Tag: European

  • Chiliz aims US, European sports markets through strategic partnership with Lagardère Sports

    Chiliz aims US, European sports markets through strategic partnership with Lagardère Sports

    MUMBAI: Chiliz, the blockchain fintech provider for sports and entertainment, has partnered with Lagardère Sports, a sports and entertainment marketing agency, to further propel cryptocurrency into mainstream sport. The partnership will see Lagardère Sports working hand-in-hand with the Chiliz team to develop new partnerships for Socios.com, from their worldwide network of leading athletes, clubs, federations and sports leagues.

    Lagardère’s network includes six French soccer clubs and 16 German soccer teams, including exclusive agreements with Borussia Dortmund, Hamburger SV, Olympique Lyonnais, AS Saint Etienne and OGC Nice. They also represent a roster of MLB & NFL players such as Eric Fisher, Terrell Suggs & Kendall Fuller from Superbowl Champions the Kansas City Chiefs.

    The agreement allows Lagardère Sports to offer sports rights holders across the world the opportunity to secure additional revenue streams and deepen fan engagement using innovative blockchain technology.

    Lagardère Sports’ wants to become the leading agency on blockchain, and through this partnership, is the first sports marketing agency to position itself at the forefront of technological innovations and its desire to change the sports industry.

    Alexandre Dreyfus, CEO of Chiliz & Socios.com, said: “We have been very clear in communicating our goal to onboard 50 IPs to the Socios.com app in 2020 and I look forward to working hand-in-hand with Lagardère Sports to help us achieve that target, targeting Lagardère’s extensive network of athletes, clubs, federations and sports leagues to build the future of fan engagement for rights holders across Europe and the US.”

    Laurent Moretti, Lagardère Sports Chief Executive France, said: “We are proud to announce this strategic partnership with Socios.com. This agreement rewards our ability to project ourselves into the future and believe in the development of new technologies such as blockchain and crypto-currency. As a leading sports marketing agency, it is our duty to offer the best solutions to our clients and partners, and this partnership will contribute significantly to our vision.”

  • International Radio Festival moves to EXPO City Milan, Italy

    International Radio Festival moves to EXPO City Milan, Italy

    MUMBAI:The IRF will join up with Radio City Milan and together present Europe’s largest public on-air radio festival at the fabulous Piazza Gae Aulenti midst Milan’s city centre, 7-10 April 2016.

    Taking place in and around the UniCredit pavilion, the IRF Milan Radio City festival will welcome over 20 international and 50 Italian radio stations who will broadcast their radio shows live-on-air to millions of their listeners back in their home cities.

    “We are proud to host the most important international festival dedicated to radio here in Milan. Once again our city proves to be a great European capital, back in the spotlight with an event that will bring thousands of people to Milan, and carry Milan to millions of listeners on-air around the world”, said Milan’s Mayor Giuliano Pisapia.

    “I am inspired to be working with such a future thinking and experienced team who have embraced the unique aspect of the IRF, and look forward to broadcasting the city of Milan to the world, as much as I am excited in welcoming some of the finest radio makers to the IRF conference at the beautiful UniCredit Pavilion”, says IRF festival director Darryl von Däniken.

    Likewise, the initiator of the successful Radio City Milan festival, Filippo Solibello, says “After our participation at the IRF this year, we just knew we had to bring this festival to the city of Milan and join forces with our own radio festival and develop the full potential of bringing radio close to the public whilst also having the unique opportunity of carrying on telling people around the world about our great EXPO city”.

    In addition to the new annual Milan edition, the IRF is midst in planning an Americas edition in Music City Nashville, a Middle East Edition in Dubai, and a South East Asia edition in Shanghai. “Developments are well under way to produce IRF editions in these world class cities and we are looking forward to releasing more news and dates during 2016.” says festival director von Däniken.

  • International Radio Festival moves to EXPO City Milan, Italy

    International Radio Festival moves to EXPO City Milan, Italy

    MUMBAI:The IRF will join up with Radio City Milan and together present Europe’s largest public on-air radio festival at the fabulous Piazza Gae Aulenti midst Milan’s city centre, 7-10 April 2016.

