ITV

Tag: entertainment

  • I&B discusses strategies for unleashing M&E’s potential with industry experts

    I&B discusses strategies for unleashing M&E’s potential with industry experts

    Mumbai: Development of the audio-visual sector requires industry-friendly policies, collaboration, and regular interaction between the government and industry stakeholders.

    On Monday, a meeting in Mumbai was organised by the National Film Development Corp. where acclaimed filmmakers and industry professionals marked their presence, namely, Maddock Films founder Dinesh Vijan, Dharma Productions CEO Apoorva Mehta, Ayan Mukerji, R. Balki, Abundantia CEO Vikram Malhotra, Amazon Prime Video’s Gaurav Gandhi and Aparna Purohit, Netflix’s Monica Shergill, PEN India chairman Jayanti Lal Gada, Balaji Motion Pictures CEO Bhavini Sheth, Producers Guild of India president Shibasish Sarkar, Nitin Tej Ahuja CEO Producers Guild of India, and producers Mahaveer Jain & Madhu Mantena.

    The deliberations centred around the strategic initiatives taken by the government to unleash the potential of the media and entertainment industries. The I&B ministry’s efforts at easing filming in India through the Film Facilitation Office and the onboarding of Invest India to expand its outreach to the domestic and international industry were highlighted.

    The recently launched incentive scheme for international productions and official co-productions was discussed in detail, including the benefits it would bring to content creation in India. The industry was urged to leverage the FFO ecosystem and their suggestions on the incentives were duly noted.

    The government’s efforts to make the forthcoming 53rd edition of the International Film Festival of India a success were emphasised, along with the opportunities being created for the industry. Feedback was sought on the amendments made in the Draft Cinematograph (Amendment) Bill, 2021. The feedback received from the industry participants was positive and they unanimously accepted the proposed amendments.

    The stakeholders were also apprised of the ministry’s recognition of the industry’s concern towards theatre density in India and the consequent development of a single window ecosystem and a model law for the ease of permission for construction of screens/theatres was in progress. The attention of the industry was drawn to many other interventions being made by the Ministry in the audio-visual sector.

    I&B secretary Apurva Chandra summed up the discussion as fruitful and said, “The engagement with industry served as a perfect opportunity to apprise the various stakeholders of the efforts being made by the ministry to give an impetus to the film industry. The response from the participants was encouraging and we have urged them to leverage these various platforms to support our endeavour to make India a global content hub.”

  • GUEST ARTICLE: Connected TV is emerging as an opportunity for entertainment brands in India

    GUEST ARTICLE: Connected TV is emerging as an opportunity for entertainment brands in India

    Mumbai: Connected TV (CTV) viewing has been gaining momentum in the western part of the world and is now on an escalating curve in India with 12–14 million monthly active CTV users, according to the FICCI-EY report of March 2022. The advancing new trends in the media and entertainment (M&E) industry have led to a noticeable change in the TV viewing habits of Indian audiences, leading to connected TV making a strong appearance in India. The exponentially growing CTV, which was earlier incomparable to linear TV, has now loomed out of the shadows and is considered a potent alternative for brands to advertise on. In the current digitally evolving ecosystem, affordable prices of smart televisions, increasing data penetration, and the availability of global content have aided in the medium’s rapid growth, making it a prominent mover and shaker in the M&E space. According to the March 2022 FICCI-EY report, by 2025, this number is expected to hit 40 million, highlighting its explosive growth as a medium in the country.

    A revenue stream within digital:

    For many years, traditional TV was the only platform for media buying. As users move towards connected TV, the medium is creating an opportunity to grow business revenues. In today’s time, content dissemination and consumption are platform-agnostic, giving brands an opportunity to generate visibility for themselves on the big screen. With CTVs ushering in the next big revolution, the ecosystem holds the potential for greater returns. As a new revenue stream within the digital landscape, CTV has grown to become an impactful channel that provides targeting capabilities and measurability. In a digital-forward world, measurement capabilities make the medium a must for any brand to push forth its marketing strategies and capitalise on the same.

