Tag: Excellent Publicity

  • Excellent Publicity launches pro bono startup aid

    Excellent Publicity launches pro bono startup aid

    MUMBAI: Giving back can sometimes be the best business move. Excellent Publicity, a leading ad-tech Saas agency, has launched a pro bono consultation initiative aimed at mentoring early-stage startups in India.

    The program targets ventures less than a year old or generating under Rs 1 crore in annual revenue, offering strategic one-on-one guidance on brand building, marketing, and growth. Co-founder Vaishal Dalal, who experienced the struggles of starting a business firsthand, will personally lead the sessions.

    “At the beginning of our own journey, we had no one to turn to,” Dalal said. “This program is our way of ensuring that new entrepreneurs don’t feel as alone as we once did.”

    Daily slots will be open for startups to register via Excellent Publicity’s website, with no obligations attached. The initiative aims to equip young businesses with the clarity, tools, and confidence to navigate a competitive market and reduce early-stage failures.

    “One entrepreneur finding their way forward can spark jobs, opportunities, and growth for many others,” Dalal added. “We want to create that ripple effect.”

    While currently planned as a one-time programme, Excellent Publicity may expand the initiative based on its impact, demonstrating a commitment to purpose-driven support for India’s entrepreneurial ecosystem.

  • India’s ad market rebounds in H1 2025 as TV steals the show: Excellent Publicity report

    India’s ad market rebounds in H1 2025 as TV steals the show: Excellent Publicity report

    MUMBAI: Here’s one report which is not talking of doom and gloom as far as ad spends in India are concerned. India’s advertising market kicked off 2025 on a high according to a half-yearly report by ad-tech and media planning agency Excellent Publicity, citing data from TAM Media Research, TAM AdEx and RCS India, reported Business Standard. The report said that  television powered ahead as the biggest gainer in the first half of the year, outspending print and radio, while digital was the lone laggard.

    Ad spends on TV per channel jumped 27 per cent year-on-year. Sports channels hoovered up 68.5 per cent of TV spends, trailed by general entertainment with 15.7 per cent. The e-commerce media, entertainment and social media category led volumes with a 25.6 per cent share. Star India kept its crown with 16.8 per cent of volumes, while Jio Hotstar topped the brand charts. Cellular services were the fastest risers, ballooning 17 times over the year.

    Print was no pushover either, posting a robust 26 per cent growth. Cars took pole position with 8.9 per cent of spends, while two-wheelers zipped ahead with a 31 per cent surge. Maruti Suzuki India was the top advertiser; Allen Career Institute, the top brand. Rajasthan led among states with 15.6 per cent of spends, and Delhi among cities with 7.1 per cent.

    Radio barely moved the needle, inching up 4 per cent. Properties and real estate dominated, cars followed, and pan masala muscled into the top 10. Maharashtra accounted for 19.3 per cent of radio spends, Delhi 18.1 per cent. Maruti Suzuki India again led advertisers, while Jeena Sikho Lifecare was the top brand.

    Digital, by contrast, shrank 12 per cent – the only medium to contract – though it logged the highest number of advertisers in three years. E-commerce online shopping led with an 11.2 per cent share. Amazon Online India was the top advertiser, Amazon.in the top brand. Programmatic buying made up 88.3 per cent of spends. Some niches bucked the trend: washing powders and liquids soared 21 times, perfumes and deodorants six times.

    “What’s really interesting is how brands are navigating a delicate balance,” said Excellent Publicity co-founder and director Vaishal Dalal.. “TV still captures attention, radio keeps the connection local and relatable, print is earning back trust, and digital is becoming sharper and more targeted.”

    Strangely the report did not talk about  outdoor spends. Was the situation hunky-dory in the sector like TV?

  • Ad volumes tune up as TV, radio and print steal the show in H1 2025

    Ad volumes tune up as TV, radio and print steal the show in H1 2025

    MUMBAI: Lights, camera, action, India’s advertising pie in 2025 is anything but half-baked. The first half of the year has seen TV, radio, and print rise with renewed swagger, even as digital took a cautious breather, according to a trends report by Excellent Publicity in partnership with TAM Adex and RCS India.

