Tag: Europe

  • Eros Now’s content available to Lyca TV’s European customers

    Eros Now’s content available to Lyca TV’s European customers

    MUMBAI: Eros Now, the cutting-edge over-the-top (OTT) Bollywood entertainment platform owned by Eros International Plc, yesterday announced that it is now available on the Lyca TV platform.

    Lyca TV, the world’s largest ethnic content online Over-the-top (OTT) entertainment provider, enables its consumers to experience the convenience of virtual home entertainment anywhere. One can watch his favourite TV channels across a wide range of devices on a single subscription.

    The launch of Eros Now will provide Lyca TV customers with access to the world’s largest collection of premium Indian entertainment with hundreds of titles in several languages. This development further enhances Lyca TV’s offering to customers, particularly across its Indian consumer base. The service will be included in Tamil, Sinhala and African packages and will be available for a small additional fee in others.

    Eros Digital CEO Rishika Lulla Singh says, “With this association, we continue to amplify our presence across top streaming services by showcasing a compelling array of Bollywood and regional language content and reinforcing our reach to our subscribers.”

    Lyca Group deputy chairman Prem Sivasamy said, “We are bringing our extensive customer base enhanced access to a wide range of popular channels and TV shows. This development further demonstrates Lyca Group’s continued commitment to providing our customers with access to their communities back home.”

    Lyca TV, part of the Lyca Group, delivers a broad range of international TV shows across multiple devices. The platform caters to a wide range of major ethnic communities, streaming over 450 channels – more than any competitor – in over 25 languages. LycaTV can be viewed via television, desktop, mobile or tablet.

    Eros Now offers a wide array of entertainment from music to movies and television content across languages. Eros’ vast movie library consists of Bollywood blockbusters including its latest super hits like Housefull 3, Dishoom, Happy Bhaag Jayegi, Bajirao Mastani and Bajrangi Bhaijaan.

  • Eros Now’s content available to Lyca TV’s European customers

    Eros Now’s content available to Lyca TV’s European customers

    MUMBAI: Eros Now, the cutting-edge over-the-top (OTT) Bollywood entertainment platform owned by Eros International Plc, yesterday announced that it is now available on the Lyca TV platform.

    Lyca TV, the world’s largest ethnic content online Over-the-top (OTT) entertainment provider, enables its consumers to experience the convenience of virtual home entertainment anywhere. One can watch his favourite TV channels across a wide range of devices on a single subscription.

    The launch of Eros Now will provide Lyca TV customers with access to the world’s largest collection of premium Indian entertainment with hundreds of titles in several languages. This development further enhances Lyca TV’s offering to customers, particularly across its Indian consumer base. The service will be included in Tamil, Sinhala and African packages and will be available for a small additional fee in others.

    Eros Digital CEO Rishika Lulla Singh says, “With this association, we continue to amplify our presence across top streaming services by showcasing a compelling array of Bollywood and regional language content and reinforcing our reach to our subscribers.”

    Lyca Group deputy chairman Prem Sivasamy said, “We are bringing our extensive customer base enhanced access to a wide range of popular channels and TV shows. This development further demonstrates Lyca Group’s continued commitment to providing our customers with access to their communities back home.”

    Lyca TV, part of the Lyca Group, delivers a broad range of international TV shows across multiple devices. The platform caters to a wide range of major ethnic communities, streaming over 450 channels – more than any competitor – in over 25 languages. LycaTV can be viewed via television, desktop, mobile or tablet.

    Eros Now offers a wide array of entertainment from music to movies and television content across languages. Eros’ vast movie library consists of Bollywood blockbusters including its latest super hits like Housefull 3, Dishoom, Happy Bhaag Jayegi, Bajirao Mastani and Bajrangi Bhaijaan.

  • Viacom18’s Rishtey Cineplex now in Europe, N America

    Viacom18’s Rishtey Cineplex now in Europe, N America

    MUMBAI: Viacom18 has announced its plans to launch its Hindi movie channel, Rishtey Cineplex’ in the international markets.