    A powerful addition to the marketer’s toolbox:

    Connected TV, which has recorded notable growth in the past few years, is becoming a paradise for advertisers. In today’s data-rich world, consumers are increasingly demanding brands to deliver focused and relevant messaging. With more eyes on the big screen, CTV helps brands reach out to new and hard-to-reach audiences and form deeper connections with them. It has surfaced as a successful growth opportunity for advertisers who want access to a highly engaged, affluent audience. Advertisers, globally and in India, are lapping up the connected TV opportunity as it continues to grow as an exciting medium.

    With the widespread adoption of digital, CTV as a medium appears to be very promising for both consumers and advertisers. The growing adoption of streaming content through connected devices makes the medium an important and new touchpoint for advertisers. According to the IAB 2021 Video Ad Spend & 2022 Outlook report, globally, ad spending on connected TV grew 57 per cent in 2021 to $15.2 billion and will grow another 39 per cent in 2022 to $21.2 billion. In India, while CTV advertising spends are yet to fully catch up with growing smart TV subscriptions and consumers spending more time on these devices, ad spends will eventually move in a positive direction, making connected TV advertising the next big frontier.

    Towards a promising future:

    Presently, growing at a burgeoning pace, the connected TV market seems to have a propitious future. In our approach to reaching out to our digital audiences, CTV acts as a significant contributor. Needless to say, the medium will further prosper as a result of increasing attention from advertisers as they look to leverage the potential of digital advertising to reach their target customers in an innovative and effective manner. The overall ecosystem of connected devices, driven by technological advancements, will provide enormous headroom for growth in the future of media and entertainment. For a progressive future, it will become imperative for all stakeholders to strategically cater to this exponentially rising consumer growth trend.

    The author of this article is QYOU Media India COO Krishna Menon.

  • Ficci Frames makes a comeback with Ficci Frames Fast Track

    Ficci Frames makes a comeback with Ficci Frames Fast Track

    Mumbai: Ficci Frames Fast Track 2022, a pre-cursor to the Ficci Frames which makes a comeback after the pandemic, is slated to be held on 27 & 28 September in Mumbai.

    Ficci Frames, organised by the Federation of Indian Chambers of Commerce & Industry (Ficci), is the country’s biggest international seminar for the media and entertainment industries, which spans across film, television, digital entertainment, animation, gaming and visual effects.

    The theme of Ficci Frames Fast Track is the comeback after the pandemic. The two-day long conference will commemorate the industry which underwent the heat of COVID and has only emerged stronger. It seeks to bring the industry back to its feet and is raring to go.

    Ficci assistant secretary general and head media & entertainment Leena Jaisani brought forth, “The idea is to bring together the industry under one roof and just celebrate the fact that we have not only survived the pandemic that affected people and industries world over, but also came together during that period to help and support people. Many studios and associations took the responsibility of vaccinating employees and their families.”

    As OTT emerged as a very robust player during the pandemic, the focus this year will also be on OTT. The convention would discuss top trends, policies and regulations in the industry with various stakeholders including filmmakers, technicians, actors, heads of the film studios and representatives from exhibition sectors.

    There will be dialogues and exchanges around what kind of a change has the pandemic triggered and what the future looks like for the media and entertainment sector. Conversations will also be around film tourism, IP rights and film incentives.

    Ficci Frames Fast Track will also organise masterclasses and workshops around various aspects of filmmaking. This year, students from various schools and colleges will also get an opportunity to hear and learn from the leaders in the sector.

    The celebrated and much loved actor, Ranveer Singh, would be inaugurating the event and shall be present for the opening session.

  • GUEST COLUMN: Online gaming is India’s fastest growing digital entertainment

    GUEST COLUMN: Online gaming is India’s fastest growing digital entertainment

    Mumbai: Entertainment has become democratised and accessible as a necessity for all walks of life in India. In today’s ‘Digital India,’ the average Indian has found solace in some form of online gaming at some point in time during the day. There are various types of gamers, ranging from hyper-casual to strategic games to real-money gaming. The surge in the online gaming ecosystem in India has validated that Indians have definitely selected online gaming as a medium of entertainment. The common motivation to entertain across OTT and gaming remains constant across all media, old and new: it is a temporary escape from reality.

    The pandemic saw an unprecedented increase in gaming activity, especially on old favourites like ludo, carrom or any other classic board game on their mobile to enjoy playing with friends and family. The soon-to-be multi-billion dollar online gaming industry has a lot to offer in terms of the diversity of products, services, technological developments, job opportunities, and more.