    Television strutted confidently, clocking a 27 per cent surge in ad volumes and a 64 per cent jump in spends over 2023. Unsurprisingly, Star India ruled the charts, while Jio Hotstar topped brand visibility. Together, Sports and GECs claimed 84 per cent of ad time, proving that prime time still makes advertisers shine. Entertainment, e-commerce, and social media alone accounted for 25.6 per cent of volumes.

    Radio kept its local beat alive, growing 10 per cent in revenues over 2023. Real estate and cars dominated the airwaves, with Maruti Suzuki India the top advertiser and Jeena Sikho the loudest brand. The real showstopper? Commercial vehicles, which roared with a 24x spike in ad spends, underscoring radio’s rural and tier-2 pull.

    Print, once counted out, flipped back into relevance with 26 per cent growth YoY. Cars led the page with 8.9 per cent of spends, while Retail Departmental Stores made a debut in the top 10. Allen Career Institute continued to hold the spotlight, and two-wheelers raced ahead with a 31 per cent surge in spends, showing print’s enduring power in suburban and semi-urban India.

    Digital, meanwhile, had a paradoxical season. Though overall spends dipped 8 per cent YoY, the platform saw its highest number of advertisers in three years. Online shopping led the charge with 11.2 per cent of total spends, Amazon India as the top advertiser and Amazon the most visible brand. Quirky shifts included washing powders and liquids exploding by 21x and perfumes/deodorants by 6x, while programmatic accounted for 88.3 per cent of spends, cementing automation’s dominance.

    As Excellent Publicity co-founder Vaishal Dalal put it: “TV still captures attention, radio keeps it local, print earns back trust, and digital is sharper than ever. The winners are those who embrace each medium’s strengths while staying innovative.”

    India’s ad world, it seems, is learning to juggle tradition with tech – and in 2025, every medium is fighting for its close-up.

  • Agri sector spends 66 per cent on print ads in 2024, digital sees 18 per cent growth: Excellent Publicity report

    Agri sector spends 66 per cent on print ads in 2024, digital sees 18 per cent growth: Excellent Publicity report

    MUMBAI : The humble print ad is still king of the farm, it seems, as a new report from Excellent Publicity, India’s ad-tech wizards, reveals that the agriculture and farming sector splurged a whopping 66 per cent of its total ad spend on print in 2024. That’s a bumper crop of broadsheets and tabloids reaching the heart of rural India.

    The report, drawing insights from thousands of campaigns and TAM Media Research data, painted a vivid picture of the agri-sector’s media consumption habits. While print remains the sturdy backbone of advertising efforts, digital is certainly planting its seeds, showing an 18 per cent growth in 2024 over 2022. It appears even farmers are swiping right on new tech.

    North Zone proved to be the print-loving powerhouse, accounting for 35.7 per cent of total print ad spends, with the South close behind at 30.8 per cent. Regional stalwarts like Dainik Bhaskar and Eenadu continued to harvest the lion’s share of regional ad spaces, proving that local news still cuts the mustard.

    Indian Farmers Fertiliser Cooperative (IFFCO) cemented its position as the top dog in print, commanding a massive 65.6 per cent share. Clearly, they’re not just fertilising crops, but ad pages too. And for those wondering, 99.4 per cent of these ads were in glorious technicolour – because even a tractor looks better in high definition – with nearly three-quarters gracing those coveted front-page spots.

    Television, however, saw a bit of a dry spell, with ad spends declining by 53 per cent in 2024 compared to 2022. Yet, insecticide brands sprayed their way to the top, seizing a 16.2 per cent share. News channels, ever the purveyors of prime-time drama, scooped up 80.4 per cent of TV ad spends. And who was the most familiar face gracing these agricultural advisories? None other than ajay devgan, whose celebrity endorsements tilled nearly 12 per cent of total TV ad durations.

