Tag: Eros International

  • Eros International joins hands with Ajay Kapoor of Kyta Productions for Pataakha & Kirik Party

    Eros International joins hands with Ajay Kapoor of Kyta Productions for Pataakha & Kirik Party

    MUMBAI: Eros International Media Ltd (Eros International), the leading Indian film and entertainment company, announced its collaboration with Kyta Productions Pvt Ltd for two forthcoming films – Vishal Bhardwaj’s Pataakha and the Hindi remake of Kannada super hit Kirik Party. 

    Eros will team with producers Dheeraj Wadhawan, Ajay Kapoor, Ishant Saxena, Vishal and Rekha Bhardwaj to release in India the eagerly awaited Pataakha, a Rajasthan-set drama about two warring sisters. The comedy drama starring Sanya Malhotra and Radhika Madan along with Vijay Raaz and Sunil Grover has already created huge anticipation since the release of its trailer and will release on 28th September. 

    Equally exciting is the announcement of the remake of Kannada blockbuster Kirik Party, yet untitled in Hindi which will feature Kartik Aaryan and Jacqueline Fernandez where Eros will be jointly producing with Ajay Kapoor, Dheeraj Wadhawan and Vrithika Laykar and releasing the film worldwide. A romance set in a college campus scheduled to go on floor in October, the film will be directed by Abhishek Jain of Bey Yaar and Kevi Rite Jaish fame.

    Sunil Lulla, Managing Director, Eros International Media Ltd said on the announcement, “We are delighted to come on board with Kyta and showcase this brilliant line-up to audiences. Both films boast of a very interesting pool of acting and directorial talent. The initial reactions to Pataakha are phenomenal and we are confident Vishal Bharadwaj’s dramedy will be high on entertainment.  We are equally excited to be a part of Kirik Party and are positive audiences will embrace Abhishek Jain’s interpretation of the successful Kannada hit love story”. 

    Says Ajay Kapoor, Producer & Managing Director, Kyta Productions, “We have found great partners in Eros International, they have the capability and the distribution network to take the films to its deserved potential. We couldn’t have asked for a better platform for their showcasing”.

  • Eros International senior management bag prestigious awards at ‘Pride of India Awards’ 2018

    Eros International senior management bag prestigious awards at ‘Pride of India Awards’ 2018

    MUMBAI: India’s leading global film and digital studio, Eros International has added further feathers to its cap. At the recently concluded ‘Pride of India Awards’ by WCRC Leaders Asia, Mr. Kishore Lulla (Chairman and CEO, Eros International) and Mrs. Rishika Lulla Singh (CEO, Eros Digital) have bagged the ‘Most Responsible Leader 2018’ and ‘India’s Most Trusted CEO’s’ awards respectively for their proven leadership in the industry.

    With over 35 years of experience in media and entertainment industry, Kishore Lulla has been instrumental in spearheading Eros International’s growth and expansion since 1980s. Being a visionary, Mr. Lulla has set revolutionary trends in Indian cinema and today Eros is poised to become India’s largest digital entertainment company.

  • Eros Now driving Eros International growth

    Eros Now driving Eros International growth

    MUMBAI: The popularity of digital content has got traditional media scrambling to understand and shift to newer mediums. Leading production house Eros International’s digital arm is gradually emerging as the driving factor for the company’s growth given its Q1 result while its theatrical business revenue declined. Eros Now has not only seen a huge subscriber jump but also largely contributed to the record revenue digital and ancillary business. After gaining momentum in India, the company is seeing an influx of B2C subscribers from international markets boosting the platform’s overall growth.

    “International is starting to track in line, we just started with some independent state campaigns in the US and the UK over summer. So we are going to start seeing a lot more action from international,” Eros Digital CEO Rishika Lulla said in an earnings call. Along with international, India’s B2C conversions are happening earlier than expected since B2B2C was targetted first.

    Eros Now stands with 10.1 million paying subscribers as of 30 June. Initially, it did not opt for advertising so that people get accustomed to subscription. However, the company is also very confident about reaching its target of 16 million subscribers by the end of FY 2019.

    It is now looking at nonintrusive brand integration. Lulla said that though it has not integrated with any brand yet, the initial conversations with several brands are on. “We’d probably see something being rolled out within the next quarter and hopefully we will start seeing a bit more revenue recognition from that post one quarter,” she said.

