesser than HSM, in South, the trend is reversed when it comes to film-based programs i.e. South has a higher share compared to HSM.

    public://barc4.jpg

    The study also shows that South Indian viewership seems to begin earlier in the day than HSM and also end up earlier. South has a higher viewership than HSM only during  early morning hours (05:00-08:00).

    public://barc1.jpg

    Tile the gap between HSM and South reduces marginally during 18:00-21:00  hrs. South seems to have an earlier prime¬ time than HSM. It is clear that South and HSM do not have the same viewership trends.

    public://barc2.jpg

    BARC studies showed that the Southern Market shows the highest inclination towards film-based content followed by serials driven by AP/Telangana and Kerala, respectively. Kerala watches less movies as compared to other markets.

    public://barc5.jpg

    On the other hand, AP/Telangana watches less serials and more of news than other southern markets. In most of the markets, the most watched TV content is film-based followed by serials. Content based on music and tourism is the least popular in southern markets.

    How different are southern states in terms of rural and urban?

    The urban and rural viewership is comparable throughout the day with both seeing a peak during the prime-time. However, as opposed to the rest of the day, during prime-time hours, it is mainly the rural markets which seem to be driving the viewership and not urban markets.

    public://barc8.jpg

    When we look at states within urban and rural markets,  while rural markets have similar viewership trends across states, it is not the same case with urban markets. In urban markets, the viewership among markets differs between prime time hours and non-prime time hours. During non-prime time hours, AP/Telangana has a maximum viewership. After AP/Telangana, the maximum viewership alternates between TN/Pondicherry and Karnataka markets with Kerala having the lowest viewership for most day parts.

    public://barc9.jpg

    However, during prime time hours, this order is completely changed. Urban Karnataka has the maximum viewership post 21:00 hrs and this lead continues into late night  hours as well.

    What is interesting is that even among the rural markets, Karnataka displays similar behaviour with respect to prime time viewership. During late night  hours, Kerala, which is a relatively smaller market, sees the highest viewership.

    public://barc10.jpg

    Conversely, TN/Pondicherry, which is one of the bigger markets during non-primetime hours, shows the least viewership during prime time hours in both rural and urban markets.

    How is Hindi content dubbed in south languages performing?

    Popular content from Hindi GECs is now being dubbed and shown on southern GECs. This phenomenon is seen across all southern states with the exception of Karnataka. Shows from leading channels such as Star Plus (Diya Aur Baati Hum. Siya Ke Ram. etc.), Colors (Naagin. Sasural Simar Ka, Balika Vadhu, etc.), Zee TV (Gangaa, Kumkum Bhagya, Ek Mutthi Aasman, etc.) and Sony (CID, Bade Achhe Lagte Hai, etc.), have been dubbed.

    Interestingly, in AP/Telangana market, none of the channels sees an increase in viewership for Hindi dubbed content. In the other two markets, viz. Kerala and TN/Pondicherry, Hindi dubbed content sees a mixed response with some channels seeing a higher viewership than the original content in regional language.

    In the Kerala market, the highest spike is seen by Asianet Plus. Similarly, in TN/Pondicherry market, maximum growth is seen by Polimer, where the viewership for Hindi dubbed content is more than double that of the original content. This is on the back of several popular shows.

    public://barc11.jpg

     

  • Sala Budha spreads message of love and generosity

    Sala Budha spreads message of love and generosity

    MUMBAI: The Indian film industry really seems to be exploring more ideas than ever before. This time, an Oriya film, Sala Budha (The Stupid Old Man) explores how the elders in our society are really not a liability but resources for the younger generation.

     

    The film was promoted at the festival amid much fanfare with folk performances to grab more eyeballs. The director of the film, Sabyasachi Mohapatra said that instead of looking at elderly people as liability we should consider them a great resource for leading the society.