    Excellent Publicity co-founder & director Vaishal Dalal commented, “The agriculture and farming sector continues to show a strong preference for traditional mediums, particularly print, which offers unparalleled reach in rural and semi-urban India. However, we are seeing growing digital adoption, especially for precision targeting and building direct engagement with the new-age farming community. The integration of digital with traditional advertising will likely shape the sector’s future media strategies.”

    Radio, that old faithful, saw a 38 per cent surge in ad spends in 2023 over 2022. Tirth Agro Technology, clearly with an ear to the ground, dominated radio waves, capturing 30 per cent of total radio ad spends in 2024. The West Zone was the loudest on radio, contributing 59.1 per cent, with My FM becoming the most preferred network. It seems radio still holds its own, proving that some classics never go out of style.

    Digital, the youthful disruptor, witnessed an 18 per cent growth in 2024 over 2022, with Jain Irrigation System leading the charge. Facebook.com, perhaps surprisingly, reaped 60.6 per cent of total digital ad spends, followed by X.com at 28 per cent. Display ads, those familiar banners and pop-ups, were the preferred format, making up 95.4 per cent of total digital ad volumes. Video, while sprouting interest, still has some growing to do. Over 190 advertisers cultivated exclusive digital campaigns in 2024, showing a clear shift towards digital-first strategies.

    The report concluded that advertising activity generally followed the agricultural calendar, peeking from May to November on TV, October to December in Print, January to March on Radio, and June to August on Digital. It seems advertisers know exactly when to sow their seeds to reap the best results.

  • I don’t switch hats between data and creativity; I wear both: Excellent Publicity’s Vaishal Dalal

    I don’t switch hats between data and creativity; I wear both: Excellent Publicity’s Vaishal Dalal

    What began in 2011 as a scrappy gamble by two advertising outsiders, Vaishal Dalal and Manan Joshi, has today morphed into one of Ahmedabad’s loudest success stories. Excellent Publicity, once a fledgling agency with nothing but ambition, now clocks a turnover of Rs 100 crore+.

    In just 13 years, the company has evolved into a full-blown media-tech powerhouse, fusing human creativity with data-driven precision. Its client roster reads like a brand marketer’s fantasy league: Google, Amazon, Amul, Axis Bank, Starbucks, Flipkart and Asian Paints – 1,300 of them in FY 2024–25 alone.

    At the helm is Vaishal Dalal, chairperson, co-founder and director, a chartered accountant who swapped balance sheets for brand battles and has been making bets ever since. As Excellent’s chief finance strategist and resident dealmaker, Dalal drives business development, crafts growth playbooks, and ensures every campaign is engineered for impact.

    His leadership has earned the firm a trophy cabinet of accolades, from the Gujarat Young Achievers Award and Mumbai City Icon Award to a coveted spot among India’s top 100 advertising and marketing agencies. Dalal himself was crowned with the Top 100 Great People Managers Award in 2023, proof that his knack for scaling brands is matched only by his ability to inspire teams.
    Indiantelevision.com’s Rohin Ramesh traded emails with Dalal, who pulled back the curtain on how Excellent Publicity went from scrappy start-up to Rs 100-crore+ media-tech agency and why the agency’s next big act might just be its boldest yet.

    Edited excerpts

    On your “microwave moment” when you realised media was your true main course

    The turning point came not with numbers or funding, but with obsession. The first idea was building a platform from which people could book tables at restaurants, but that was just an idea. My goal was to solve an issue people were facing, and my initial idea gave me the process of building its narrative, the name, logo, and launch campaign stirred something deeper. I found myself more engrossed in building something no one would have even thought of. And that’s when I came up with the idea of “on wheels”.

    To give the idea a push, I started a magazine where we wrote and designed everything ourselves and even built shelves inside auto-rickshaws for travelers to read during their rides. But instead of the magazine, people were more drawn to the advertisements on the outside of the autos. That unexpected insight gave us our opening; this was where the idea of transit advertising was born.

