Tag: EPIC

  • Epic’s marketing mantra: Digital innovations

    Epic’s marketing mantra: Digital innovations

    MUMBAI: One of the oldest civilisations in the world and thousands of stories to tell; Epic, the latest entrant in the Hindi entertainment channel space, is all about ‘Kahaniyaan Hindustan Ki’.

    Different from the rest, the channel which wants to be categorised as the country’s first genre specific channel, is taking a different approach when it comes to not only content, but marketing as well.

    Imagine a standard bus stop transformed into a royal seating chamber, equipped with fan bearers and thrones. Yes, to give a taste of yesteryears the channel has taken the conventional as well as unconventional ways to create the buzz around it.

    “We want to create a brand around history and mythology in television and therefore it was very important to have a strategic approach to our marketing efforts,” says Epic Television Networks founder and MD Mahesh Samat.  Apart from focusing on a 360 degree marketing plan, it has put a great deal of focus on digital innovations.

    “Social media is a much underutilised medium which we wanted to explore. We have a three-pronged approach – create relevance, generate meaningful engagement and offer a sense of uniqueness,” says Samat while elaborating on how the channel debuted first on YouTube a month before the launch of the channel and garnered over 1.2 million hits and subsequently, released a promo every week to build some pre-buzz in the market.

    “Our digital initiative, Epicgrams, has been an ongoing property that has helped create the relevant conversations surrounding Indian history, mythology and folklore, before the channel launched,” highlights Samat.

    Other than this, Epic is also being promoted in the traditional ways with radio, print, television and OOH.

    The channel did an in-depth research to create the blueprint of marketing strategy. “Our research suggested that our content appeals more to urban audiences given the contemporary format of storytelling. It also suggested that the content is more gender neutral unlike other entertainment channels. That being said, our content is focused on Indian history and we as Indians have an emotional connection to our past. We have had a longstanding tradition of storytelling that has faded over the last few decades. Urban audiences have turned away from Indian television because there isn’t enough content that caters to their sentimentalities. We felt that this was a space in television that was untapped and we wanted to bring audiences back to Indian television in a way that suits their consumption patterns. We felt that leveraging the digital medium would help us reach the intended audience and be an agent to bring them back to television,” he adds.

    The campaigns are season based wherein once the first season is over, the campaigns for the second season of shows will commence.

    Launched on 19 November, after more than a year’s wait, so far the channel has spent upwards of 50 to 60 per cent of its marketing budget.  As per industry sources, the channel is spending around Rs 20 crore to Rs 25 crore on marketing.

    So far, Epic is focusing on cities that have completed phase I of digitisation and the urban audience across the country, including Mumbai and Delhi and as digitisation takes its course across the country, the campaigns will begin there as well.

     

  • Our content will cross borders, says Mahesh Samat

    Our content will cross borders, says Mahesh Samat

    MUMBAI: After a wait for almost an year, Mahesh Samat’s Epic will finally see the light of day on 19 November.

    The news of the former Disney executive launching Epic Television Network first broke in 2012 and was supposed to launch the channel by August 2013. However, due to the delay in getting the licence from the Ministry of Information and Broadcasting, the venture backed by Anand Mahindra , Mukesh Ambani and Rohit Khattar, focusing on Indian history, folklore and mythology, had to wait a long time to entertain the audiences.

    As per media reports, Mahindra and Ambani each have a 25.8 per cent stake in the company and together have financial control. Also, there is an initial commitment of Rs 100 crore from the group of ‘angel investors’. Samat has a 48.5 per cent stake in the venture, as per the company’s filing with the Registrar of Companies (RoC).

    The HD pay channel, also available in down-scaled SD version, aims to change the way entertainment is being categorised today. “We are not what people think and call ‘general entertainment’. We are a brand that stands for something which Indian television industry doesn’t have,” says Samat while adding that Indian history has numerous stories to tell and that’s what the channel will do.

    Someone who has keen interest in history, Samat believes there are enough people in urban India who want to watch mythology and know about the historical aspects of the country. The channel, though slightly male skewed, while conventional GECs are heavily female skewed, wants to entertain the whole family.