    To scale up the digital business, the company is looking at a robust library including movies and originals. The target is to premiere minimum one to two movies in each week of a month leading to a total of 50 to 100 movies a year. In terms of originals, it is looking at 18 to 20 flagship originals, which is minimum one a month, and then two in some months. Other than flagship shows, the platform will have ‘normal originals’ also.

    While the number of originals will be increased, the cost will be adjusted from the allocated $250 million capex. The content production powerhouse is looking at a mix between the movie and digital content production. Since Eros Now is helping margins to build the scales may be tiled in favour of more original shows.

    “[For] the big tenfold movies, the cost has doubled and the box office of those movies are going down and thereby the other movies, the good script and the star cast, which are not being paid more are performing well and hence you have seen increase in the margins for those movies and less capex. That’s the reason [for] the less capex for those movies. Between that Rs 250 million allocated, we could allocate the capex for the originals,” Eros international executive chairman and CEO Kishore Lulla explained the strategy.

    Eros International is looking at spending $750 million for all its businesses in the next three years. Though the amount may seem huge but cash flow from the studio business, Eros Now, gives the company the confidence that it won’t enter negative cash flow in the average of three years.

  • RIL completes 5% acquisition in Eros International

    RIL completes 5% acquisition in Eros International

    MUMBAI: Reliance Industrial Limited (RIL) continues expanding its footprint in media and entertainment industry as the acquisition of a 5% stake in Eros International Plc (Eros) has been completed following customary approval processes. The Mukesh Ambani led Reliance and Eros International announced the multifaceted agreement on 20 February. 

    “Reliance has acquired 3,111,088 newly issued A ordinary shares from Eros which represents 5.0 per cent of Eros’ current issued and outstanding ordinary share capital on a pro forma basis. The purchase price was $15.00 per share, which represents a total cash consideration of $46.6 million,” Eros International said in a release.

    Goldman Sachs & Co. LLC was the exclusive financial advisor to Eros International in this transaction.

    According to earlier statements the purchase price was USD 15 per share while the transaction was subject to regulatory and other approvals. Following the announcement, former Eros CEO and MD Jyoti Deshpandbecame the president of the chairman’s office for the media and entertainment business at RIL. 

    After the accomplished deal Reliance will become more powerful in media industry on the back of Eros’s Hindi and regional movie slate as well as Eros Now can emerge as a new threat to international OTT players like Netflix, Amazon in the ongoing content battle. 

  • Eros International reaffirms regional distribution expertise with ‘Saakshyam’

    Eros International reaffirms regional distribution expertise with ‘Saakshyam’

    MUMBAI: Eros International is looking to reaffirm its distribution expertise in the regional markets as it is set to release the highly anticipated Telugu action fantasy thriller Saakshyam on 27 July. The leading company in film entertainment industry will release the film in association with Abhishek Pictures.

    The action entertainer features superstar Bellamkonda Sai Sreenivas and Pooja Hegde as main leads while Abhishek Nama has produced and Sriwass has directed the much-hyped movie. Well-known music director Harshavardhan Rameshwar has composed the music in the film with Arthur A Wilson as cinematographer and national award-winning fight choreographer Peter Hein. The story is based on five elements of nature.

    “We are delighted to partner with Abhishek Pictures and come on board this eagerly awaited release. With a hugely popular cast, high octane entertainment and a talented director like Sriwass with who we hope to recreate the success of our previous venture dictator, we anticipate the film to be a mass entertainer. Our association on the film continues our focus to make strategic inroads into south Indian cinema,” Eros International Media managing director Sunil Lulla said.

  • Eros Now, Xiaomi Mi TV enter into distribution partnership

    Eros Now, Xiaomi Mi TV enter into distribution partnership

    MUMBAI: Eros International has announced that Eros Now, its cutting edge digital over-the-top (OTT) South Asian entertainment platform, has entered into a strategic distribution partnership with Xiaomi, India’s smartphone brand for its smart Mi LED TVs.