    The curiosity around how billboard branding works had always been there, and this experience made it clear: branding wasn’t just an accessory, it was the engine. And the media wasn’t just a service, it was a platform for impact.

    That realisation led to the foundation of Excellent Publicity, a media aggregator that aimed to declutter the space of offline media buying and planning. Eventually, we evolved into building an AI-integrated ad-tech platform that helps brands execute advertising globally, both offline and digital, with simplicity and scale.

    On the name Excellent Publicity coming from

    It came from intent. The name “Excellent Publicity” was chosen not just as a label, but as a promise, to ourselves and to every client we would eventually work with. It had to be aspirational but also grounded. No jargon, no fluff, just a clear message: we deliver nothing less than excellent. It became both our identity and our benchmark. Every campaign we executed, every feature we added to our AI platform, was a step toward making that promise real.

    On the motivation of going forward when the bank balance said “LOL”

    What kept us going was belief, not just in the vision, but in our ability to figure things out, even if it meant failing forward. We had no Plan B. We didn’t have funding or a fallback. So when the bank balance mocked us, we responded with action: cold emails, late-night research, and experiments that eventually paid off. Every inch of progress was hard-earned, which made it meaningful. Today, when clients across 23+ countries trust our platform to book their campaigns, it’s a reminder of what persistence can build.

    On what is more tough, filing ITRs or convincing a legacy client to try programmatic?

    Convincing a legacy client, without doubt. Numbers are predictable. People, not so much. Especially when they’ve done things a certain way for decades. But we saw this as an opportunity, not a challenge, to educate and progress. Our platform and the team made it easier. When clients could receive live media inventory, real-time pricing, and cross-platform insights, all at the click of a button, it wasn’t just convincing, it was converting.

    On you being  India’s “Prompt Whisperer” for marketers who don’t know their LLMs from their LCDs

    We’re not trying to be whisperers; we’re translators. At Excellent Publicity, we’ve built a platform that speaks business, not just code. Whether you’re a startup founder in Bangalore or a brand manager in Berlin, our platform eliminates the tech intimidation. You don’t need to know how an LLM works; you just need to know your audience. The AI handles the rest: inventory, targeting, media planning, and campaign booking. You click. It calculates. It’s advertising without the guesswork.

    On balancing spreadsheets with storyboards, and P&Ls with punchlines

    The secret is in integration, not balance. I don’t switch hats between data and creativity; I wear both. My finance background taught me discipline; advertising taught me intuition. One feeds logic into the system, the other breathes life into it. Whether we’re building a strategy for Burger King or defining media budgets for a fintech brand, the goal is always the same: maximize ROI while staying memorable.

    On challenges of building an adtech beast out of Ahmedabad

    It’s liberating. Not being in the conventional advertising hubs meant we were free from the pressure to conform. We built for need, not for noise. We understood Tier 2 and Tier 3 markets deeply, and now, through our AI-integrated platform, we’re scaling globally. A business in New York can launch a campaign in Mumbai within minutes, without picking up the phone. That’s our real flex, location never limited our ambition. And since having presence in Mumbai, Delhi, Pune, and Surat along with the UAE, we understand the local and global markets thoroughly, which helps us simplify advertising for brands globally.

    On your secret to win trust across such wildly different verticals

    It starts with listening. Every brand, whether legacy or startup, wants clarity, speed, and results. We bring that with our hybrid approach, human insight powered by AI logic. Our platform doesn’t generalize; it personalizes. Whether it’s Amul’s mass appeal or CoinDCX’s niche strategy, we’re able to adapt the media mix with precision and speed. That flexibility, backed by trust, is what keeps them coming back.

    On one thing AI still can’t do that your team nails every time

    Empathy. AI can process data, predict behavior, and even draft copy, but can’t feel it. It can’t understand cultural nuance, emotional context, or the layered meaning behind a regional campaign. My team can. Whether it’s deciding what billboard location is best in Baroda for a brand or designing a strategy that can appeal to the locals in Dubai, the human pulse is irreplaceable. AI is our engine, but people are the soul.