    With months of research gone into creating the fictional shows like DharamaKshetra, Dariba Diaries as well as non-fictional shows like Adrishya, Raja, Rasoi aur anya Kahaniyaan have been shot in HD and sound recording is on 5.1 Dolby. “Technology is changing the way we tell stories today,” says Samat and highlights how it has also collaborated with Mumbai University and other institutions to help with the facts.

    The channel is working with a new-breed of producers like Bolt Media, Green Light Production, Pride Rock Television among many others, who are willing to take a contemporary take on age-old stories. The research was done by the production houses with the channel’s help. “We got enough creative freedom from the channel,” says a producer of a show soon to be aired on the channel and adds, “The cost of production is higher than that of a show on other channels, but one needs to know how to utilise and make the best of the resources available.” As per industry sources, the cost of production of a show could range from anything between Rs 12 lakh to Rs 20 lakh per episode.

    The shows are finite with most of the shows comprising 20+ episodes and will also see filmmakers like Pankaj Prashar creating content for the channel. “Today a lot of filmmakers want to enter the big world of the small screen. However, most of them don’t have time for infinite shows. Here we are giving them an opportunity to tell stories in a short period of time,” says Samat.

    “And depending on the response and love we get from the audiences we will look at bringing back the show through various seasons,” he adds. Samat believes in changing the way industry works today. “We don’t want to stretch story lines. Everywhere else in the world, seasons work. It’s time we did too.”

    That’s not all; he believes that the content will be so rich and unique that it can be sold to the world. “International syndication is important to me and I want to take our stories to the world,” says Samat. The channel has already got a good response from buyers at MipCom where it showcased the content and Samat believes that before the next edition, the content will have enough takers. “We will not just focus on conventional markets but non-conventional markets as well,” he adds while highlighting that as a pioneer he and his team of 40 have to take risks and go an extra mile to stand out of the crowd. YRF TV’s former head Ravina Kohli is the development head and Aparna Pandey is the business head who also takes marketing decisions.

    The channel will go on air with 13 to 15 shows which will be weekly with the primetime being from 8:30 pm to 11 pm. The morning and afternoon slot currently will show repeats. The channel plans to acquire historic films and programmes as well, which will be aired mostly on the weekends. “As our library grows, the FPC will change too,” he pin points.

    So far, the channel has got no advertiser on board; however, talks are on. “We want to give a week or two for brands to see the content and how they can relate with our philosophy,” says a confident Samat, who feels many will come on board soon. “We are not an AFP driven channel,” he says.

    Media planners too believe that brands will want to watch the content. “No one wants to take a risk,” says a media planner. He adds, “Lifestyle brands will hop on board. However, Reliance and Mahindra brands are always there.” However, several feel that the channel will take time to create a niche of its own as viewers still want to see daily soap operas.

    With a pan-India approach, the channel will be distributed and syndicated by IndiaCast. “Talks are on with all the major DTH players as well as cable operators in DAS area,” says IndiaCast group COO Gaurav Gandhi.

    Subscription rate for the HD channel is Rs 55 while SD will be available at Rs 10.5.

    Beamed off Intelsat 20, the channel will soon start the marketing regime. General entertainment channels (GECs), news as well as other genres will be targeted along with major dailies in the metros. Major hoarding sights will be targeted as well with a lot of focus on digital. Currently, on Youtube, the channel has 1530 subscribers and the first look of the channel has got more than 1.2 million views.

    “Our content will be available online, but will come at a cost,” informs Samat.

    Madison is the media agency while Jack in the Box is the digital agency. Dynamite is the creative agency, though a lot of creatives are done in-house as well.

     

    The channel has entrusted revenue monetisation to Helios Media which has emabrked on seeding the channel in advertiser market. “Everything about Epic is unique. And those with futuristic view will be on board soon,” says the agency’s MD Divya Radhakrishnan.

     

     

  • A sigh of relief for Epic

    A sigh of relief for Epic

    MUMBAI: The channel which plans to create a history finally breathed a sigh of relief when after almost a year’s wait has got a licence approval from the Ministry of Information and Broadcasting (MIB).