    Taking place in and around the UniCredit pavilion, the IRF Milan Radio City festival will welcome over 20 international and 50 Italian radio stations who will broadcast their radio shows live-on-air to millions of their listeners back in their home cities.

    “We are proud to host the most important international festival dedicated to radio here in Milan. Once again our city proves to be a great European capital, back in the spotlight with an event that will bring thousands of people to Milan, and carry Milan to millions of listeners on-air around the world”, said Milan’s Mayor Giuliano Pisapia.

    “I am inspired to be working with such a future thinking and experienced team who have embraced the unique aspect of the IRF, and look forward to broadcasting the city of Milan to the world, as much as I am excited in welcoming some of the finest radio makers to the IRF conference at the beautiful UniCredit Pavilion”, says IRF festival director Darryl von Däniken.

    Likewise, the initiator of the successful Radio City Milan festival, Filippo Solibello, says “After our participation at the IRF this year, we just knew we had to bring this festival to the city of Milan and join forces with our own radio festival and develop the full potential of bringing radio close to the public whilst also having the unique opportunity of carrying on telling people around the world about our great EXPO city”.

    In addition to the new annual Milan edition, the IRF is midst in planning an Americas edition in Music City Nashville, a Middle East Edition in Dubai, and a South East Asia edition in Shanghai. “Developments are well under way to produce IRF editions in these world class cities and we are looking forward to releasing more news and dates during 2016.” says festival director von Däniken.

  • Sky & CBS ink pan-European deal for Showtime programming portfolio

    Sky & CBS ink pan-European deal for Showtime programming portfolio

    MUMBAI: Sky and CBS Corporation have inked a long-term licensing agreement for Sky Atlantic to be the exclusive home to Showtime’s growing portfolio of programming across all its territories in the UK, Ireland, Germany, Austria and Italy. Previously, Sky has licensed select Showtime content from CBS on a programme by programme basis.

     

    The deal will span all new and future series including Billions, which premiered in the US with the best series debut performance ever for a Showtime original series. Other new series include the return of Twin Peaks and new seasons of hits such as Ray Donovan and The Affair. The agreement also means customers will have on-demand access to an acclaimed catalogue of premium Showtime programming including Californication, Dexter, Nurse Jackie, The Borgias and Brotherhood.

     

    Additionally, customers can watch these shows where they want using mobile TV service – Sky Go. Customers who use Sky’s streaming platforms, NOW TV and Sky Online also have access to this must-see channel live and on demand.

     

    The deal is the latest multi-territory agreement secured by Sky as it extends its market-leading offering across entertainment, sports, arts and movies. Alongside an expanding portfolio of the best shows from the US and around the world, Sky is also growing its investment in original production, which includes a successful partnership with Showtime to co-produce the gothic horror series, Penny Dreadful.

     

    For CBS Corporation, this is the largest and most expansive international deal to date for Showtime and the first time its content portfolio has been licensed to a single media company across multiple European territories. It also marks a significant next step in the company’s global expansion strategy to distribute Showtime’s prestigious brand and broad programming slate as a bundled offering.

     

    Last year, CBS and Bell Media announced a similar exclusive agreement for Showtime in Canada.

     

    Alongside scripted content, Sky will have an exclusive option to take all new Showtime distributed unscripted shows such as documentaries, late night and reality shows. Premiere dates for the programming may vary by country and current rights agreements with other platforms will remain unchanged.

     

    Sky managing director – content Gary Davey said, “This is one of the most important content deals Sky has ever agreed, cementing Sky’s position as the market-leader in Europe for world-class drama. We are enormously proud that Sky will be the exclusive home to new Showtime programmes for many years to come, building on a relationship that has grown over time including producing three successful seasons of Penny Dreadful together. The agreement means our customers can enjoy an incredible slate of upcoming new dramas like Billions, Twin Peaks and also explore hundreds of hours of amazing series such as Dexter, Californication, The Affair and House of Lies on demand from the back catalogue of one of the world’s most exciting pay TV networks.”