  • Clicks and trips go hand in hand as travel ads chart new routes

    Clicks and trips go hand in hand as travel ads chart new routes

    MUMBAI: When it comes to travel, Indians aren’t just packing bags, they’re packing pixels. In a year when revenge tourism fuelled wanderlust and digital-first habits reshaped holiday planning, Excellent Publicity’s latest report captures a sector that’s going places literally and virtually. Based on over 30,000 campaigns and TAM Media insights, the 2024 Travel & Tourism Advertising Landscape offers a fascinating peek into how brands sold dreams of getaways to a nation ready to escape.

    Total ad spends in the sector rose by 28 per cent in 2024, with digital commanding a staggering 78 per cent of that pie. Video platforms like YouTube and Instagram accounted for over 62 per cent of these digital spends, thanks to their scroll-stopping visuals and seamless influencer integration. The age of the static banner, it seems, is on a one-way trip to oblivion.

    It’s not just metros that are dreaming big 35 per cent of digital ad impressions came from Tier II and III cities, marking a shift in aspiration and affordability. Goibibo, Redbus, and Yatra rode this wave with vernacular campaigns, cashback offers, and destination-led storytelling.

    Short-form videos emerged as the MVP of campaign visibility, with influencer-led Reels and Youtube Shorts growing 45 per cent year-on-year. Micro and mid-tier creators proved to be the hidden gems of the media mix, converting eyeballs into bookings with hacks, hauls, and heartfelt narratives.

    Despite digital’s dominance, traditional formats still held ground. Television retained a 12 per cent share, proving useful in prime-time slots and regional infotainment, especially for family-oriented travel brands. Print (3 per cent) was used for tactical bursts like seasonal guides, while OOH (6 per cent) stayed visible near airports and high-footfall spots. Radio, though a modest 1 per cent of the mix, was used smartly around long weekends and festive peaks.

    Ad activity spiked during April-June (summer holidays) and again from October to December (festive breaks and destination weddings). Destinations like Ladakh, Rishikesh, Udaipur, and Bali drew big bucks from brands focused on adventure, wellness, and cultural experiences.

    Top spenders included Makemytrip, Easemytrip, Club Mahindra, Agoda, Thomas Cook, and Air India together accounting for over 33 per cent of the total digital travel ad budget. Campaigns ranged from AR-powered itinerary planning to influencer-hosted travelogues and loyalty program launches.

    Emotional hooks also proved effective, with storytelling leaning into themes of nostalgia (“first trip post-COVID”) and purpose (“make memories, not plans”). There was a noticeable pivot to experiential travel, with brands showcasing offbeat stays, cultural immersions, and eco-conscious itineraries.

    “The media mix is evolving, but the message remains timeless: travel is emotional,” said Excellent Publicity co-founder & director, Vaishal Dalal. “The brands winning today are those combining data-led precision with creative ambition making the journey to booking feel as exciting as the journey itself.”

    As Gen Z and millennials continue to shape spending habits, travel brands will need to mix immersive formats, voice AI, sustainability and hyper-personalisation to stay relevant and stay booked. Because in 2024, even holidays needed good content.

  • Print leads jewellery ad spend as digital gains: Insights from 2024 report

    Print leads jewellery ad spend as digital gains: Insights from 2024 report

    MUMBAI: Print media isn’t ready to hand over its crown just yet. Despite the digital surge, print advertising still ruled the jewellery sector in 2024, capturing 73 per cent of total ad spend, according to Excellent Publicity’s Jewellery Ad Spend Report. Released in collaboration with data from TAM Media Research, the report unpacks how jewellery brands distributed their ad budgets across print, TV, radio, and digital platforms.

    Print remained the undisputed leader, with Titan Company claiming 11 per cent of print ad spend, followed by Malabar Group at 8 per cent and Kalyan Jewellers at 7 per cent. Regional publications were pivotal, with South Indian newspapers commanding 28 per cent of print investments. Eenadu topped the list, closely followed by The Times of India.