    Kicking off with high-impact launches in Europe and North America (US and Canada), the channel is an extension of the well-established Rishtey brand, and will be targeted at global film enthusiasts.

    To be launched in Europe on 29 September and in North America in October, Rishtey Cineplex will appeal to the sensibilities of global film enthusiasts with its blockbuster content.

    The channel will showcase the best from Viacom18’s wide library of films as well as newly acquired movies from across genres. The channel will air audience favourites like, Bajirao Mastani, Airlift, Pyaar Ka Punchnama 2, Kapoor and Sons, Ki & Ka and upcoming films like, Force 2, Ae Dil Hai Mushkil amongst others.

    Viacom18 group CEO Sudhanshu Vats said, “The Indian film industry has grown in terms of both reach and revenue and is now the largest producer of movies in the world. Our cinema, led by Bollywood movies, continues to increase its pull with the overseas Indian diaspora. Rishtey Cineplex, Viacom18’s first premium Hindi movie channel, has curated an impressive repertoire of Indian titles. It is our endeavour, to take Indian cinema, as a holistic entertainment package, to our loyal viewers in Europe and North America; allowing us to further strengthen our presence in these regions.”

    Viacom18 Hindi mass entertainment, CEO Raj Nayak said, “Rishtey Cineplex has every ingredient that a movie buff would want to be engaged with. Global audiences today celebrate Indian films, and with the channel’s launch in Europe and North America, we are bringing this celebration to their living rooms. Indian films now have a universal appeal, as a result of which they taste tremendous success in International markets. The trend in consumption has been extremely encouraging and we are certain that the viewers will lap-up our content offering with great zeal.”

    Along with films, the channel will showcase many interesting concepts including vignettes from various Film Festivals, behind-the-scenes trivia and coverage of exclusive Red Carpet extravaganzas amongst others.

    IndiaCast gorup CEO Anuj Gandhi said, “After Colors and Rishtey, we now introduce our brand new offering, Rishtey Cineplex for the viewers in Europe and North America. The Indian and the South Asian expatriate population is growing across the world, and so is their love for Indian films. Our offerings have always resonated with such audiences catering to their intrinsic viewing needs. With Rishtey Cineplex we are looking forward to strengthening our relationship with our partners along with our audiences.”

    Viacom18 has planned an extensive marketing blitzkrieg with a high-decibel launch for Rishtey Cineplex in these markets. A focused 360-degree marketing plan is being orchestrated tapping mediums such as print, radio, outdoor, cinema, digital, cross-channel promotions,and on-ground activations in select locations.

  • Viacom18’s Rishtey Cineplex now in Europe, N America

    Viacom18’s Rishtey Cineplex now in Europe, N America

    MUMBAI: Viacom18 has announced its plans to launch its Hindi movie channel, Rishtey Cineplex’ in the international markets.

    Kicking off with high-impact launches in Europe and North America (US and Canada), the channel is an extension of the well-established Rishtey brand, and will be targeted at global film enthusiasts.

    To be launched in Europe on 29 September and in North America in October, Rishtey Cineplex will appeal to the sensibilities of global film enthusiasts with its blockbuster content.

    The channel will showcase the best from Viacom18’s wide library of films as well as newly acquired movies from across genres. The channel will air audience favourites like, Bajirao Mastani, Airlift, Pyaar Ka Punchnama 2, Kapoor and Sons, Ki & Ka and upcoming films like, Force 2, Ae Dil Hai Mushkil amongst others.

    Viacom18 group CEO Sudhanshu Vats said, “The Indian film industry has grown in terms of both reach and revenue and is now the largest producer of movies in the world. Our cinema, led by Bollywood movies, continues to increase its pull with the overseas Indian diaspora. Rishtey Cineplex, Viacom18’s first premium Hindi movie channel, has curated an impressive repertoire of Indian titles. It is our endeavour, to take Indian cinema, as a holistic entertainment package, to our loyal viewers in Europe and North America; allowing us to further strengthen our presence in these regions.”