     

    CBS Global Distribution Group president and CEO Armando Nu?ez added, “This is the most significant international deal in the history of Showtime, and further signals the value and prestige of its content brand in the global marketplace. Showtime CEO David Nevins and his team have built an incredible roster of award-winning, critically acclaimed programming. This deal shows how robust and profitable Showtime has become as a stand-alone product and revenue stream. We look forward to working with our outstanding partners at Sky to present Showtime to its customers across Europe and on a wide range of their platforms.”

  • Sky & CBS ink pan-European deal for Showtime programming portfolio

    Sky & CBS ink pan-European deal for Showtime programming portfolio

    MUMBAI: Sky and CBS Corporation have inked a long-term licensing agreement for Sky Atlantic to be the exclusive home to Showtime’s growing portfolio of programming across all its territories in the UK, Ireland, Germany, Austria and Italy. Previously, Sky has licensed select Showtime content from CBS on a programme by programme basis.

     

    The deal will span all new and future series including Billions, which premiered in the US with the best series debut performance ever for a Showtime original series. Other new series include the return of Twin Peaks and new seasons of hits such as Ray Donovan and The Affair. The agreement also means customers will have on-demand access to an acclaimed catalogue of premium Showtime programming including Californication, Dexter, Nurse Jackie, The Borgias and Brotherhood.

     

    Additionally, customers can watch these shows where they want using mobile TV service – Sky Go. Customers who use Sky’s streaming platforms, NOW TV and Sky Online also have access to this must-see channel live and on demand.

     

    The deal is the latest multi-territory agreement secured by Sky as it extends its market-leading offering across entertainment, sports, arts and movies. Alongside an expanding portfolio of the best shows from the US and around the world, Sky is also growing its investment in original production, which includes a successful partnership with Showtime to co-produce the gothic horror series, Penny Dreadful.

     

    For CBS Corporation, this is the largest and most expansive international deal to date for Showtime and the first time its content portfolio has been licensed to a single media company across multiple European territories. It also marks a significant next step in the company’s global expansion strategy to distribute Showtime’s prestigious brand and broad programming slate as a bundled offering.

     

    Last year, CBS and Bell Media announced a similar exclusive agreement for Showtime in Canada.

     

    Alongside scripted content, Sky will have an exclusive option to take all new Showtime distributed unscripted shows such as documentaries, late night and reality shows. Premiere dates for the programming may vary by country and current rights agreements with other platforms will remain unchanged.

     

    Sky managing director – content Gary Davey said, “This is one of the most important content deals Sky has ever agreed, cementing Sky’s position as the market-leader in Europe for world-class drama. We are enormously proud that Sky will be the exclusive home to new Showtime programmes for many years to come, building on a relationship that has grown over time including producing three successful seasons of Penny Dreadful together. The agreement means our customers can enjoy an incredible slate of upcoming new dramas like Billions, Twin Peaks and also explore hundreds of hours of amazing series such as Dexter, Californication, The Affair and House of Lies on demand from the back catalogue of one of the world’s most exciting pay TV networks.”

     

    CBS Global Distribution Group president and CEO Armando Nu?ez added, “This is the most significant international deal in the history of Showtime, and further signals the value and prestige of its content brand in the global marketplace. Showtime CEO David Nevins and his team have built an incredible roster of award-winning, critically acclaimed programming. This deal shows how robust and profitable Showtime has become as a stand-alone product and revenue stream. We look forward to working with our outstanding partners at Sky to present Showtime to its customers across Europe and on a wide range of their platforms.”

  • Cineworld to buy European cinema chain

    Cineworld to buy European cinema chain

    MUMBAI: England’s largest movie theater operator, Cineworld, has announced that it will be buying over 100 multiplexes across Eastern Europe and Israel for $828 million (?503 million).

     

    The purchase will be done in a mix of cash and shares, from Cinema City International (CCI), listed on the Warsaw stock market in Poland.

     

    The company will pay CCI $448 million (?272 million) in cash, and has launched a $181 million (?110 million) share rights issue to help fund the purchase. The proposed tie-up with Cinema City will give it leading positions in Poland, Israel, Hungary, Romania, the Czech Republic, Bulgaria and Slovakia. The cash and shares deal is due to complete in March.