    Television, another heavy hitter, accounted for 45 per cent of the total ad spend, with general entertainment channels (GECs) leading the charge. News and sports channels captured 36 per cent and nine per cent, respectively. Indian cinema stardom played a big role here, with Janhvi Kapoor and Alia Bhatt boosting Kalyan Jewellers to the top TV advertiser spot, contributing 20 per cent of TV ad spend.

    Digital platforms made their presence felt, reflecting a shift in consumer behaviour. Display ads dominated with 87 per cent of digital ad volume, while video content contributed 13 per cent. Facebook led the digital pack, commanding 75 per cent of digital ad spend, followed by YouTube at 11 per cent. Notably, August Jewellery was the top digital advertiser, responsible for 34 per cent of the sector’s digital spend.

    Excellent Publicity co-founder & director, Vaishal Dalal noted the evolution, “Television, radio, and print media have always been reliable mediums for the jewellery industry’s advertising. However, the technological revolution has brought about a remarkable change in people’s content-viewing habits. This behavioural change has opened up new avenues of online advertising formats for brands to connect with their audiences. The jewellery sector is no exception, embracing digital media to stay relevant and engage with its target consumers. With the endless possibilities digital offers, the future holds immense potential for growth and innovation in this space.”

    The report highlighted regional nuances in advertising. South India contributed 28 per cent to the overall national ad spend, with North India leading at 30 per cent. Southern publications and Radio Mirchi emerged as key platforms for brands targeting specific demographics, especially in South India’s thriving jewellery market.

    As the wedding season draws near, jewellery brands are expected to ramp up advertising across traditional and digital platforms. With a mix of celebrity endorsements, targeted regional campaigns, and innovative digital formats, the sector is poised to capitalise on increased consumer demand.

    Read the full report at www.excellentpublicity.com

  • Excellent Publicity Bags RT News Launch Campaign in India

    Excellent Publicity Bags RT News Launch Campaign in India

    Mumbai: Excellent Publicity, one of advertising agencies, spearheaded the launch campaign for RT News in India. Excellent Publicity has unveiled the launch campaign of RT News following the channel’s recent approval for telecast on major networks such as Tata Sky and Dish TV. The objective behind this branding was creating awareness and marking RT News’ official entry into India.

    While the original plan to unveil the campaign was during G20 but it faced unforeseen challenges necessitating coordination and approvals from all stakeholders involved in the branding process. RT News is the first Russian 24/7 English-language news channel which offers Russian views on global news. Launched in 2005 by the state-owned RIA Novosti news agency, RT News has positioned itself as a prominent media outlet for its comprehensive coverage of international events.

    The RT News campaign encompassed 280 outdoor sites across Bangalore, Hyderabad, Kolkata, Delhi, Mumbai, and Chennai for Out-of-Home (OOH) advertising. Bus branding targeted 250 buses in Delhi and Mumbai, while newspaper campaigns featured in the Times of India in six metro cities, Hindustan Times for Mumbai and Delhi, and The Hindu for Kolkata. Cab branding extended to Delhi, Mumbai, Hyderabad, Chennai, Bangalore, Jaipur, Pune, Kolkata, Ahmedabad, Lucknow, Surat, and Indore. Additionally, airport branding targeted Bangalore, local train branding focused on Mumbai, and metro train branding was implemented in Mumbai.

    Excellent Publicity territory co-director (MENA) Kamaxi Tekani said, “This campaign goes beyond branding; it’s about creating an awareness of RT News among the Indian audience. It was a thrilling experience to work with the brand and be a part of its journey to establish a foothold in the country. Following the initial success of the launch campaign, Excellent Publicity secured an extension and is actively exploring additional advertising mediums to further strengthen the reach and impact of RT News in India.”

