Tag: ESPN Star Sports

  • Nokia exits Champions T20 League as title sponsor

    Nokia exits Champions T20 League as title sponsor

    MUMBAI: Nokia has exited as title sponsor for the Champions T20 League event a year after it had stepped in to replace Airtel.

    ESPN Star Sports, the rights holder for the Champions T20 League event, will announce a new sponsor tomorrow. ESS has roped in a leading telecom player to replace Nokia.

    Earlier, Airtel had exited as title sponsor prematurely after two years. The telecom major had signed a deal believed to be worth Rs 1.70 billion for five years. The contract, however, had a review option.

    The Champions T20 struggled to draw television viewership in large numbers last year, despite ESPN Star Sports roping in Shah Rukh Khan as brand ambassador. This time the event takes place in South Africa and, thus, offers less opportunity for the franchises to do activation targeting Indian viewers.

    The fourth edition of event will take place in South Africa from 9-28 October featuring 10 teams. The main tournament will be preceded by a six-team qualifying tournament to fill in the two vacant slots for the main tournament. This year the organisers have got a team from Pakistan in the tournament to give it a fillip.

  • CNBC-TV18 to launch ‘The Olympian Effort’ on 30 June

    CNBC-TV18 to launch ‘The Olympian Effort’ on 30 June

    Mumbai: CNBC-TV18 is launching a new six-part series – The Olympian Effort – on 30 June.

    Built around the 2012 London Olympics, the show gives a 360 degree view of the Games. It salutes the spirit of sportsmanship and takes an “in-depth” look at the business of Olympics.

    The series will air every Saturday at 12 noon and 8 pm and every Sunday at 9 pm.

    There will be a special episode on India and the Olympics. It will showcase India’s history and track record at the Olympics, the past winners and their moments of glory. The show will then look at the Indian 2012 contingent, their prospects and the country’s expectations from them.

    As the series progresses, it will dive deeper into the business of Olympics and analyse how Indian businesses and companies with Indian stakes are getting involved and leveraging on the games. The show will capture the expectations of various athletes and contingent sponsors as well as the first time broadcaster of Summer Olympics ‘ESPN Star Sports’.

    A special episode will be anchored out of London itself that will provide a global view of the 2012 London Olympics and its impact on Brand London. Interviews with global sponsors and organisers will provide an insight to their views and expectations from the games. The series will conclude after the closing ceremony which will analyse the 2012 games and brand London from all aspects.

  • Euro 2012: First 27 matches notch 0.76 TVR

    Euro 2012: First 27 matches notch 0.76 TVR

    MUMBAI: The first 27 games of the Uefa Euro 2012 has notched an average viewership of 0.76 TVR for CS M 15+ ABC TG Six Metros, a growth of 27 per cent over the previous edition, Neo Prime said.

    The broadcaster quoting TAM asserted that the total television tune-ins for the tournament has seen a 33 per cent growth over the last edition. The total tune-ins for the current edition is 19 million compared to 14.3 million in 2008 Uefa Euro, which was telecast by ESPN Star Sports.

    The viewership in the business end of the tournament has further surged registering a growth of 63 per cent in the average rating of the Quarter Finals as compared to the group stage.

    Neo Sports Broadcast COO Prasana Krishnan COO commented, “The exponential growth in ratings during the business end of the tournament is in line with our aggressive viewership forecast. I expect the ratings to further propel as the 4th Quarter Final witnessed an intense and hard fought battle between Italy and England and the Semi Finals will see the 4 best teams compete against each other. This edition of Uefa Euro 2012 has been a win-win for the fans, advertisers and us.”

  • No dramatic change in Champions League T20 ratings

    No dramatic change in Champions League T20 ratings

    MUMBAI: Despite four Indian Premier League (IPL) teams taking part and Shah Rukh Khan being used as brand ambassador for the event, the recently concluded Nokia Champions League Twenty20 did not see any dramatic change in ratings.

    Even the triumph of Mumbai Indians did not help host broadcaster ESPN Star Sports (ESS) much, indicating that the format will take time to find widespread popularity.