     

    The merged group will have 201 outlets and 1,852 screens across Europe, with the addition of 966 from Cinema City making it the second largest operator in Europe behind Odeon UCI, which has more than 2,100 screens.

     

    According to The Financial Times, Cineworld, which snapped up 21 Picturehouse sites last year, shares rose 5.87 per cent at 415p, continues a run that has pushed up the price almost 50 per cent in a year. CCI shares rose 7 per cent to 32.30 zlotys in Warsaw.

  • ZenithOptimedia predicts global ad spend to grow by 5.3 per cent in 2014

    ZenithOptimedia predicts global ad spend to grow by 5.3 per cent in 2014

    MUMBAI: Global advertising expenditure is expected to grow by 5.3 per cent to $ 532bn, according to a report from media agency ZenithOptimedia.

    The agency has increased its forecast for 2014 by 0.2 percentage points since September, after recent signs of stronger growth from markets like the US, the UK, Germany, Hungary, Poland, Australia and Mexico, together with evidence that Spain’s steep downturn is finally bottoming out.

    Interestingly, this is the second time that the agency upgraded its expectations for 2014 this year, the first was in June (from 5.0 per cent to 5.1 per cent). In fact, for the year 2015, it expects the global ad market to accelerate to 5.8 per cent, followed by another year of 5.8 per cent growth in 2016.

    As part of its global analysis, the agency has also included Ireland in the so-called Peripheral Eurozone category. It assumes that the growth for these countries will be somewhat more muted.

    The agency says that in Europe, it has separated the ‘PIIGS’ markets (Portugal, Ireland, Italy, Greece and Spain), which have faced the full brunt of the Eurozone crisis, into the Peripheral Eurozone. “Their ad  markets have fallen even more sharply than their economies, as local advertisers cut back to reduce losses and preserve cash, and multinationals withdraw budgets to redeploy in more economically healthy regions. We estimate that ad expenditure in Peripheral Eurozone fell by 11.1% in 2013. 2014 looks a lot better, with ad expenditure forecast to shrink by just 0.9%, followed by a slow recovery of 1.8% growth in 2015 and 2.5% growth in 2016. This assumes that the Eurozone avoids disaster over our forecast period, and in particular assumes that no country crashes out of the euro, or falls into disorderly default on its debts,” says the report.

    The report also reveals that the rest of Western Europe, as well as Central European countries like the Czech Republic, Hungary and Poland, which are currently performing more like countries such as France, Germany or the UK than the much-faster growing markets of Eastern Europe, such as Russia and Ukraine. “This is partly because many of these Central European markets are in the Eurozone, and because they have strong trading links with Zenith Optimedia Group Limited,” it says.

    As far as the Asian market is concerned, the agency has divided it in to four parts – Japan, Eastern Europe and Central Asia, Advanced Asia and Fast-track Asia.

    The report says that the Eastern European advertising markets, such as Russia and Ukraine, recovered quickly after the 2009 downturn and have since continued their healthy pace of growth, largely (though not entirely) unaffected by the problems in the Eurozone. “Their near neighbours in Central Asia, such as Azerbaijan and Kazakhstan, have behaved very similarly, so we have gathered them together under the Eastern Europe & Central Asia bloc. We expect this bloc to have grown 11.7% by the end of 2013, followed by 8%-10% growth for the rest of our forecast period,” it says.

    The agency has kept Japan separate as the market behaves differently from the other markets in Asia. Even after the recent economic stimulus, Japan remains stuck in its rut of persistent low growth and grew 2.1 per cent in 2013. The agency estimates the growth rate of the country to remain at 2 per cent per year through to 2016.

    Apart from Japan, there are five countries in Asia with developed economies and advanced ad markets and thus they are categorised as “Advanced Asia”. It includes Australia, New Zealand, Hong Kong, Singapore and South Korea. The report reveals that growth here has been a disappointing 1.3 per cent in 2013, after a period of heightened tension between North Korea and its neighbours caused advertisers in South Korea to cancel or postpone several campaigns. “We forecast a much healthier 4.5 per cent growth in 2014, followed by 6.6 per cent growth in 2015 and 4.8 per cent growth in 2016,” says the agency in the report.