    Although it still faces perspective biases in India from key sections of society on issues ranging from addiction to taboo, the behavioural shift of the consumer is here to stay. There are valid concerns surrounding the stigma of gaming being harmful or dangerous owing to investments of time or money, depending on the segment of the users, and the ecosystem will need to work with key government stakeholders to address that.

    Needless to say, anything in excess has adverse effects, be it binge eating, shopping or gaming. This brings in the need for higher levels of self-control from a user, which can happen if more power is shifted to the user’s hands. Spain has recently mooted the idea of making it mandatory for all real-money gaming businesses to ensure that players select options on time and money limits at the beginning of every week so that they stick to their limits. Since it is hard to unilaterally shift power back to the players owing to a conflict of business interests, there is a need for regulations and policies to force operators to do so.

    These issues don’t necessarily stem only from real money gaming, as there have been numerous reported unfortunate incidents of young children and families being impacted by other forms of online gaming, such as first person shooter games. India will need to come up with some kind of framework to address various segments of the gaming ecosystem to ensure that these businesses remain a mode of entertainment and not an unaccounted escape from reality. Having said that, there are some self-regulatory bodies that are proactively trying to keep operators in check by adhering to certain standards of integrity, transparency, and responsible play for users. While these are the right steps in the right direction, there needs to be more to follow.

    With significant financial integration in online gaming, cyber fraud, foreign capital flow, the nature of advertisements, etc., have been major pain points to solve. Industry players have been on their toes and have put these issues much ahead of anyone on their radar. Like every growing industry, there is a need for incubation and support rather than rejection. In terms of annual mobile game app downloads, India leads the global charts behind China. The sector is a significant contributor to the economy and is set to create more than 12,000 new job opportunities by 2023. While the industry is mature and has put self-regulatory measures in place, it is important to build and develop a robust framework in collaboration with the government, not only to sustain, boost, and track growth but also to check irregularities and unfair practices that are detrimental to the Indian gamer.

    The author of this article is Head Digital Works vice president – business strategy Siddharth Sharma.

  • Enter10 Network’s ex-chief business officer Shrutish Maharaj joins Worldwide Media as its president of revenue & strategy

    Enter10 Network’s ex-chief business officer Shrutish Maharaj joins Worldwide Media as its president of revenue & strategy

    Mumbai: Worldwide Media, India’s leading lifestyle and entertainment group has appointed the exemplary revenue leader, Shrutish Maharaj as its president of revenue & strategy, according to his Linkedin profile update. Having over 18 years of experience in this domain, he has diversified his portfolio into different mediums such as radio, print, TV, below-the-line advertising, branded content and digital sales. In his new stint, he will oversee the sales & business generation of the company, which is a Times Group entity.

    Maharaj was associated with Enter10 Network as the Chief Business Officer where he was instrumental in setting up and scaling up the group’s revenue & operations function. He was also responsible for overseeing media planning & buying activities of the organisation. During his tenure at Enter10 Network, he adopted a transformational approach toward business. The group’s channels like Dangal, Bhojpuri Cinema and Enterr10 Movies focused on creating the right positioning and perception under his leadership. At Enter10 TV Network, he restructured its leadership and looked after the revenue mandate of its flagship GEC Dangal TV.

    His strong acumen helped him to reach new heights and fostered in the business growth of companies he was engaged with. A go-getter, who constantly believes in innovation and drives sales & revenue growth with his experience and knowledge. Shrutish is a fearless young leader who shares the passion & vision for the media and entertainment space.

    Prior to this, he has also held multiple leadership positions with groups like UTV, Times TV Network and Helios Media. He also had a stint with HT media, CNBC TV 18, and Radio Today for over a year.

  • GUEST COLUMN: The role of AI and ML in the media industry

    GUEST COLUMN: The role of AI and ML in the media industry

    Mumbai: There is truly no such thing as “show business!” We have seen the world of entertainment and media shape shift over the last few years, and more dramatically ever since the world around us changed in the wake of the pandemic. The entertainment industry showed a massive fillip during the lockdown years, but not in the way that was expected. The new age of media and social media platforms have transformed the way entertainment is consumed today, and the role of technology has become far more intrinsic along the way too. Everything from how we create, publish, and share textual, audio, and video content to the increasing accessibility of production technologies such as high-resolution cameras, content development software, and smartphones is changing. The landscape is burgeoning with tech-driven innovation both from the delivery and consumption ends of the spectrum.