    TAM data (c&s, 4+, All India) shows that the event averaged a TVR of 1.64 (not including the qualifying event), marginally up from 1.44 TVR that it recorded last year. Including the qualifying event, the whole tourney this time averaged 1.45 TVR. 

    Reach, however, expanded to 87 million compared to 78 million last year.

    The final match got a TVR of 3.51 compared to 3.30 TVR last year. If there was any improvement, it was in the delivery of the semifinals. They averaged 2.74 TVR this season, compared to 1.34 TVR last year. 

    MPG senior director R Venkatasubramanian feels that the event needs a bigger marketing push as foreign teams are taking part. “Cricket fans know about the IPL and the players. Marketing needs to be done for the foreign teams. That would create a sense of anticipation among fans. There should also be on-ground activation.”

    An ESPN Star Sports spokesperson, however, said the event‘s performance has been in line with their expectations.

  • Champions League Twenty20 matches average 1.46 TVR

    Champions League Twenty20 matches average 1.46 TVR

    MUMBAI: The fourth edition of the Nokia Champions Twenty20 League is maintaining its average TVR of 1.46 on ESPN Star Sports (ESS) channels, same as that of the previous edition.

    As per TAM data (C&S 4+ All India), the first 12 tournament matches have delivered an average TVR of 1.46. Earlier the six matches held in a qualifier event had managed a TVR of 0.76.

    Even the nine matches that were played between 25 September – 1 October have managed the same 1.46 TVR.

    Last year the entire event had delivered a TVR of 1.44, an improvement over the 1.06 TVR that the first edition had delivered. This year‘s event could fare better overall if an IPL franchise makes it to the final.

    During the week, the highest rating was for a match between Mumbai Indians and Trinidad & Tobago, which got a rating of 1.86.

    LAll the matches not featuring any IPL team remained below 0.5 TVR.Kapoor.
     

  • ESS targets Rs 1 bn from Champions League Twenty20

    ESS targets Rs 1 bn from Champions League Twenty20

    MUMBAI: ESPN Star Sports (ESS) has set itself a revenue target of Rs 1 billion from airtime and on-ground advertisers for the Champions League Twenty20 cricket tourney.

    Nokia, which replaced Airtel as the title sponsor, will be spending Rs 1 billion over four years, according to market sources. Airtel had stitched a five-year deal for Rs 1.7 billion.

    ESS has signed up Toshiba as a sponsor for Rs 70 million, out of which Rs 42.5 million is for airtime commercials on the channel and the rest is for on-ground, sources add.

    ESS is looking for two co-presenting and six associate airtime sponsors for the cricket event that takes place from 23 September-9 October. The company also wants to rope in six associate on-ground sponsors.

    A company official said on condition of anonymity that ESS had earned a revenue of Rs 900 million from the last edition. He, however, did not give the split between on-air and on-ground revenues.

    According to Indiantelevision.com estimates, ESS can earn Rs 550 million from airtime commercials and Rs 350 million from on-ground sponsors.

    Madison Media Group CEO Punitha Arumugam said that two factors work in favour of this year‘s event. “It is happening just before the festive season. Also, the timings will be good as it is taking place in India. However, whether it generates the required buzz and talk is something that remains to be seen. Besides, India‘s poor performance against England could have its impact on viewership for the tournament.”

    The previous two editions disappointed in TV audience ratings, but ESS has made serious efforts to promote the property. While Amitabh Bachchan was the brand ambassador for the event last year, this time ESS has roped in Shah Rukh Khan.

  • WC: ICC sticks to its footage guidelines for news channels

    WC: ICC sticks to its footage guidelines for news channels

    MUMBAI: The International Cricket Council (ICC) and the Indian television news broadcasters continue to be at loggerheads.

    The ICC has maintained that the footage guidelines that it issued for news coverage regarding the World Cup are fair, contrary to the common opinion running through news channels.

    Reacting to reports that Indian news channels have said that the terms of the footage made available for them are not acceptable, an ICC spokesperson told Indiantelevision.com that there was no reason to concede ground.

    “The guidelines we have put in place for the ICC Cricket World Cup 2011 are fair, reasonable and in line with the industry best practice. They are designed to allow non-rights-holders (NRH) the opportunity to offer quality news-access coverage for their viewers while also protecting the exclusive rights of our broadcast partner,” the spokesperson said.