     

    Mid-last year, Mahesh Samat, a former Disney MD, had announced his plan of his own venture Epic TV channel. Mahindra & Mahindra chairman Anand Mahindra had come on board as a major investor. And then, soon came the news that billionaire industrialist Mukesh Ambani too had joined the venture as the second investor venture capitalist to fund Samat’s Epic Television Networks.

     

    The channel offering segmented content to viewers specifically related to history, folklore and mythology was supposed to debut by August 2013.

     

    Samat had brought in former YRF TV head Ravina Kohli as programming head, apart from business head Aparna Pandey who was earlier associated with Big CBS channels as business head. “Our shows will be different from what India has been watching,” Samat had quoted then.

     

    Amongst the shows being developed is one based on a novel by Indu Sundaresan called The Twentieth Wife which tracks a young widow named Mehrunissa, daughter of Persian refugees and wife of an Afghan commander, who goes on to become the empress of the Mughal Empire under the name of Nur Jahan by getting married to emperor Jehangir.

     

    However, things didn’t progress as planned. The tedious and long procedure to get approvals from the MIB delayed its launch.

     

    “Yes, it comes as a big relief that finally we have got the licence from the MIB. However, we still have to get a nod from Wireless Planning & Coordination wing of the Ministry of Communications and Information Technology. So keeping the fingers crossed,” says Samat.

     

    The channel hopes to get the nod soon and hopes to launch by end of the year.

     

    There will be a few more announcements as well because the channel will make changes to the agencies representing it. Earlier, IContract, a part of Contract Advertising and the WPP Group, was appointed to manage the creative and brand building duties for the channel; while Madison Media was assigned the media buying and planning mandate. Similarly, MSLGroup, a specialty communications and engagement network, has been handling the channel’s Public Relations, while Jack in the Box Worldwide, the content-for-brands arm of Bang Bang Films, had been selected to manage all digital communication for EPIC.

     

    “MSLGroup no longer represents us and there might be a few more changes,” says Samat without revealing much.

  • Experience the extravagant life in TLC’s new show ‘Epic’

    Experience the extravagant life in TLC’s new show ‘Epic’

    MUMBAI: India’s favourite lifestyle channel brings an all new season of EPIC that will feature the most expensive, excessive and outrageous extravagances people indulge in. The series will follow passionate individual that create the best and biggest way of life from massive log homes to fascinating American castles to high-tech over-the-top bathrooms, rotating houses or even backyards with private racetracks or sport courts suspended over cliffs,  and more. No price tag is too high and no obstacle too great to keep them getting exactly what they want.  If they can dream it, they will make it happen on a truly EPICscale!

     

    EPIC will showcase the daydreamers who have taken their passion to another level with impressive prized possessions that involves expert craftsmanship, technology, and innovation. Premiering on May 16, EPIC will air every Friday at 9 PM only on TLC.

     

    With eye-popping price tags over the million dollar mark, the recreational vehicles (RVs) featured this season have been transformed into mobile man-caves and mansions and tricked out with high tech gadgets that make every mile an adventure.Joining RVs for a second round in the series are more episodes featuring the cr?me de la cr?me of log homes.

     

    Rahul Johri, Executive Vice President and General Manager- South Asia and Head of Revenue, Pan- Regional Ad Sales & Southeast Asia, Discovery Networks Asia-Pacific, said, “TLC continues to present the finest lifestyle experiencesto Indian audience. We are excited to bring some of the world’s most lavish possessions created by passionate group of individuals in our new series EPIC.”

     

    Step aside, living rooms and kitchens, the home has a new star! Bathrooms are the new hot spots of modern homes and in EPIC, we take a look at bathrooms with six-figure fixtures to ceilings with stars, to hot tubs that steal the show and space age technology that demand top notch engineering. Other brand new episodes include backyards that feature pro race tracks to full sport courts, zip lines and underwater caves, beach homes with two story windows, outdoor showers and indoor rivers, and the smartest homes ever – they follow voice commands, feed the cat, shut out sunlight and even automatically trap intruders!