    Viacom18 Hindi mass entertainment, CEO Raj Nayak said, “Rishtey Cineplex has every ingredient that a movie buff would want to be engaged with. Global audiences today celebrate Indian films, and with the channel’s launch in Europe and North America, we are bringing this celebration to their living rooms. Indian films now have a universal appeal, as a result of which they taste tremendous success in International markets. The trend in consumption has been extremely encouraging and we are certain that the viewers will lap-up our content offering with great zeal.”

    Along with films, the channel will showcase many interesting concepts including vignettes from various Film Festivals, behind-the-scenes trivia and coverage of exclusive Red Carpet extravaganzas amongst others.

    IndiaCast gorup CEO Anuj Gandhi said, “After Colors and Rishtey, we now introduce our brand new offering, Rishtey Cineplex for the viewers in Europe and North America. The Indian and the South Asian expatriate population is growing across the world, and so is their love for Indian films. Our offerings have always resonated with such audiences catering to their intrinsic viewing needs. With Rishtey Cineplex we are looking forward to strengthening our relationship with our partners along with our audiences.”

    Viacom18 has planned an extensive marketing blitzkrieg with a high-decibel launch for Rishtey Cineplex in these markets. A focused 360-degree marketing plan is being orchestrated tapping mediums such as print, radio, outdoor, cinema, digital, cross-channel promotions,and on-ground activations in select locations.

  • BBC World News unveils plans to help global audiences

    BBC World News unveils plans to help global audiences

    MUMBAI: As the United Kingdom looks towards the EU Referendum, the BBC has today unveiled its plans to help global audiences make sense of the vote.

    From documentaries and debates to live streaming on social media, BBC World News and BBC.com/news will provide a multiplatform offer, which means people around the world can keep up with the latest on the campaign wherever they are.

    The BBC’s international news service will be mobilising its team of experienced correspondents and presenters with live broadcasts from across Europe to explain key moments in the campaign and help people understand what the result could mean where they are, while also offering a wealth of content online at bbc.com/eureferendum (www.bbc.com/news/politics/eu_referendum)
    Sharing content and analysis via Facebook, Snapchat, and Twitter will be at the heart of the coverage as Outside Source presenter Ros Atkins takes his innovative daily news show on the road. He will be presenting his TV programme from Paris, Manchester and Edinburgh as well as live steaming on the BBC News Facebook page. He will also be covering the BBC’s live, televised EU membership debate at London’s SSE Arena, Wembley on Tuesday June 21st. Ros will use social media to bring viewers key points as senior politicians and other key figures explore both sides of the argument, while BBC World News will broadcast the debate live.

    On results day Ros will be joined by World News presenter and former BBC political correspondent Philippa Thomas in London’s Westminster as they cover the reaction to the referendum’s outcome in a special day of live broadcasts. Presenters David Eades and Karin Giannone will be bringing the view from Brussels, and Kasia Madera will be in Poland. BBC World News America anchor Katty Kay will be keeping American audiences up to speed, with a special London edition of her show while business correspondents Karishma Vaswani and Michelle Fleury will gauge the reaction of the financial markets and business communities around the world.

    Alongside the service’s news reporting BBC World News will also be broadcasting special documentaries. These include an Our World special with Gabriel Gatehouse considering what has become of the European dream and an hour long film ‘The Truth About EU Migration’ (title TBC) presented by Mishal Husain taking an impartial look at the effects of migration from other European Union countries to the UK.

    Unveiling the wealth of content, BBC World News digital and editorial director Richard Porter said, “This is a historic referendum for the British people, which we know is being watched closely around the world. It’s our responsibility to ensure audiences get the clearest explanation of the issues, with coverage they can trust. Audiences can expect the same quality of coverage whether they come to us on TV, on our website, our app or on social media – and we’ll reflect back what they’re saying to us, as well as what the politicians are saying to them. We’ll draw upon all the knowledge and experience of our expert correspondents to ensure audiences get the whole story.”