    The spokesperson noted that in the past, some non-rights-holders (NRH) have flouted the rules and showed almost ball-by-ball coverage of events, in breach of the broadcast partner’s rights.
         
      “At a very early stage in this process (beginning in October 2010), we and our host broadcaster engaged the views and opinions of the News Broadcasters’ Association (NBA) and involved that organisation at every stage of this process. After lengthy discussions with the NBA, we sent the final version of the guidelines to the NBA to inform them that we were going to publish them on 19 January.”

    The spokesperson said that the cricket‘s governing body got no response from them. So the ICC extended the publication date and the guidelines were finally issued on 25 January.

    “To date we still haven‘t heard back from the NBA. We consider the guidelines to be very reasonable and lenient when it comes to the issue of news access rights. Through its purchase of the rights to televise our events, our broadcast partner, ESPN Star Sports, has poured a large amount of money into cricket while also providing a fantastic televisual experience to a billion viewers in more than 180 territories around the world,” the spokesperson said.

    The spokesperson said that this investment is used to develop the game in almost every corner of the globe and it is important that their investment is protected. “At the same time we also realise the importance of free news access to NRH and so these guidelines provide a workable balance between those two sides.”

    Meanwhile, the NBA today expressed confidence that it would be able to amicably sort out the issue relating to the news telecast of ICC Cricket World Cup footage.

    NBA president KVL Narayan Rao told Indiantelevision.com that the association had already written to the ICC that it wanted to discuss the issue and he expected that this dialogue would be held soon.

    The ICC, however, said that it has not received anything from the NBA.

    NBA sources said that the common expectation was that an early resolution would be found “as both needed each other”.

  • World Cup: ICC issues footage guidelines for news channels

    World Cup: ICC issues footage guidelines for news channels

    MUMBAI: The International Cricket Council (ICC) has come out with its news access guidelines for broadcasters in India intending to cover the cricket World Cup starting next month.

    Being just unveiled, news broadcasters are going to take a common stance through the News Broadcasters Association (NBA) after studying the footage cap thoroughly.

    According to the guidelines, a news broadcaster may broadcast a maximum of 5.5 minutes of fresh footage of the cricket World Cup per News Day, provided always that:

    (a) not more than a maximum of two minutes of Fresh Footage may be broadcast per hour of broadcasting; and

    (b) the number of repeats of any Fresh Footage is restricted to a maximum of two exhibitions per hour of broadcasting.

    These guidelines are solely for bona fide news broadcasters registered under the category of “News and Current Affairs” channels according to India’s Ministry of Information and Broadcasting.

    They are issued on the principle of copyright fair-use principles and are valid until 24 hours after the end of the last match of the event.  
         
      It might be recalled that last year the Indian Premier League (IPL) had a tussle with news broadcasters over terms and conditions. At the last moment a solution was found.

    The use by a news broadcaster of live footage is not permitted at any time under any circumstances. There must be a minimum of at least 60 minutes delay following the live broadcast of any footage by the official/host broadcaster before any extract of such Footage may be used by the news broadcaster

    A news broadcaster may broadcast a maximum of six minutes of archival footage per day, provided always that:

    (a) a maximum of two minutes of the Archival Footage may be used per hour of broadcasting; and

    (b) the number of repeat exhibitions should be limited to four per News Day with not less than a two-hour interval between each exhibition.

    The use of fresh footage and the use of Archival Footage pursuant to paragraph 8 above is strictly limited in each case to use within news and/or current affairs programmes. No use of fresh footage and/or archival footage is permitted in any circumstances for any commercial purposes.

    News broadcasters are allowed live video streaming of their news channels on their official nominated websites as long as it is a simulcast of the entire channel as aired on the broadcaster’s television news channel and is not broadcast online on-demand, in a deferred manner or provided as highlight packages or clips. Subject to the aforementioned, news broadcasters shall not display deferred or Archival Footage, whether as part of news bulletins or otherwise, on their own website(s) or via their account or page on a third-party video-upload site such as YouTube, DailyMotion, Facebook, etc.