    With revenue expected to exceed $9.5 billion in 2022 when video ad tech is taken into account, the importance of AI and ML in the media and entertainment sector can no longer be dismissed. While it may not have been an obvious use case earlier, today, harnessing AI and ML to better target homes with advertisements, automate more operations, and secure the operators’ content and services is only the tip of the iceberg. AI has already demonstrated its promise in the music business by producing beautiful tunes and in the world of art with a strong aesthetic influence. It will be interesting to see how AI in entertainment is likely going to have a marked influence on how people interact with movies, television shows, videos, sports, and games.

    Glimpses of this shift are already apparent today. Media firms realise the growing competition they face with new players in the market, right from OTT platforms to social media platforms, vying for the consumer’s attention. There is a swelling urgency to not only produce more content more rapidly but also ensure that the quality and intrigue of the content produced remains top-notch.

    Enter AI and ML.

    There are myriad applications for these two cutting edge technologies, to enable a massive uptick for media and entertainment businesses, right from beta testing of content to gauge interest to creating interactive content to even assessing the right platform for maximum success and viewership. There is a role for AI and ML to play the hero that saves the day at every juncture.

    Some of the emerging areas of application for AI and ML are:

    Knowing your audience: With increased choices comes the problem of plenty too. Audiences that were previously limited to a few platforms for satiating their entertainment appetite are inundated with a plethora of choices. In such a landscape, knowing audience preferences becomes business critical, and media companies that can harness the power of machine learning to understand their audiences more keenly are going to have a definite advantage as we move ahead by being able to provide relevant and engaging content to each individual every single time.

    Feel with your audiences: It’s not enough to just know who your audience is. A step up from the data intelligence that AI and ML provide is understanding how audiences feel each time they view content that is produced by you. Testing your audience’s emotions can help you dive deeper into how the content was consumed and perceived in order to make future bets that are likely to help you win viewer share and also ensure stickiness in an era when customer/viewer acquisition costs are only climbing up.

    Deliver to your audiences: How many times have you heard the phrase “right place, wrong time”? Marketing leaders understand the critical importance of timing in reaching out to customers. The same content that finds resonance at a particular time can have a diametrically opposite response when you catch the consumer at the wrong hour. Emotion AI can help you not only understand how much of the content delivered is falling on the right side of the scale to ensure better results for your targeted campaigns. Retiring the spray and pray approach could be very possible if advertisers and marketers can tap into the hidden potential that emotion AI helps unlock for all the video content that is being produced for their brands’ success currently.

    Engage your audience: If only we could read the minds of our users to know exactly what they have understood and where the gap remains, all our efforts to produce better content in any context would be multiplied. This function is offered by all major corporations, like YouTube, Netflix, Spotify, etc., to improve the dependability and usability of their services.

    AI is also capable of adjusting video quality for internet speed. AI can analyse the internet connections of various viewers in various regions to handle this issue, and it can compress videos without sacrificing their quality to provide a buffer-free streaming experience.

    Advertising and the media

    Advertising, design, and content promotion are just a few of the marketing and trade applications of artificial intelligence in the entertainment industry. The greatest AI algorithms to use when developing solutions for advertising and marketing that are results-driven. With the use of AI-driven marketing software apps, companies may address the needs and preferences of their audience, develop marketing plans, and create efficient customer-centric digital solutions. For instance, AI in the media sector may quickly produce hundreds of eye-catching graphic designs for advertising. Thanks to such cutting-edge and revolutionary technology, manual labour has been substantially reduced, and productivity has increased. Using emotion AI, the advertiser can understand the best demographic to pinpoint their campaign towards to get maximum output.

    For example, if the emotion AI indicates that a person gets the feelings of passion and attachment while watching a football match, it can help the sportswear company understand that this particular audience and this medium work best to reach them through their campaign. By checking the pre-launch creative intelligence output and post-launch creative intelligence output, the campaigns will become more focused.