    Key Content

    • Our World: The European Dreamwith Gabriel Gatehouse-It’s more than 65 years since Europe set out on a journey that’s led to today’s complex union of 28 states. As the European Union struggles to stay united in the face of 21st century crises, for Our World Gabriel Gatehouse asks what’s happened to the European dream. Tx Friday June 10th 0930 GMT

    • The Truth about EU Migration – Mishal Husain takes an impartial look at the effects of migration from other European Union countries to the UK. From the economy and jobs market, through education, housing, and the NHS, to security and national identity, this documentary explores the true impact of EU immigration on Britain.Tx date tbc

    • EU Referendum: The Great Debate -As the campaign reaches its climax, BBC presenters David Dimbleby (Question Time) will be joined by Mishal Husain (Radio4 Today) and Emily Maitlis (This Week’s World), live at SSE Arena, Wembley in London for the BBC’s biggest ever campaign event as thousands of voters are invited to question representatives from the ‘leave’ and ‘remain’ camps
    – TxJune 21st.

    • Outside Source Specials / BBC World News live broadcasts

    o Paris – June 9 and 10

    o Belgium – June 14

    o Manchester & The Netherlands – June 16

    o Scotland – June 20

    • Results Day – rolling coverage from Westminster and Brussels with in-depth analysis as the result becomes clear – June 24

  • BBC World News unveils plans to help global audiences

    BBC World News unveils plans to help global audiences

    MUMBAI: As the United Kingdom looks towards the EU Referendum, the BBC has today unveiled its plans to help global audiences make sense of the vote.

    From documentaries and debates to live streaming on social media, BBC World News and BBC.com/news will provide a multiplatform offer, which means people around the world can keep up with the latest on the campaign wherever they are.

    The BBC’s international news service will be mobilising its team of experienced correspondents and presenters with live broadcasts from across Europe to explain key moments in the campaign and help people understand what the result could mean where they are, while also offering a wealth of content online at bbc.com/eureferendum (www.bbc.com/news/politics/eu_referendum)
    Sharing content and analysis via Facebook, Snapchat, and Twitter will be at the heart of the coverage as Outside Source presenter Ros Atkins takes his innovative daily news show on the road. He will be presenting his TV programme from Paris, Manchester and Edinburgh as well as live steaming on the BBC News Facebook page. He will also be covering the BBC’s live, televised EU membership debate at London’s SSE Arena, Wembley on Tuesday June 21st. Ros will use social media to bring viewers key points as senior politicians and other key figures explore both sides of the argument, while BBC World News will broadcast the debate live.

    On results day Ros will be joined by World News presenter and former BBC political correspondent Philippa Thomas in London’s Westminster as they cover the reaction to the referendum’s outcome in a special day of live broadcasts. Presenters David Eades and Karin Giannone will be bringing the view from Brussels, and Kasia Madera will be in Poland. BBC World News America anchor Katty Kay will be keeping American audiences up to speed, with a special London edition of her show while business correspondents Karishma Vaswani and Michelle Fleury will gauge the reaction of the financial markets and business communities around the world.

    Alongside the service’s news reporting BBC World News will also be broadcasting special documentaries. These include an Our World special with Gabriel Gatehouse considering what has become of the European dream and an hour long film ‘The Truth About EU Migration’ (title TBC) presented by Mishal Husain taking an impartial look at the effects of migration from other European Union countries to the UK.

    Unveiling the wealth of content, BBC World News digital and editorial director Richard Porter said, “This is a historic referendum for the British people, which we know is being watched closely around the world. It’s our responsibility to ensure audiences get the clearest explanation of the issues, with coverage they can trust. Audiences can expect the same quality of coverage whether they come to us on TV, on our website, our app or on social media – and we’ll reflect back what they’re saying to us, as well as what the politicians are saying to them. We’ll draw upon all the knowledge and experience of our expert correspondents to ensure audiences get the whole story.”