    Fast-track Asia includes countries like China, India, Indonesia, Malaysia, Pakistan, Philippines, Taiwan, Thailand and Vietnam as these economies are growing extremely rapidly as they adopt Western technology and practices. This group barely noticed the 2009 downturn (ad expenditure grew by 7.2 per cent that year) and since then has grown comfortably at double-digit rates. We estimate that ad expenditure in Fast-track Asia has grown 10.7 per cent in 2013, followed by 10 per cent to 12 per cent annual growth in 2014 to 2016.

  • Zees mega push in Europe

    Zees mega push in Europe

    MUMBAI: Zee Entertainment Enterprises (ZEEL) has got Europe on its radar. India’s largest private international broadcaster is looking at launching a wellness channel Veria Living in the UK; mulling a Russian launch for it; studying the prospects for an English language factual entertainment brand; and partnering with a European OTT service provider Voddler.

    This was disclosed by company chairman Subhash Chandra to Digital TV Europe. Chandra said the Indian market is ripe for healthcare content programming. “We should be launching in the coming early summer – maybe an April, May, June kind of timeframe,” he told Digital TV Europe.

    Extending its programming to Russia, Zee is also looking at having a majority stake in an existing health and wellness channel there and later pumping in dubbed content from Veria Living.

    Add to this, Zee has inked a deal with Swedish VOD firm Voddler to globally stream its premium content with initial focus on people in India, USA and Indonesia.

    The Voddler deal comes after Zee launched its Ditto TV service last year, which provides live streaming and TV on demand from Zee channels on tablet, mobile and internet platforms. Initially launched in India, Ditto TV now covers UK, Australia and New Zealand as well.

     

    A Voddler release said Zee will brand and market the OTT service globally. With Zee already delivering content to 670 million people across 168 countries globally, the deal is set to take Zee to the online platform while cashing in on the broadcaster’s over 100,000 hours of television and film programming.

     

    “Voddler is committed to bringing great content online with the world’s best cloud-based streaming technology. We’re thrilled to partner with Zee to offer their premium series and movies to fans globally. The Voddler solution scales at all data levels and makes true global online streaming feasible, both from a financial and technical perspective. To continue to build the world’s most efficient cloud-based streaming solution, we couldn’t hope for a more visionary partner than Zee,” said Voddler CEO Marcus Bäcklund in the release.

     

    Starting off with a pilot VOD service, the chosen three markets are the ones that have shown interest in Bollywood. It is due to release early 2014. Voddler’s cloud based service called VoddlerNet is capable of storing large videos at superior quality as well as save on streaming cost.

     

    Chandra said in the release: “Zee turned 20 years this fall. As we now step into our third decade, we are transforming ourselves from a broadcaster to a narrowcaster that will cater to every screen. Voddler’s solution, with its innovative streaming technology and almost limitless cloud solution, enables us to execute on that strategy fast and efficiently.”

     

    A digitaltveurope.com report reveals that at a function last week where Chandra received his doctorate of business administration from the University of East London, the Zee head honcho revealed there are four types of programming he is looking at : South Asian programming; South Asian programming repurposed for given markets, dubbed or subtitled in different languages; local production in the local languages; and global programming, produced in English language and distributed globally, again dubbed in local languages.

  • Clay Craft joins hands with Tapri Tea House

    Clay Craft joins hands with Tapri Tea House

    MUMBAI: India’s fastest growing manufacturer and retailer of bone china and ceramic tableware, Clay Craft India has joined Jaipur based themed tea store Tapri – The tea house. Eying the season of hot tea, winter, the tapri is going to give new experience of traditional ‘kullad’ transformed in a new look in a variour colours. Clay Craft India has specially designed these Mugs for Tapri tea lovers and this innovation will be continued by Clay Craft at Tapri. Going forward, it also plans to introduce Mughal, European, 22 Carat Gold plated and Royal themed tea sets at Tapri.

    Mr. Rajesh Agarwal, Managing Director of Clay Craft India, says, “Tie-up with Tapri has added a feather in our clientele base. Through this platform, our designers will be able to showcase their best ideas and abilities. This will also be a right medium for us to get feedback on our products by Tapri tea lovers. We are thankful to Tapri management to give us this opportunity.”