    A news broadcaster may commercially exploit a news and/or sports and/or current affairs and/or other programme within which Fresh Footage and/or Archival Footage is broadcast as a whole, in the regular course, through normal advertising breaks usual in programming of news channels, provided always that no advertising, sting, logo, graphic and/or any other commercial (morphing) activity occurs immediately before, immediately after or during the Fresh Footage and/or Archival Footage and no association is created, suggested or implied between the use of Fresh Footage and/or Archival Footage and any third party brand or product.

    To clarify further, no programme, bulletin or segment (whether a news or sports bulletin, special programme or promotional programme) that uses Fresh Footage and/or

    Archival footage may have a title or other sponsor and no advertisement may be used or repeated in the regular advertising breaks during the programme in such a manner as to create, suggest or imply an association between the advertiser and the Footage or the Event.

    Courtesy bugs acknowledging IDI and ESS must be pasted by the Designated News Broadcaster, with due prominence, throughout the broadcast of any Fresh Footage and/or Archival Footage.

    News broadcasters must use the correct name of the Event (being either ICC Cricket World Cup 2011 or the shorter title „ICC Cricket World Cup) and the Event Logo in any and all broadcasts in which the Event is mentioned or referred to, whether or not including the broadcast of any clips of fresh footage and/or archival footage. For the avoidance of doubt, there should not be any direct commercial association created, suggested or implied between any third party brand or product and any Event Marks.

    In the event that the Event logo or the ESPN Star Sports (ESS) logo should be covered by the logo of the Designated News Broadcaster, the news broadcaster must include a courtesy line extended at the bottom of, or elsewhere, on the screen.

    News broadcasters may only use footage as above without financial obligation to IDI. The ICC has warned that any use beyond as permitted under these Guidelines, if not under a prior bilateral agreement between the relevant Designated News Broadcaster and IDI, will be treated as a violation and, in the case of Archival Footage, shall be subject to payments in accordance with the Footage Licensing Rate Card. It is $800 (0-60 seconds) and archival gootage is for $1000 (0-60 seconds)

    IDI may exercise its other remedies, including possible suspension of media accreditation, pending payment of such fees for overuse of Footage. It is further clarified that IDI has certain legal obligations to its official broadcaster and is only able to grant rights hereunder (including rights subject to the Footage Licensing Rate Card) subject to these limitations, which include that only an aggregate 10 minutes of Archival Footage from the events listed in Schedule 2 may be used in any one programme.

    If the news broadcaster’s use exceeds such limitations, in addition to agreeing to pay IDI the fees for overuse under the Footage Licensing Rate Card as above, the Designated News Broadcaster hereby (i) agrees to indemnify IDI for any and all losses or damages that may be due from IDI to its official broadcaster as a result of the violation and breach of their agreement resulting from such overuse and (ii) acknowledges that it may be subject to IDI’s official broadcaster’s legal remedies directly for such overuse.

    IDI retains and, to the extent required, is hereby granted by the relevant copyright owner governed by these Guidelines, the rights to monitor and enforce compliance by Designated News Broadcasters and associated and unassociated third parties with these Guidelines (whether by means of anti-infringement actions, legal proceedings or otherwise) and with the copyright law in force.

    In all such cases the relevant Designated News Broadcaster will not undertake any act to obstruct, nullify or obviate the rights of IDI granted hereunder.

    The ICC has said that the usage by news broadcasters of footage in connection with the World Cup shall be monitored by a Designated Monitoring Agency on behalf of IDI and IDI expressly reserves all of its legal rights and remedies against any Designated News Broadcaster that breaches these guidelines.

    So how are the Indian broadcasters reacting to the guidelines? Says BAG Films and Media CMD Anurradha Prasad, “The NBA has to take a call on the issue. Members will go along with what has been decided. It is important that everybody is on the same page.”
     

  • ‘Market needs to rationalise their payouts to distribution bouquets’ : MSM Discovery President Rajesh Kaul

    ‘Market needs to rationalise their payouts to distribution bouquets’ : MSM Discovery President Rajesh Kaul

    MSM Discovery is targeting Rs 10 billion in FY’11, an almost 40 per cent jump over the year-ago period, as it adds Neo Cricket into its distribution muscle.