    Key Content

    • Our World: The European Dreamwith Gabriel Gatehouse-It’s more than 65 years since Europe set out on a journey that’s led to today’s complex union of 28 states. As the European Union struggles to stay united in the face of 21st century crises, for Our World Gabriel Gatehouse asks what’s happened to the European dream. Tx Friday June 10th 0930 GMT

    • The Truth about EU Migration – Mishal Husain takes an impartial look at the effects of migration from other European Union countries to the UK. From the economy and jobs market, through education, housing, and the NHS, to security and national identity, this documentary explores the true impact of EU immigration on Britain.Tx date tbc

    • EU Referendum: The Great Debate -As the campaign reaches its climax, BBC presenters David Dimbleby (Question Time) will be joined by Mishal Husain (Radio4 Today) and Emily Maitlis (This Week’s World), live at SSE Arena, Wembley in London for the BBC’s biggest ever campaign event as thousands of voters are invited to question representatives from the ‘leave’ and ‘remain’ camps
    – TxJune 21st.

    • Outside Source Specials / BBC World News live broadcasts

    o Paris – June 9 and 10

    o Belgium – June 14

    o Manchester & The Netherlands – June 16

    o Scotland – June 20

    • Results Day – rolling coverage from Westminster and Brussels with in-depth analysis as the result becomes clear – June 24

  • MPA & STVF announces knowledge exchange forum at STVF in Shanghai

    MPA & STVF announces knowledge exchange forum at STVF in Shanghai

    MUMBAI:  Media Partners Asia (MPA) and Shanghai TV Festival (STVF) announced a partnership to collaborate on the first ever knowledge exchange forum at the STVF in Shanghai on 10 June.

    China & the Global Video Opportunity Forum unites leaders from TV and digital video industries in China, Asia Pacific, Europe and North America.

    The exclusive thought leadership forum sets the stage for a cultural exchange between domestic and international media players and provides a unique networking platform for attendees.

    MPA Business Development vice president Reagan Chan said, “We are pleased to partner with Shanghai TV Festival and co-host this ground breaking forum, sharing perspectives and partnerships across the world’s leading media and entertainment markets.”

    STVF managing director Wenxia Fu said, “STVF is one of the most important platforms in Asia’s television industry for international cultural exchange and collaboration. Established in 1986, this year’s festival will be its 22 edition. We are thrilled to partner with MPA, Asia’s leading research and consulting company to bring us closer to our international counterparts for an unmatched knowledge sharing opportunity.”

    China’s TV and digital video markets lead in Asia Pacific, generating revenue of approximately US$50 billion, according to MPA, which could grow to more than US$75 billion by 2021, making content creation, production and distribution a vital part of China’s world leading media and entertainment ecosystem.

  • MPA & STVF announces knowledge exchange forum at STVF in Shanghai

    MPA & STVF announces knowledge exchange forum at STVF in Shanghai

    MUMBAI:  Media Partners Asia (MPA) and Shanghai TV Festival (STVF) announced a partnership to collaborate on the first ever knowledge exchange forum at the STVF in Shanghai on 10 June.

    China & the Global Video Opportunity Forum unites leaders from TV and digital video industries in China, Asia Pacific, Europe and North America.

    The exclusive thought leadership forum sets the stage for a cultural exchange between domestic and international media players and provides a unique networking platform for attendees.

    MPA Business Development vice president Reagan Chan said, “We are pleased to partner with Shanghai TV Festival and co-host this ground breaking forum, sharing perspectives and partnerships across the world’s leading media and entertainment markets.”

    STVF managing director Wenxia Fu said, “STVF is one of the most important platforms in Asia’s television industry for international cultural exchange and collaboration. Established in 1986, this year’s festival will be its 22 edition. We are thrilled to partner with MPA, Asia’s leading research and consulting company to bring us closer to our international counterparts for an unmatched knowledge sharing opportunity.”