    With this partnership, Eros Now further enhances its distribution to the larger screen in India and then across Asia. Eros Now will be available within patchwall on all Mi TVs sold in India, giving all users access to its compelling bouquet of 11,000+ Bollywood and regional language films, entertainment shows, music videos and originals at a monthly subscription of INR 49 (Plus Plan) and INR 99 (Premium Plan).

    Eros Digital CEO Rishika Lulla Singh said, “Eros Now intends to take its viewers beyond conventional small screen on demand experience and offering an enviable user interface on smart televisions. In a bid to ensure that the digital-first audience of today has access to the best of entertainment, we are glad to partner with Xiaomi for its content offerings on all Mi LED TVs. Through this partnership, we are thrilled to bring our larger than life movies and Eros Now Originals on the bigger screens with a richer experience.”

    Eros Now’s integration with Mi LED TVs comes at a time when Xiaomi is celebrating its anniversary of four years in India. Earlier this year, Xiaomi integrated its Mi Video app with on-demand streaming services including Eros Now.

    MiTV Xiaomi India product manager Sudeep Sahu said, “Mi TV 4 is the thinnest LED TV in the world, boasting an extremely slim design that measures only 4.9mm, with a frameless display design for a more immersive viewing experience. With our content first philosophy, we hope to bring each Mi LED TV user a unique experience with a personalised interface. All this and much more is possible with PatchWall inbuilt into the world’s thinnest LED TV. Eros Now has been synonymous with groundbreaking content for the digital medium and we are extremely proud to have brought them on-board with their high quality immersive content offerings for all our Mi Fans. We hope to build great properties together. Mi LED TV offers over 500,000 hours of content and Eros Now is a very important partner who share similar brand philosophies as Xiaomi in terms of disrupting industries.”

    In an innovative move earlier this year, Xiaomi launched the new Mi LED TV 4 55”, Mi LED TV 4A 43” and Mi LED TV 4A 32” armed with native apps from a group of content partners powering the world’s thinnest LED TV. Eros Now’s content offering adds to the largest content aggregator library in India of Xiaomi. The content offerings now pan out to all three Mi TV’s.

  • Eros Now leverages content to create a new culture for viewers

    Eros Now leverages content to create a new culture for viewers

    MUMBAI: Amid a cluttered over-the-top (OTT) space in India, Eros Now always faced less challenge than other players to differentiate itself. With Eros International’s deep-rooted history in the film industry, the digital arm played with a specialised strategy since the beginning. While the subscription-based business model in the Indian OTT market is still nascent, the company has always prioritised SVOD model. However, riding the waves of change, the company is also updating content strategy, even working on something very interesting from its business model perspective.

    Recently, the leading OTT platform reached over 100 million registered users and 7.9 million paying subscribers worldwide with a 58 per cent quarter-on-quarter growth. Speaking to Indiantelevision.com, Eros Digital COO Ali Hussein discussed the factors that fuelled the growth along with what will be the content strategy going forward.

    Talking about the significant surge in terms of paid subscribers, Hussein mentioned the combination of efforts including programming, marketing strategy, enhanced relations with telco partners and marketing alliance partners as key contributors to the customer uptake. The new movies added to the catalogue, as well as refurbishing content helped to develop a consistency from the programming perspective. Active marketing both at the digital level and brand level also played a key role.

    While the OTT platforms keep adding subscribers, high churn rates are challenging for subscription video businesses. “Essentially we learnt from data that there are two kinds of significant components. One is the larger users experience on the product side and second is in terms of being able to kind of refurbish content. So, I think the combination of two efforts from the consistency of programming leads to a larger subscriber affinity and two is, in terms of being able to ensure that we are able to create a user experience at the core,” he says.

    “Then there are certain other remarketing strategies we establish in terms of being able to cluster our audience better and ensuring that we get a month-on-month growth,” he added.

    Though, since its launch, the OTT platform has been hailed for its rich movie library and currently is also working on the movie catalogue, the company is not willing to entirely depend on it.

    However, despite originals being an important part of programming strategy, he does not believe in gambling all the money for it. The team is working on short-form content ideas also as a part of the overall content strategy.

    In late April, Eros Now premiered its first direct-to-digital film Meri Nimmo kicking off a new trend of distribution as well as adding a new dimension to its content strategy. Viewers have responded well to the film. Moreover, it has helped to attract new users to the platform.