     

    Viewers will also be amazed by EPIC’s ‘Home Builds’ episode that showcases a “flying saucer” house that spins, an underground dome and a 10-story tree house all of which are engineered and built by creative geniuses who never let reality dampen their wild imaginations.

     

    If those homes don’t impress you, maybe a private island and personal paradise will! From a very private Florida Key with a pier that cost half a million bucks to Frank Llyod Wright house with a rooftop helipad, to a 3,000 acre nature preserve in Wisconsin – that’s the size of almost 2,270 American football fields – these islanders are enjoying every aspect of their home living.

     

    Meet the passionate, determined and downright obsessed Americans who will stop at nothing to build the best, most elaborate places ever in some of the following episodes of EPIC:

     

    Episode 1 – RVs 2

    More Americans are taking to the open road in RVs than ever before, and the rigs are bigger and ‘badder’ than ever.  From a professional golfer who practices on a putting green inside his trailer, to a Hollywood star who ordered a double-wide soaking tub on his double-decker bus, life in these RVs is ingenious luxury on wheels.  

    Episode 2 – Bathrooms

    Bathrooms are the new “it” room of the house and people are going overboard to make these thrones fit for royalty.    From toilet  lids that open when you walk in the room, to showers that set their own water temperature and pressure to hand-pounded copper tubs worth thousands, bathrooms have gotten smart and sophisticated.  

    Episode 3 – Tech Homes

    The future is now in these EPIC high tech homes. Some are like being on a starship that answers voice commands and talks back to you; others make you feel part of a spy movie where the house protects you from intruders with dangerous gadgets straight out of James Bond.  

    Episode 4 – Backyards

    Backyards used to just have swing sets and wading pools… but not anymore. They’ve been transformed into five star resorts just outside the door. It’s all about fun and games, from a full size race car speedway to a complete replica of Fenway Park.  

     

    Episode 5 – Beach Homes

    Imagine living so close to the ocean you can hear dolphins and whales just outside your front door, or being able to walk along a sandy beach your backyard.  

     

    Episode 6 – Private Islands

    The owners of these private islands know what they want. Whether it’s the southernmost tip of the U.S. or the northern border just shy of Canada, an island in the Georgia marshes or the remote mountains of Montana, these owners are going the distance to get their very own piece of paradise.

     

    Episode 7 – American Castles

    You don’t need to travel to Europe to find truly amazing castles – there are plenty in Americathat run the gamut from Medieval to modern, and historic relics to contemporary compounds.

  • TLC strengthens content library with the launch of fresh series this quarter

    TLC strengthens content library with the launch of fresh series this quarter

    MUMBAI: The Discovery Communications owned television network, TLC, is gearing up to amplify the entertainment experience of its viewers with a fascinating line-up of 18 new series this quarter.

     

    Cuisine, high-life and fashion, are some of the lifestyle themes that will be presented in TLC’s distinct and inimitable style to its viewers. Some of the new series that will be launched this quarter include Cake Boss, Celebrity Style Story, Epic, Heston’s Fantastical Food, Madhur Jaffrey’s Curry Nation, and Jamie & Jimmy’s Food Fight Club amongst many others.

     

    The thing to look out for in each of these new series will be the fact that it will be presented by world-renowned hosts such as accomplished fourth generation baker buddy Valastro (Cake Boss), passionate cook and author Lorraine Pascal (Lorraine’s Fast, Fresh and Easy Food), culinary wizard Heston (Heston’s Fantastical Food) and one of the world’s most loved television personalities Jamie Oliver (Jamie & Jimmy’s Food Fight Club).

     

    Discovery Networks Asia-Pacific senior VP & GM – South Asia and head of revenue, pan-regional ad sales and Southeast Asia Rahul Johri said in a release, “TLC has been the pioneer in presenting differentiated and aspirational lifestyle content in the country. We will continue to invest and bring in the finest quality programs from across the globe. Spread across a variety of themes and hosted by celebrated chefs, the new programming line-up will make for a splendid viewing experience.”