    The rise in revenues will also be aided by stronger performance from some of the existing channels such as Sony Entertainment Television (Set) and Sab.

    Being the only distribution company that has entertainment and sports channels in its bouquet, MSM Discovery expects cable networks to rework their payouts to broadcasters and not take their decisions based on legacies.

    Shepherding MSM Discovery‘s growth drive to combine the subscription revenues of an entertainment and a sports bouquet is Rajesh Kaul. As president of the joint venture company between Multi Screen Media (formerly Sony Entertainment Television India) and Discovery, his 11-year stint at ESPN Star Sports could come into use as he hopes to play the ‘soft-and-hard‘ tactics game to ramp up revenues.

    In an interview with Indiantelevision.com‘s Sibabrata Das, Kaul talks about the need to drive up consumer ARPUs and have a regulatory policy that is fair to all stakeholders including broadcasters.

    Excerpts:

    Will the addition of Neo Cricket and Neo Sports compensate the loss of the Viacom18 channels including Colors?
    I can‘t comment on the exit of the Viacom18 channels as the matter is sub judice. But we are still the biggest distribution company in the country.

    When we had taken up the distribution of Colors, Sony Entertainment Television was around 75 GRPs and Sab 35 GRPs. Today, Sony is 197 GRPs while Sab has touched 134 GRPs.

    So a big change has happened to our existing channels. And we are the only distribution company that has entertainment and sports channels in our bouquet.

    Which is why MSM Discovery is targeting a turnover of Rs 10 billion this fiscal?
    I can‘t comment on the financials but we are looking at a 40 per cent growth. With the addition of the Neo channels, we should be getting the combined subscription revenues of an entertainment and a sports bouquet.

    Isn‘t that an ambitious target in today‘s environment when broadcasters are jostling for space in choked analogue cable networks?
    We expect a redistribution of monies to take place. We are the only bouquet in the industry which has 3 out of the top 10 channels – Sony, Max and Sab. The mother channel, Sony, may not be No. 1 at this stage but is doing well. With KBC coming in and Amitabh Bachchan hosting the game show, the channel‘s ratings can only get better. We have leaders in Discovery, Animal Planet and Aaj Tak.

    We also have the biggest sporting content in IPL (Indian Premier League) and BCCI cricket. We are, in fact, the best sports providing bouquet in the country. Let the cable networks and the DTH operators analyse the content and rationalise their payouts on the ground rather than be influenced by legacies.

    Are you hinting at subscription monies moving out of ESPN Star Sports (ESS) as sports content has got fragmented?
    I can‘t comment on whether ESS‘ content pool has weakened. What I can say is that probably people need to pay more to Neo and rework their payouts. For the next 15-20 days, we are going to carry out this campaign across the country to educate the trade.

    Sources who are familiar with the deal say Neo is guaranteed a payout of Rs 2.7 billion net over three years. Isn‘t this an expensive deal as it excludes the DTH side of the distribution business?
    Without getting into the commercial terms of the deal, let me state that we have paid the right value for the product. India cricket does not come cheap.
    ‘With the addition of the Neo channels, we should be getting the combined subscription revenues of an entertainment and a sports bouquet‘

    Market sources say Neo was making an annual subscription revenue of Rs 600 million from analogue cable. Isn‘t your payout on the higher side particularly when the BCCI cricket has to be shared with the pubcaster?
    Neo has got a guarantee of around 20 Test matches over three years that will not be simulcast on Doordarshan. That gives 100 days of Test cricket exclusive on Neo. Test matches still have a fan following and a very loyal base. We, in fact, will have 3-4 months of BCCI cricket, including ODIs and T20s, and almost 2 months of IPL in a calendar year. That puts us in a formidable position. While for all broadcasters major growth in the past has come from DTH, we also expect a healthy analogue growth this year because of Neo.
    A correction is needed in the payouts. And redistribution has to take place, both in entertainment and sports bouquets.