    Development of AR/VR

    As we are already seeing with the usage of AR in advertising, it’s important to note that in addition to the fundamental use of AI in entertainment, AR and VR app development will also make this area more compelling and immersive. We will be able to watch events from all angles, enabling us to have experiences that are richer and better. AI will assist us in comprehending the sensation of the actual, live event. AI may, however, be used to produce interactive content for AR and VR. With a set of goggles and AI technology, the entertainment sector may work miracles and produce magnificent scenes.

    Consumer interest is naturally drawn to the creation of virtual reality content for cooking shows, reality shows, and live events and programmes based on artificial intelligence. Watching television and movies with true emotional effects won’t be a pipe dream with all these modern technological advancements; it will certainly become a reality. To make this a reality and to understand the concrete effect of the content, Emotion AI will be a tool that will be pathbreaking and extremely important for advancements in terms of what kind of content would be precise for different pieces and scenarios.

    Harnessing Emotion AI

    For any piece of content to succeed, gaining and sustaining the attention of the audience in question is key. If the audience isn’t engaged from the beginning, one has already lost the plot. It, therefore, becomes imperative that the industry puts its best foot forward by testing creatives before the final launch—it helps to gauge the potential. Pre-testing content using Emotion AI helps empower the creators to better understand how pre-launch video creative intelligence can help drive better business outcomes. Emotion AI testing with a pre-defined target audience helps content creators ascertain whether the content is evoking the right kind of reciprocal emotional response. It empowers the creators to understand zones of high and low engagement and modify content for maximum engagement. The organisations can have the emotional AI response outputs mapped to multiple variables of age, gender, geography, time of day, etc., ensuring that the content is never out of flavour.

    Subtitles and automatic transcription

    International media companies should provide material that is relevant to audiences in different locations. As a result, businesses must offer precise and appealing multilingual subtitles for their video content platforms. It may take thousands of hours and effort to hand write subtitles for several films and TV series in a variety of languages. Additionally, finding the ideal applicant to accurately translate text into several languages is challenging.

    Thus, to bridge this existing gap, the powers of AI-based technologies like deep learning and machine learning are harnessed for natural language processing to transcribe movies, music videos, and TV episodes into many languages. To reach a larger audience and foster user engagement, the voice of the movie is translated into several languages with subtitles and audio commentaries.

    For instance, YouTube’s artificial intelligence helps its publishers easily access their material by automatically generating closed captions for videos posted to the platform.

    Metadata tagging

    With the huge amount of content being created every minute, making this content visible to viewers can be an unnerving task for media and entertainment companies. Distributors and media producers like CBS Interactive are utilising artificial intelligence-based video intelligence technologies to thoroughly analyse the footage by detecting and framing things in order to add appropriate tags in order to carry out this task on a wide scale. As a result, any content held by media firms is easily discoverable, regardless of its bulk.

    Due to the intense rivalry and the changing nature of the market, the economic and business models needed to flourish in the digital world are difficult and call for a considerable change in mentality and approach. Customers are the core of the media industry because they are now more powerful than ever. Organisations all across the world are realising that the customer is really the king and cannot be disregarded. By unravelling and experimenting with AI and ML, media and entertainment houses are maximising their business performance and enhancing the user experience and entertainment value with greater efficiency.

    The author of the article is Lightbulb.ai co-founder and CPO Vishal Soni.

  • Promax India Conference and Awards 2022: Focuses on engaging content, creativity, marketing ideas and others

    Promax India Conference and Awards 2022: Focuses on engaging content, creativity, marketing ideas and others

    Mumbai: Promax India is back with its 20th edition of Promax India Conference and Awards 2022 to be held in Mumbai on the 10-11 August, 2022 with workshops, sessions, one-to-one engagement with the speakers and honouring the best at the most awaited Promax India Awards 2022.

    Amazon Prime Video India head Aparna Purohit is the Awards Chair for this year.

    For Promax India, this year marks a milestone as it completes 20 remarkable years of honouring the best brands for their creativity, innovation, and storytelling. The coveted Promax India Awards introduced new additions this year. Some of the new categories include Best Static Image, Best Voice-Over Performance, and Best Social Media Content.

    Additionally, brands will also compete for The Creative Brand of the Year category.