    Mr. Ankit Bohra, Director, Tapri Tea House says, “This innovative tie-up will help us to entertain our customers and it will give different experience to them. We are delighted that Clay Craft has shown interest to take an initiative to make tea sipping more joyful and creative at our tea house. Going forward, we will have different themed tea sets at our tea house and I am sure this will help us to add more tea lovers at our Tapri. ”

    Clay Craft India’s esteemed corporate clients also include – Maruti Suzuki, Westside, Lifestyle, Nestle, Airtel, Vodafone, Taj Group, Hyatt Hotels, Pepsi Wipro and many more.

  • IRF 2013: James Cridland: Indians love their radio

    IRF 2013: James Cridland: Indians love their radio

    James Cridland is a radio futurologist and managing director of Media UK and Radio DnS. He was the Digital Media Director for Virgin Radio in London in 2001; in 2007 he joined the BBC to work on the BBC iPlayer for Radio; he also worked at PURE, Audioboo, UK Radioplayer. He is a trustee of the Radio Academy, and sits on the International Radio Festival Advisory Board.

    At the recently concluded International Radio Forum (IRF 2013) at Zurich, Cridland had a session on “How People Are Listening to Radio in Today’s Multiplatform World – and what your station needs to do about it.” This is part I of a two part summary of Cridland’s session by The Indian Television Dot Com Pvt. Ltd. group South India Head Tarachand Wanvari. Excerpts:
    New Broadcast Format

    Cridland began by saying,”Let us talk about how people are tuning into radio in today’s world. There is the internet, FM and AM, there is a new broadcast format – DAB+ or HD radio and then radio broadcast through the TV that is strongly visible in a many of countries. The UK is one of the countries that broadcast radio in all the four formats like most European countries. In terms of popularity, FM is first; internet is the third most popular in terms of number of people tuning into live radio, but it’s alongside TV as well.”

    Cridland revealed that based on the latest figures, for the first time ever in the UK’s radio history internet streaming of radio stands way above radio over TV. “This counts anything and everything that anybody classifies as being a radio station. This is from a pretty robust census survey. We have noticed something interesting here, FM radio is broadcast radio, TV is broadcast, DAB is broadcast, as is HD and there is a real story here in terms of the continuing strength of broadcast.”

    However, Cridland admitted that both AM and FM have seen slow decline over the last five years while DAB in the UK has had a slow increase as have TV and internet radio, but the last two were still very small.

    “There is an awful lot of talk about how internet radio is the future of radio. The reality right now is that internet is a quite small part of radio consumption at present. But no predication can be made for next 5-10 years. Right now broadcast is preeminent in terms of radio consumption,” said Cridland.

    “In the UK, only 20 per cent of radio listening is in car, DAB is pre-installed in 33 per cent of all new cars. In the UK we have no pure play radio stations that are internet only. One of the reasons is a very strong public service broadcaster (BBC), and also the music rights in the UK are expensive”, said Cridland.

    “The US is quite different, where comparatively, 50 per cent of all radio listening is in cars. Pandora is preinstalled in a third of all new cars, and if it were a radio station. It would have a seven percent of the market share in the US. Over fifty percent of Pandora’s consumption is on mobile. HD radio is preinstalled in thirty percent of all new cars and Sirius XM is pre-installed in a number of new cars, but a majority of people actually don’t buy the service once the free period lapses”, further revealed Cridland.

    Comparing the various landscapes

    “Actually when you start looking at the US for radio consumption, then it is very different, because the US has a very different media landscape. HD radio works brilliantly in the US. It should work brilliantly in Canada and in Mexico as well,” said Cridland.

    “In the UK, the owners of the radio ratings service are all radio stations. The same happens in Belgium in France and across most of Scandinavia. The US is a very competitive radio market and all the players don’t work together. That’s why, HD, a good protective technology works brilliantly for the US and fits in with the differences in media consumption there. “

    “In Europe it is a different story and in India too it’s even more different. In India, they love their radio. Radio has a future there because 94 per cent of the listeners in Mumbai tune into radio on mobile phone, only 16 per cent on radio receiver. So radio consumption is very different, depending on where you go across the world,” said Cridland.