    China’s TV and digital video markets lead in Asia Pacific, generating revenue of approximately US$50 billion, according to MPA, which could grow to more than US$75 billion by 2021, making content creation, production and distribution a vital part of China’s world leading media and entertainment ecosystem.

  • TRAI commences exercise at inter-operaability of STBs, isses pre-Consultation Paper

    TRAI commences exercise at inter-operaability of STBs, isses pre-Consultation Paper

    New Delhi: Noting the need for inter-operability of set top boxes as the country races towards completion of the final phase of digital addressable systems, the Telecom Regulatory Authority asked stakeholders for their opinion on the best methods for such inter-operability.

    In a scenario where the government itself admits that Indian-made STBs are a mere ten per cent, it is even more imperative to find ways of smoother inter-operability since most of the STBs will be of foreign make.

    In a pre-consultation paper on set top box interoperability issued today, TRAI has related the methods of inter-operability followed in Europe, Asia and the United States and asked the stakeholders to give their views by 29 April. Views have been invited from various organizations, industry bodies, standardization bodies,
    STB manufacturers, chip vendors, conditional access system providers, software providers, stakeholders, experts, individuals etc

    Answers have been sought to just three questions: what are the concerns that should be takencare of at the time of development of framework of interoperable of STBs; what are the techno-commercial reasons for non-interoperability of STBs; and the plausible solutions for technical interoperability of STBs and their impact on the sector’s growth.

    After giving examples from around the world, the paper said there can be various possible solutions. But the views of stakeholders are necessary before starting any discussion on the possible solutions and to arrive at a common minimum agreement ofadoption of any specific standards and the way forward.

    The paper also says stakeholders are free to give any relevant feedback for thedevelopment of technical inter-operability both within specific segment (cable TV and DTH) and across the segments (among cable TV and DTH operators).

    The paper also lists the steps already taken by TRAI.

    Based on the recommendations of TRAI for technical interoperability of STBs, theGovernment has mandated the provision of CI slot in the STBs deployed by DTH serviceproviders. The CI slot exists in the already deployed DTH STBs.

    However TRAI said this effort has not been fruitful in meeting the objective of interoperabilityin India due to various reasons. These are: the availability of CI slot alone is not sufficient toachieve effective technical interoperability as other modules of STB like tuner, middleware, operating system; EPG etc. also require updation on change of service provider; DTHoperators are following different versions of standards for compression, and transmission; most of the DTH operators have not offered to customers the option of CAM card in place ofSTB; and the cost of CAM card is more or less equal to the new STB. It may be due to non-availability of economies of scale.

    TRAI said it has notified tariff order prescribing standard tariff package for STBs, which provide an easy exit option to the consumers, who want to change their service providers due to one reason or the other. But the tariff order applicable for DTH is sub-judice as it is pending adjudication.

    The paper says broadcasting of TV signals over distribution networks involves various steps like compression, encryption, transmission etc. For each purpose, different technologies andtheir versions have evolved over a period of time. The rules and regulations prescribed bythe government and the regulator provide freedom of choosing technology to serviceproviders. Accordingly, according to their business plans, individual service provider havechosen and implemented different technologies and their versions. The adoption of different versions of technical standards by service providers is one of the reasons for non–interoperability of STBs.

    The issue relating to technical interoperability mainly hover around the question ofinteroperability of STBs, between two platforms viz DTH and cable; and question of inter-operability of STBs within the same platform i.e. with in cable or DTH systems. Further, withina platform, there could be a question of inter-operability of STBs across the different serviceproviders using the same make of CAS. Presently, STB inter-operability is not functional atany level.

    The main technical reasons of STB non inter-operability are: different methods of EMM andECM encryption: ECM and EMM messages are carried in an encrypted form. Whereas DVBhas standardized the scrambling algorithm for scrambling of a channel (DVB-CSA), algorithms used for ECM/ EMM encryption are not standardized.