    Some of the best minds in the industry will be hosting workshops titled, “The New Promo 10 Commandments” with the popular Rob Middleton, mentor-holding little promotions and marketing hands all across Asia for almost three decades now.

    Dynamite Design’s Sheetal Sudhir pitches in with principles and theory of motion and how you can use that to give a brand deeper values and dimension; digital mantras by RT Digital deputy creative & innovations director Ivor Crotty brings to us stories that build bridges; at the heart of building digital audiences is the power of the story, and the mantras of storytelling are at the centre of our endeavour. His mantra: what do you need to do to give your story the power to push through and to bring your audience with you on the journey?

    The essential masterclass session for all broadcast marketing professionals—whether new to writing briefs or looking for time-saving tips and hacks—is being presented by The Brief Doctor: Tim Hughes. His session explains how to maximise creative output by focussing on audience needs and business goals by setting a simple and effective creative strategy and managing through stakeholders.

    Some of the sessions to look out for are by well-known speakers – Trailer Voice Artists Agency owner Brent Hagel, Lee Hunt LLC founder Lee Hunt, Comedy Central voiceover artist Rahul Mulani, FX Network EVP marketing and on-air Stephanie Gibbons.

    Over the coming weeks, the speakers’ highlights will be shared based on their exchange of viewpoints and ideas.

  • GUEST ARTICLE: How is the growth of podcasts changing the media landscape and consumption?

    GUEST ARTICLE: How is the growth of podcasts changing the media landscape and consumption?

    Mumbai: Amidst a video-obsessed world where ‘shorter is nicer,’ a quiet revolution has been brewing—of audio content that is immersive, habit-forming, and poised for greater growth.

    Long stories are here to stay

    The pandemic changed a lot in terms of our consumption habits. This also extended to our content preferences. With theatres shut, shopping going online, and content being on tap-OTT took over. And this has extended to audio content as well.

    What’s changed?

    Over the last two years, consuming entertainment and information through audio has become a viable option. What has been driving this growth?

    “Better content” is the simple, most important factor. Equally important is the availability of local content, which has attracted more listeners. But what is the impact of this growth on the media landscape and how content is being consumed?

    Before we answer this, it’s important to understand who’s listening to this content. A large chunk of podcast content is being heard by a younger audience—typically 18–30 years old. This audience is based in urban and semi-urban areas. The content they truly love to listen to includes self-help, motivational, fiction (crime and love do well together!) and a whole lot of content created by the people they like, look up to, or want to know more about—in short, influencers.

    The impact

    For most digital content, we are now attuned to thinking that ‘shorter is better’. Thanks to TikTok and other short-form video content platforms, short content rules the roost. But in podcasts, length is not a deterrent. A typical interview-format podcast can range from 20 minutes to 5 hours! Yes, five hours! And it has a large audience too.

    Why are so many youngsters listening to long-form podcasts? A quick survey revealed that this mode allows them to go into depth about the topics they really care about. Plus, the fact that it is coming from a place of credibility and a source they trust makes it more compelling.

    Another major reason for the increase is the ability to consume podcasts and audio content passively. Press play, stow away the mobile, and you’re good for a while. For price-sensitive consumers, data consumption is also less than video.

    Should we all talk for hours?

    Of course not! Especially if you aren’t an authority on your subject of choice! Long form audio will do well for knowledge-based content—whether it is a monologue or a dialogue. For fiction podcasts, keeping it short (in the podcast context) to about 20–30 minutes per episode is a sweet spot. Let the listener pace their listening… like with a good TV series, develop the story and put in hooks to keep the listener coming back for more.

    This also begs the question of whether there is any place for short-form content (like with video) in the audio space. The answer is a resounding yes! But choose topics carefully. We are still in the early stages of discovering what works and what doesn’t. So expect a lot more experimentation in formats, lengths, genres, and topics.

    In the last few years, a lot of news outlets have also taken to podcasts actively. The ease of reaching a large audience (about 95 million) that is engaged is a strong pull. The audio-led feature story will soon start to be an important part of content strategies. Whereas creating video documentaries can be cumbersome, expensive and time-limiting, audio will be able to offer a strong alternative.

    And the money?

    The short answer is that there is money for creators. Over the next few months, audio-first influencers will emerge. As the audience grows, brands have started exploring the medium.