     

    Taking a closer look at the series, Cake Boss will take the viewers behind-the-scenes to witness the process of creating edible art out of flour and sugar in the form of remarkably modern cakes. Celebrity Style Story delves into the world of fashion uncovering the style secrets of celebrities like Jennifer Lopez, Sarah Jessica Parker, Angelina Jolie, the Oslen twins, Cameron Diaz, Halle Berry, Hudson, Nicole Kidman and Lindsay Lohan among others.

     

    In the show, Heston’s Fantastical Food, he will bring back the wonder and excitement of childhood days by creating supersized versions of meals and treats. Madhur Jaffrey will explore the curry nation of Britain in Madhur Jaffrey’s Curry Nation to uncover how Indian food has been transformed and embraced in the UK from restaurants to places of worship to homes of British South Asians.

  • Get set for festival celebrating animation and VFX

    Get set for festival celebrating animation and VFX

    MUMBAI: ABAI one if India’s primary associations supporting the digital and creative arts sectors is organising Abai Fest 2013 at the University Grounds in Mysore on the 6 and 7 December 2013. This is going to be the first ever festival screening exclusive footage from all over the world in “animation and visual effects”.

    “Computer Graphics has become part and parcel of International and local content creation in film and television. It provides the digital intermediation needed by filmmakers, directors and studios to mount bigger and bolder stories, themes and projects. Too little of how this is done has been exposed to the Indian public,” said ABAI & Country Head – Technicolor India president Biren Ghose.

    Gravity, Superman, Man of Steel, World War Z, The Croods, Epic, Skyfall, Life of Pi and many other recent releases are testimony to the fact that computer graphics (CG) in digital production is now the new norm in filmmaking.

    India is rapidly becoming a global hub for major VFX production and the domestic film industry is also adopting CG rapidly as a tool helping the director to go beyond the limits of the camera.

    “Not enough awareness and screenings of animation and VFX takes place and we want to be a ‘melting pot’ venue for fun, discussion, participation and exclusively presenting content in this part of the world. Not much ‘animation’ is seen outside of the few cartoon channels,” said Ghose.

    The festival would bring some of the world’s latest showcase featuring the best of what has been created in the recent past. Directors, producers and professionals will be at hand to present, meet, discuss and exhibit the state of the art.

    “This will help open minds, hearts and doors in animation, gaming and visual effects (VFX). Come join us in experiencing the fun and festivity,” concluded Ghose.

  • An epic wait for Epic

    An epic wait for Epic

    MUMBAI: What do &Pictures, Star World Premier HD and Romedy Now have in common? The three channels have had a smooth run-up to their recent launch.

    However, starting a new channel isn’t an easy task. One has to get approvals from various ministries which can be labeled as the biggest hurdle (at least in some cases), apart from want of money and resources, in premiering a new channel.

    A classic case of such a channel which is yet to see the light of day despite everything being ready is Mahesh Samat’s Epic Television, a venture invested in by Mukesh Ambani and Anand Mahindra.  

    Epic, which will air content based on the country’s history, folklore, and mythology, albeit in a contemporary format, was slated for a mid-August launch. However, it’s end-September and there’s still no sign of the channel going live.

    Apparently, production of the shows is already on floors and various agencies too have been decided, but there’s no clarity even about when the channel will go on test signals. This, despite the hope that Epic would cash in on rising demand for specialty channels, given the increasing speed of digitisation.

    So what’s keeping it from going on air? Among the series of approvals to be procured before a new channel can be launched: first comes the foreign ministry, next the home ministry, and most importantly, the I&B ministry. Only when all of them have looked into the nitty-gritties and given their clearance can the newbie go live. Again, clearances may take as little as three months, or as long as three years. In the meanwhile, if a file gets stuck with a ministry for more than six months, it has to go for re-approval.

    While we may keep wondering as to which phase of this bureaucratic process, the Epic file is stuck in, according to sources, the channel isn’t alone in its predicament. Nearly 45 to 50 files are stuck with various ministries owing to a variety of issues.

    With elections round the corner, one wonders whether these would stand a fighting chance versus the many issues the ruling party may want to deal with first, even if just to guard their turf.

    So, we will have to continue playing the waiting game…