    Different Modulation standards: using DVB-C standard whereas the signal is modulatedusing DVB-S standard in DTH. For a STB to be able to receive signal both from DTH andcable, there will be a requirement of switchable demodulator unit. Further, efficient versions namely DVB-C2 and DVB-S2 have been deployed by the operators. While the later versionsare backward compatible, earlier versions are not forward compatible. Therefore, it restrictsthe STB interoperability across the platforms as well as within the same platform using differentversions of standards.

    In digital TV transmission, compression plays a very important role. There are two prominent compression standards in use today. In India, most of the operators have used, either MPEG2or MPEG4 standard for compression. In cable TV sector, due to cost advantage andavailability of sufficient bandwidth in the network, most of the STBs deployed till now are ofMPEG2 standard. While the MPEG4 standard is backward compatible, MPEG2 standard is not forward compatible. Therefore, MPEG2 compliant STBs cannot work in the MPEG4 networks.

    Operating system/ middleware and EPG (Electronic Program Guide) boot loaders are specificto chip vendors and it allows the updating of STB software by specific operators afterproper verification. There is no standard operating system for STBs. DVB hasdeveloped multimedia home platform (MHP) as a standard for middleware. However the sameis not popular. Proprietary middleware, with non-standard APIs, are in use. It ensures that, theapplication software can be updated by specific operators only. Special end user applicationslike EPG installed over middleware are also unique for each operator.

    The pay TV service providers are concerned about the piracy of content. They have expressedtheir apprehension about fake STBs that may be used to capture information from a validsmart card and that information may be misused to produce fake/clone smart cards. Further,the stakeholders have raised their concern about the common scrambling algorithm (DVB-CSA) which is a 48 bit scrambling mechanism, and can be broken with the help of highcapacity processors.

    Therefore, the service providers are reluctant to use DVB-CSA. Operators due to theconcerns of piracy make the STB tightly coupled by integrating the Conditional Access Sub System into the chip.

    All these become an impediment when a subscriber wishes to migrate to a different serviceprovider while attempting to use the same STB, and leads to concerns relating to technical inter operability.

  • TRAI commences exercise at inter-operaability of STBs, isses pre-Consultation Paper

    TRAI commences exercise at inter-operaability of STBs, isses pre-Consultation Paper

    New Delhi: Noting the need for inter-operability of set top boxes as the country races towards completion of the final phase of digital addressable systems, the Telecom Regulatory Authority asked stakeholders for their opinion on the best methods for such inter-operability.

    In a scenario where the government itself admits that Indian-made STBs are a mere ten per cent, it is even more imperative to find ways of smoother inter-operability since most of the STBs will be of foreign make.

    In a pre-consultation paper on set top box interoperability issued today, TRAI has related the methods of inter-operability followed in Europe, Asia and the United States and asked the stakeholders to give their views by 29 April. Views have been invited from various organizations, industry bodies, standardization bodies,
    STB manufacturers, chip vendors, conditional access system providers, software providers, stakeholders, experts, individuals etc

    Answers have been sought to just three questions: what are the concerns that should be takencare of at the time of development of framework of interoperable of STBs; what are the techno-commercial reasons for non-interoperability of STBs; and the plausible solutions for technical interoperability of STBs and their impact on the sector’s growth.

    After giving examples from around the world, the paper said there can be various possible solutions. But the views of stakeholders are necessary before starting any discussion on the possible solutions and to arrive at a common minimum agreement ofadoption of any specific standards and the way forward.

    The paper also says stakeholders are free to give any relevant feedback for thedevelopment of technical inter-operability both within specific segment (cable TV and DTH) and across the segments (among cable TV and DTH operators).

    The paper also lists the steps already taken by TRAI.

    Based on the recommendations of TRAI for technical interoperability of STBs, theGovernment has mandated the provision of CI slot in the STBs deployed by DTH serviceproviders. The CI slot exists in the already deployed DTH STBs.