    “From a qualitative point of view, it was a very good thing. Something that we will do going forward also in terms of looking at digital original film as a key part of content strategy,” he said.

    The success of the first initiative in the genre has helped the company to fix focus on such projects. Currently, it is looking at multiple projects that will be released direct on digital.

    Very recently, Eros Now launched a new brand campaign titled ‘Bolo kya dekhogey’. It claims that the quality of organic users coming on the platform has gone up drastically after the launch of the campaign. Usually, many players go to third-party digital agencies for marketing campaigns but Eros Now relied on in-house creativity.

    “We are also a production house first; we develop a lot of creative ideas. So, people who worked on the quality movies over the years should be able to come up with good creative ideas itself to market around products. Historically, we have been the one marketing our movies also,” Hussein explains.

    Since the beginning of this year, from appointing some new key executives including Hussein to launching new brand campaign, expanding content library, extensive marketing, the first half has been momentous for the streaming platform. The company is heading in a direction to reach about 12-15 million paid subscribers in next 12 months on the back of such focussed strategies. 

  • Deshpande appointed Network18’s non-exec director

    Deshpande appointed Network18’s non-exec director

    MUMBAI: Eros International Group CEO and MD Jyoti Deshpande has been appointed as non-executive director of Network18 Media & Investments. The appointment was approved by the board of directors of Network18 at a board meeting today.

    The board has also noted the resignation of KR Raja from the directorship of the company with effect from 21 March.

    Deshpande, who is stepping down from her executive role after more than 17 years, will move on to head the media and entertainment (M&E) business at Reliance Industries Ltd (RIL) as president of the chairman’s office.

    She will start her role at RIL from April 2018 but will continue to remain as a non-executive director on the board of Eros.

    In her new role at RIL, in Deshpande will lead the company’s initiatives M&E to organically build and grow businesses around the content ecosystem such as broadcasting, films, sports, music, digital, gaming, animation as well as integrate RIL’s existing media investments such as Viacom18 and Balaji Telefilms with a view to build, scale and consolidate the fragmented $20 billion Indian M&E sector.

    Deshpande has over 25 years of experience in media and entertainment across advertising, media consulting, television and film. She has been part of the leadership team of Eros International Plc since 2001 and as Group CEO & MD, she has spearheaded Eros’s growth as a global leader in Indian filmed entertainment.

    Prior to joining Eros in 2001, Deshpande has worked for 7 years in the field of advertising, media consulting and television with companies such as J Walter Thompson India, Mindshare, Zee Television and B4U Television. Ms. Deshpande has a Bachelor’s Degree in Commerce and Economics from Mumbai University and a Master’s Degree in Business Administration (MBA) from SPJIMR, Mumbai University.

    MUMBAI: Network 18 has announced Jyoti Deshpande as new non-executive director. The media professional with overall more than 25 years of experience in media and entertainment field worked as group CEO and MD of Eros International group earlier.

    Network 18’s Board of Directors approved the decision on Wednesday. The resignation of KR Raja from the directorship of the company with effect from 21 March has been noted by the board too.

    From next month, Deshpande will take up the responsibility in Reliance Industry Limited. She will lead the company’s initiatives M&E to organically build and grow businesses around the content ecosystem.

    Prior to her role in Eros, J Walter Thompson India, Mindshare, Zee Television and B4U Television. 

    Though stepping down from her executive role after more than 17 years, Deshpande will continue to remain a non-executive director on the board of Eros.

    Also Read:

    Eros International inks co-production pact with Drishyam Films

    Eros Digital ropes in former Google exec Ali Hussein as COO

  • Eros International’s Bajrangi Bhaijaan grosses over Rs.169.17 crores (USD 25.95 million) in first 10 days of release

    Eros International’s Bajrangi Bhaijaan grosses over Rs.169.17 crores (USD 25.95 million) in first 10 days of release

    MUMBAI: Eros International Media Ltd, a leading global film company in the Indian film entertainment industry, announced Producer Salman Khan Film’s Bajrangi Bhaijaan has collected over Rs. 160 crores within ten days of its release in China. More than two years since it opened in India, Bajrangi Bhaijaan released in China on March 2 this year and continues to enjoy a very strong box office performance earning Rs. 169.17 crores (USD 25.95 million) since its release.