    Excellent Publicity Vertical Director (offline) Yogesh Kori, added, “Working with RT News has been a one-of-a-kind experience. Since it was a launch campaign, it was executed with precision across six major metro cities, strategically utilizing Out-of-Home (OOH) advertising, newspaper ads, bus branding, and cab branding. The campaign has managed to garner a good response among people, which is a testament to the quality of work and networking.”

  • Cultural sensitivity in advertising: Navigating diversity in India’s marketing landscape

    Cultural sensitivity in advertising: Navigating diversity in India’s marketing landscape

    Mumbai: India, a country woven with a tapestry of diversity and a melting pot of cultures, presents a unique challenge and opportunity for marketers. Its kaleidoscope of cultures, languages, and traditions necessitates a nuanced approach to advertising that respects and embraces this diversity.

    Showcasing India’s Diversity

    India boasts unparalleled diversity that manifests in its myriad languages, traditions, and customs. From the vibrant festivities of Diwali to the solemnity of Eid, the country is a melting pot of celebrations and rituals that vary across regions. Acknowledging and showcasing this incredible diversity forms the bedrock of effective advertising strategies.

    In-depth market research: Understanding the audience

    Thorough market research is the cornerstone of successful campaigns in India. The significance of understanding the cultural nuances and preferences of a diverse audience cannot be overstated. This research lays the foundation for crafting campaigns that resonate with people from various cultural backgrounds.

    Linguistic diversity: Tailoring campaigns for local audiences

    India’s rich linguistic diversity demands a thoughtful approach to advertising. While standardized national campaigns may have a wide reach, tailored local campaigns resonate more deeply with specific audiences. The impact of language in advertising is profound, bridging the gap between brands and consumers.

    Cultural sensitivity: Respecting symbolism

    Cultural sensitivity is paramount when leveraging symbols and cultural references in advertising. A keen awareness of the nuances within diverse cultures helps in avoiding misinterpretations or insensitivity, thereby fostering positive brand perception.

    The significance of Indian festivals in Advertising

    Aligning advertising strategies with major festivals is a powerful tool for brands in India. Campaigns crafted around festivals like Holi, Durga Puja, or Christmas resonate strongly, fostering emotional connections and positive brand associations. Successful campaigns during festivals have showcased the cultural ethos and values, resonating deeply with the audience.

    The influence of local celebrities

    Celebrities have long been leveraged as a marketing/advertising tool by brands thanks to their stardom and the credibility they hold among the masses. We can even go so far as to say that they have emerged as a driving force in Indian advertising. Their ability to connect with local audiences fosters credibility and relatability for brands. Leveraging local icons helps in crafting narratives that strike a chord across diverse cultural landscapes.

    Inclusive advertising: Narratives and cultural backgrounds

    Inclusivity in advertising involves showcasing diverse cultural backgrounds and narratives. Ads featuring individuals from different cultural backgrounds create a sense of representation and belonging among consumers, strengthening brand loyalty.

    The pivotal role of social media

    Social media and digital marketing play a pivotal role in breaking down regional boundaries. While offering opportunities for brands to connect with diverse audiences, it also poses challenges in maintaining cultural sensitivity in a borderless digital space.

    Cultural representation: Positive imagery and avoiding controversy

    Positive cultural representation is a cornerstone of successful advertising. It involves showcasing cultural elements in a respectful manner while avoiding controversies or stereotypes that might offend certain groups.

    Bottomline: Embrace diversity for long-term success

    The diverse Indian market holds immense potential for brands that navigate cultural diversity positively and responsibly. Cultural sensitivity, when integrated into advertising strategies, not only builds brand credibility but also fosters long-term customer loyalty. Understanding and embracing the multifaceted cultural landscape of India is not just a marketing strategy but a testament to a brand’s commitment to inclusivity and respect. Cultural sensitivity can lay a strong foundation for brands seeking sustained success in India’s diverse and culturally rich marketplace.

    The author of this article is Excellent Publicity strategy director Manini Contractor.