     

    While interacting with the media at the sidelines of the 44th International Film Festival of India (IFFI), Mohapatra said that one in every five persons will be over 65 by 2035 and this film is a tale of human values and generosity.The story is based on a 100 year old story penned by his father, Sahitya Akademy award winner Shri Kapileswar Prasad Mohapatra. It is a black and white film with an 83-year-old protagonist.

     

    Made in Sambalpuri dialect spoken in the western part of Odisha, Sala Budha is one of the 26 feature films selected for the Indian Panorama category in this year’s edition. It commemorates the silver jubilee of Mohapatra’s last film in the Sambalpuri dialect, Bhukha, a widely acclaimed film.
    Set in a rural backdrop, Sala Budha is a film that ventures into the folklore lives of these simple God believing people. A journey through their faiths, culture, tradition and musical lives where man has only learnt to give and share.

  • Colors goes FTA in the UK; gears up for battle

    Colors goes FTA in the UK; gears up for battle

    MUMBAI: The battle to capture the eyeballs of the UK-based Indian TV channel viewer is about to get fiercer. The Viacom18 group’s flagship brand Colors has announced that it is going free to air in the UK from 2 September. Following this, all of Sky Digital and Virgin Media’s cable TV viewers will be able to receive the channel as a free service.

     

    Says Colors CEO Raj Nayak: “We are elated to offer two of our leading brands, Colors and Rishtey, to our viewers in the UK. With this move, we will be reaching out to a much wider audience base giving them an enriching viewing experience of our top class fiction and non-fiction programming”.

     

    Colors became a part of Multiscreen Media’s ViewAsia bouquet (available on Sky as an Asian pack for pound sterling 17.99) in 2010 and was a pay channel there. Over the past year, ViewAsia tenants such as Sab TV, Sahara one and Aaj Tak opted to go free, leaving Colors to give company to Sony Max, B4U Movies, Sony TV Asia and ARY digital on ViewAsia. Now Colors too has headed for the exit, leaving question marks over ViewAsia’s pricing structure.

     

    Points out IndiaCast group CEO Anuj Gandhi: “The UK continues to be one of our most important markets – where in the past we have challenged the status quo with the launch and success of Rishtey and now with Colors going free to air, we are making our next big move towards leadership.”

     

    Over the past three years, the Network18 group and Viacom18 have launched Colors, Rishtey and News 18 – the first international news channel covering India- in the UK with the Viacom-Network18 joint venture Indiacast. The network says, Colors is available in close to 75 countries and its content is distributed in over 100 countries.

     

    ” Over the last 12 months, we have had phenomenal success with Rishtey that has made us the strongest challenger in the market. With Colors going free to air, we will neutralize the undue distribution advantage that some of the other south Asian channels have enjoyed in the market, making it a level playing field and we are confident of being the leading south Asian network in the UK in the near future,” says Indiacast COO Gaurav Gandhi.

     

    Adds IndiaCast UK’s business head Govind Shahi: “As a growing network, we are thrilled to independently deliver a broader spectrum of high quality entertainment to the consumer – with path breaking dramas, round-the-clock news, movie premieres and all-time favourite international formats like Bigg Boss, India’s Got Talent and Jhalak Dikhhla Jaa. Now with our channels reaching DTH homes in the UK, we are going to be the most potent and effective platform for the advertisers targeting South Asian homes.”

     

    Once it goes free to air, Colors will become a BARB rated channel in the UK. The latest BARB ratings for the week ended 11 August, show Star Plus is the leader in the UK market with 1.16 million viewers, UMP Movies is second with 994,000 viewers, Rishtey, third with 888,000 viewers, Zing – a part of the Zee Network – is at fourth with its best ever ratings of 621,000 viewers. At fifth place is Star Gold with 580,000 viewers. Sony SAB TV follows with 573,000 viewers. At seventh spot is Star Life Ok with 440,000 viewers.

     

    Cumulatively, the Star Network channels account for 2 plus million viewers in the UK – a stranglehold that the Netowrk18 group will be hard-pressed to try and break. But knowing the IndiaCast, Network18 and Viacom18, teams, well, they love a good joust. Get ready for a good fight!