    Marking Indian super star Salman Khan’s first ever movie to release in the China market, Eros released the film in association with China’s E Stars Films Ltd and Salman Khan Ventures. After breaking several records during its Eid release in 2015, Bajrangi Bhaijaan crosses another key threshold, with the film taking a commanding start at the Chinese box office, raking in Rs. 14.5 crores on its opening day, debuting at number 7. The Kabir Khan-directed film trended extremely well through its release, climbing to number 4 box office position on its first Monday. It crossed the Rs100 crore mark within a week of release and closed the second weekend with Rs 169.17 crore ($25.95 million) in collections, retaining the number 5 position in the Chinese box office, despite new releases over the weekend. 

    The Indian drama directed by Kabir Khan stars leading Indian film actor Salman Khan as Bajrangi, an ardent devotee of Hindu deity Hanuman, and his arduous journey to reunite a six-year-old Pakistani girl – lost in India – with her parents, back to her hometown in Pakistan.

    Speaking on the film’s performance, Eros International Media Ltd, Managing Director, Sunil Lulla said, “With the success of Bajrangi Bhaijaan and previous Indian releases, China has emerged as a key market and a major box office earner for Indian releases. We are delighted with the unstoppable run the film is enjoying and how the Chinese audiences have embraced the cross-border friendship story, its emotions, the direction and our much-loved superstar Salman Khan”.

    “We are extremely encouraged by the success of Bajrangi Bhaijaan in China and very excited about our next to roll Indo-China co-production, once again to be directed by Kabir Khan”, he continued.

    Recognizing the significant market opportunity in China, Eros and director Kabir Khan had earlier announced coming together for a travel drama, The Zookeeper (working title) which will be shot in Hindi and Mandarin languages. An A-list actor has been signed up for the project which shall be announced shortly.

  • Eros International acquires film rights to best-selling author Ashwin Sanghi’s The Krishna Key

    Eros International acquires film rights to best-selling author Ashwin Sanghi’s The Krishna Key

    MUMBAI: Eros International, a leading global company in the Indian film entertainment industry has acquired the rights to adapt best-selling Indian author Ashwin Sanghi’s anthropological thriller The Krishna Key into a theatrical film and original series for their digital over-the-top (OTT) South Asian entertainment platform, Eros Now.

    The acclaimed thriller set across timelines with its captivating plot, merging the mythological with the contemporary released in 2012. The book follows a history professor who must prove his innocence against a murder charge. Krishna Key, the third novel by Ashwin Sanghi, tries to unfold the secrets of the Mahabharata and establish Krishna as a historical character rather than a mythical character. The plot is dramatic and provocative, enthralling with its twists and turns creating a seamless opportunity to creatively showcase it in the world cinema. The series is in initial stages of development with talent to be finalised soon. Eros is planning its release in 2019.

    Commenting on the development, Eros International, Chief Content Officer, Ridhima Lulla said, “We are gearing towards enhancing the premium content offering on Eros Now, that includes the launch of its originals. We want to offer a myriad content mix on our platform and have been particularly keen on adding Indian mythological themes which remain hugely popular.  We are very excited to have acquired the rights to Ashwin’s bestselling book which delves beautifully into Indian history and mythology and at the same time blending well with the contemporary world and we anticipate it to be a perfect premise to explore for the big screen and an original series adaption”. 

    Author Ashwin Sanghi adds, “I am delighted that Eros International has acquired the rights to The Krishna Key. Eros has an incredible team that is exceedingly capable of adapting this action-packed thriller into a very interesting story for cinema. I am confident that the final product will be exciting and entertaining.”

    Ashwin Sanghi ranks among India’s highest selling English fiction authors. He is considered one of the frontrunners in historical and mythological retelling. Popularly hailed as the Indian Dan Brown for The Rozabal Line and The Krishna Key, both of which were critically acclaimed. He has written several other bestsellers including Chanakya’s Chant, The Sialkot Saga and Keepers of the Kalachakra. In 2010, he won Vodafone-Crossword Popular Choice Award for Chanakya’s Chant. Additionally, the book Private India became the best seller in the United Kingdom. He was also included in the list of celebrity 100 by Forbes.