    Has Star Den become weaker after the exit of the Disney and Network18 group channels to Sun18 while in your case you tapped Neo?
    Yes, I think so. But it is for the trade to decide.

    The market feels that MSM Discovery has not exploited the IPL to drive its pay-TV revenues to the maximum. Is this true?
    I agree that we haven‘t collected as much money as we should have, particularly when the IPL has become bigger in value. We need to collect the IPL money (from distribution) now. And with Neo and other things (improvement in performance of some of our existing channels), we will give it a combined push to ramp up our revenues.

    Will you deploy the ‘hard‘ distribution tactics that you learnt during your 11-year stint at ESS?
    I am hoping that the hard approach will not be needed. We will give friendship a chance. If people are not being fair, we have to use different strategies. For the next one month, as we have the India-Australia and India-New Zealand series, we will educate the trade on the depth of our content.

    Are you looking at adding more channels to the bouquet?
    Both the partners (Multi Screen Media and Discovery) are looking at launching new channels over the next 18 months. They are considering different genres – regional, music, kids, infotainment. They have deep pockets and are committed to investing in this market. This gives security to the joint venture company. Besides, we are talking to distribute third party channels.

    The Telecom Regulatory Authority of India (Trai) has come out with a pricing cap for all digital addressable systems. The broadcasters have moved the court. What is your take on this?
    I can‘t run into specifics as the matter is residing in the court. But on a more generic level, we feel Trai has been fair to other stakeholders so far except the broadcasters.

    What do you think will drive the distribution business for the sector as a whole?
    There is one thing that has not happened on the distribution front. Consumer rates, which are the cheapest in the world, will have to go up. That is where the actual business is – and not carriage. The MSOs have not worked on subscription rates because of carriage revenue. All broadcasters should come together to help MSOs collect more subscription from the ground and the consumers. Consumer ARPUs (average revenue per user) have to increase. That is going to drive the industry.

    Why is that not happening?
    I think the internal trust between the MSOs and the broadcasters is not there. The MSOs and the broadcasters are also fighting amongst themselves.

    What gives you hope that this will change now?
    Frankly, I do not have too much of hope. But I think good sense is ultimately going to prevail over us because there is pressure on bottom lines for everybody. Maybe this will lead to this kind of revolution.

    But DTH has not been able to drive up ARPUs?
    My concern is that in this country ARPUs, whether analogue or cable, are low. DTH played the penetration game when they possibly could have taken a premium position. The need of the hour is for ARPUs to go up. I hope that consumer rates will rise in case of DTH.

    What do you think will drive cable digitisation?
    Cable digitisation is going to be a slow process in India. Cas (conditional access system) was not implemented properly and could not be a success. The regulator also should have come out with a policy that made all the stakeholders happy to push for digitisation. A cap at Rs 5 was, perhaps, not the right decision. Besides, digitisation would require huge capital and India is a vast country.

  • High Court sacks ESPN Star Sports’ suit against news channels

    High Court sacks ESPN Star Sports’ suit against news channels

    MUMBAI: Delhi High Court on Monday gives a major relief to news channels by dismissing a suit, filed by ESPN Star Sports again them for using footages from Indo-Australian cricket series.

    The suit had sought a restrain on showing footages of the on going cricket series in programmes other than scheduled news bulletins.

    “This suit is not maintainable and hence it is dismissed,” Justice S Ravinder Bhatt said while dismissing the sports broadcaster’s plea, reports PTI.

    ESPN Star Sports had sought a restrain on using footages from matches played, and to be played, including the Tests, T-20 and One-day matches, in programmes other than scheduled news bulletins.

    ESPN-Star had contended that the usage of footages in programmes other than scheduled news bulletins was in violation of ESPN Star Sport’s terms and conditions which say that the footages could only be utilised in scheduled news bulletins for 30 seconds and for a total of two minutes per day, and that too with its permission.

    The sports broadcaster had said that footages were being utilised for programmes of commercial purpose by carrying advertisements.

    It had sought restrain against five news channels– CNN-IBN and its sister channel IBN7, Aaj Tak, Star News, Zee News and NDTV 24X7.

    When contacted by Indiantelevision.com, ESPN officials refused to give any comments.