    However TRAI said this effort has not been fruitful in meeting the objective of interoperabilityin India due to various reasons. These are: the availability of CI slot alone is not sufficient toachieve effective technical interoperability as other modules of STB like tuner, middleware, operating system; EPG etc. also require updation on change of service provider; DTHoperators are following different versions of standards for compression, and transmission; most of the DTH operators have not offered to customers the option of CAM card in place ofSTB; and the cost of CAM card is more or less equal to the new STB. It may be due to non-availability of economies of scale.

    TRAI said it has notified tariff order prescribing standard tariff package for STBs, which provide an easy exit option to the consumers, who want to change their service providers due to one reason or the other. But the tariff order applicable for DTH is sub-judice as it is pending adjudication.

    The paper says broadcasting of TV signals over distribution networks involves various steps like compression, encryption, transmission etc. For each purpose, different technologies andtheir versions have evolved over a period of time. The rules and regulations prescribed bythe government and the regulator provide freedom of choosing technology to serviceproviders. Accordingly, according to their business plans, individual service provider havechosen and implemented different technologies and their versions. The adoption of different versions of technical standards by service providers is one of the reasons for non–interoperability of STBs.

    The issue relating to technical interoperability mainly hover around the question ofinteroperability of STBs, between two platforms viz DTH and cable; and question of inter-operability of STBs within the same platform i.e. with in cable or DTH systems. Further, withina platform, there could be a question of inter-operability of STBs across the different serviceproviders using the same make of CAS. Presently, STB inter-operability is not functional atany level.

    The main technical reasons of STB non inter-operability are: different methods of EMM andECM encryption: ECM and EMM messages are carried in an encrypted form. Whereas DVBhas standardized the scrambling algorithm for scrambling of a channel (DVB-CSA), algorithms used for ECM/ EMM encryption are not standardized.

    Different Modulation standards: using DVB-C standard whereas the signal is modulatedusing DVB-S standard in DTH. For a STB to be able to receive signal both from DTH andcable, there will be a requirement of switchable demodulator unit. Further, efficient versions namely DVB-C2 and DVB-S2 have been deployed by the operators. While the later versionsare backward compatible, earlier versions are not forward compatible. Therefore, it restrictsthe STB interoperability across the platforms as well as within the same platform using differentversions of standards.

    In digital TV transmission, compression plays a very important role. There are two prominent compression standards in use today. In India, most of the operators have used, either MPEG2or MPEG4 standard for compression. In cable TV sector, due to cost advantage andavailability of sufficient bandwidth in the network, most of the STBs deployed till now are ofMPEG2 standard. While the MPEG4 standard is backward compatible, MPEG2 standard is not forward compatible. Therefore, MPEG2 compliant STBs cannot work in the MPEG4 networks.

    Operating system/ middleware and EPG (Electronic Program Guide) boot loaders are specificto chip vendors and it allows the updating of STB software by specific operators afterproper verification. There is no standard operating system for STBs. DVB hasdeveloped multimedia home platform (MHP) as a standard for middleware. However the sameis not popular. Proprietary middleware, with non-standard APIs, are in use. It ensures that, theapplication software can be updated by specific operators only. Special end user applicationslike EPG installed over middleware are also unique for each operator.

    The pay TV service providers are concerned about the piracy of content. They have expressedtheir apprehension about fake STBs that may be used to capture information from a validsmart card and that information may be misused to produce fake/clone smart cards. Further,the stakeholders have raised their concern about the common scrambling algorithm (DVB-CSA) which is a 48 bit scrambling mechanism, and can be broken with the help of highcapacity processors.

    Therefore, the service providers are reluctant to use DVB-CSA. Operators due to theconcerns of piracy make the STB tightly coupled by integrating the Conditional Access Sub System into the chip.

    All these become an impediment when a subscriber wishes to migrate to a different serviceprovider while attempting to use the same STB, and leads to concerns relating to technical inter operability.