  • Brands boost Ad spending in the festive season and ICC World Cup frenzy: Excellent Publicity’s Manini Contractor

    Brands boost Ad spending in the festive season and ICC World Cup frenzy: Excellent Publicity’s Manini Contractor

    Mumbai: During the ongoing ICC World Cup 2023, brands and advertising agencies are strategically aiming for a strong return on investment (ROI). This World Cup is of particular significance as it is being played in India after 11 years. The extended break has prompted a reevaluation of marketing strategies, pushing brands to innovate and adapt to the changing landscape of sports marketing. Through focused campaigns, partnerships, and creative activations, these entities seek to not only engage passionate cricket fans but also make a lasting impact on the global stage.

    Excellent Publicity, founded in 2011 by Vaishal Dalal and Manan Joshi, is India’s premier advertising agency. It began as a transit advertising agency and later expanded into various offline media. Today, it offers various advertising services, including media planning and buying, social media management, digital marketing, sports marketing, corporate gifting, and influencer marketing. With over 300,000 media options and a network of 10,000 vendors, Excellent Publicity serves businesses in metro cities and tier I and II cities in India, and has set its sights on the Middle East and North Africa (MENA) region, with Dubai as its primary launchpad. The company aspires to become a leading global advertising agency, targeting revenue of INR 125-200 crores within a year and aiming to be listed on BSE NSE in 2029-30, backed by a unique value proposition.

    Manini at the age of 17, I discovered her passion for creativity, and her journey began. With a background in Mass Communication and Advertising from Sophia College in Mumbai, she honed her skills in various media formats. Manini later pursued a Master’s in Advertising and marketing in Toronto, gaining valuable insights. Currently, she works as a media manager in an advertising agency, specializing in sporting events like IPL and PKL, and also serves as a visiting faculty member, teaching creative brand brief development. Her career is a fusion of her love for creation and effective communication.

    Indiantelevision.com in an email interaction with Excellent Publicity strategy director Manini Contractor on the ADEX, spends during the festive and ICC World Cup

    Edited excerpts

    On the festive season coupled with the ICC World Cup been for the brands in terms of Ad Spends, reach, and ROI

    The festive season coupled with the ICC World Cup has been a significant opportunity for brands to increase ad spends and reach a wider audience. Many brands saw a surge in ROI due to increased consumer engagement during this period. Moreover, some brands have strategically aligned their campaigns with cricket events to maximise reach and engagement. The estimated money to be spent by brands during this season is somewhere around Rs. 20 billion, with one 10-second ad spot going as high as Rs. 3 million.

    On brands today dividing their spending between TV and digital

    Brands are increasingly shifting their ad spend towards digital platforms due to the growing online audience. However, TV remains important, but digital channels offer more targeted and measurable advertising options. The division of spending varies by industry and target audience, with many brands adopting a multi-channel approach.

    On ADEX and the brands be stretching their spends

    Ad expenditure (ADEX) peaks during major events like the IPL. Many brands plan to maintain or increase ad spending through the 4th quarter to leverage the IPL’s massive viewership. Advertisers may allocate a portion of their budgets for specific IPL-related campaigns. Notably, there was a record drop in TV sponsors and rise in Digital sponsors in the 2023 edition of IPL and looking at that it is believed that the tide will go on and IPL 2024 will also see a similar trend.

    On brands not depending only on performance but also on traditional mediums

    Brands have started to recognise the importance of both performance-based and traditional advertising mediums. Traditional mediums like print and outdoor are still relevant for certain industries and branding efforts. Moreover, many brands are adopting a hybrid approach, combining the benefits of digital performance marketing with traditional brand-building methods.

    On the comparison to 2022, to the first half of 2023,  and the jump been in terms of Ad spends

    The jump in ad spends can vary greatly by industry, with some sectors experiencing substantial growth while others remain relatively stable. Many brands increased their ad budgets in response to changing consumer behaviours and the growth of e-commerce. Specific percentage increases in ad spends would depend on individual brand strategies and market conditions. The first half of 2023 had the biggest sports festival, IPL, which saw an estimated Ad spend of Rs. 6000 crores.