    Many have already made investments and had their first taste of the medium. Branded content, brand integrations, pureplay sponsorships, and advertising have all started the cycle of monetisation for creators and publishers.

    To sum up, the biggest change that podcasts are bringing to the media landscape and how we consume content is they are putting the limelight back on in-depth storytelling and immersive experiences for audiences.

    The author is Ideabrew Studios co-founder & CEO Aditya Kuber.

  • Dentsu Intl onboards broadcast vet Robert Gilby as APAC CEO

    Dentsu Intl onboards broadcast vet Robert Gilby as APAC CEO

    MUMBAI: His is a familiar face with the entire media and entertainment industry in India. More so in the broadcast sector, Singapore-based Rob Gilby – who is well-known for his fancy moves on the dance floor as he is for building organisations in Asia – will be joining Dentsu International as its APAC CEO come 5 September 2022. He will report to Dentsu International global CEO Wendy Clark.

    Rob has been mandated with overseeing the 11,600-strong Dentsu army of ad folks in 18 markets. He is stepping into the agency at a time when it has rolled out Dentsu Creative worldwide following accolades like it being awarded as the APAC regional network of the year and Dentsu Creative India being recognised as the global agency of the year at the recently concluded Cannes Lions. The agency has also been showing some fancy results with growths of 4.7 per cent in FY’21 and 5.2 per cent in Q1 2022.

    “Rob is an exceptionally well-rounded leader with a progressive approach that deeply understands the future of the industry and opportunities for growth, for our people, our clients and our business,” said Dentsu International CEO Wendy Clark. “Importantly, he demonstrated his long-term vision, values-based leadership style and passion for building high-performance, diverse teams that is fundamental to the way we do business at dentsu.”

    He has great credentials indeed with 30 years’ experience in the media and entertainment industry and has worked in Asia Pacific for over 25 years. He has a proven track-record of growing profitable businesses including WarnerMedia and The Walt Disney Co, with extensive experience in markets including Australia, China, India, Southeast Asia and Singapore.

    He joins dentsu from Nielsen where he is President, APAC responsible for building relationships with key media owners, brands and agencies to deliver audience insights across the media ecosystem. Prior to that he was CEO & founder, Blue Hat Ventures, an investment and advisory firm focussed on identifying and commercialising high-growth businesses in the digital media sector in Asia Pacific. He has held non-executive board and advisory roles at the ministry of communications & Information, the InfoComm Media Development Authority and the Singapore Media Festival.

    Robert said, “I was instantly drawn to dentsu’s compelling vision with its rich heritage as the only holding company born out of Asia. It is a privilege to be leading this region with the world looking to the Asia Pacific region as its GDP growth is forecasted to remain strong, the emerging middle-class booms and rapid digitization and investment in homegrown platforms leapfrog existing technologies. Dentsu’s ability to understand people better than anyone else and vision for horizontal creativity coupled with these market conditions creates an exciting opportunity for brands to thrive.”

  • Netflix’s to showcase its global fan event Tudum on 24 September

    Netflix’s to showcase its global fan event Tudum on 24 September

    Mumbai: OTT platform Netflix has announced that its global virtual event Tudum is back. The event that it said garnered over 25 million views from Netflix fans in 184 countries around the world last year is returning on 24 September 2022 with five global events in 24 hours. At 11 a.m IST (10:30 p.m PT 23 September), fans will be treated to a fun look at what’s ahead from India.

    On 24 September, Tudum will span four continents with five events, taking fans on a trip around the world. The day will have exclusive news, never-before-seen footage, trailers, and first looks, as well as interviews with Netflix’s biggest stars and creators. The free virtual event is a celebration of Netflix fandom and is dedicated to sharing the scoop on over 100 fan favourite shows, films and specials from across the globe.

    At 11:00 a.m KST (7:00 p.m. PT September 23), Tudum kicks off with a show out of Korea. At 10 a.m PT, fans will get exclusive news from shows and movies coming out of the US and Europe, as well as an additional event which previews the great entertainment coming from Latin America.

    Finally at 1 p.m. JST 25 September (9 p.m. PT September 24), stars from Japan will close out Tudum with a celebration of  Japanese entertainment.

    Tudum is a Netflix Global Fan Event that will be available across Netflix YouTube channels in a number of different languages.