    New broadcast platform

    Cridland said, “New broadcast platforms create choice. You can see that if you are a program maker, all of a sudden there is a bunch of additional choices that you can actually have. Loads of additional choice is great news if you are making content because it means that there are more places that want to buy and air your content that enables you to be heard by more people”
    “You can see that all of a sudden we have radio stations for specific niches. Planet Rock is one good classic example of a Rock station that never gets onto FM. Then a religious radio, Premiere Christian Radio and the United Christian Broadcasters; we have got additional music choice from services such as Absolute Radio which is actually growing their business and additional the public service broadcasters business as well.”

    Taking a quick look at broadcast versus internet, Cridland said, “I believe podcasting and on-demand content is where radio has headed. On-demand is a great way of getting more people tuning in, but we can only forget about the power of live radio at our peril.”

    Countries exploring new broadcast platform

    “There are a number of examples where internet and broadcast are working together. For example, Kronehit -a CHR station in Austria. They have a bunch of additional services online-from Kronehit Love which plays love songs to Kronehit Balkan Bees, because they have a lot of people from the Balkans who’ve moved over into Austria so they have produced a radio station especially for them. They can’t do this on FM because they can’t get additional licenses, but they can do it on things like DAB+ and on the internet world, and they also have their own personalised music,” informed Cridland.

    “Similarly if we go to Australia, Southern Cross Austereo- one of the largest radio groups in the world broadcast has a bunch of radio stations across Australia in FM, AM and DAB+. They also have Songl which is their equivalent of Spotify,” added Cridland.

    “In Turkey – Spectrum Medya runs a bunch of radio stations. You have to register if you wish to listen to those radio stations online. Once you have registered then the ad-breaks online contain specific advertising for your type of demographics. It is a great way of making additional revenue, but only possible on the internet,” opined Cridland.

    “In the US there’s a company called Entercom that runs a bunch of radio stations. They work with a company that helps them sell advertising online for which you don’t need to register. All you have to do is to visit their websites and listen. They have teamed up with a company that knows the websites that you have been to. So,if a person has booked a flight to New York, they’ll give him an ad for hotels in New York. It is a great way of earning more cash from your advertiser,” felt Cridland.

    “The cost of broadcasting on the internet to a larger audience is significantly more than broadcasting over FM or HD or DAB+. There is a pretty low threshold where the internet suddenly becomes quite expensive. I am not saying that internet is a bad thing. In fact, internet and broadcast do work together really well, but it is going to be a long time before internet gets even to twenty percent of the listeners” revealed Cridland.

    Elaborating further on the way radio and internet work together, Cridland said, “The States have really cracked this. There’s Nextradio, it uses FM to get the audio from an FM station with a ludicrous name of Hack FM and it is using the internet to get additional information on a mobile device. One can click to play this song and click to get more information and more actions such as sharing and liking. All of this is available through HD radio.”

    “Analogue FM will never die out. It’s a noble aim for any country to try and phase out FM, I can’t see it happen. If I was a pirate radio broadcaster, I’d be rubbing my hands in glee at that prospect. FM does a great job if you can get an FM license.”

    Radio receivers

    “The problem is that radios are rubbish. In a typical radio, when you turn it on, it asks you if you want FM radio or DAB+ or do you want internet radio. It is almost as if it is a set of different radios in one unit sharing one speaker and they all work differently which is bizarre. The TV industry has completely got the user experience sorted out.”

    Speaking on standards on radio receivers, Cridland said that there were no standards. If someone was to buy an FM radio in the US and brought it to Europe, it wouldn’t pick up half the radio stations and the ones that it did pick up would sound rubbish. In Japan, European FM radio would probably pick up half the radio stations there, they used a different waveband. Cridland said that AM works differently in the US as compared to Europe. There were no worldwide standards. “We need to have a continental standard, and the continental standard for Europe is DAB+, and a DAB radio stations is also available on a DAB+ receiver.”

    (Part II, about how people are listening to radio on the mobile, will be published soon…)